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All Over Again
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1276
Jesus Shall Reign Where'er the Sun
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.56 €
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Piano solo
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John Hatton
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Christmas All Over Again
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1325228 By Tom Pett…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1325228 By Tom Petty. By Tom Petty. Arranged by Gabriel Lawson. 20th Century,Christmas,Holiday,Rock. 13 pages. Gabriel Lawson #913459. Published by Gabriel Lawson (A0.1325228). Tom Petty and the Heartbreakers' “Christmas All Over Again†is the first track on the album, A Very Special Christmas 2. Fun, Upbeat, Christmas Spirit. This arrangement is for four-part a cappella Men's Chorus (TTBB) with the melody in the Tenor 2 part. Original Key.Difficulty 6/10.Tenor 1 F#3-B4.Tenor 2 F#2-F#4 (low pick-up notes).Baritone E3-E4.Bass E2-C#4.
$1.99
1.82 €
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Choral TTBB
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Tom Petty
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Christmas All Over Again
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Gabriel Lawson
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SheetMusicPlus
Christmas All Over Again
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1325227 By Tom Petty. By Tom…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1325227 By Tom Petty. By Tom Petty. Arranged by Gabriel Lawson. 20th Century,Christmas,Holiday,Rock. Score. 9 pages. Gabriel Lawson #913457. Published by Gabriel Lawson (A0.1325227). Tom Petty and the Heartbreakers' “Christmas All Over Again†is the first track on the album, A Very Special Christmas 2. Fun, Upbeat, Christmas Spirit. This arrangement is for solo voice with piano accompaniment.Original Key.Difficulty 5/10.Voice Range F#2-F#4 (low pick-up notes).
$4.99
4.56 €
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Piano, Voice
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Tom Petty
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Christmas All Over Again
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Gabriel Lawson
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SheetMusicPlus
The Valley of the Dry Bones
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1518051 By Zsigmond Rosarion. B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
36.56 €
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Orchestra
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
All Star
Choral TTBB
Voice (TTBB) - Level 3 - Digital Download SKU: A0.1168933 By Smash Mouth. By Greg C…
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Voice (TTBB) - Level 3 - Digital Download SKU: A0.1168933 By Smash Mouth. By Greg Camp. Arranged by Nick Luna and Justin McKay. A Cappella,Barbershop,Chamber,Pop,Rock. Barbershop Quartet. 11 pages. Nick Luna Music #769276. Published by Nick Luna Music (A0.1168933). This is an incredibly playful arrangement of an absolute masterpiece of a song! Justin and I had so much fun arranging this number, and fell in love with this song all over again. This arrangement is four part TTBB voicing, no divisi. Perfect for a chamber ensemble or vocal quartet. The lowest bass note is a D2 and the highest Tenor note is an A5, with option for a lower voicing. It is at an intermediate difficulty level with regards to singability and readability. The range and diversity of style is what makes this chart a bit challenging compared to other arranggements of this song. Remember to purchase the correct number of copies for your ensemble! Thank you for your business. Â
$12.99
11.88 €
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Choral TTBB
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Smash Mouth
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All Star
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Nick Luna Music
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SheetMusicPlus
To Rise Again
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.57 €
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Trombone and Piano
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Percussion Ensemble
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
There's A Kind Of Hush (all Over The World)
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.500180 By Herman's Hermits. By Ge…
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C Instrument - Level 4 - Digital Download SKU: A0.500180 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113362. Published by John Fries (A0.500180). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  There's a Kind of Hush is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
$3.99
3.65 €
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C Instruments
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Herman's Hermits
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There's A Kind Of Hush
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John Fries
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SheetMusicPlus
There's A Kind Of Hush (all Over The World)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200455 By Herman's H…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200455 By Herman's Hermits. By Geoff Stephens and Les Reed. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799282. Published by John Fries (A0.1200455). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John.  There's a Kind of Hush is a popular song written by Les Reed and Geoff Stephens. Originally recorded by Stephens' group the New Vaudeville Band in 1967 as a neo-British music hall number, this version of the track became a hit in Australia and South Africa. However, in the rest of the world, a near-simultaneous cover was a big hit for Herman's Hermits. The song was a charted hit again in 1976 for The Carpenters.
$4.99
4.56 €
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Piano, Vocal and Guitar
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Herman's Hermits
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There's A Kind Of Hush
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John Fries
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SheetMusicPlus
Over The Rainbow
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.896602 By Judy Garland. By Harold A…
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Piano Solo - Level 3 - Digital Download SKU: A0.896602 By Judy Garland. By Harold Arlen. Arranged by Arelius. Contemporary. Score. 2 pages. Blow The Speakers LLC #4855459. Published by Blow The Speakers LLC (A0.896602). A mesmerizing piano solo transcription of the Wizard of Oz's title track Over The Rainbow by Platinum Award winning Producer and Artist Arelius . A beautifully implemented peaceful jazz reharmonization of one of the worlds most loved songs of all time, originally sung by Judy Garland. You'll discover unique voicings and substitutions for this wonderful melody that you will want to play over and over again. It is all very accurately and clearly laid out in this one off transcription and only available to buy on the link below due to the licenses required to make it available to you. Spotify https://open.spotify.com/track/5me0wIvIXVH8xfY2LvnjZk?si=c4zEMnbNTb6zLaYaBG5Z-Q
$6.99
6.39 €
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Piano solo
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Judy Garland
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Over The Rainbow
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Blow The Speakers LLC
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SheetMusicPlus
When The Lights Go On Again (All Over The World)
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.509191 By V…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.509191 By Vaughn Monroe. This edition: scorch. E-Z Play Today. Standards. Score. 3 pages. Published by Hal Leonard - Digital (HX.509191). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.73 €
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Organ
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Vaughn Monroe
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When The Lights Go On Again
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Hal Leonard - Digital
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.4 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Over And Over Again
String Trio - Level 3 - Digital Download SKU: A0.580969 By Nathan Sykes feat. Arian…
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String Trio - Level 3 - Digital Download SKU: A0.580969 By Nathan Sykes feat. Ariana Grande. By Harmony Samuels, Helen Culver, Major Johnson, and Nathan Sykes. Arranged by Alex Phillips-Yates. Contemporary,Pop,Wedding. 14 pages. North Node Music #190279. Published by North Node Music (A0.580969). This beautiful ballad features hypnotic riffs and expressive melodies, and is a lovely addition to any group's repertoire. In this arrangement, there is plenty of interest in all three parts, with the melody being shared between each player.
$14.99
13.7 €
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Nathan Sykes feat
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Over And Over Again
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North Node Music
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SheetMusicPlus
Over And Over Again
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.580968 By Nathan…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.580968 By Nathan Sykes feat. Ariana Grande. By Harmony Samuels, Helen Culver, Major Johnson, and Nathan Sykes. Arranged by Alex Phillips-Yates. Contemporary,Pop,Wedding. 19 pages. North Node Music #190278. Published by North Node Music (A0.580968). This beautiful ballad features hypnotic riffs and expressive melodies, and is a lovely addition to any group's repertoire. In this arrangement, there is plenty of interest in all four parts.
$15.99
14.62 €
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String Quartet: 2 violins, viola, cello
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Nathan Sykes feat
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Over And Over Again
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North Node Music
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SheetMusicPlus
Sing Them Over Again To Me (Woodwind Quintet)
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.85…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.855024 Composed by Phillip P. Bliss. Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 9 pages. Joseph Pugh #6059013. Published by Joseph Pugh (A0.855024). Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. This wonderful, light woodwind quintet by Joseph Pugh has hints of contemporary stylings but is close to the original harmony.
$9.99
9.13 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Phillip P
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Sing Them Over Again To Me
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Joseph Pugh
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SheetMusicPlus
Someone To Watch Over Me
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1489365 Composed by Georg…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1489365 Composed by George & Ira Gershwin. Arranged by P. R. Frederick. Film/TV,Jazz,Pop. Score. 3 pages. P. R. Frederick #1066228. Published by P. R. Frederick (A0.1489365). This song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful arrangement for trumpet duet. A score and separate parts are provided.See my other trumpet duets here
$6.00
5.49 €
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2 Trumpets (duet)
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George & Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Someone To Watch Over Me
Violin, Viola (duet)
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1490486 Compose…
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1490486 Composed by George & Ira Gershwin. Arranged by P. R. Frederick. Film/TV,Jazz,Pop,Standards. 3 pages. P. R. Frederick #1067328. Published by P. R. Frederick (A0.1490486). His song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsGeorge and Ira GershwinOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful arrangement for violin and viola. A score and separate parts are provided.
$6.00
5.49 €
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Violin, Viola (duet)
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George & Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Someone To Watch Over Me
2 Violins (duet)
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1490480 Composed by George …
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1490480 Composed by George & Ira Gershwin. Arranged by P. R. Frederick. Film/TV,Jazz,Pop,Standards. 3 pages. P. R. Frederick #1067322. Published by P. R. Frederick (A0.1490480). This song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsGeorge and Ira GershwinOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful arrangement for violin duet. A score and separate parts are provided.
$6.00
5.49 €
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2 Violins (duet)
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George & Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Someone To Watch Over Me
2 Saxophones (duet)
Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1486171 Compose…
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Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1486171 Composed by George and Ira Gershwin. Arranged by P. R. Frederick. Film/TV,Pop,Standards. Saxophone Duet. 3 pages. P. R. Frederick #1063228. Published by P. R. Frederick (A0.1486171). This song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful duet arrangement for like saxophones. A score and separate parts are provided.
$6.00
5.49 €
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2 Saxophones (duet)
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George and Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Someone To Watch Over Me
2 Flutes (duet)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1485968 Composed by George an…
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1485968 Composed by George and Ira Gershwin. Arranged by P. R. Frederick. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. Score. 3 pages. P. R. Frederick #1063022. Published by P. R. Frederick (A0.1485968). This song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsGeorge and Ira GershwinOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful arrangement for flute duet. A score and separate parts are provided.See my other flute duets here
$6.00
5.49 €
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2 Flutes (duet)
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George and Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Someone To Watch Over Me
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1485982 Composed by Geo…
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Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1485982 Composed by George and Ira Gershwin. Arranged by P. R. Frederick. Film/TV,Jazz,Pop,Standards. 2 scores. 3 pages. P. R. Frederick #1063038. Published by P. R. Frederick (A0.1485982). This song was initially conceived as an upbeat, jazzy number but evolved into a slower ballad style that became the standard in subsequent recordings. The definitive slow version was popularized by artists such as Lee Wiley in 1939 and Frank Sinatra, who recorded it multiple times, including for his album The Voice of Frank Sinatra in 1946 and again for the film Young At Heart in 1954.Notable RecordingsOver the years, Someone to Watch Over Me has been covered by a wide range of artists, solidifying its status as a jazz standard. Some notable recordings include:Ella Fitzgerald (1950, 1959)Sarah Vaughan (1957)Barbra Streisand (1965)Ray Charles (1969)Amy Winehouse (2008)IThe song's themes of longing and vulnerability resonate deeply, often interpreted as a love song despite its original context. Its use in various films, including Mr. Holland's Opus (1995), has further cemented its place in popular culture.Overall, Someone to Watch Over Me remains a beloved piece in the American songbook, celebrated for its emotional depth and the beautiful melodies crafted by the Gershwin brothers.Here is a beautiful arrangement for clarinet duet. A score and separate parts are provided.
$6.00
5.49 €
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2 Clarinets (duet)
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George and Ira Gershwin
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Someone To Watch Over Me
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P. R. Frederick
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SheetMusicPlus
Pumpkin Spiced: Grande Variation on Tchaikovsky's Arabian Dance (Halloween/Thanksgiving Piano Solo)
Piano solo
Easy Piano - Level 2 - Digital Download SKU: A0.829769 Composed by Peter Ilyich Tch…
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Easy Piano - Level 2 - Digital Download SKU: A0.829769 Composed by Peter Ilyich Tchaikovsky. Arranged by Amanda Dills. Christmas,Hanukkah,Holiday,Standards. Score. 2 pages. Amanda Dills #6077563. Published by Amanda Dills (A0.829769). It's that time of year again: Pumpkin Spiced Nutcracker Season! ;)This beginning/intermediate piano solo is perfect for virtually any holiday season recital, from Halloween to Christmas! (Or, if you're a coffee lover like me, it's perfect for any season at all!)Inspired by the Arabian (Coffee) Dance from Tchaikovsky's Nutcracker, this charming piano solo has been adapted with a 4/4 time signature and modern feel, while still keeping the ostinato and harmonies of the original work.**View more of my Halloween-themed Arrangements on Sheet Music Plus! Â (Just copy and paste the item number into the Search Box)**Beginning Piano7 Sinister Songs for Easy Piano [Collection] (S0.426087)Easy Piano Solos:- ADDAMS FAMILY THEME (H0.422913-4800)- All Around the Halloween Pyre (S0.423083)- Black Bat, Black Bat (S0.423067)- Oh, I Come From Sleepy Hollow (S0.423009)- Oh, When the Ghouls (S0.426079)- Over the Graveyard and Through the Wood (S0.423055)- RADIOACTIVE (H0.194611-227204)- Spooky (Baby) Shark (S0.885725)- The Spooky, Scary Spider (S0.422885)- Trick or Treat (S0.422997)Intermediate Piano- Tenth Piano Suite [Dr. Who - themed Piano Solos] (S0.26571)Choral:- Facebook Fugue/What Scares You [SAB] (S0.200665)*********************
$1.99
1.82 €
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Piano solo
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Peter Ilyich Tchaikovsky
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Pumpkin Spiced: Grande Variation on Tchaikovsky's Arabian Dance
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Amanda Dills
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SheetMusicPlus
Optimistic (from "Lovers and Friends")
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000338 Composed by Michael Joh…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000338 Composed by Michael John LaChisua. Standard. 6 pages. Alfred Music - Digital Sheet Music #00-XS-0000338. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000338). ISBN 9780739074046. UPC: 038081403380.This first-ever Michael John LaChiusa sheet music collection contains 39 songs from one of the most distinctive and admired theatre composers of our time. More than 250 pages of music chronicle two decades of LaChiusa shows, from early 1990s breakouts First Lady Suite and Hello Again to celebrated favorites like The Wild Party, See What I Wanna See, and much more. The composer supplied a wealth of previously unpublished music for this collection, ensuring that even the most devoted LaChiusa fan will discover new and exciting songs among these pages. Titles: * Adela (from Bernarda Alba) * Beautiful (Marie Christine) * The Bed Was Not My Own (Hello Again) * By the Way (Little Fish) * The Christian Thing to Do (The Seven Deadly Sins) * Coffee (See What I Wanna See) * Curiosity (See What I Wanna See) * Eleanor Sleeps Here (First Lady Suite) * Fraud (Broken Sleep) * The Gift of You (The Nutcracker) * He Wanted a Girl (Giant) * Heaven (Hotel C'est l'Amour) * Hello Again (Hello Again) * Hello, Lover, Hello (Send (who are you? I love you) * The Highest Yellow (The Highest Yellow) * How Many Women in the World? (The Wild Party) * I Don't Hear the Ocean (Marie Christine) * I Ran (Little Fish) * Little Fish (Little Fish) * Martirio (Bernarda Alba) * Mistress of the Senator (Hello Again) * My Husband Was an Army Man (First Lady Suite) * The One I Love (Hello Again) * Optimistic (Lovers and Friends) * People Like Us (The Wild Party) * Private Property (Giant) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * She Looked at Me (See What I Wanna See) * Simple Creature (Little Fish) * The Smallest Stream (Bernarda Alba) * The Smallest Thing (First Lady Suite) * A Stranger (Giant) * There Will Be a Mirac.
$3.99
3.65 €
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Piano, Vocal and Guitar
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the Way
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Michael John LaChisua
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Optimistic
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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