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Allegro for Small Orchestra
SheetMusicPlus
Sheetmusic to print
47 sheet music found
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26
Allegro for Small Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.824573 Composed by Phil Rawle. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.824573 Composed by Phil Rawle. Concert,Contemporary. Score and parts. 69 pages. Phillip Rawle #4764465. Published by Phillip Rawle (A0.824573). A short work for a small orchestra
$10.00
9.21 €
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Orchestra
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Phil Rawle
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Allegro for Small Orchestra
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Phillip Rawle
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SheetMusicPlus
Allegro for Small Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.824355 Composed by Phillip Rawl…
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Full Orchestra - Level 3 - Digital Download SKU: A0.824355 Composed by Phillip Rawle. Concert,Contemporary. Score and parts. 33 pages. Phillip Rawle #2828237. Published by Phillip Rawle (A0.824355). A moderately east to play short orchestral piece. Suitable for small orchestra (single wind).
$10.00
9.21 €
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Orchestra
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Phillip Rawle
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Allegro for Small Orchestra
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Phillip Rawle
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533630 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 31 pages. Musik Fabrik Music Publishing #3033833. Published by Musik Fabrik Music Publishing (A0.533630). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$25.95
23.9 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Piano Concerto (2005) for solo piano and strings, score and parts
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533631 Composed by Carson Cooman. Classical,Contemporary. Score and parts. 65 pages. Musik Fabrik Music Publishing #3033835. Published by Musik Fabrik Music Publishing (A0.533631). Piano Concerto (2005) for solo piano and strings was commissioned by Nathaniel Blume andSymphonic Underground. The work was written in celebration of the Mozart Year 2006.Unlike most recent piano concerti, this work is a concerto designed for small performingforces. It sits between typical chamber music and the typical piano concerto.The work was inspired by the various Mozart concerti (such as K. 449) which are oftenperformed with very small string sections. Thus, this concerto may be performed with as fewas single strings on each part, or a larger full string orchestraThe work is cast in one movement, containing two large sections (sub-movements).Structurally, the piece is a highly condensed version of Classical period symphonic form.The first section of the work is an exposition-development/sonata allegro combined with aslow movement. The second section is a combination of a triple-meter scherzo and a rondofinale.The musical material throughout derives tonally from the three notes of a D-major triad (D,F#, and A). Those three pitches serve as transformation centers for the work's material andalso plot the tonal areas of each section. The musical material of the work thus ranges fromhighly Classical melodies (although all original) and textures to more Romantic andmodernist elements that transform out of the initial material.
$64.95
59.81 €
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Chamber Orchestra
#
Carson Cooman
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Carson Cooman: Piano Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
MOZART: DIVERTIMENTO IN D MAJOR K. 131 for woodwind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.81…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Holiday,Wedding. Score and parts. 100 pages. Piper Publications #6657067. Published by Piper Publications (A0.811822). The Divertimento, originally for an orchestra (flute, oboe, bassoon, 4 horns and strings) was completed in June 1772 in Salzburg. It was probably written for an outdoor performance and Mozart certainly made full use of the opportunity to display his remarkable talents both to his prospective patrons and his talented fellow musicians who would have performed this extensive six movement piece.There are six movements, Allegro, a substantial sonata form piece; Adagio, a sophisticated piece written for strings only; a gem of a Menuetto with three trios; Allegretto; a Menuetto with 2 trios and a final Adagio - Allegro molto - Allegro assai forms the grand finale. The scale and sophistication of this piece is far beyond that of the early symphonies which Mozart composed around the same time.The arrangement is suitable for advanced and advanced intermediate players.In editing and arranging the Divertimento for flute, oboe, clarinet, bassoon and horn it has been necessary to add phrase marks (shown in dashed lines) and extra staccato dots - not indicated. The lack of dynamic markings especially in the latter movements has been remedied in parentheses ( ). Some octave transpositions both up and down have been necessary and the glory of the four horn sections of the original have been re-scored as sympathetically as I am able.I do hope that quintet players will enjoy this arrangement of a very remarkable piece.
$24.00
22.1 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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W
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MOZART: DIVERTIMENTO IN D MAJOR K. 131 for woodwind quintet
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Piper Publications
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SheetMusicPlus
Concertino for Flute and Strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
41.44 €
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Chamber Orchestra
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Richard E Brown
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Concertino for Flute and Strings
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Dacker Music
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
Trumpet, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Hä…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965
$5.99
5.52 €
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Trumpet, Piano
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Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro
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Flavio Regis Cunha
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
36.82 €
#
Chamber Orchestra
#
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
#
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Flavio Regis Cunha
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SheetMusicPlus
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Renaissance. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6415585. Published by Chamber Ensemble of Minnesota, Inc. (A0.955182). Complete score and parts of T. Albinoni’s Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, arranged for Oboe d’amore and String Orchestra in A Major by D Werdick. Includes separate Oboe d’amore I & II score and solo parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe d’amore I & II Parts, Oboe d’amore Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.34 €
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Tomaso Albinoni
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II score and solo parts
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Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Double English horn Concerto in D Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A0.955180 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6410719. Published by Chamber Ensemble of Minnesota, Inc. (A0.955180). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, composed/first edition in 1722 by T. Albinoni, arranged for English horn by D Werdick. Includes separate English horn I & II score and figured bass notation for Double Bass part. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.34 €
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Tomaso Albinoni
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Double English horn Concerto in D Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6026099. Published by Chamber Ensemble of Minnesota, Inc. (A0.955166). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in G Minor, Op. 9 No. 8 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955160…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955160 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5869737. Published by Chamber Ensemble of Minnesota, Inc. (A0.955160). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Oboe in G Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6402777. Published by Chamber Ensemble of Minnesota, Inc. (A0.955178). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.34 €
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Tomaso Albinoni
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II score, Oboe I &
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Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Saxophone ensemble
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
69.01 €
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Saxophone ensemble
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Johann Sebastian Bach
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
45.99 €
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Johann Sebastian Bach
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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jmsgu3
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SheetMusicPlus
Schumann: Abendlied for French Horn & Piano
French Horn and Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
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French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
$26.95
24.82 €
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French Horn and Piano
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Robert Schumann
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Schumann: Abendlied for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Olympus. Concerto for Classical Guitar and Small Orchestra
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1085649 Composed by Giannis Papakr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1085649 Composed by Giannis Papakrasas. Arranged by Giannis Papakrasas. Classical,Contemporary,Contest,Festival. Individual part. 59 pages. Giannis Papakrasas #689823. Published by Giannis Papakrasas (A0.1085649). Piano Reduction and Guitar part. Concerto Olympus is originally composed for Flute, Clarinet in Bb, Alto Saxophone, Trumpet in Bb, Snare Drum,Solo Guitar and Strings. Concerto in three parts. I Allegro non troppo e maestoso II Andante cantabile III Allegro festoso. Duration approx 20 mi. Full score and Parts are for sale.
$50.00
46.04 €
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Guitar
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Giannis Papakrasas
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Olympus. Concerto for Classical Guitar and Small Orchestra
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Giannis Papakrasas
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SheetMusicPlus
The Viola in Bob's Life (2018) for viola and percussion
Small Ensemble Drum Set,Marimba,Vibraphone,Viola - Level 4 - Digital Download SKU: A0.8…
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Small Ensemble Drum Set,Marimba,Vibraphone,Viola - Level 4 - Digital Download SKU: A0.869590 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #4102857. Published by Thomas Oboe Lee (A0.869590). Violist Noriko Futagami and multi-percussionist Bob (Robert) Schulz have played my music on many occasions, especially as members of the Boston Modern Orchestra Project. Noriko and Bob are a domestic pair and this is a musical Christmas present for them. True Confession. I have always been a fan (a secret and odd admirer) of Morton Feldman's music since I was a graduate student in composition, way back in the early 70's. When I say odd admirer I mean to say that I admire him from a distance, more out of respect than from any true emotional response to his music. Why is that? Well, his music and mine are so different ... But I respect his artistic integrity and guts!!! Anyway, The Viola in Bob's Life (of course, I stole the title from MF!!!) is in four movements. The viola is featured in all of them. Bob plays a different percussion instrument in each, except he has to do some clever overdubbing in the last because it is scored for marimba and drum set.1. Allegro ... for viola and marimba.2. Allegro ... for viola and drum set.3. Adagio ... for viola and vibraphone.4. Moderato ... for viola, marimba and drum set.Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/the-viola-in-bobs-life-2018YouTube link: https://youtu.be/Enc9pgCfvPo
$9.99
9.2 €
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Thomas Oboe Lee
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True Confession
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The Viola in Bob's Life
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Thomas Oboe Lee
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
7.36 €
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Guido Menestrina
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SheetMusicPlus
Goltermann Cello Concerto No 1 Op. 14 for Cello and String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1452517 Composed by Georg Gol…
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String Orchestra - Level 4 - Digital Download SKU: A0.1452517 Composed by Georg Goltermann. Arranged by Paul Wood. Romantic Period. 96 pages. MyMusicScores.com #1031822. Published by MyMusicScores.com (A0.1452517). Rediscover the Beauty of Goltermann's Cello Concerto No. 1Composed in the late 1840s and first published in 1852, Georg Goltermann's Cello Concerto No. 1 in A minor, Op. 14, is a fantastic opportunity for cellists to perform this beloved work with a smaller ensemble. Carefully adapted from the original orchestration, this version retains all the musical brilliance while making it accessible for performances with a string orchestra.A Romantic MasterpieceFilled with beautiful melodies and expressive passages, this concerto showcases the lyrical and virtuosic capabilities of the cello.Features:Arranged for cello and string orchestraBased on the original orchestration by Georg Goltermann (composed in the late 1840s, first published in 1852)Three movements: Allegro moderato, Andante (Cantilena), and Allegro moderatoA wonderful addition to any cellist's repertoireThe PDF contains the score and all parts for download.
$24.99
23.01 €
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Georg Goltermann
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Goltermann Cello Concerto No 1 Op. 14 for Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Concerto for Two Oboe d’amore in C Major, Op. 9 No. 3 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955129 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 89 pages. Chamber Ensemble of Minnesota, Inc. #4767137. Published by Chamber Ensemble of Minnesota, Inc. (A0.955129). Complete score and parts of the Concerto for Two Oboes in F Major, Op. 9, No. 3 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick for two Oboe d’amore in C Major. Includes Oboe d’amore I & II soloist score, soloist parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Two Oboe d’amore in C Major, Op. 9 No. 3 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 7 No. 5 and String Orchestra
Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A0.955115 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 43 pages. Chamber Ensemble of Minnesota, Inc. #4764869. Published by Chamber Ensemble of Minnesota, Inc. (A0.955115). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 5 and String Orchestra , composed in 1715 by T. Albinoni, arranged for two English horns by D Werdick. Includes English horn I & II soloist score and soloist parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 8 minutes, 15 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Two English horns in C Major, Op. 7 No. 5 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two Oboe d’amore in G Major, Op. 7 No. 5 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955113 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 43 pages. Chamber Ensemble of Minnesota, Inc. #4763951. Published by Chamber Ensemble of Minnesota, Inc. (A0.955113). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 5 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D Werdick for two Oboe d’amore in G Major. Includes Oboe d’amore I & II soloist score, solo parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 8 minutes, 15 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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II soloist score, solo parts
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Concerto for Two Oboe d’amore in G Major, Op. 7 No. 5 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe d’amore in C Major, Op. 7 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.955145 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 54 pages. Chamber Ensemble of Minnesota, Inc. #4883281. Published by Chamber Ensemble of Minnesota, Inc. (A0.955145). Arrangement by: Don Werdick (1946 - ) Complete score and parts of the Concerto for Oboe in C Major, Op. 7, No. 12 and String Orchestra , composed in 1715 by T. Albinoni, arranged for Oboe d’amore by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 8 minutes, 30 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Oboe d’amore in C Major, Op. 7 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 7 No. 11 and String Orchestra
Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A0.955126 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 64 pages. Chamber Ensemble of Minnesota, Inc. #4767087. Published by Chamber Ensemble of Minnesota, Inc. (A0.955126). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 7, No. 11 and String Orchestra, composed in 1715 by T. Albinoni, arranged for two English horns by D Werdick. Includes English horn I & II soloist score and soloist parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Tomaso Albinoni
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Concerto for Two English horns in C Major, Op. 7 No. 11 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
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