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You've selected:
Almost
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It Was Almost Like A Song
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1280638 By Ronnie Milsap. By Archie…
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Piano Solo - Level 4 - Digital Download SKU: A0.1280638 By Ronnie Milsap. By Archie Jordan and Hal David. Arranged by Timothy Stapay. Country,Film/TV,Singer/Songwriter,Standards,Wedding. Score. 4 pages. Timothy Stapay #872051. Published by Timothy Stapay (A0.1280638). A piano solo arrangement of the country-classic, It Was Almost Like A Song, famously sung by Ronnie MilsapIt Was Almost Like a Song is a song written by Hal David and Archie Jordan, and recorded by American country music singer Ronnie Milsap. It was released in May 1977 as the first single and title track from the album It Was Almost Like a Song. It became one of the greatest hits of his recording career upon its release in 1977. In July 1977, It Was Almost Like a Song was Milsap's eighth No. 1 song on the Billboard magazine Hot Country Songs chart. The song also became his first Billboard Hot 100 chart entry, peaking No. 16. and also on Billboard's Hot Adult Contemporary Singles chart, where it peaked at No. 7.It Was Almost Like a Song provided the basis for the title of Milsap's biography, Almost Like a Song, which he co-wrote with Tom Carter.Lyrics:Once in every lifeSomeone comes alongAnd you came to meIt was almost like a songYou were in my armsRight where you belongAnd we were so in loveIt was almost like a songJanuary through DecemberWe had such a perfect yearThen the flame became a dying emberAll at once you weren't hereNow my broken heartCries for you each nightAnd It's almost like a songBut it's much too sad to writeNow my broken heart.
$5.99
5.59 €
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Piano solo
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Ronnie Milsap
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It Was Almost Like A Song
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Timothy Stapay
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SheetMusicPlus
Morango ... almost a tango, full score
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
9.32 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Morango ... almost a tango, full score
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Thomas Oboe Lee
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SheetMusicPlus
We Are Almost There. Answer to the Beautiful Ballad "Are We Almost There.
Piano, Voice
Piano and voice - Digital Download SKU: LV.3209 Composed by I.B. Woodbury. Death, T…
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Piano and voice - Digital Download SKU: LV.3209 Composed by I.B. Woodbury. Death, Travel, Homecoming, Families, Graves. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3209). We Are Almost There. Answer to the Beautiful Ballad Are We Almost There. Written by James H. Brown. Music by I.B. Woodbury. Published 1847 by Oliver Ditson, 115 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Death, Travel, Homecoming, Families, Graves. First line reads We are almost there! We are almost there! Whisper'd they as they look'd on her pale, pale face.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voice
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I
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We Are Almost There. Answer to the Beautiful Ballad "Are We Almost There.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Almost May for Piano Solo
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.72 €
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Piano solo
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.79 €
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C Instruments
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
2023/4: 9. Almost Boiling
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1408326 Composed by Matthew Colson.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1408326 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 3 pages. Matthew Colson #990909. Published by Matthew Colson (A0.1408326). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“Almost Boiling is the ninth piece from 2023/4. This was actually the second piece I started for 2023/4, but couldn't think of how to progress it, and shelved it until later in the year. The idea was to write Beginning in D Major and this piece in D minor. The title Almost Boiling comes from the tempo - 210F is almost boiling, and the music using grace notes to resemble the bubbling water.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.
$2.50
2.33 €
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Piano solo
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Matthew Colson
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una corda) at your discretion
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2023/4: 9. Almost Boiling
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Matthew Colson
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SheetMusicPlus
Always Almost – for piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.916264 Composed by Rain Worthington…
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Piano Solo - Level 4 - Digital Download SKU: A0.916264 Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score. 6 pages. SR Worthington #3056007. Published by SR Worthington (A0.916264). An expression of the profound realization that some of life’s deepest yearnings may remain unfulfilled, seemingly just out of reach – just ‘always almost.’ Yet from this sadness music arose. – RWRain Worthington’s piano compositions are quite striking in terms of the mood each of them sets and also the way she seems to always get mileage out of her materials. There is a surprise for the ear at every turn. She weaves melodic lines in an almost magical way, always leading the ear to unexpected places! – Max Lifchitz, pianist North/South Recordingshttps://soundcloud.com/rain-worthington/always-almost-for-piano-excerptDuration: ca. 6'15Publisher: SR Worthington/ASCAP.
$3.00
2.8 €
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Piano solo
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Rain Worthington
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Always Almost – for piano
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SR Worthington
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SheetMusicPlus
Almost there
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1013983 Composed by Chris Ab…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1013983 Composed by Chris Abelen. Jazz. Score and parts. 7 pages. Chris Abelen Music Productions #5755599. Published by Chris Abelen Music Productions (A0.1013983). From the album What a romance Almost there. Almost there is written for a jazz quintet [trombone, tenor saxophone, electric guitar, bass & drums]. Almost there can be heard on Chris Abelen - What a romance [CAMP 002]. More info at www.chrisabelen.com
$4.99
4.65 €
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Jazz Ensemble
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Chris Abelen
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Almost there
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Chris Abelen Music Productions
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SheetMusicPlus
Almost May Score and Parts
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.31 €
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String Quartet: 2 violins, viola, cello
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost Persuaded - SSA A Cappella
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748563 Composed by Philip P…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748563 Composed by Philip P. Bliss. Arranged by Fritz Stanley. A Cappella,Christian,Gospel,Praise & Worship,Sacred. Octavo. 7 pages. MicStanley #6037609. Published by MicStanley (A0.748563). Almost Persuaded is a hymn song which warns us of the dangers of following in the footsteps of King Agrippa is Almost Persuaded. The text was written and the tune composed both by Philip Paul Bliss. The 1st stanza tells us that the Spirit wants us to be persuaded to believe. The 2nd stanza tells us that Jesus invites us to be persuaded to come to Him. The 3rd stanza tells us that God calls us to be persuaded to be saved. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. .
$2.00
1.87 €
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Choral 3-part
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Philip P
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Almost Persuaded - SSA A Cappella
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MicStanley
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SheetMusicPlus
Almost Home
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1027787 Composed by R. L. Winslade.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1027787 Composed by R. L. Winslade. Contemporary. Score. 3 pages. Ryan Luke Winslade #2957857. Published by Ryan Luke Winslade (A0.1027787). Composed for a single pianist, 'Almost Home' is an original piece by R. L. Winslade. Relying heavily on an unresolved major 7th chord and the sustain pedal, 'Almost Home' is a beautiful composition for players grade 3 and above.
$3.99
3.72 €
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Piano solo
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R
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Almost Home
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Ryan Luke Winslade
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SheetMusicPlus
Almost Home
Percussion Quartet Marimba - Level 2 - Digital Download SKU: A0.1328219 Composed by…
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Percussion Quartet Marimba - Level 2 - Digital Download SKU: A0.1328219 Composed by Keith Anderson. Chamber,Contemporary,Instructional. 8 pages. Keith Anderson #916215. Published by Keith Anderson (A0.1328219). Almost Home is a moving lyrical piece written for marimba quartet. It’s dedicated to a wonderful friend and spiritual sister who showed tremendous courage and grace in the face of the devastating effects of cancer. The piece opens “with question”, moving through unexpected chords and harmonic colors representing the challenges and uncertainty each day brings when literally fighting for your life. But while those questions aren’t always answered, we move to the piece's second half, “with assurance.” Ms. Carol’s faith gave her the assurance of the home that awaited her, providing a peace that passes understanding. She was an encouragement and inspiration to all who knew her and this piece is just a small and humble effort to remind all of us what it means to be “almost home.”.
$25.00
23.32 €
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Keith Anderson
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Almost Home
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Keith Anderson
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SheetMusicPlus
Almost Day
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.562008 Composed by Huddie Ledbetter…
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Easy Piano - Level 1 - Digital Download SKU: A0.562008 Composed by Huddie Ledbetter. Arranged by Samuel Stokes. Contemporary. Score. 1 pages. SamuelStokesMusic.com #4887621. Published by SamuelStokesMusic.com (A0.562008). This is an arrangement of the Christmas Song Almost Day (or It's Almost Day) for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com.
$4.99
4.65 €
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Easy Piano
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Huddie Ledbetter
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Almost Day
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SamuelStokesMusic.com
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SheetMusicPlus
ALMOST HOME
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1005114 Composed by Ron Flint…
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String Orchestra - Level 1 - Digital Download SKU: A0.1005114 Composed by Ron Flintjer. Contemporary. Score and parts. 11 pages. Ron Flintjer #6016033. Published by Ron Flintjer (A0.1005114). Almost Home is a leisurely, languid piece for elementary school string orchestra. The nostalgic strains of this composition bring to mind an old-time church service in that little white chapel in the valley. There's a sentimentality here that touches the soul and brings about a longing for all that was good and peaceful in America's past, as well as hope for our future. The uncomplicated yet graceful strains of the melody are sure to linger in the hearts of both your musicians and your audience. ALMOST HOME is an easy to play composition written with the young musician in mind and is arranged with all instruments in First Position. It will take minimum rehearsal time to prepare and will certainly bring a pleasurable smile to all faces in the audience. The String Bass plays pizzicato throughout while the rest of the ensemble utilizes arco to bring about a soothing and dreamy feeling. Comes with full score and parts for Violin I, Violin II, Viola, Cello and String Bass. Enjoy.
$15.00
13.99 €
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String Orchestra
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Ron Flintjer
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ALMOST HOME
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Ron Flintjer
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SheetMusicPlus
Almost Like Being In Love
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1414223 By David Brooks And Mar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1414223 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 79 pages. Matt Amy Music #995997. Published by Matt Amy Music (A0.1414223). Key: E - A majorBPM: 172Style: Colla Voce - SwingDuration: 2:23“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Almost Like Being in Love (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Drums- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
69.96 €
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Orchestra
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David Brooks And Marion Bell
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Almost Like Being In Love
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Matt Amy Music
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SheetMusicPlus
Didn't We Almost Have It All
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1381369 By Whitney Houston. By Mich…
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Piano Solo - Level 3 - Digital Download SKU: A0.1381369 By Whitney Houston. By Michael Masser and Will Jennings. Arranged by Piano Go Life. 20th Century,Pop. Score. 5 pages. Piano Go Life #966077. Published by Piano Go Life (A0.1381369). Whitney Houston - Didn't We Almost Have It All Piano Cover Arranged by Piano Go Life.
$9.99
9.32 €
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Piano solo
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Whitney Houston
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Didn't We Almost Have It All
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Piano Go Life
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SheetMusicPlus
Almost Like Being In Love
Recorder Quartet
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1081190 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Davi Rocha Campos. Broadway,Jazz,Musical/Show. Recorder Ensemble. 14 pages. Davi Rocha Campos #685326. Published by Davi Rocha Campos (A0.1081190). Almost Like Being In Love for recorder quartet. Jazz, Broadway.
$5.00
4.66 €
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Recorder Quartet
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David Brooks And Marion Bell
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Almost Like Being In Love
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Davi Rocha Campos
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SheetMusicPlus
Almost Like Being In Love
Choral 3-part
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1328088 By David Bro…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1328088 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 38 pages. Kathryn Sherman #916078. Published by Kathryn Sherman (A0.1328088). Challenge your ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes. For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.
$7.50
7 €
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Choral 3-part
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David Brooks And Marion Bell
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Almost Like Being In Love
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Kathryn Sherman
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SheetMusicPlus
Almost A Blues - Jazz Combo
Jazz combo
Jazz Combo - Level 2 - Digital Download SKU: A0.1020410 Composed by David Kempton. …
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Jazz Combo - Level 2 - Digital Download SKU: A0.1020410 Composed by David Kempton. Jazz. Score and parts. 6 pages. David A. Kempton #4791161. Published by David A. Kempton (A0.1020410). Almost A Blues
$3.99
3.72 €
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Jazz combo
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David Kempton
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Almost A Blues - Jazz Combo
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David A. Kempton
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SheetMusicPlus
Almost Like Being In Love
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 2 - Digital Download SKU: A0.1…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 2 - Digital Download SKU: A0.1081122 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Davi Rocha Campos. Broadway,Jazz,Musical/Show. 14 pages. Davi Rocha Campos #685259. Published by Davi Rocha Campos (A0.1081122). Almost Like Being In Love for clarinet quartet.
$13.00
12.13 €
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Clarinet Quartet: 4 clarinets
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David Brooks And Marion Bell
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Almost Like Being In Love
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Davi Rocha Campos
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SheetMusicPlus
Accompaniment/Backing Track for Christmas Time Is Almost Here by Ian Rae
Digital Download SKU: A0.1090196 Composed by Ian Rae. Broadway,Christmas,Contempora…
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Digital Download SKU: A0.1090196 Composed by Ian Rae. Broadway,Christmas,Contemporary,Musical/Show,Pop. Accompaniment. Duration 107. Irma Music #2153. Published by Irma Music (A0.1090196). Full accompaniment/backing track for Christmas Time is Almost Here with Broadway type brass, strings, woodwind and backing vocals. Ideal when you need to perform a new Christmas song and don't have an accompanist. The sheet music for this song by Ian Rae is available on this site - you can listen to part of this backing on the on the second half of the mp3 that accompanies the sheet music.
$2.99
2.79 €
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Ian Rae
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Accompaniment/Backing Track for Christmas Time Is Almost Here by Ian Rae
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Irma Music
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SheetMusicPlus
Almost Like Being In Love
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1014650 By David Br…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1014650 By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 35 pages. Kathryn Sherman #6453753. Published by Kathryn Sherman (A0.1014650). Challenge your treble ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes.For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.
$7.50
7 €
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Choral SSAA
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David Brooks And Marion Bell
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Almost Like Being In Love
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Kathryn Sherman
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SheetMusicPlus
Almost Like Being In Love
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1081239
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1081239 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Davi Rocha Campos. Broadway,Jazz,Musical/Show. 14 pages. Davi Rocha Campos #685376. Published by Davi Rocha Campos (A0.1081239). Almost Like Being In Love for flute quartet. Jazz, broadway.
$13.00
12.13 €
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Flute Quartet: 4 flutes
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David Brooks And Marion Bell
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Almost Like Being In Love
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Davi Rocha Campos
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SheetMusicPlus
Almost Is Never Enough
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.779398 By Ariana Grande Fe…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.779398 By Ariana Grande Featuring Nathan Skykes. By Ariana Grande. Arranged by Alex Van den Broek. A Cappella,Contemporary,Hip-Hop,Pop,R & B. Octavo. 10 pages. Alexandra Van den Broek #4266467. Published by Alexandra Van den Broek (A0.779398). A gospel-esque a cappella arrangement of Almost is Never Enough by Ariana Grande. Easily can be modified to have one or multiple soloists throughout. Starts soft and grows to a big hit by the end! .
$2.99
2.79 €
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Choral SSAA
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Ariana Grande Featuring Nathan Skykes
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Almost Is Never Enough
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Alexandra Van den Broek
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SheetMusicPlus
Almost Is Never Enough
Choral SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.725609 By Ariana Gr…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.725609 By Ariana Grande Featuring Nathan Skykes. By Ariana Grande. Arranged by Bryan Sharpe. A Cappella. 8 pages. Bryan Sharpe (BSharpe Music) #3860785. Published by Bryan Sharpe (BSharpe Music) (A0.725609). Contemporary a cappella arrangement of Almost Is Never Enough by Ariana Grande ft. Nathan Skyes for SAATBB and vocal percussion
$2.50
2.33 €
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Choral SATB
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Ariana Grande Featuring Nathan Skykes
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Almost Is Never Enough
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Bryan Sharpe
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SheetMusicPlus
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