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You've selected:
All I Do Is Win - 1st Trombone
Sheetmusic to print
65 sheet music found
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51
All I Do Is Win - 2nd Trombone
Trombone (band part)
Marching band 2nd Trombone - Level 3-4 - Digital Download SKU: HX.176116 By DJ Khal…
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Marching band 2nd Trombone - Level 3-4 - Digital Download SKU: HX.176116 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.176116).
$6.00
5.49 €
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Trombone (band part)
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DJ Khaled
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All I Do Is Win - 2nd Trombone
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Hal Leonard - Digital
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SheetMusicPlus
The Immovable Do
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1016796
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1016796 Composed by Percy Aldridge Grainger. Arranged by Drew Smith. Contemporary. Score and parts. 33 pages. Andrew Smith #5955187. Published by Andrew Smith (A0.1016796). Grainger writes the following: The Immovable Do (composed 1933-1939) draws its title from one of the two kinds of Tonic Sol-fa notation, one with a movable Do (Do corresponding to the key-note of whatever key the music is couched in, from moment to moment; so that the note designated by Do varies with modulation) and the other with an immovable Do (in which Do always stands for C). In my composition-which is not based on any folksong or popular tune-the immovable Do is a high drone on C which is sounded throughout the whole piece. From the very start (in 1933) I conceived the number for any or all of the following mediums, singly or combined: for organ (or reed organ), for mixed chorus, for wind band or wind groups, for full or small orchestra, for string orchestra or 8 single strings. It seemed natural for me to plan it simultaneously for the different mediums, seeing that such music hinges upon intervallic appeal rather than upon effects of tone color..
$15.00
13.72 €
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Brass quartet : 2 trumpets, trombone, tuba
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Percy Aldridge Grainger
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The Immovable Do
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Andrew Smith
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SheetMusicPlus
In the Bleak Midwinter (Trombone Quartet)
Brass Quartet: 4 trombones
Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.523780 Composed by G…
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Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.523780 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 19 pages. John A. Dempsey #3892855. Published by John A. Dempsey (A0.523780). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quartet for trombone, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  15 pages of music (that includes the score and separate two-page parts for trombone 1, trombone 2, trombone 3 and trombone 4).  Key: Eb major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
#
Brass Quartet: 4 trombones
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Gustav Holst
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Song Of The Jet (samba Do Avião)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802574
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802574 Composed by Antonio Carlos Jobim. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5801391. Published by Peet du Toit (A0.802574). Samba do Avião (a.k.a. Song of the Jet, translated literally as Airplane Samba) is a Brazilian song composed in 1962 by Antônio Carlos Jobim, who also wrote the original Portuguese lyrics. The English-language lyrics are by Gene Lees.In the biography Antonio Carlos Jobim: An Illuminated Man, Helena Jobim describes how her brother came up with the idea for the song: Tom's many walks from Ipanema to Santos Dumont Airport yielded that ode of beauty... He would head towards the airport, following the water's edge around Guanabara's Bay. The pretext to go there was to buy foreign magazines and newspapers. From Santos Dumont Airport he could observe his passion, the airplane. Yet he still kept some distance from those machines. He was afraid of flying, but he loved their power, splendor, and aerodynamics-man's conquest over machine.In the song, Jobim writes about landing at Galeão in Rio de Janeiro. The airport was renamed in his honor in 1999 and is now called Rio de Janeiro–Antonio Carlos Jobim International Airport.Jobim wrote Samba do Avião for an Italian film, Copacabana Palace (1962), where it was performed by Jula De Palma and I 4 + 4 di Nora Orlandi. The movie was filmed in Rio and features cameo appearances by Jobim, João Gilberto and Os Cariocas.The first performance of the song was by Jobim and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio, at what music historian Ruy Castro calls the bossa nova show to end all bossa nova shows, as it featured Jobim, João Gilberto, VinÃcius de Moraes and Os Cariocas on stage together for the only time.The first recording of the song was released in October 1962 by Elza Laranjeira. Os Cariocas had a hit with their rendition in 1963.The first English-language version was by Tony Bennett for his 1965 album If I Ruled the World: Songs for the Jet Set.Here is my brass quintet version of the song for your enjoyment.
$13.00
11.89 €
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Brass quartet : 2 trumpets, trombone, tuba
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Antonio Carlos Jobim
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Song Of The Jet
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Peet du Toit
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SheetMusicPlus
(Everything I Do) I Do It For You
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527781
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527781 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Pop,Standards. Score and parts. 10 pages. Diego Marani #3456615. Published by Diego Marani (A0.527781). (Everything I Do) I Do It for You is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen and Robert John Mutt Lange, featured on two albums simultaneously on its release, the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and on Adams' sixth album Waking Up the Neighbours (1991). The song was an enormous chart success internationally, particularly in the United Kingdom, where it spent sixteen consecutive weeks at number one on the UK Singles Chart (the longest in British chart history). It went on to sell more than 15 million copies worldwide, making it Adams' most successful song and one of the best-selling singles of all time. Subsequently, the song has been covered by hundreds of singers and artists around the world.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for repertoire, classroom, recital and wedding.
$19.99
18.29 €
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Brass quartet : 2 trumpets, trombone, tuba
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Bryan Adams
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(Everything I Do) I Do It For You
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Diego Marani
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Three Trumpets and Two Trombones
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Compos…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141685 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 20 pages. John A. Dempsey #742047. Published by John A. Dempsey (A0.1141685). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for three Bb trumpets and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3, trombone 1 and trombone 2)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.81 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Two Trumpets, Horn in F and Two Trombones
Brass Quartet: 2 trumpets, horn, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141707 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1141707 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 20 pages. John A. Dempsey #742085. Published by John A. Dempsey (A0.1141707). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for two Bb trumpets, horn in F and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn, trombone 1 and trombone 2)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.81 €
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Brass Quartet: 2 trumpets, horn, trombone
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Trio for Horn in F, Trombone and Piano)
Trombone and Piano
Small Ensemble Horn,Piano,Trombone - Level 3 - Digital Download SKU: A0.524203 Comp…
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Small Ensemble Horn,Piano,Trombone - Level 3 - Digital Download SKU: A0.524203 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 16 pages. John A. Dempsey #4996315. Published by John A. Dempsey (A0.524203). A wintry landscape, a miracle, a wondrous season: all of these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant trio for horn in F, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  12 pages of music (that includes separate two-page parts for French horn and trombone).  Concert Key (Piano): F major.  Horn Key: C major.  Trombone Key: F major.  Horn/Trombone Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
#
Trombone and Piano
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Gustav Holst
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Trio for Clarinet, Trombone and Piano)
Trombone and Piano
Small Ensemble B-Flat Clarinet,Piano,Trombone - Level 3 - Digital Download SKU: A0.5245…
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Small Ensemble B-Flat Clarinet,Piano,Trombone - Level 3 - Digital Download SKU: A0.524510 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 15 pages. John A. Dempsey #5866277. Published by John A. Dempsey (A0.524510). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans. Arranged as a jubilant trio for Bb clarinet, trombone and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs as well as Christmas concerts, holiday recitals, traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes separate two-page parts for clarinet and trombone).  Concert Key (Piano): F major.  Clarinet Key: G major.  Trombone Key: F major.  Clarinet/Trombone Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
#
Trombone and Piano
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
All I Do Is Dream Of You
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.750483 By Debbie Reynolds. By Nacio…
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Jazz Combo - Level 3 - Digital Download SKU: A0.750483 By Debbie Reynolds. By Nacio Herb Brown. Arranged by Matt Amy. Contemporary. Score and parts. 31 pages. Matt Amy Music #4784735. Published by Matt Amy Music (A0.750483). Key: D majorBPM: 130Style: SwingDuration: 2’15Notes: x 2 Trumpet, alto sax, tenor Sax, x2 Trombone & rhythm section
$25.00
22.87 €
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Jazz combo
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Debbie Reynolds
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rhythm section
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All I Do Is Dream Of You
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Matt Amy Music
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SheetMusicPlus
In the Bleak Midwinter (Brass Trio): Two Trumpets and Trombone
Trumpet, Trombone (duet)
Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1169811 Composed by Gustav Ho…
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Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1169811 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 15 pages. John A. Dempsey #770175. Published by John A. Dempsey (A0.1169811). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  This snowy, atmospheric music is arranged as a brass trio for two Bb trumpets and trombone.  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone).  Concert Key: F majorWhat can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$9.99
9.14 €
#
Trumpet, Trombone (duet)
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
#
John A. Dempsey
#
SheetMusicPlus
In the Bleak Midwinter (Brass Quintet): Two Trumpets, Horn in F, Trombone and Tuba
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1161534 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #761890. Published by John A. Dempsey (A0.1161534). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quintet for two Bb trumpets, horn in F, trombone and tuba, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  Concert Key: F major. 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn, trombone and tuba)What can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$14.00
12.81 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Gustav Holst, Christina Rossetti
#
In the Bleak Midwinter
#
John A. Dempsey
#
SheetMusicPlus
All I Do Is Win
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1421158 By DJ Khaled. By Calvin …
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Marching Band - Level 2 - Digital Download SKU: A0.1421158 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by David Whitaker. Hip-Hop,Pop. 6 pages. David Whitaker #1002549. Published by David Whitaker (A0.1421158). All I Do Is Win by DJ Khaled and others. This is provided for the Wilson Prep Band, based in Wilson, NC. Parts included: Piccolo, Clarinet, Alto Sax, Tenor Sax, French Horn, Trumpet, Trombone, Euphonium (2), and Tuba.
$50.00
45.74 €
#
Marching band
#
DJ Khaled
#
All I Do Is Win
#
David Whitaker
#
SheetMusicPlus
In the Bleak Midwinter (Trombone Trio)
Trombone - Level 3 - Digital Download SKU: A0.523707 Composed by Gustav Holst and C…
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Trombone - Level 3 - Digital Download SKU: A0.523707 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 15 pages. John A. Dempsey #3687719. Published by John A. Dempsey (A0.523707). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  This jubilant trombone trio is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as for traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  11 pages of music (that includes the score and separate two-page parts for each trombone).  Key: F major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$9.99
9.14 €
#
Gustav Holst and Christina Rossetti
#
In the Bleak Midwinter
#
John A. Dempsey
#
SheetMusicPlus
In the Bleak Midwinter (Quartet for Three Trombones and Piano)
Small Ensemble Piano,Trombone - Level 3 - Digital Download SKU: A0.523210 Composed …
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Small Ensemble Piano,Trombone - Level 3 - Digital Download SKU: A0.523210 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #3375511. Published by John A. Dempsey (A0.523210). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant quartet for three trombones and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  15 pages of music (that includes separate two-page parts for trombone 1, trombone 2 and trombone 3).  Key: F major.  Trombone Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
12.81 €
#
Gustav Holst and Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Sometimes In Winter
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Bells,Drum Set,Electric Bass Guita…
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Bells,Drum Set,Electric Bass Guitar,Euphonium,Flute,Horn,Multi-Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Level 4 - Digital Download SKU: A0.846330 By Blood Sweat and Tears. By Steve Katz. Arranged by Mike Hyziak. Jazz. 53 pages. MPH Holding #5221939. Published by MPH Holding (A0.846330). (SLIGHTLY REDUCED) CONCERT BANDHello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html Â
$49.00
44.82 €
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Blood Sweat and Tears
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Sometimes In Winter
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MPH Holding
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SheetMusicPlus
In the Bleak Midwinter (Brass Quartet for Two Trumpets and Two Trombones)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524587 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524587 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #6049315. Published by John A. Dempsey (A0.524587). A wintry landscape, a miracle, a wondrous season:  all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quartet for two Bb trumpets and two trombones, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trombone 1 and trombone 2).  Concert Key: Eb major.  Trumpet Key: F major.  Trombone Key: Eb major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Academy Nights Remembered (The Music of Diane Warren): 3rd Trombone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015729_TN3 3rd Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0015729_TN3 3rd Trombone. Composed by Diane Warren. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015729_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015729_TN3). UPC: 038081351599.From the opening music right through the end of the awards, this very musical medley has your audience right there! Featuring How Do I Live, Nothings Gonna Stop Us Now, and Because You Love Me, the medley concludes with all the grandeur from the awards broadcast. All composed by award winner Diane Warren, this medley is sure to bring the house down! (5:26).
$3.00
2.74 €
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Concert band
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Diane Warren
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Academy Nights Remembered
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Academy Nights Remembered (The Music of Diane Warren): 2nd Trombone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015729_TN2 2nd Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0015729_TN2 2nd Trombone. Composed by Diane Warren. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015729_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015729_TN2). UPC: 038081351599.From the opening music right through the end of the awards, this very musical medley has your audience right there! Featuring How Do I Live, Nothings Gonna Stop Us Now, and Because You Love Me, the medley concludes with all the grandeur from the awards broadcast. All composed by award winner Diane Warren, this medley is sure to bring the house down! (5:26).
$3.00
2.74 €
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Concert band
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Diane Warren
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Academy Nights Remembered
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
In the Bleak Midwinter (Brass Trio): Trumpet, Trombone and Tuba
Brass Trio
Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1167845 Composed by Gust…
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Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1167845 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 15 pages. John A. Dempsey #768198. Published by John A. Dempsey (A0.1167845). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  This snowy, atmospheric music is arranged as a brass trio for Bb trumpet, trombone and tuba and is recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  11 pages of music (that includes the score and separate two-page parts for each brass instrument).  Concert Key: F majorWhat can I give Him, poor as I am? If I were a shepherd, I would give a lamb. If I were a wise man, I would do my part But what can I give Him?  Give Him my heart.
$9.99
9.14 €
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Brass Trio
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Brass Quartet for Three Trumpets and Trombone)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524585 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524585 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #6048247. Published by John A. Dempsey (A0.524585). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quartet for three Bb trumpets and trombone, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Suggested worship uses: a prelude postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music.  15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trumpet 3 and trombone).  Concert Key: Eb major.  Trumpet Key: F major.  Trombone Key: Eb major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Brass Quartet): Two Trumpets, Trombone and Tuba
Brass Quartet
Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1230476 Co…
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Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1230476 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 19 pages. John A. Dempsey #826181. Published by John A. Dempsey (A0.1230476). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quartet for two Bb trumpets, trombone and tuba, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment. Concert Key: Eb major.  15 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, trombone and tuba)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
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Brass Quartet
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
I Don’t Want to Play in Your Yard: Trumpet Feature
Brass Quartet
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
7.27 €
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Brass Quartet
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H
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I Don’t Want to Play in Your Yard: Trumpet Feature
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Sweetwater Brass Press
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SheetMusicPlus
In the Bleak Midwinter (Brass Quartet): Trumpet, Horn in F, Trombone and Tuba
Brass Quartet
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224358
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224358 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Irish,Sacred,Traditional. 19 pages. John A. Dempsey #820462. Published by John A. Dempsey (A0.1224358). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant brass quartet for Bb trumpet, French horn, trombone and tuba, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment. Concert Key: Eb major.  15 pages of music (that includes the score and separate two-page parts for each instrument)   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
10.97 €
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Brass Quartet
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.94 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
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