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1526
Time After Time, piano cover
Piano solo
Piano Solo - Intermediate - Digital Download By Cyndi Lauper. Arranged by Christine B…
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Piano Solo - Intermediate - Digital Download By Cyndi Lauper. Arranged by Christine Brown. Sheet Music Single. 7 pages. Published by Christine Brown
This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular song, blended with classical excerpts of Bach's Minuet in G, from the piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.<br> <br> Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."<br> <br> Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.
$7.99
7.3 €
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Piano solo
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Cyndi Lauper
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Time After Time, piano cover
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Christine Brown
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SheetMusicPlus
Elf Lieder nach Henry W. Longfellow (tief) / Eleven Songs after Henry W. Longfellow (low)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.498678 Composed by Kl…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.498678 Composed by Klaus Miehling. Contemporary. Score. 32 pages. Klaus Miehling #112204. Published by Klaus Miehling (A0.498678). 1. Afternoon in February - 2. The City and the Sea - 3. Curfew - 4. Delia - 5. Dirge Over a Nameless Grave - 6. Enceladus - 7. Endymion - 8. Lover’s Rock - 9. Hymn to the Night - 10. The Windmill - 11. The Reaper and the Flowers. No. 7 received in 2009 the Longfellow Chorus Award of Distinction at the Longfellow Chorus Composers Competition. Versions for high and medium voice are also available.
$3.20
2.93 €
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Piano, Vocal and Guitar
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Klaus Miehling
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Elf Lieder nach Henry W. Longfellow
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Klaus Miehling
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SheetMusicPlus
Elf Lieder nach Henry W. Longfellow (mittel) / Eleven Songs after Henry W. Longfellow (medium)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.498677 Composed by Kl…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.498677 Composed by Klaus Miehling. Contemporary. Score. 32 pages. Klaus Miehling #112203. Published by Klaus Miehling (A0.498677). 1. Afternoon in February - 2. The City and the Sea - 3. Curfew - 4. Delia - 5. Dirge Over a Nameless Grave - 6. Enceladus - 7. Endymion - 8. Lover’s Rock - 9. Hymn to the Night - 10. The Windmill - 11. The Reaper and the Flowers. No. 7 received in 2009 the Longfellow Chorus Award of Distinction at the Longfellow Chorus Composers Competition. Versions for high and low voice are also available.
$3.20
2.93 €
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Piano, Vocal and Guitar
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Klaus Miehling
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Elf Lieder nach Henry W. Longfellow
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Klaus Miehling
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SheetMusicPlus
Winter Afternoons
Choral SSAATTBB
SSAATTBB chorus - Digital Download SKU: BJ.1047 Composed by Anders Hultqvist. Secul…
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SSAATTBB chorus - Digital Download SKU: BJ.1047 Composed by Anders Hultqvist. Secular. Octavo. 37 pages. Bo Ejeby Forlag - Digital #1047. Published by Bo Ejeby Forlag - Digital (BJ.1047). 8.27 x 11.7 inches.Magnificent song on Dickonson’s poem. There are two settings (8 parts and 12 parts) to be performed either separately or joined together. Ring binder.
$13.00
11.89 €
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Choral SSAATTBB
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Anders Hultqvist
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Winter Afternoons
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Winter Afternoons
Choral SSAATTBB
SSAATTBB chorus - Digital Download SKU: BJ.1046 Composed by Anders Hultqvist. Secul…
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SSAATTBB chorus - Digital Download SKU: BJ.1046 Composed by Anders Hultqvist. Secular. Octavo. 38 pages. Bo Ejeby Forlag - Digital #1046. Published by Bo Ejeby Forlag - Digital (BJ.1046). 8.27 x 11.7 inches.Magnificent song on Dickinson’s poem. There are two settings (8 parts and 12 parts) to be performed either separately or joined together. Ring binder.
$13.00
11.89 €
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Choral SSAATTBB
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Anders Hultqvist
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Winter Afternoons
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
BEHOLD HE IS COMING (SATB) – Revelation 1:7
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
1.82 €
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Choral SATB
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Après un rêve" (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn Stott
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.
$7.99
7.3 €
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Cello, Piano
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Gabriel Fauré, Yo Yo Ma and Kathryn Stott
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Après un rêve"
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Flavio Regis Cunha
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SheetMusicPlus
Orchestral excerpts, Don Juan (Trumpet 1: 4 bars after F-3 bars before G, 7 bars after H-K)
Trumpet
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Trumpet
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Richard Strauss
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Tomplay
Orchestral Excerpts, Don Juan (Beginning to D, 7 bars before G to H, R to T, 10 bars after V to 4 bars after W)
Cello
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Cello
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Richard Strauss
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Tomplay
Orchestral excerpts, Don Juan (Trumpet 2: 4 bars after F-3 bars before G, 7 bars after H-K)
Trumpet
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99 €
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Trumpet
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Richard Strauss
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Tomplay
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
2 €
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Choral TTBB
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Spirit of 7 to 6
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1257042 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1257042 Composed by George West. Arranged by George West and edited by CHRIS MAGEE. Jazz. Score and Parts. 92 pages. Dubba C Music #850377. Published by Dubba C Music (A0.1257042). Spirit of 7 to 6 is a modal jazz tune by George West. Composed in the 1970s around the time of the American bicentennial celebration, the title also refers to meter changes between 7/4 (written as 4/4+3/4) and 6/4. Your soloists only need to know two scales to solo on this tune: C dorian minor and Ab mixolydian. Range and technical demands are moderate. After the statement of the melody, an open solo section leads to a sax soli, then a great shout chorus. If you are looking for a change of pace for your concert or assessment program, this is an excellent choice!Grade: 3+Ranges:Trumpet: C6Trombone: G4 About George West: Trombonist and educator George West (1931-2013) was founder and head of the jazz program at James Madison University for 25 years, from 1971 until his retirement in 1996. He served as bass trombonist and arranger with the U.S. Air Force Airmen of Note from 1953 until 1958, and performed with the Kai Winding trombone Group from 1959 through 1960. George completed his undergraduate degree at Oberlin Conservatory, and earned his masters and Ph.D. from Michigan State University. He founded the jazz programs at both schools while he was a student. George also founded the jazz program at Blue Lake Fine Arts Camp (Muskegon, MI) in 1971 and led that program through 2004. After his retirement from James Madison University, he relocated to Deland, Florida, and led the jazz program at Stetson University until his passing in 2013.
$60.00
54.85 €
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Jazz Ensemble
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George West
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Spirit of 7 to 6
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Dubba C Music
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SheetMusicPlus
Fifty Ways to Kill My Lover's Lover [Solo] (from After it Rains - A New Musical)
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.749995 Composed by Chris Lawr…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.749995 Composed by Chris Lawry, Samantha Joy. Broadway,Musical/Show. 7 pages. Moonhouse Music #6129475. Published by Moonhouse Music (A0.749995). After it Rains is a new musical in development. Set in London, through a series of chance encounters it tells the story of a group of people using the New Year to bring about a change in their lives. It is a story of hope and broken dreams, love and loss, hatred and betrayal, but also of finding joy and happiness in unexpected places.The is song #7, a dark humoured solo for female singer. For more information and background to the song, please see www.rainsmusical.com or www.youtube.com/chrislawry Full backing tracks are available, please contact : contact@chrislawry.com.
$1.99
1.82 €
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Chris Lawry, Samantha Joy
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Fifty Ways to Kill My Lover's Lover [Solo]
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Moonhouse Music
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19
2 €
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Choral TTBB
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Organ
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards.…
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99
5.48 €
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Organ
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Aftermath
Piano solo
Piano Solo - Digital Download SKU: A0.992459 Composed by Eric Watson. 20th Century,…
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Piano Solo - Digital Download SKU: A0.992459 Composed by Eric Watson. 20th Century,Contemporary. Score. 7 pages. Eric Watson #3502427. Published by Eric Watson (A0.992459). Aftermath was completed in early June 2011; the duration is four minutes and fifty seconds. The piece explores the juxtapositions of chords a semitone apart and poses several technical and musical challenges for the performer, rapid notes, octaves, contrasts of tempi and mood. The title and mood came as a response to the Japanese earthquake and tsunami and to the many heart-rending images that were seen in the media of families coping with the aftermath of violent disaster and shattering loss.It is also a tribute to the courage and fortitude of the survivors. The work was written as the finalist's test piece for the Singapore National Piano and Violin competition. .
$9.95
9.1 €
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Piano solo
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Eric Watson
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Aftermath
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Eric Watson
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SheetMusicPlus
After The Love Has Gone
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1147106 By Earth Wind and Fire. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1147106 By Earth Wind and Fire. By Bill Champlin, David Babyface Foster, and Jay Graydon. Arranged by Unimusic Academy (Academia Unimusica). Hip-Hop,Jazz,Pop,R & B,Rock,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #747309. Published by Unimusic Academy (Academia Unimusica) (A0.1147106). After the Love Has Gone is a single by Earth, Wind & Fire released in 1979 on ARC/Columbia Records.[1] The song reached No. 2 on both the US Billboard Hot 100, behind The Knack's My Sharona and the US Billboard Hot R&B Singles chart, No. 4 on the UK Pop Singles chart and No. 3 on the US Billboard Adult Contemporary Songs chart.[2][3][4][5] After the Love Has Gone has also been certified Gold in the US by the RIAA and Silver in the UK by the BPI.[6][7].
$8.00
7.31 €
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Piano solo
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Earth Wind and Fire
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After The Love Has Gone
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Unimusic Academy
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Flute and Violin Duet
Flute, Violin
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588842 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017085. Published by David McKeown (A0.588842). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Violin.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Flute, Violin
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Traditional
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7.40pm, Traditional Klezmer tune for Flute and Violin Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Clarinet and Violin Duet
Clarinet, Violin (duet)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588635 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017069. Published by David McKeown (A0.588635). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Violin.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Clarinet, Violin (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Trombone Duet
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589047 Composed by Trad…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589047 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score. 6 pages. David McKeown #6017113. Published by David McKeown (A0.589047). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for two Trombones. It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Trombones (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Trombone Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Trumpet and Clarinet Duet
Clarinet, Trumpet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588619 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017115. Published by David McKeown (A0.588619). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Clarinet.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Clarinet, Trumpet (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Trumpet and Clarinet Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Flute and Alto Flute Duet
2 Flutes (duet)
Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.588846 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,Multicultural,World. Score and parts. 6 pages. David McKeown #6017075. Published by David McKeown (A0.588846). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Alto Flute.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Flutes (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Flute and Alto Flute Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Clarinet and Alto Clarinet Duet
2 Clarinets (duet)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588677 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,Multicultural,World. Score and parts. 6 pages. David McKeown #6017059. Published by David McKeown (A0.588677). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Alto Clarinet.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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2 Clarinets (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Clarinet and Alto Clarinet Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589052 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017117. Published by David McKeown (A0.589052). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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7.40pm, Traditional Klezmer tune for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Trumpet and Trombone Duet
Trumpet, Trombone (duet)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.589098 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017123. Published by David McKeown (A0.589098). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Trombone.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Trumpet, Trombone (duet)
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Traditional
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7.40pm, Traditional Klezmer tune for Trumpet and Trombone Duet
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David McKeown
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SheetMusicPlus
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