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Ain't No Other Man - Trombone 3
Sheetmusic to print
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Ain't No Other Man
Choral 3-part
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1208116 By Christina Aguile…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.1208116 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Octavo. 11 pages. Music Arrangement Services Inc. #806234. Published by Music Arrangement Services Inc. (A0.1208116). Performed by Christina Aguilera. Â This song is about finding incomparable love. Â The song refers to a man that no one else can compare to, telling everyone love has been found, having soul, class, and style. Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â Concert Band Score accompaniment will be available soon. Â Performance time is approximately 3:35.
$3.99
3.61 €
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Choral 3-part
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Christina Aguilera
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Ain't No Other Man
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Music Arrangement Services Inc.
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.05 €
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String Orchestra
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Ain't No Other Man - Trumpet 3
Trumpet (band part)
Level 3 - Digital Download SKU: HX.159373 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159373 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159373).
$6.00
5.43 €
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Trumpet (band part)
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Christina Aguilera
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Ain't No Other Man - Trumpet 3
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Piano
Level 3 - Digital Download SKU: HX.159380 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159380 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159380).
$6.00
5.43 €
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Christina Aguilera
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Ain't No Other Man - Piano
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man
Level 3 - Digital Download SKU: HX.159383 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159383 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159383).
$45.00
40.76 €
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Christina Aguilera
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Ain't No Other Man
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1017581 By Christina Aguil…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1017581 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Kyle McTavish. Contemporary,Dance,Pop. Octavo. 17 pages. Kyle McTavish #6212973. Published by Kyle McTavish (A0.1017581).
$1.99
1.8 €
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Choral SSAA
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Christina Aguilera
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Ain't No Other Man
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Kyle McTavish
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SheetMusicPlus
Ain't No Other Man - Bass
Level 3 - Digital Download SKU: HX.159381 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159381 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159381).
$6.00
5.43 €
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Christina Aguilera
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Ain't No Other Man - Bass
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Guitar
Level 3 - Digital Download SKU: HX.159379 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159379 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159379).
$6.00
5.43 €
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Christina Aguilera
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Ain't No Other Man - Guitar
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Alto Sax 1
Saxophone (band part)
Level 3 - Digital Download SKU: HX.159366 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159366 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159366).
$6.00
5.43 €
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Saxophone (band part)
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Christina Aguilera
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Ain't No Other Man - Alto Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Full Score
Level 3 - Digital Download SKU: HX.159365 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159365 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 8 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159365).
$5.00
4.53 €
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Christina Aguilera
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Ain't No Other Man - Full Score
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Tenor Sax 1
Saxophone (band part)
Level 3 - Digital Download SKU: HX.159368 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159368 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159368).
$6.00
5.43 €
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Saxophone (band part)
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Christina Aguilera
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Ain't No Other Man - Tenor Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Tenor Sax 2
Saxophone (band part)
Level 3 - Digital Download SKU: HX.159369 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159369 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159369).
$6.00
5.43 €
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Saxophone (band part)
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Christina Aguilera
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Ain't No Other Man - Tenor Sax 2
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Alto Sax 2
Saxophone (band part)
Level 3 - Digital Download SKU: HX.159367 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159367 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159367).
$6.00
5.43 €
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Saxophone (band part)
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Christina Aguilera
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Ain't No Other Man - Alto Sax 2
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Trumpet 2
Trumpet (band part)
Level 3 - Digital Download SKU: HX.159372 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159372 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159372).
$6.00
5.43 €
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Trumpet (band part)
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Christina Aguilera
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Ain't No Other Man - Trumpet 2
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Baritone Sax
Level 3 - Digital Download SKU: HX.159370 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159370 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159370).
$6.00
5.43 €
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Christina Aguilera
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Ain't No Other Man - Baritone Sax
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Trumpet 1
Trumpet (band part)
Level 3 - Digital Download SKU: HX.159371 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159371 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159371).
$6.00
5.43 €
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Trumpet (band part)
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Christina Aguilera
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Ain't No Other Man - Trumpet 1
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Trumpet 4
Trumpet (band part)
Level 3 - Digital Download SKU: HX.159374 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159374 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159374).
$6.00
5.43 €
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Trumpet (band part)
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Christina Aguilera
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Ain't No Other Man - Trumpet 4
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Other Man - Aux Percussion
Level 3 - Digital Download SKU: HX.159383 By Christina Aguilera. By Charles Roane, …
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Level 3 - Digital Download SKU: HX.159383 By Christina Aguilera. By Charles Roane, Chris Martin, Christina Aguilera, Harold Beatty, and Kara Dioguardi. Arranged by Roger Holmes. Pop. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.159383).
$6.00
5.43 €
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Christina Aguilera
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Ain't No Other Man - Aux Percussion
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Hal Leonard - Digital
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SheetMusicPlus
Ain't No Mountain High Enough
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568981 By Diana Ross. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Hip-Hop,Pop,R & B. Score and parts. 20 pages. Thomas Graf - the-hit-factory.com #3488423. Published by Thomas Graf - the-hit-factory.com (A0.568981). Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross' first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/uEeDG_8EZoo 2018 Chamber Music Contest Entry.
$19.99
18.11 €
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String Quartet: 2 violins, viola, cello
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Diana Ross
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Ain't No Mountain High Enough
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 3: Adieu from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ain't Misbehavin'
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.773668 By Hank Williams Jr. By Harr…
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Piano Solo - Level 3 - Digital Download SKU: A0.773668 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Anthony Giamanco. Jazz. Score. 2 pages. Whole Tone Press #3435281. Published by Whole Tone Press (A0.773668). Ain't Misbehavin' is arranged for piano in an easy stride style. The left hand remains in a comfortable position (no wide leaps); the right hand takes the melody and fills out harmonies. Although relatively easy to play, this arrangement sounds great! 2 pages. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.99
4.52 €
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Piano solo
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Hank Williams Jr
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Ain't Misbehavin'
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Whole Tone Press
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.2 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
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