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All That We Are
Not classified
1,031
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445
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288
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205
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108
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48
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19
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11
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6
Piano Trio: piano, violin, cello
6
Accordion
1
Harpsichord
1
Organ, Piano (duet)
1
Piano (band part)
1
+ 10 instrumentations
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42
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14
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3
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321
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71
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37
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Low voice, Piano
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Choral SSAB, Piano
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Low voice
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127
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82
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72
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56
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Brass quartet : 2 trumpets, trombone, tuba
54
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51
Trumpet, Piano
39
Trombone and Piano
36
Trumpet
35
Trombone
35
Tuba
35
French Horn and Piano
34
French horn
33
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31
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25
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24
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22
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22
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14
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10
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9
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7
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6
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6
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8
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1
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1
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54
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36
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All That We Are
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6001
Rondo Alla Turca (GUITAR TAB) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart] FULL SONG!
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Guitar notes and tablatures
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Darek
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1258168 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Tablature. 4...
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1258168 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Tablature. 4 pages. Darek #851414. Published by Darek (A0.1258168). Rondo Alla Turca (GUITAR TAB) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart] FULL SONG!Simplified arrangement for guitarists of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart. FULL SONG! Guitar arrangement. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. Unleash the power of your guitar with our meticulously crafted sheet music edition of Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331. Specifically arranged for guitar players at an easy/intermediate level, this tablature edition allows you to embark on a musical journey through the enchanting sounds of Mozart's composition. Explore the rich musical heritage of the Classical era as you dive into the captivating melodies and rhythmic complexities of Rondo Alla Turca. Our guitar sheet music combines standard notation with detailed tablature to provide a seamless learning experience, catering to both traditional sheet music readers and those who prefer visual fretboard guidance. Immerse yourself in the world of chords as our sheet music includes chord diagrams, allowing you to add a harmonious depth to your performance. With our carefully arranged chords, you'll be able to capture the essence of Mozart's composition while expanding your guitar-playing skills. To further enhance your learning experience, we offer an invaluable YouTube tutorial that accompanies our sheet music. Watch and learn from a skilled guitarist as they guide you through the intricacies of Rondo Alla Turca, providing helpful tips and techniques that will take your performance to the next level. Unlock the potential of your guitar playing as you explore the remarkable beauty of Mozart's masterpiece. Our sheet music package is thoughtfully curated to ensure accessibility for easy/intermediate level guitarists, allowing you to develop your skills while staying engaged with the composition. Whether you're a budding guitarist, a music enthusiast, or a lover of classical music, our sheet music edition of Rondo Alla Turca is a must-have addition to your repertoire. Embrace the timeless beauty, the intricate melodies, and the rhythmic allure that make this composition a true gem of the Classical era. Position yourself for success in your musical journey by acquiring our high-quality guitar sheet music. Embrace the challenge of mastering Rondo Alla Turca at an easy/intermediate level, while indulging in the artistic brilliance of Mozart. With our comprehensive package, including sheet music, tablature, chords, and a valuable YouTube tutorial, you'll have all the tools you need to elevate your guitar playing and immerse yourself in the world of classical music. Don't miss the opportunity to captivate audiences with your guitar rendition of Rondo Alla Turca. Explore the fusion of classical and guitar music, and experience the sheer joy of playing one of Mozart's most beloved compositions. Begin your musical journey today and let the magic of Mozart resonate through your fingertips.
$4.00
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Piano solo
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INTERMEDIATE/ADVANCED
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wa
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. J...
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Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
On That Cross
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Choral SSATTB
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EASY
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
All I Really Want is Peace on Earth - Solo with Piano
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Piano, Vocal and Guitar
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EASY
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lyti...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Pop,Singer/Songwriter,Spiritual. Score. 4 pages. Lytingale Music #1029284. Published by Lytingale Music (A0.1449528). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33
Farewell Celebration (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Farewell Celebration
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pa...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration†is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,†were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration†is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.
$24.95
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Choral SATB
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EASY
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Moriz...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
For the Fallen (Choral suite - SATB, Piano)
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Choral SATB
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INTERMEDIATE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Publish...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
For the Fallen (Choral suite - SATB, Organ)
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Choral SATB
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INTERMEDIATE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Publish...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
$1.99
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
On That Cross (choir pack + piano part + licence)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Rorie Dall's Sister's Lament for Double-strung Harp
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Harp
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EASY
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Celtic/Irish
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peter...
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Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament
$4.99
That's Not Very Nice!
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Andrew McDonald
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Andrew McDonald
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That's Not Very Nice!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1419921 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop....
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1419921 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #1001344. Published by Andrew Mc Donald (Macka Records) (A0.1419921). That's Not Very Nice is a song about something we can say to someone when they are rude or swear.If respect is something we wish for when talking to someone then a rebuke is a good strategy for such behaviour. A good way to reprimand is to say That is not very nice or maybe you could have said that a better way! What we allow shows the person that we are. This is the piano and vocals score.
$4.99
Alleyways (A Christmas Song) (mp3)
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Sacred music
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David Warin Solomons
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Alleyways
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David Warin Solomons
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SheetMusicPlus
Choir - Digital Download SKU: A0.1059288 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Praise & Worship. Full Performance. Duration ...
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Choir - Digital Download SKU: A0.1059288 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Praise & Worship. Full Performance. Duration 155. David Warin Solomons #32941. Published by David Warin Solomons (A0.1059288). Score:https://www.sheetmusicplus.com/title/19982639?aff_id=175705Christmas Song for mixed choir (SATBB) performed by the Composer's Choir under Dan Shaw. A jaunty melody with countermelodies with words telling of children playing their games in the dusty streets (ie of Bethlehem) unaware that a miracle has happened and asking them to look up to the angels and join their singing: See the children playing in the dusty alleyways all the buildings round them give no hint of the miracle which happened in a tiny stable just close by Sing Nowell The time has come The time is here For God has come To visit us in the form of a baby called Jesus See the children playing in the dusty alleyways They don't know the miracle happened in their very midst They don't see the angels hovering overhead They don't hear the angels singing singing praises They are playing their own games of mirth so carefree. [Soprano descant] The angels hover unseen over the stable singing their praises They are just like everyone engrossed in their own lives Never looking up to the sky where angels sing [Soprano descant] Sing Alleluia... and the children do not hear oh children you do not hear and the children do not know oh children you do not know the great and mighty wonder the full and blessèd cure Jesus is God incarnate Children hear! Rise now from the dusty streets and noisy alleyways Come and see the wonder which is come to you Leave your games and join the great celestial choir of angels Sing Nowell The time is here the Word has come to visit us in the form of a baby called Jesus We were children playing in the dusty alleyways Now we know the miracle which happened in our very midst [Soprano descant] the angels hover unseen over the stable singing their praises Sing Alleluia... O Children sing!.
$2.30
All That We Are
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Piano solo
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INTERMEDIATE
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Blue October
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Charles Martin, Jr
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All That We Are
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Charles Martin, Jr.
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1488076 By Blue October. By Justin Furstenfeld, Matthew James Ostrander, and Steve Nicholas Schiltz. Arra...
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Piano Solo - Level 3 - Digital Download SKU: A0.1488076 By Blue October. By Justin Furstenfeld, Matthew James Ostrander, and Steve Nicholas Schiltz. Arranged by Charles Martin, Jr. Contemporary,Pop. Score. 3 pages. Charles Martin, Jr. #1064953. Published by Charles Martin, Jr. (A0.1488076). Solo piano arrangement of Blue October's All That We Are. Thank you for purchasing my music, and if you like, please leave a review! But even if you don't leave one, I still appreciate your support. Charles
$5.99
Alleluia, He Has Risen on High - solo and piano
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Charles Wesley, Connie Boss, a
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Alleluia, He Has Risen on High
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801599 Arranged by Charles Wesley, Connie Boss, and Lyra Davidica. Christian,Easter,Sacred....
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801599 Arranged by Charles Wesley, Connie Boss, and Lyra Davidica. Christian,Easter,Sacred. Score. 2 pages. Connie Boss #6253549. Published by Connie Boss (A0.801599). While some of the lyrics are from Jesus Christ is Risen Today, the melody, refrain and verse 1 are completely original. After discovering the tomb was bare, we realize that Jesus can never truly die. He resides with His Father, God in Heaven. cdboss@cvalley.netLyrics:Alleluia! He Has Risen on High Arranged by Connie Boss Refrain: Allelulia, He has risen on high He has shown us He cannot truly die Verse 1: When the stone was rolled away The tomb was bare where He had lay Now a miracle displayed Think of all the lives He saved Refrain: Verse 2: Hymns of praise then let us sing Unto Christ our heavenly King Who endured the cross and grave Sinners to redeem and save Refrain: Verse 3: But the pains which He endured Our salvation have procured Now above the sky He’s King Where the angels ever sing Refrain: Verse 4: Sing we to our God above Praise eternal as His love Praise Him all you heavenly hosts Father, Son and Holy Ghost Alleluia………..Alleluia………..Alleluia
$5.00
Alleluia, He Has Risen on High - duet and piano
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lyra Davidica, Charles Wesley
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Connie Boss,
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Alleluia, He Has Risen on High
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801600 Composed by Lyra Davidica, Charles Wesley. Arranged by Connie Boss,. Christian,Easte...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801600 Composed by Lyra Davidica, Charles Wesley. Arranged by Connie Boss,. Christian,Easter,Sacred. Score. 3 pages. Connie Boss #6253673. Published by Connie Boss (A0.801600). While some of the lyrics are from Jesus Christ is Risen Today, the melody, refrain and verse 1 are completely original. After discovering the tomb was bare, we realize that Jesus can never truly die. He resides with His Father, God in Heaven.cdboss@cvalley.netLyrics:Alleluia! He Has Risen on HighArranged by Connie Boss Refrain:Allelulia, He has risen on highHe has shown us He cannot truly die Verse 1:When the stone was rolled awayThe tomb was bare where He had layNow a miracle displayedThink of all the lives He saved Refrain: Verse 2:Hymns of praise then let us singUnto Christ our heavenly KingWho endured the cross and graveSinners to redeem and save Refrain: Verse 3:But the pains which He enduredOur salvation have procuredNow above the sky He’s KingWhere the angels ever sing Refrain: Verse 4: Sing we to our God abovePraise eternal as His lovePraise Him all you heavenly hostsFather, Son and Holy Ghost Alleluia………..Alleluia………..Alleluia
$5.00
Love Alone Shall Guide Us
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dan Meyer
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Love Alone Shall Guide Us
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Dan Meyer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1148486 Composed by Dan Meyer. A Cappella,Chamber,Historic,Wedding. Octavo. 8 pages. Dan Meyer #...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1148486 Composed by Dan Meyer. A Cappella,Chamber,Historic,Wedding. Octavo. 8 pages. Dan Meyer #748647. Published by Dan Meyer (A0.1148486). Love Alone Shall Guide Us is an a cappella, SATB piece with no divisi. The words were written in 1846 and are particularly interesting and poignant because they were written TO Edgar Allan Poe by his wife Virginia Clemm Poe (1822-1847). He never wrote a poem specifically for her, but she wrote this acrostic poem for him shortly before the end of her short and tragic life. Here are the lyrics: Ever with thee I wish to roam — Dearest my life is thine. Give me a cottage for my home And a rich old cypress vine, Removed from the world with its sin and care And the tattling of many tongues. Love alone shall guide us when we are there — Love shall heal my weakened lungs; And Oh, the tranquil hours we’ll spend, Never wishing that others may see! Perfect ease we’ll enjoy, without thinking to lend Ourselves to the world and its glee — Ever peaceful and blissful we’ll be. Virginia Poe mentions her illness when it states Love shall heal my weakened lungs because it was tuberculosis that took her life less than a year after writing these words. For modern performers, I particularly like the line Never wishing other may see; in this social media era, this is really a foreign concept!
$2.10
Take Me Out To The Ball Game
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Piano, Voice
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INTERMEDIATE
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Trixie Friganza
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Dave Gingras and John E
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Take Me Out To The Ball Game
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. By Words by Jack Norworth Music by Albert Von Tilzer. Arranged by Dave...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1358160 By Trixie Friganza. By Words by Jack Norworth Music by Albert Von Tilzer. Arranged by Dave Gingras and John E. Dosher. Early Music,Jazz. Score. 2 pages. DAVID LEE GINGRAS #942648. Published by DAVID LEE GINGRAS (A0.1358160). Take Me Out to the Ball Game is a 1908 Tin Pan Alley song by Jack Norworth and Albert Von Tilzer which has become the unofficial anthem of North American baseball, although neither of its authors had attended a game before writing the song. The song's chorus is traditionally sung as part of the seventh-inning stretch of a baseball game. Fans are generally encouraged to sing along, and at some ballparks, the words home team are replaced with the team name. This arrangement was developed from the original 1908 sheet music, but simplified so that someone of average ability can perform it and sound great doing so! We hope you like what we've done with this classic tune!
$3.99
I Still Call Australia Home
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Guitar
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INTERMEDIATE
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acquiring this unique sheet mu
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Stand...
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Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
They All Laughed
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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John Fries
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #801074. Published by John Fries (A0.1202383). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$4.99
In The Hall Of The Mountain King (GUITAR TAB) from Peer Gynt [Edvard Grieg]
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Guitar notes and tablatures
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EASY
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Classical
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Halloween
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Edvard Grieg
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Darek
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In The Hall Of The Mountain Ki
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Darek
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SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1257928 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Tablature. 2 ...
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1257928 Composed by Edvard Grieg. Arranged by Darek. Classical,Romantic Period. Tablature. 2 pages. Darek #851164. Published by Darek (A0.1257928). In The Hall Of The Mountain King (GUITAR TAB) from Peer Gynt [Edvard Grieg]Simplified arrangement for guitarists of In The Hall Of The Mountain King from Peer Gynt by Edvard Grieg. Guitar arrangement for guitarists. Easy arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. Unlock the enchanting melodies of Edvard Grieg's In The Hall Of The Mountain King from Peer Gynt with our beginner-intermediate level guitar tablature. This iconic piece, originally composed for the piano, has been carefully arranged for beginner guitarists, allowing you to embark on a musical adventure with confidence.Perfectly suited for those new to the guitar, our tablature provides a simplified yet authentic rendition of In The Hall Of The Mountain King. With clear sheet music, tablature, and chords, you'll have all the tools necessary to bring this captivating piece to life on your guitar.As you learn this composition, you'll be transported to the Romantic era, a time when musical expression and storytelling were paramount. Grieg's composition captures the suspense and excitement of the narrative, making it a thrilling addition to your repertoire.To support your learning journey, we've included a comprehensive YouTube tutorial that guides you through every step of mastering In The Hall Of The Mountain King on the guitar. Led by an experienced guitarist, this tutorial breaks down the piece into manageable sections, providing invaluable insights and tips.Our beginner-intermediate level tablature ensures that you can tackle this classic composition at your own pace. As you progress, you'll develop essential skills such as finger dexterity, chord transitions, and rhythm, setting a solid foundation for your guitar playing journey.We understand the importance of providing high-quality resources to beginner guitarists. Our tablature features accurate transcriptions, ensuring an authentic representation of Grieg's masterpiece. With clear notation and easy-to-read chord diagrams, you'll be able to follow along seamlessly.Adding In The Hall Of The Mountain King to your repertoire not only enhances your guitar skills but also allows you to explore the rich musical heritage of the Romantic era. Grieg's composition is a testament to the era's passion and evocative storytelling, transporting listeners to a world of imagination and wonder.Position yourself for success as a beginner guitarist by investing in our beginner-intermediate level tablature for In The Hall Of The Mountain King. This popular piece is an excellent choice for those seeking to develop their playing skills while enjoying the satisfaction of performing a recognizable and exciting composition.With our comprehensive tablature package, including sheet music, tablature, chords, and a YouTube tutorial, you have everything you need to master In The Hall Of The Mountain King on the guitar. Start your musical journey today and experience the joy of playing this timeless masterpiece.
$3.00
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