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You've selected:
Almost Day
Sheetmusic to print
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Almost Day
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.562008 Composed by Huddie Ledbetter…
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Easy Piano - Level 1 - Digital Download SKU: A0.562008 Composed by Huddie Ledbetter. Arranged by Samuel Stokes. Contemporary. Score. 1 pages. SamuelStokesMusic.com #4887621. Published by SamuelStokesMusic.com (A0.562008). This is an arrangement of the Christmas Song Almost Day (or It's Almost Day) for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com.
$4.99
4.57 €
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Easy Piano
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Huddie Ledbetter
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Almost Day
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SamuelStokesMusic.com
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.15 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Daybreak
Choral 2-part
Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Con…
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Choral Choir (SA) - Digital Download SKU: A0.873032 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 6 pages. Sally Whitwell #3869015. Published by Sally Whitwell (A0.873032). Composer’s Note - DaybreakDuring the Winter of 2016, I journeyed to my hometown Canberra for a job interview and audition. It was for the head of the new Music Academy at Canberra Girls Grammar School, my old school. Which was kind of weird. As part of my specifically designed interview/audition experience, I was required to run a composition workshop, and this song D​aybreak ​is the result of that.It was an odd experience to return to the scenes of my youth, to see how much everything had changed. So many new buildings, so many of the old buildings repurposed, so many more opportunities afforded to the girls at the school now than we could ever have dreamed in the late 80s and early 90s. It was pretty early in the morning when I arrived, the winter mist just beginning to clear to one of those perfect sunny cold Canberra days. The school is directly down the road from Parliament House, and as the mist cleared to reveal that magnificent flagpole above the treetops surrounding the school, I decided that the joy and optimism of a new day would be the perfect subject for our composing collaboration.The girls were very generous with their ideas. The song was finished within a few days and I sent it back to the school. I ​think​ they liked it? It was hard to tell from their response. I didn’t get the job. (No surprise to me, as I have almost never been successful at auditions and job interviews. Fortunately people just know my work, ask me to do stuff, and I just say yes. Haha.) But I’m a big believer in creativity as a way of healing. I still really like our song we wrote, those lovely girls and I, so I am releasing it into the wild.
$1.99
1.82 €
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Choral 2-part
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Sally Whitwell
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Daybreak
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Sally Whitwell
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SheetMusicPlus
Four Minutes - Four Daydreams
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Bu…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
$1.99
1.82 €
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Percussion Ensemble
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Paul Burnell
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Four Minutes - Four Daydreams
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Paul Burnell
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SheetMusicPlus
"Daybreak" for solo classical fingerstyle guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1413499 By Keith Gehle. By Keith W…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413499 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 3 pages. Keith Gehle #995287. Published by Keith Gehle (A0.1413499). â??Daybreakâ? was recorded as part of Keithâ??s album of 20 original guitar solos entitled Wintersong released in 2002. Thereâ??s also a version available with TAB on this site. Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
1.82 €
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Guitar
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Keith Gehle
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"Daybreak" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
"Daybreak" for solo classical fingerstyle guitar ( TAB)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1413498 By Keith Gehle. By Keith W. Geh…
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Guitar - Level 3 - Digital Download SKU: A0.1413498 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Guitar Tab. 5 pages. Keith Gehle #995283. Published by Keith Gehle (A0.1413498). â??Daybreakâ? was recorded as part of Keithâ??s album of 20 original guitar solos entitled Wintersong released in 2002. This PDF includes standard notation with tablature for ease of learning. Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
1.82 €
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Guitar notes and tablatures
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Keith Gehle
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"Daybreak" for solo classical fingerstyle guitar
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Keith Gehle
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SheetMusicPlus
Happy Birthday All Day Long
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1310413 By Scott Buss…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1310413 By Scott Bussen. By Scott Bussen. Arranged by Jon Burr. Children,Comedy,Jazz,Pop,Ragtime. Score. 4 pages. Scott Bussen #899468. Published by Scott Bussen (A0.1310413). A Brand New Original Birthday Song!Happy Birthday All Day Long is a brand new birthday song that captures the spirit of timeless birthday classics in a fun and sentimental arrangement. Composed by independent professional musician Scott Bussen, Happy Birthday All Day Long is divided into two verses with lyrics and melodies to pair with almost any occasion. There certainly is lots room to take the song over the top! The song perfomed runs roughly one minute in duration. This version was arranged by Jon Burr.
$3.99
3.65 €
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Piano, Vocal and Guitar
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Scott Bussen
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independent professional musician Scott Bussen,
Happy Birthday All Day Long
is divided into two verses with lyrics and melodies to pair with almost any occasion
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Happy Birthday All Day Long
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Scott Bussen
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SheetMusicPlus
I Heard the Bells on Christmas Day
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jea…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
$3.99
3.65 €
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Piano solo
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Michael Swedberg
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I Heard the Bells on Christmas Day
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Niska Music Publishing
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SheetMusicPlus
A Sunny Day in Hell (cello and guitar)
Cello, Guitar (duet)
Instrumental Duet Cello,Guitar,Instrumental Duet - Digital Download SKU: A0.942094 …
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Instrumental Duet Cello,Guitar,Instrumental Duet - Digital Download SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99
13.72 €
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Cello, Guitar (duet)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Ceremonial Suite No. 1 Music and Marches for Weddings, Graduations or Almost Any Occassion for Orche
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730259 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730259 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic,Wedding. Score and parts. 150 pages. James Nathaniel Holland #1795625. Published by James Nathaniel Holland (A0.730259). Give your special day a Hollywood glimmer with this new ceremonial music for weddings, graduation or almost any occasion New and original but written in a very traditional Style arranged for orchestra and in 5 Movements. Movements include: Prelude, Pre-Processional March (Song of the Robin), Processional Wedding March, Solemn Music and a rousing Exit March. American contemporary composer. Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube video page: https://www.youtube.com/watch?v=1hwE8zMg6u4 Full Score and Parts Included!
$13.95
12.77 €
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Orchestra
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James Nathaniel Holland
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Ceremonial Suite No. 1 Music and Marches for Weddings, Graduations or Almost Any Occassion for Orche
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James Nathaniel Holland
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SheetMusicPlus
Has Sorrow Thy Young Days Shaded
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.954888 Composed by Old Irish Ai…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.954888 Composed by Old Irish Air. Arranged by Rick Rangno. Folk,Holiday,World. Score and parts. 12 pages. Rick Rangno #4370064. Published by Rick Rangno (A0.954888). This arrangement is based on the old Irish tune Sly Patrick with words added by Thomas Moore (1779 - 1852). There are no real technical challenges and this piece could be performed by groups of widely varying skill levels. Appropriate for almost any popular program, especially so on St. Patrick's Day.
$8.99
8.23 €
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Brass ensemble
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Old Irish Air
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Has Sorrow Thy Young Days Shaded
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Rick Rangno
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SheetMusicPlus
Morango ... almost a tango, full score
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
9.15 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Morango ... almost a tango, full score
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Thomas Oboe Lee
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SheetMusicPlus
Almost Home
Percussion Quartet Marimba - Level 2 - Digital Download SKU: A0.1328219 Composed by…
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Percussion Quartet Marimba - Level 2 - Digital Download SKU: A0.1328219 Composed by Keith Anderson. Chamber,Contemporary,Instructional. 8 pages. Keith Anderson #916215. Published by Keith Anderson (A0.1328219). Almost Home is a moving lyrical piece written for marimba quartet. It’s dedicated to a wonderful friend and spiritual sister who showed tremendous courage and grace in the face of the devastating effects of cancer. The piece opens “with questionâ€, moving through unexpected chords and harmonic colors representing the challenges and uncertainty each day brings when literally fighting for your life. But while those questions aren’t always answered, we move to the piece's second half, “with assurance.†Ms. Carol’s faith gave her the assurance of the home that awaited her, providing a peace that passes understanding. She was an encouragement and inspiration to all who knew her and this piece is just a small and humble effort to remind all of us what it means to be “almost home.â€.
$25.00
22.89 €
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Keith Anderson
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Almost Home
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Keith Anderson
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SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.74 €
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C Instruments
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Waitin' For The Day
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1198672 By John, Johnny B., Bushell…
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Piano Solo - Level 4 - Digital Download SKU: A0.1198672 By John, Johnny B., Bushell. By John, Johnny B., Bushell. Arranged by John, Johnny B., Bushell. Classical,Contemporary,Film/TV,New Age. Score. 3 pages. John Bushell #797750. Published by John Bushell (A0.1198672). Almost classical, almost jazz. I'll wait for you to tell me what genre. Other music by composer Johnny B. can be found at www.AlaskaJohnnyB.com.
$4.99
4.57 €
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Piano solo
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John, Johnny B
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Waitin' For The Day
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John Bushell
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SheetMusicPlus
Almost Like Being In Love
Melody line, (Lyrics) and Chords
C Instrument - Level 4 - Digital Download SKU: A0.499934 By Gene Kelly. By Alan Jay…
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C Instrument - Level 4 - Digital Download SKU: A0.499934 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113178. Published by John Fries (A0.499934). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Almost Like Being in Love is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. There were three hit versions of the song in the United States in 1947: Frank Sinatra's version was the highest charting at no. 20. Mildred Bailey and Mary Martin both charted with the song at no. 21 that year. Nat King Cole recorded more than one version of the song, including a later version that was used as the closing song in the 1993 movie Groundhog Day which starred Bill Murray.
$3.99
3.65 €
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Melody line, (Lyrics) and Chords
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Gene Kelly
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Almost Like Being In Love
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John Fries
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SheetMusicPlus
Almost Like Being In Love
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198198 By David Broo…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198198 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by John Fries. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #797390. Published by John Fries (A0.1198198). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Almost Like Being in Love is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. There were three hit versions of the song in the United States in 1947: Frank Sinatra's version was the highest charting at no. 20. Mildred Bailey and Mary Martin both charted with the song at no. 21 that year. Nat King Cole recorded more than one version of the song, including a later version that was used as the closing song in the 1993 movie Groundhog Day which starred Bill Murray.
$4.99
4.57 €
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Piano, Vocal and Guitar
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David Brooks And Marion Bell
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Almost Like Being In Love
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John Fries
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SheetMusicPlus
Almost May Score and Parts
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.88 €
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String Quartet: 2 violins, viola, cello
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Rainy Day
Piano solo
Piano Solo - Digital Download SKU: A0.1033148 Composed by Edgars Samorodovs. Baroqu…
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Piano Solo - Digital Download SKU: A0.1033148 Composed by Edgars Samorodovs. Baroque,Classical,Romantic Period. Score. 6 pages. Edgars Samorodovs #6114915. Published by Edgars Samorodovs (A0.1033148). This piece portrays one miraculous day out in nature with the weather, as well as the tunes and moods changing constantly. Here I used every piano register to create contrasts. It begins with the sun rising over the horizon with piano tremolo in a high register almost as a dew dripping from the grass, impressionistic melody in the middle register, and more forceful intervals in the lower register as a sign, that something majestic awaits. The next part is an innocent, lightsome fugue with baroque elements, that ends on a minor scale, creating suspense and uncertainty. After a little melancholic section in Largo (slow tempo), the storm has finally started. Thunder - Dramatic octaves in the lower register with glimpses of melody from the intro turn into a tempestuous dance with arpeggios in the left hand and somewhat sweet melody in the right hand. The last section is a calm after the storm. Little raindrops falling from the roofs in the upper register create the melody from the intro as if reminiscing of how joyful was the beginning of the day. The piece finishes with a feeling of unfulfillment and expectation of what surprises the new day will bring.
$6.99
6.4 €
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Piano solo
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Edgars Samorodovs
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Rainy Day
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Edgars Samorodovs
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SheetMusicPlus
One Summer's Day
Clarinet Quintet: 5 clarinets
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1239461 Composed by Joe Hisaishi. Arranged by Sean Sullivan. 20th Century,Film/TV. 20 pages. Sean Sullivan #834854. Published by Sean Sullivan (A0.1239461). Summer is almost here, and what better way to welcome the season than with a beautiful and enchanting clarinet quintet arrangement of One Summer's Day by Joe Hisaishi. Perfect for any occasion, whether it's an intimate gathering with friends and family or a public performance, this arrangement is sure to captivate and delight any audience. Â Featuring four clarinets and one bass clarinet with an optional part for alto clarinet, this arrangement is beautifully arranged and written for easy access to any clarinet quintet. The mellow and soothing tones of the clarinets blend effortlessly together, creating a wonderfully harmonious and relaxing sound that will transport listeners to a serene summer's day. Â With its hauntingly beautiful melody and intricate harmonies, One Summer's Day is a timeless classic that has captured the hearts of music lovers all over the world. And now, with this new arrangement, you can experience the magic of this beloved piece in a whole new way.
$13.99
12.81 €
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Clarinet Quintet: 5 clarinets
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Joe Hisaishi
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One Summer's Day
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Sean Sullivan
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SheetMusicPlus
40 Days of Desert
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1122142 By Kathleen Ryan. By Kathle…
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Piano Solo - Level 4 - Digital Download SKU: A0.1122142 By Kathleen Ryan. By Kathleen Ryan. Classical,Contemporary,New Age. Score. 7 pages. Indigo Mesa Music LLC #723289. Published by Indigo Mesa Music LLC (A0.1122142). Moody and powerful piano solo, composed and performed by Kathleen Ryan on her album A Handfull of Quietness. Kathleen's notes: Wherein something so small as to be almost nothing turns within itself again and again to become massive and powerful. I confess that this piece was inspired by the raucous rock music that bled up to my upstairs apartment, late late late one Saturday night, back in the days when my neighbors led a much more interesting life than I did. I was injured and confined to the apartment—longing to escape—and this piece embodies that restlessness. Late intermediate level, theme with variations. Since the variations change in small increments, the score includes tips on not becoming lost.
$5.25
4.81 €
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Piano solo
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Kathleen Ryan
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40 Days of Desert
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Indigo Mesa Music LLC
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SheetMusicPlus
Match Of The Day
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barr…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.799274 Composed by Barry Stoller. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5224117. Published by Derek Hasted (A0.799274). MATCH OF THE DAY THEME - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Both my adult ensemble groups have played this in concert and it’s a lot of fun! It's known to UK audiences as the theme music to the TV program Match Of The Day.This version includes the uplifting key-change in the middle of the piece and if the upper three parts play outside of first position, then it’s a simple two-fret shift and no change to the left hand fingering at all!The X-headed notes are golpé strokes - but on a Classical Guitar with no scratch-protection to the front, it’s best to tap the side-panel of the bridge with the side of the thumb - it gives a great drum sound and the wood is hard and won’t mark.The metronome mark ties in with the speed of the original, but if the fast sections are a little too cumbersome for Guitar One, simply drop the pace a little. Since most of the notes are the same length, it works at almost any speed.I hope you enjoy performing this!
$4.99
4.57 €
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Barry Stoller
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Match Of The Day
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Derek Hasted
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SheetMusicPlus
A Year in a Day (Choral Suite for SSAATTBB unaccompanied)
Choral SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by…
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1086990 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 51 pages. Colne Edition / BullardMusic #691185. Published by Colne Edition / BullardMusic (A0.1086990). A Year in a Day, for SSAATTBB unaccompanied. Duration c.16 minutes The five movements of 'A Year in a Day' bring a wide range of colour and texture to the various seasons, and treat fragments of text in an almost symphonic way, by turns gentle and expressive, humorous, and excitingly forceful. 1. Winter Dawn (lines from Tennyson's In Memoriam) 2. Spring Morning (one line from Gerard Manley Hopkins' Spring) 3. Summer Afternoon (anonymous lines) 4. Autumn Twilight (lines from William Watson's Autumn, and from Robert Bridges' November) 5. Winter Night (Emily Bronte: The night is darkening round me) Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.65 €
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Choral SATB
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Alan Bullard
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A Year in a Day
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Colne Edition / BullardMusic
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SheetMusicPlus
Ode on St. Cecilia's Day 1692 Z 328
Soli: SAATBB – Chor: SSAATB – 2Blfl.B-Fl.2.0.0. – 0.2.0.0. – P…
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Soli: SAATBB – Chor: SSAATB – 2Blfl.B-Fl.2.0.0. – 0.2.0.0. – Pk – Str – Bc mixed choir (SATB/SATB), soloists (SATB) and orchestra - Digital Download SKU: S9.Q7080 Hail! Bright Cecilia. Composed by Henry Purcell. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 60 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q7080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q7080). German • English • French.An annual London celebration of the patron saint of music, in the form of a banquet plus the performance of an ode, was instituted on St. Cecilia’s Day, 22 November 1683. The occasion proved so popular that it continued for some 30 years after. A newspaper account of the first performance of the 1692 Ode informs us that 'the Ode was admirably set to music by Mr. Henry Purcell, and perform’d twice with universal applause'. The popularity of Purcell’s setting is apparent from the many sources that survived from the period and from printed extracts which appeared almost immediately after its first performance. The editor, Christopher Hogwood, is the founder-director of the Academy of Ancient Music with whom he has made over 200 recordings. He is Honorary Professor of Music at the University of Cambridge and Visiting Professor at the Royal Academy of Music, London.Un compte rendu de la première représentation nous informe que l'ode était admirablement mise en musique par Mr Henry Purcell (...) et qu'elle fut exécutée deux fois sous les plus grands applaudissements. La popularité de la composition de Purcell ressort des nombreuses sources qui nous sont parvenues et des critiques parues après la première.
$47.99
43.94 €
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Henry Purcell
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Ode on St. Cecilia's Day 1692 Z 328
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
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