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Chamber Orchestra
Sheetmusic to print
24 sheet music found
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1
Feira De Mangaio
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1241559 Composed by Maria Da…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1241559 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Kabir Budlender. Folk,Jazz,Multicultural,World. Score and Parts. 40 pages. Kabir Budlender #836932. Published by Kabir Budlender (A0.1241559). Feira de Mangaio made famous by the Sivuca and Clare Nunes is a favourite among many. This arrangement was written inspired by a Big Band arrangement by Thomaz Gaio and arranged for a chamber orchestra by Kabir Budlender. The mixed orchestra has parts for: 2 Flutes 1 Oboe 2 Clarinets 2 Bb Trumpets Trombone Tuba Dumset 3 Violins Viola Cello It is written almost as a feud between the different sections and intended to have moments of build up. Obrigado and Enjoy!
$65.99
61.57 €
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Chamber Orchestra
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Maria Da Gloria Gadelha and Severino Dias De Oliveira
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Feira De Mangaio
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Kabir Budlender
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SheetMusicPlus
All Will Be Well--Full score and Parts
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.829318 Composed by Text: Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.829318 Composed by Text: Mary Peters / Music: Traditional Welsh Tune. Arranged by Lyndell Leatherman. Contemporary. Score and parts. 36 pages. Leatherman Music Services #5732433. Published by Leatherman Music Services (A0.829318). All Will Be Well – the well-loved hymn of comfort and hope which is the basis for this new choral arrangement – is appropriate for church use almost year-round, but would be especially poignant in the midst of the 2020 Pandemic or its aftermath.
$24.99
23.32 €
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Chamber Orchestra
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Text: Mary Peters / Music: Traditional Welsh Tune
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All Will Be Well--Full score and Parts
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Leatherman Music Services
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SheetMusicPlus
I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Al…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1345446 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. 35 pages. Arkady Leytush #930383. Published by Arkady Leytush (A0.1345446). I. Albeniz - “Pavana”, originally written for piano, struck me with its stunning similarity to the Ukrainian folk melody. This similarity contains some kind of secret, which certainly has its own history. I dedicated my orchestral transcription to The National Symphony Orchestra of Ukraine. In my opinion, this short piece could decorate any concert of a symphony orchestra as an encore. Considering the modest composition of performers, it could have been successfully performed by almost any chamber orchestra. (Fl, 1.2 Ob, Cl in B, Bn, Harp and Strings).
$25.00
23.33 €
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Chamber Orchestra
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Isaac Albeniz
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I. Albeniz - PAVANA, Op. 83, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
16.79 €
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Chamber Orchestra
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Georg Philipp Telemann
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Telemann – Grillen-Symphonie TWV 50:1
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Sneakwood Editions
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SheetMusicPlus
Carol of the Bells (Hear them Ring) - Strings and piano
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Le…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.801497 Composed by Mykola Leontovych. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6050829. Published by Connie Boss (A0.801497). This arrangement contains all new lyrics as the original lyrics have copyright on them. The melody does not, so we get to keep the same melody, while I have added an intro and have parts for strings that differ some from the original. Verse 1 of the lyrics are about the birth of Jesus. Verse 2 of the lyrics reflects caroling as it contain titles and lines from other public domain songs. I think you will enjoy these new lyrics almost as much as the original, especially if wanting to be more about His birth. cdboss@cvalley.net. Lyrics below:
$5.50
5.13 €
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Chamber Orchestra
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Mykola Leontovych
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.39 €
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Chamber Orchestra
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Andante and Allegro for Horn and Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
42.91 €
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Chamber Orchestra
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Mary Jane Lang
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Andante and Allegro for Horn and Chamber Orchestra
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MaryJaneLang
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SheetMusicPlus
Holiday Medley
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
23.33 €
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Chamber Orchestra
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Traditional
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Holiday Medley
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Peter Tambroni
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SheetMusicPlus
Fugue and Divertimento for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Ma…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742331 Composed by Javier Martínez Maya. 20th Century,Baroque,Concert,Standards,World. Score and parts. 37 pages. Arte Nova Music Lab #14299. Published by Arte Nova Music Lab (A0.742331). Javier Martínez (Pd The Liverpool Institute for Performing Arts, MA Berklee College of Music) is a recognized producer, arranger, composer and educator in Colombia and England, where he has taught advanced production, mixing, mastering and audio technology for over 20 years. An independent writer/producer and recording engineer, his credits include works and scores for Colombian TV Channels, Moscow Symphonic Orchestra, Iberoamerican Orchestra (based at Barcelona, Spain) and almost 200 albums and films. From his Ingeson Recording Studio, he’s completed film, video and multimedia original scores for clients like Nike, Honda, Chevrolet, Yoyo Music USA Inc, Mitsubishi, Mundo Arts, SAAB Miller and RCN Television. His international experience as arranger, engineer and producer includes workshops with sir Paul McCartney, Radio Head, Charlie Morgan (Elton John), and recordings at Scotland (Kim Edgar), Switzerland (Sebastian Portillo), Germany (Toby Freissler) and Spain (Iberoamerican Orchestra). Programmer and sound designer, he works with best seller music production tools, like Protools 12, Logic Pro X, Reason 6, Finale 2014, Musescore and uses top music samplers from brands like Sounds Online, Native Instruments and Vir2, among others. He has worked also with several companies as manager and director, with duties as budget organization, development of musical projects and head of producers and engineers at recording studios.
$30.00
27.99 €
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Chamber Orchestra
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Javier MartÃnez Maya
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Fugue and Divertimento for Chamber Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.38 €
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Concerto No. 1 (Classical Wind Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.768459 Composed by Franz Jos…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.768459 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical. Score and parts. 123 pages. KVAMusic Edition #26905. Published by KVAMusic Edition (A0.768459). Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
30.79 €
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Chamber Orchestra
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Franz Joseph Haydn
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Concerto No. 1
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KVAMusic Edition
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SheetMusicPlus
Concerto Grosso in F minor.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.99 €
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Chamber Orchestra
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George Frideric Handel
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Press Play
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till Mac…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
24.26 €
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Chamber Orchestra
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Haydn: Concerto No. 5 (Classical Wind Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.768460 Composed by Franz Jos…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.768460 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical. Score and parts. 94 pages. KVAMusic Edition #26909. Published by KVAMusic Edition (A0.768460). Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
30.79 €
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Chamber Orchestra
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Franz Joseph Haydn
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Haydn: Concerto No. 5
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KVAMusic Edition
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
25.19 €
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Chamber Orchestra
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Johann Sebastian Bach
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward” – moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.” Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
36.34 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Minimally Fantastic Suite for Chamber Orchestra No. 1
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135286 Composed by Steven K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135286 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. Score and Parts. 113 pages. Steven Mark Kudlo #733234. Published by Steven Mark Kudlo (A0.1135286). This suite is almost 16 minutes long, and while not technically challenging, it has multiple meters, and some stylistic varieties, mainly pandiatonic, expressionistic, and tonal within each of its six movements. Each movement ends on a passage of common practice harmony. Overall impression: neoclassical. There is one instrument per part, with a total of 10 instruments: 1,1,1,1; 1,0,0,0; 0; 1,1,1,1,1.
$7.99
7.45 €
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Chamber Orchestra
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Steven Kudlo
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1,0,0,0
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Minimally Fantastic Suite for Chamber Orchestra No. 1
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Steven Mark Kudlo
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SheetMusicPlus
Concert Overture
Chamber Orchestra
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - Digital Download SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
24.25 €
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Chamber Orchestra
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
Concert Overture
Chamber Orchestra
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - Digital Download SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
24.25 €
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Chamber Orchestra
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1. Sinfonie
Chamber Orchestra
1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 ·…
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1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. chamber orchestra - Digital Download SKU: S9.Q3040 New version for chamber orchestra. Composed by Hans Werner Henze. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 17 minutes. Schott Music - Digital #Q3040. Published by Schott Music - Digital (S9.Q3040). In contrast to many composerswho only began to write symphonies in their maturity, Hans Werner Henze composed his First Symphony when he was 20. Henze himself later described this original version as a complete failure – a revised version of the work was performed in Berlin in 1964: Rhythmic, harmonic, and melodic cells from the original version remain, and in the slow movement there are almost no changes; otherwise everything is new, different, and better. - Hans Werner Henze.
$34.99
32.65 €
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Chamber Orchestra
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Hans Werner Henze
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1. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting go”. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my door”. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean” of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdom”. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeterna”. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen” [“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning”] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben” [“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold”]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus” [“And my soul spread its wings wide. Flew through the still country as if homeward bound.”]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed” occupation with the “old” country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomer”. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.24 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Legend of the Sea, Guitar Quartet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gas…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1015739 Composed by Juan Gaspar. 20th Century,Concert,Contemporary. Score and parts. 54 pages. Juan Gaspar #5770813. Published by Juan Gaspar (A0.1015739). This 9 minute contemporary classical guitar quartet is a professional concert piece that advanced level students will also enjoy playing. Altough it is not program music, it is inspired by an event in my life. As a boy of 11, I went to the ocean with my family. I almost drowned and my Dad lost his life. It was a lesson which taught me that life and death are illusions. Above the raging, sparkling sea, the sun shines brightly: Life Eternal is not lost.
$14.99
13.99 €
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Chamber Orchestra
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Juan Gaspar
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Legend of the Sea, Guitar Quartet
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Juan Gaspar
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SheetMusicPlus
Guitar Concerto No 1 (Score only)
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskeva…
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Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver Sickle Publications #6082737. Published by Silver Sickle Publications (A0.942093). The guitar concerto Phygein Adynaton (Impossible to Escape) calls for a guitarist with two classical guitars (one of which is prepared with paper-clips) and orchestra. The work is in one movement throughout but essentially has two parts divided in half by the guitar Cadenza at the end of the first part. The first part is evocative and stochastic. This invocation is around a tonal center where guitar and orchestra coexist in equal terms. In the second part the orchestra takes a different, more dynamic part. The prepared guitar sounds almost distorted, like a new instrument melodic and percussive at the same time. This part of the concerto is darker in the mood and of a philosophical point of view is trying to give a direction in the battle between life and death.
$35.00
32.66 €
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Chamber Orchestra
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Apostolos Paraskevas
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Guitar Concerto No 1
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Silver Sickle Publications
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SheetMusicPlus
Finale for Beethoven's Violin Concerto in C major WoO 5
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score and parts. 48 pages. Adrian Gagiu #6204599. Published by Adrian Gagiu (A0.1004721). Beethoven's Romance No. 1 in G major for violin and orchestra op. 40 (c. 1801) was transposed in C major, arranged in the new key and appropriate tempo, and expanded to form a rondo Finale fit for his unfinished Concerto in C major, of which only about a half of a clean copy of the first movement survived as WoO 5 (1791-1792). Also, a newly composed solo cadenza was now inserted. Almost surely, the Romance No. 2 in F major op. 50 (c. 1791?) was intended as the slow movement of the Concerto (it has virtually the same scoring as WoO 5, the manuscript bears no title, and there is a thematic relation to WoO 5). The Romance No. 1 in G major was probably intended as a replacement or alternate slow movement, but it is his only composition relatable to the Concerto fragment, so I adapted it as conjecture Finale for a complete performing version of the Concerto.
$15.00
14 €
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Chamber Orchestra
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Ludwig van Beethoven
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Finale for Beethoven's Violin Concerto in C major WoO 5
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Adrian Gagiu
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SheetMusicPlus
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