Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
324
Digital
Sheet Music
2,746
Sheet Music
Books
1,647
Music
Equipment
234
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
817
PIANO & KEYBOARDS
Piano solo
182
Piano, Voice
79
Piano, Vocal and Guitar
58
Easy Piano
21
C Instruments
14
Organ
14
Big Note Piano
8
1 Piano, 4 hands
3
Piano Quintet: piano, 2 violins, viola, cello
3
Piano (band part)
2
Piano Quartet: piano, violin, viola, cello
1
Accordion
1
2 Pianos, 4 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
31
Guitar
15
Melody line, (Lyrics) and Chords
11
Ukulele
4
Guitar (band part)
4
Lyrics and Chords
4
2 Guitars (duet)
3
Bass guitar
1
3 Guitars (trio)
1
Baritone Ukulele
1
Dulcimer
1
4 Guitars (Quartet)
1
Guitar, Violin, Cello (trio)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
68
Choral 3-part
16
Choral TTBB
14
Choral 2-part
11
Choral Unison
9
Choral SSAA
5
Vocal duet
4
High voice
2
Alto voice, Piano
1
Tenor voice, Piano
1
Voice solo
1
Choral
1
Soprano voice, Piano
1
Low voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quintet: 5 Saxophones
93
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
70
Saxophone ensemble
70
Clarinet Ensemble
30
Clarinet
18
Flute and Piano
17
2 Flutes (duet)
16
Flute ensemble
14
Flute Quintet : 5 flutes
13
Flute, Oboe, Clarinet, Bassoon
13
Saxophone Quartet: 4 saxophones
12
Oboe (band part)
11
Clarinet and Piano
10
Tenor Saxophone and Piano
10
Alto Saxophone and Piano
10
Saxophone (band part)
9
Oboe, Piano (duet)
8
Soprano Saxophone and Piano
8
Clarinet Quartet: 4 clarinets
7
Flute, Viola (duet)
5
Flute, Violoncello
5
Flute
5
Oboe, Bassoon (duet)
5
Clarinet and Viola
5
Baritone Saxophone, Piano
4
Saxophone
3
2 Saxophones (duet)
3
Flute and Guitar
3
Tenor Saxophone
3
English horn, Piano
2
Descant (Soprano) Recorder
2
Alto Saxophone
2
2 Clarinets (duet)
2
Bass Clarinet, Piano
2
Flute Quartet: 4 flutes
2
Flute (band part)
2
Clarinet, Bassoon (duet)
1
Clarinet Quintet: 5 clarinets
1
Piccolo
1
Flute, Violin and Violoncello
1
Clarinet, Organ
1
Flute, Violin, Piano
1
Ocarina
1
English Horn, Guitar (duet)
1
3 Clarinets (trio)
1
Clarinet, Guitar (duet)
1
Clarinet, Trombone (duet)
1
3 Saxophones (trio)
1
Oboe, Guitar (duet)
1
Flute, Clarinet (duet)
1
Clarinet, Cello (duet)
1
Flute Trio: 3 flutes
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
78
Brass Quintet: 2 trumpets, horn, trombone, tuba
76
Trumpet ensemble
48
Brass Quartet: 2 trumpets, horn, trombone
27
Trombone ensemble
26
Brass Quartet
12
Trombone (band part)
7
French Horn and Piano
5
Trombone and Piano
5
Horn Ensemble
4
Trumpet, Piano
4
Trumpet
4
Trumpet (band part)
4
Tuba and Piano
4
French horn (band part)
3
Trumpet, Trombone (duet)
3
French horn
3
English horn, Piano
2
Trombone
2
Brass Quartet: 4 trumpets
2
3 Trumpets (trio)
2
2 Trumpets (duet)
2
Euphonium, Piano (duet)
2
Trumpet, Euphonium (duet)
1
Brass Quartet: 4 trombones
1
Brass Quartet: 2 trumpets, 2 trombones
1
Euphonium
1
English Horn, Guitar (duet)
1
Tuba ensemble
1
Tuba (band part)
1
2 Trombones (duet)
1
2 Tubas (duet)
1
3 Trombones (trio)
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
59
String Trio: violin, viola, cello
20
Violin and Piano
17
Violin, Cello (duet)
15
Violin ensemble
14
Viola ensemble
14
Viola, Piano
13
Harp
12
2 Violins (duet)
9
Cello
8
Violin
8
String Trio: 2 violins, cello
7
String Quintet: 2 violins, viola, cello, bass
7
Cello, String Bass (duet)
6
Flute, Doublebass (duet)
5
Cello, Piano
5
Violin, Viola (duet)
4
String Quintet: 2 violins, 2 violas, cello
3
2 Harps (duet)
2
2 Cellos (duet)
2
Double Bass
2
Cello, Guitar (duet)
2
Viola
2
Doublebass (band part)
2
2 Violas (duet)
2
Double bass, Piano (duet)
2
String Trio: 3 violas
1
String Trio: 3 violins
1
Cello Ensemble
1
Viola, Cello (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
72
String Orchestra
46
Orchestra
12
Jazz Ensemble
10
Brass ensemble
9
Chamber Orchestra
9
Handbells
6
Percussion Ensemble
4
Jazz combo
3
Marching band
3
Drum (band part)
2
2 Xylophones
1
Xylophone
1
Drums
1
Orchestra, Violin
1
Xylophone, Piano
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
All Because Of You
Sheetmusic to print
2,746 sheet music found
<
1
26
51
....
2726
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.57 €
#
Choral TTBB
#
Arlo Guthrie
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
All Because of You (Piano Collection fuer Entertainer)
Piano solo
Piano Solo - Digital Download SKU: A0.1020643 Composed by Peter Epp. Contemporary,J…
(+)
Piano Solo - Digital Download SKU: A0.1020643 Composed by Peter Epp. Contemporary,Jazz,Pop,World. Score. 2 pages. Peter Epp #5011177. Published by Peter Epp (A0.1020643). All Because of You - Excerpt from Piano Album: Our Younger Days, from the book Piano Collection für Entertainer, Peter Epp (moderate: for pupils from the 5th year of the music school and students music institutions, for pianists and lovers of piano music) : Epubli; ebay; Amazon, YouTube, (germany, englich, russian)
$1.99
1.78 €
#
Piano solo
#
Peter Epp
#
ebay
#
All Because of You
#
Peter Epp
#
SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
26.87 €
#
Choral SATB
#
Stuart Brown
#
An Omani Dance Suite - COMPLETE BUNDLE
#
Stuart Brown Music
#
SheetMusicPlus
Your Favorite Thanksgiving and Harvest Hymns for Strings
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
(+)
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Thanksgiving. Score, Set of Parts. 85 pages. Published by Colin Kirkpatrick Publications
Thisnew collection of Thanksgiving and Harvest hymns contains all your favorites,or at least, most of them. It’s probably all you’ll ever need for thanksgivingand harvest festivals and the arrangements can be used for virtually anycombination of stringed instruments. This is an essential title for any stringlibrary or for any string ensembles that are called upon to provide music forschools, Thanksgiving events or churches. <br> <br> Thearrangements can be used with string quartet, string quintet or string ensembleor performed as solo pieces. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The piano parttoo means that you can use the arrangements as solos, duets or trios. Thesearrangements are intended either as stand-alone pieces that could be used asinterludes in a service, or they could be used to accompany solo, choral orcongregational singing. To make the music accessible to less experienced stringplayers, the range of the notes has been kept fairly low so that many of thearrangements can be played in first position. However, to produce a brighterand richer sound, a few of the more experienced violinists could play an octavehigher. You could also use the arrangements as flute or oboe solo pieces, with thewind instrument playing the 1st violin part. Each hymn has a four-staff scoreand parts are provided for Violin 1, Violin 2, Viola, Cello and optional Doublebass. The scores and all the parts are contained in a single PDF file. Becausestring-friendly keys are used, these arrangements are NOT compatible with thosein the wind collection of the same name.<br> <br> Thefollowing 25 hymns are included: AllCreatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise(Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringingin the Sheaves (Sowing in the Morning); Come Ye Thankful People Come (StGeorge’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your Hearts withJoy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For theFruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken(Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (AshGrove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nundanket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest(Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lordthe Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th);Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World(Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We GatherTogether (Kremser); We Plough the Fields and Scatter (Wir pflügen) and PraiseGod from whom all Blessings Flow (Old Hundredth)
$24.99
22.38 €
#
String Quartet: 2 violins, viola, cello
#
Various
#
Your Favorite Thanksgiving and Harvest Hymns for Strings
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 3
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra, Playable by any size string ensemble from quartet …
(+)
String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 65 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for Strings by Colin Kirkpatrick<br> <br> Book 3<br> <br> We’re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.<br> <br> Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).<br> <br> The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.
$25.99
23.28 €
#
String Quartet: 2 violins, viola, cello
#
Various
#
Worship, General Worship
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
All Because of Your Amazing Grace
Choral SATB
SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.10-3392M
(+)
SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.10-3392M Composed by Cindy Berry. Sacred Anthem, General, Holy Week. Octavo. 8 pages. Monarch Music #e10/3392M. Published by Monarch Music (LX.10-3392M). UPC: 000308106602.An inspired reflection of God's love and grace is presented here with a brief a cappella setting of the great hymn, Grace Greater Than Our Sin, before building to a resounding finale.
$2.40
2.15 €
#
Choral SATB
#
Cindy Berry
#
All Because of Your Amazing Grace
#
Monarch Music
#
SheetMusicPlus
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)
Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Pen…
(+)
Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
44.78 €
#
Edwin Penhorwood
#
You Are Not Dying, Madame from Too Many Sopranos
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Love Has Come! (key of E)
Small Ensemble - Level 3 - Digital Download SKU: A0.829380 Composed by 17th c., Wor…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.829380 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arranged by Ken Bible and Lyndell Leatherman. Christian,Christmas,Sacred. Score and parts. 20 pages. Leatherman Music Services #5955335. Published by Leatherman Music Services (A0.829380). The charming tune usually associated with Bring a Torch, Isabella is the setting for this new Christmas hymn text, resulting in an attractive addition to the Advent/Christmas canon. Because the tune is known to most people, it will be easy to introduce it into worship services this December. As an additional service Ken Bible has provided a script which can be used to provide context and lead in to the hymn.The companion orchestration allows for the participation of supplemental instruments. Even if you only have one–or a few–of the instruments available, they will enhance the presentation of the hymn. A separate edition in the key of F is available on Sheet Music Plus; it can be used instead of–or in addition to–this edition (think modulation into the last stanza).Note: the purchase price allows you to duplicate as many copies as needed for your singers and instrumentalists. Please include it in your CCLI tally if it's your turn to report; the CCLI number is included at the bottom of the hymn arrangement.It has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. Because of the slowdown caused by Covid-19, I finally have the time to start posting 45 years' worth of custom arrangements on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear more published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP
$14.99
13.42 €
#
17th c
#
Love Has Come!
#
Leatherman Music Services
#
SheetMusicPlus
Love Has Come! (key of F)
Small Ensemble - Level 3 - Digital Download SKU: A0.829382 Composed by 17th c., Wor…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.829382 Composed by 17th c., Words: Ken Bible / Music: French Carol Melody, and attr. to Saboly. Arranged by Ken Bible and Lyndell Leatherman. Christian,Christmas,Sacred. Score and parts. 20 pages. Leatherman Music Services #5955337. Published by Leatherman Music Services (A0.829382). The charming tune usually associated with Bring a Torch, Isabella is the setting for this new Christmas hymn text, resulting in an attractive addition to the Advent/Christmas canon. Because the tune is known to most people, it will be easy to introduce it into worship services this December. As an additional service Ken Bible has provided a script which can be used to provide context and lead in to the hymn.The companion orchestration allows for the participation of supplemental instruments. Even if you only have one–or a few–of the instruments available, they will enhance the presentation of the hymn. A separate edition in the key of E is available on Sheet Music Plus; it can be used instead of–or in addition to–this edition (think modulation into the last stanza).Note: the purchase price allows you to duplicate as many copies as needed for your singers and instrumentalists. If used for congregational singing, please include it in your CCLI tally if it's your turn to report; the CCLI number is included at the bottom of the hymn arrangement.It has been my lifelong endeavor to provide fresh, yet accessible music for the churches and schools with whom I have been associated. Because of the slowdown caused by Covid-19, I finally have the time to start posting 45 years' worth of custom arrangements on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear more published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP
$19.99
17.9 €
#
17th c
#
Love Has Come!
#
Leatherman Music Services
#
SheetMusicPlus
The Best Hymns of All Time (for Strings) Book 2
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra, Playable by any size string ensemble - Early Inter…
(+)
String Quartet, String Orchestra, Playable by any size string ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 59 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time<br> Arranged for strings by Colin Kirkpatrick<br> <br> Book 2<br> <br> We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The double bass part is optional because it doubles the cello part an octave lower. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.<br> <br> These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The scores and all the parts of Book 2 are contained in a single 59-page PDF file.<br> <br> Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland)<br> Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim).<br> <br> The audio samples include Angels we have Heard on High (Gloria); Be Thou my Vision (Slane) and Onward, Christian Soldiers (St. Gertrude). The music has been set in string-friendly keys so most of them are not compatible with the brass collection of the same name.
$25.99
23.28 €
#
String Quartet: 2 violins, viola, cello
#
Various
#
Worship, General Worship
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari) (Tenor lead)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-…
(+)
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones (one of which has the lead) and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
8.96 €
#
Saxophone Quintet: 5 Saxophones
#
Gustav Holst (1874-1934)
#
O God, Beyond All Praising
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari) (Alto lead)
Saxophone ensemble
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-…
(+)
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones (one of which has the lead), 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
8.96 €
#
Saxophone ensemble
#
Gustav Holst (1874-1934)
#
O God, Beyond All Praising
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass) (Viola lead)
String Quintet: 2 violins, viola, cello, bass
String Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934)…
(+)
String Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola (which has the lead), 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
8.96 €
#
String Quintet: 2 violins, viola, cello, bass
#
Gustav Holst (1874-1934)
#
O God, Beyond All Praising
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Tenor Saxophone Quintet)
Saxophone Quintet: 5 Saxophones
Tenor Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst …
(+)
Tenor Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
8.96 €
#
Saxophone Quintet: 5 Saxophones
#
Gustav Holst (1874-1934)
#
O God, Beyond All Praising
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.49 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.49 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
(+)
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.78 €
#
directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
#
Jonah Koppitz
#
The Counter of The Point
#
Jonah Koppitz
#
SheetMusicPlus
Boulevard of Broken Dreams
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015720 By Tony Bennett. By Har…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015720 By Tony Bennett. By Harry Warren. Standards. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015720. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015720). ISBN 9780739099339. UPC: 038081464053. Al Dubin.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
3.57 €
#
Piano, Vocal and Guitar
#
Tony Bennett
#
Boulevard of Broken Dreams
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Because of You
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015559 By Kelly Clarkson. By B…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015559 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015559. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015559). ISBN 9780739094181. UPC: 038081455167.Music makers looking for crowd-pleasing material will love this handy songbook, which contains sheet music for 15 of the world's most popular songs in a variety of styles! In this collection, the piano parts emulate the original superstar recordings that made each song famous. Complete vocal melodies and lyrics are included, plus basic chord fingering grids for guitarists. Titles: Because of You (Kelly Clarkson) * Bridge over Troubled Water (Simon and Garfunkel) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Falling Slowly (from the award-winning musical Once) * Firework (Katy Perry) * Grenade (Bruno Mars) * I Don't Want to Miss a Thing (Aerosmith) * I Have Nothing (Whitney Houston) * I'm Yours (Jason Mraz) * Kiss from a Rose (Seal) * Make You Feel My Love (Adele) * My Immortal (Evanescence) * The Prayer (Celine Dion and Andrea Bocelli) * You Raise Me Up (Josh Groban).
$3.99
3.57 €
#
Piano, Vocal and Guitar
#
Kelly Clarkson
#
Because of You
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Falling Slowly
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015558 By Glen Hansard and Mar…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015558 By Glen Hansard and Marketa Irglova. By Glen Hansard and Marketa Irglova. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015558. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015558). ISBN 9780739094181. UPC: 038081455167.Music makers looking for crowd-pleasing material will love this handy songbook, which contains sheet music for 15 of the world's most popular songs in a variety of styles! In this collection, the piano parts emulate the original superstar recordings that made each song famous. Complete vocal melodies and lyrics are included, plus basic chord fingering grids for guitarists. Titles: Because of You (Kelly Clarkson) * Bridge over Troubled Water (Simon and Garfunkel) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Falling Slowly (from the award-winning musical Once) * Firework (Katy Perry) * Grenade (Bruno Mars) * I Don't Want to Miss a Thing (Aerosmith) * I Have Nothing (Whitney Houston) * I'm Yours (Jason Mraz) * Kiss from a Rose (Seal) * Make You Feel My Love (Adele) * My Immortal (Evanescence) * The Prayer (Celine Dion and Andrea Bocelli) * You Raise Me Up (Josh Groban).
$3.99
3.57 €
#
Piano, Vocal and Guitar
#
Glen Hansard and Marketa Irglova
#
Falling Slowly
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Because Of You
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.862182 By Kelly Clarkson. By Ben Mo…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.862182 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Pineapplechord. Contemporary. Score. 6 pages. Mercy. P #6234313. Published by Mercy. P (A0.862182). This sheet music was specially arranged for the piano. It was made with two-stage music that allows both hands to play. And I made use of the atmosphere of the original song to the maximum. You can enjoy playing with this sheet music. .
$5.99
5.36 €
#
Piano solo
#
Kelly Clarkson
#
Because Of You
#
Mercy. P
#
SheetMusicPlus
All Star
Dulcimer,Instrumental Solo - Level 4 - Digital Download SKU: A0.1503284 By Smash Mo…
(+)
Dulcimer,Instrumental Solo - Level 4 - Digital Download SKU: A0.1503284 By Smash Mouth. By Greg Camp. Arranged by Jaymie Maham. 20th Century,Contemporary,Film/TV,Pop,Rock. Individual part. 9 pages. Jaymie Maham #1078767. Published by Jaymie Maham (A0.1503284). Arranged for mountain dulcimer in standard DAd (1-5-8) tuning. The 1+ fret is required. *There are two measures where the 8+ fret is indicated, but an alternate fingering is included for those without it.Suggested skill level is set at Intermediate to Upper Intermediate and above. NOTE:The overall beat of this song is fairly moderate, but after verse one there are a lot of notes added in to match the wordy lyrics. It is a bit deceptive because it sounds like the pace really kicks up at verse 2, but in reality, the beat stays the same...there are just more strums. This works in the player's favor. For the most part, you can hold the same chord shape for many of these measures with your fingers and use your thumb to bounce around to grab the extra notes. It makes it sound like you are working harder than you are.**This is one of those songs that the axiom if you can sing it, you can play it really holds true.Included in this packet:~DAd dulcimer tablature~Complete lyrics and reading order~Lead sheet standard notation~Optional instrumental interlude~Accompaniment chords~Alternate finger positions for no 8+ fret A YouTube demo video for this song will be uploaded soon. You can find other demo videos on my YouTube channel here:https://www.youtube.com/channel/UCLtpGVOqx_DFvl2pS6v0psQ
$4.99
4.47 €
#
Smash Mouth
#
All Star
#
Jaymie Maham
#
SheetMusicPlus
Wrecking Ball
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.11 €
#
String Quartet: 2 violins, viola, cello
#
Miley Cyrus
#
Wrecking Ball
#
ViolinVagabond Music
#
SheetMusicPlus
<
1
26
51
....
2726
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
