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You've selected:
Air on a G String for Cello and Double Bass Duet
Sheetmusic to print
6 sheet music found
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1
Air on a G String for Cello and Double Bass Duet
Cello, String Bass (duet)
Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1226419 Co…
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Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1226419 Composed by Johann Sebastian Bach. Arranged by David Burndrett. Baroque. 4 pages. David Burndrett #822418. Published by David Burndrett (A0.1226419). This works well as a concert piece or just for fun!Download includes the score and both of the parts.
$4.95
4.57 €
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Cello, String Bass (duet)
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Johann Sebastian Bach
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Air on a G String for Cello and Double Bass Duet
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David Burndrett
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SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
23.03 €
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Cello, String Bass (duet)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Two Duets for Double Bass (or Cello)
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.809908 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Instructional. Score and parts. 5 pages. R. E. Proctor #6051415. Published by R. E. Proctor (A0.809908). Two duets for double bass or cello to provide the student and the teacher an opportunity to move beyond scales and exercises for a little change of pace. Drawn from the works of J.S. Bach. The Bourrée in E Minor, from the Lute Suite in E minor, has suggested phrasing, fingerings, and bowings are for double bass. The Aire on the G String is from the 3rd Orchestral Suite. This does not have any edits beyond phrasing. The student is encouraged to develop his/her own fingerings and bowings and discuss his/her reasons with the instructor. The duration of the Aire is approximately 2:50 and the Bourrée is about 1:30. The student and the teacher should play both parts, perhaps, changing on the repeats.
$5.95
5.49 €
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Cello, String Bass (duet)
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Johann Sebastian Bach
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Drawn from the works of J
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Two Duets for Double Bass
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R. E. Proctor
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SheetMusicPlus
Crown Him With Many Crowns - Flex Orchestra
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596383 Composed by George Elvey. Arranged by Kristin Campbell. Praise & Worship,Sacred. Score and parts. 28 pages. Horsehair Music #4287357. Published by Horsehair Music (A0.596383). The Flex Orchestra Series are arrangements that can flex to your available instrumentation. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. This arrangement for strings is easy and all set in first position in the keys of C and G. A straightforward and simple setting to help students learn this classic hymn tune.
$9.99
9.22 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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George Elvey
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Crown Him With Many Crowns - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
The Church's One Foundation - Flex Orchestra
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596381 Composed by Samuel Stone. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4278645. Published by Horsehair Music (A0.596381). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. This arrangement for strings is easy and all set in first position in the keys of C and G. A straightforward and simple setting to help students learn this classic hymn tune.
$9.99
9.22 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
#
Samuel Stone
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The Church's One Foundation - Flex Orchestra
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Horsehair Music
#
SheetMusicPlus
I Know Whom I Have Believed - Flex Orchestra
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Down…
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
9.22 €
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
#
James McGranahan
#
#
I Know Whom I Have Believed - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
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