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Sheetmusic to print
366 sheet music found
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351
Military March No. 1 in D major, Opus 51, D. 733 (Easy/Intermediate Level)
Piano solo
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Piano solo
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Schubert
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Tomplay
Military March No. 1 in D major, Opus 51, D. 733 (Intermediate Level)
Piano solo
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Piano solo
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Schubert
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Tomplay
The Much Admired Air, Sul Margine D'un Rio
1 Piano, 4 hands
Piano, 4-hands - Digital Download SKU: LV.1590 Arranged by T. Latour. Lester S. Lev…
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Piano, 4-hands - Digital Download SKU: LV.1590 Arranged by T. Latour. Lester S. Levy Collection. 13 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1590). The Much Admired Air, Sul Margine D'un Rio. Arranged as a Duett With Variations for Two Performers on one Piano Forte by T. Latour. Published [n.d.] by Dubois & Stodart at their Piano Forte & Music Store, No. 126 Broadway in New York. Composition of theme and variation with piano four-hands instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.4 €
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1 Piano, 4 hands
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The Much Admired Air, Sul Margine D'un Rio
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Joy to the World 1 Piano 4 Hand Piano DUET
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.874359
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.874359 Composed by Traditional. Arranged by Dr. Walden Hughes. 20th Century,Christmas,Concert,Rock,Romantic Period. Score and parts. 10 pages. PianoEnsembleMusic #3405451. Published by PianoEnsembleMusic (A0.874359). Joy to the World for Piano Duet (1 piano 4 hands) in the style of the Mannheim Steamrollers rock 'n roll Fresh Aire Christmas style. .
$4.99
4.5 €
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1 Piano, 4 hands
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Traditional
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Joy to the World 1 Piano 4 Hand Piano DUET
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PianoEnsembleMusic
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SheetMusicPlus
Military March No. 1 in D major, Opus 51, D. 733 (Original version)
Piano solo
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3.99 €
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Piano solo
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Schubert
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Tomplay
Military March No. 1 in D major, Opus 51, D. 733 (Original version)
Piano solo
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3.99 €
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Piano solo
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Schubert
#
Tomplay
Military March No. 1 in D major, Opus 51, D. 733 (Beginner Level)
Piano solo
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1.99 €
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Piano solo
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Schubert
#
Tomplay
Military March No. 1 in D major, Opus 51, D. 733 (Very Easy Level)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Piano solo
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Schubert
#
Tomplay
Military March No. 1 in D major, Opus 51, D. 733 (Easy Level)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Piano solo
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Schubert
#
Tomplay
Method for Oboe or Saxophone: Elementary Studies, Vol. 1 - No. 1 C major
Oboe
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4.99 €
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Oboe
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Sellner
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Tomplay
Blues, Easy/Intermediate No. 1 (Buddy Guy, Damn Right, I've Got the Blues)
Drums
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Drums
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TomRhythm
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Tomplay
Bossa-Nova, Easy/Intermediate No. 1 (Antonio Carlos Jobim, Chega De Saudade)
Drums
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Drums
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TomRhythm
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Tomplay
Reggae, Intermediate No. 1 (Bob Marley, Stir it Up)
Drums
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Drums
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TomRhythm
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Tomplay
Metal, Easy/Intermediate No. 1 (Linkin Park, What I’ve Done)
Drums
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Drums
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TomRhythm
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Tomplay
Blues, Intermediate No. 1 (Jeff Healey Band, Roadhouse Blues)
Drums
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Drums
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TomRhythm
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Tomplay
Pop-Rock, Easy/Intermediate No. 1 (Coldplay, Clocks)
Drums
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Drums
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TomRhythm
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Tomplay
Pop-Rock, Intermediate No. 1 (The Cure, Lullaby)
Drums
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Drums
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TomRhythm
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Tomplay
Hip-Hop, Intermediate No. 1 (Coolio, Gangsta's Paradise)
Drums
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Drums
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TomRhythm
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Tomplay
Jazz, Easy/Intermediate No. 1 (Nat King Cole, Love)
Drums
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Drums
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TomRhythm
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Tomplay
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.88 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Cailin 'n Fhuilt Bhàin (The Fair-Haired Girl)
Accordion
Accordion - Digital Download SKU: A0.822733 Composed by Murdo MacDonald. Arranged b…
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Accordion - Digital Download SKU: A0.822733 Composed by Murdo MacDonald. Arranged by Julia Gordon. Celtic,Folk,World. Score. 1 pages. Julia Gordon #5970377. Published by Julia Gordon (A0.822733). A Scots Gaelic air arranged for accordion.
$3.25
2.93 €
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Accordion
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Murdo MacDonald
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Cailin 'n Fhuilt Bhàin
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Julia Gordon
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SheetMusicPlus
Water Music n.1 HWV 348 (selection)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1470182 Composed by G. F. Haendel (1685 - 1759). Arranged by Aurelio Scotto. Baroque,Chamber,Classical. 42 pages. Aurelio Scotto #1047928. Published by Aurelio Scotto (A0.1470182). Transcription for woodwind quintet Full Scores and Parts Intermediate level Allegro Air Minuet Bourrée Hornpipe
$4.99
4.5 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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G
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Water Music n.1 HWV 348
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Aurelio Scotto
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SheetMusicPlus
Polonaise No. 3 in A major, Opus 40, No. 1, 'Military'
Piano solo
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Piano solo
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Chopin
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Tomplay
24 Pieces for Children, Opus 39 - No. 1 Melody
Piano solo
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Piano solo
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Kabalevski
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Tomplay
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