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You've selected:
Alone - for 4 Hands
SheetMusicPlus
Sheetmusic to print
17 sheet music found
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1
In Christ Alone (arr. Phillip Keveren)
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet,Piano and Keyboard - Interactive Download SKU: HX.410761…
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1 Piano,4 Hands,Piano Duet,Piano and Keyboard - Interactive Download SKU: HX.410761 By Keith and Kristyn Getty. Arranged by Phillip Keveren. This edition: Interactive Download,scorch. Christian,Easter,Hymn,Sacred. Score. 5 pages. Published by Hal Leonard - Digital (HX.410761).
$4.99
4.52 €
#
1 Piano, 4 hands
#
Keith and Kristyn Getty
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In Christ Alone
#
Hal Leonard - Digital
#
SheetMusicPlus
In Christ Alone
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.507624 By Margaret Becker and…
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1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.507624 By Margaret Becker and The Newsboys. By Keith Getty and Stuart Townend. Arranged by Natalie Weber. Easter,Praise & Worship,Sacred,Spiritual. Score. 12 pages. Published by Music Matters Blog (A0.507624). A dramatic late intermediate equal parts piano duet capturing each verse of this worshipful song.
$4.99
4.52 €
#
1 Piano, 4 hands
#
Margaret Becker and The Newsboys
#
In Christ Alone
#
Music Matters Blog
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
SURRENDER, Between the Octaves, A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.12 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Perfect Vision, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1174319 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1174319 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 5 pages. Kevin G. Pace #774490. Published by Kevin G. Pace (A0.1174319). A touching, sacred hymn about Christ's taking upon Him our sorrows and trials.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Hollow grief and vibrations of loss leave me isolated, uniquelyAlone.Shouting silence echoes against every promised dream.Emptiness sobs wildly, yet no one perceives my searing, stingingPain.My pierced and bruised heart halts; no hands reach out, andI weep.He trammels from side to side with weight of words and wood,Alone.Shouldering all burdens bears gut groans and crimson blood . . .Void to those who are blind to His solitary, sacrificing, wrenchingPain.His severed heart stretches to reach those with shielded eyes, andHe weeps.With shackled sight silently loosed, I see woeful mourning is neverAlone.Yoked by clear cleansing, and trusting each atoning breath,I grasp His robe with welcoming arms—His, which can subdue everyPain.My humbled heart cries out to Him with joy, and clinging gratefully,We weep.
$1.99
1.8 €
#
Choral SATB
#
Kevin G
#
Perfect Vision, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
The Erie Canal
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1313767 Composed by Traditional. Ar…
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Piano Solo - Level 2 - Digital Download SKU: A0.1313767 Composed by Traditional. Arranged by Miriam Troxler. Children,Folk,Instructional,Traditional. Score. 4 pages. Miriam Troxler #902482. Published by Miriam Troxler (A0.1313767). Easy piano arrangement of The Erie Canal. The first verse can be played with minimal hands together notes and could stand alone as a solo. Both hands change position in the first half. The second verse requires more hands together and hand movement. E Flat Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Piano solo
#
Traditional
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The Erie Canal
#
Miriam Troxler
#
SheetMusicPlus
Johnny Appleseed Song
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1228894 Composed by Traditional. Ar…
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Piano Solo - Level 1 - Digital Download SKU: A0.1228894 Composed by Traditional. Arranged by Miriam Troxler. Children,Christian,Folk,Instructional,Traditional. Score. 4 pages. Miriam Troxler #824806. Published by Miriam Troxler (A0.1228894). Easy piano arrangement of Johnny Appleseed Song. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and position changes in both hands. E Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Piano solo
#
Traditional
#
Johnny Appleseed Song
#
Miriam Troxler
#
SheetMusicPlus
All the Pretty Little Horses
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1286569 Composed by Traditional. Ar…
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Piano Solo - Level 2 - Digital Download SKU: A0.1286569 Composed by Traditional. Arranged by Miriam Troxler. Children,Instructional,Traditional. Score. 4 pages. Miriam Troxler #877632. Published by Miriam Troxler (A0.1286569). Easy piano arrangement of All the Pretty Little Horses. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and extensions. In the second half, there are some right hand sixths. A Flat Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Piano solo
#
Traditional
#
All the Pretty Little Horses
#
Miriam Troxler
#
SheetMusicPlus
Buffalo Gals
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1272419 Composed by Traditional. Ar…
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Piano Solo - Level 2 - Digital Download SKU: A0.1272419 Composed by Traditional. Arranged by Miriam Troxler. Children,Folk. Score. 4 pages. Miriam Troxler #864645. Published by Miriam Troxler (A0.1272419). Easy piano arrangement of Buffalo Gals. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and a finger extension. D Flat Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Piano solo
#
Traditional
#
Buffalo Gals
#
Miriam Troxler
#
SheetMusicPlus
Simple Gifts
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1309573 Composed by Traditional. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1309573 Composed by Traditional. Arranged by Miriam Troxler. Children,Christian,Folk,Religious,Spiritual. Score. 4 pages. Miriam Troxler #898738. Published by Miriam Troxler (A0.1309573). Easy piano arrangement of Simple Gifts. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and one extension in the left hand. B Flat Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Easy Piano
#
Traditional
#
Simple Gifts
#
Miriam Troxler
#
SheetMusicPlus
Shenandoah
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1239040 Composed by Traditional. Ar…
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Easy Piano - Level 2 - Digital Download SKU: A0.1239040 Composed by Traditional. Arranged by Miriam Troxler. Children,Folk,Instructional,Traditional. Score. 4 pages. Miriam Troxler #834431. Published by Miriam Troxler (A0.1239040). Easy piano arrangement of Shenandoah. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and a change of position in the left hand. B Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Easy Piano
#
Traditional
#
Shenandoah
#
Miriam Troxler
#
SheetMusicPlus
Yankee Doodle
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1259437 Composed by Traditional. Ar…
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Easy Piano - Level 2 - Digital Download SKU: A0.1259437 Composed by Traditional. Arranged by Miriam Troxler. Children,Holiday,Instructional,Patriotic. Score. 4 pages. Miriam Troxler #852724. Published by Miriam Troxler (A0.1259437). Easy piano arrangement of Yankee Doodle. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together. F Sharp Major warm-ups and  preparatory studies are included.
$3.99
3.61 €
#
Easy Piano
#
Traditional
#
Yankee Doodle
#
Miriam Troxler
#
SheetMusicPlus
Cockles and Mussels
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.1190725 Composed by Traditional Iri…
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Piano Solo - Level 1 - Digital Download SKU: A0.1190725 Composed by Traditional Irish Folk Tune. Arranged by Miriam Troxler. Celtic,Children,Folk,Instructional,Irish. Score. 4 pages. Miriam Troxler #790271. Published by Miriam Troxler (A0.1190725). Easy piano arrangement of Cockles and Mussels. The first verse can be played with no hands together notes and could stand alone as a solo. The second verse requires hands together and a change of position in the left hand. D Major warmups and  preparatory studies are included.
$3.99
3.61 €
#
Piano solo
#
Traditional Irish Folk Tune
#
Cockles and Mussels
#
Miriam Troxler
#
SheetMusicPlus
Peace Comes From Heaven, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1048313 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1048313 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #652740. Published by Kevin G. Pace (A0.1048313). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace comes from heaven through Jesus Christ; He is the true Prince of Peace. Like giving manna to all around, He offers his kingly feast. Peace comes from heaven as we near his lavish table all spread. He feeds our souls through tranquility, nourishing with living bread. Peace comes from heaven through Jesus Christ to all of God’s cov’nant saints. As He empowers each one to serve, He lends to others his traits. Peacemakers choose to spread his love, bearing true peace in his stead. “My peace I give to you alone,†are holy words He has said. Peace comes from heaven through Jesus Christ, sensing a stillness to be. Peacemakers calm stormy souls of men, softening strife rev’rently, Clearing contentious clouds that clash, mending sore hearts of disdain. Peacemakers bring unity and calm, causing all tempers to tame. Peace comes from heaven through Jesus Christ; He filled the Father’s true plan. Peacemakers blessed from God’s perfect hands imitate his love of man. Hearing these sacred, holy words: “Peace, peace be unto thy soul,†Brings hope and stillness through God’s pure Name, letting his children be whole.
$1.99
1.8 €
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Choral SATB
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Kevin G
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Peace Comes From Heaven, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Peace Comes From Heaven, sacred vocal solo
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #653524. Published by Kevin G. Pace (A0.1049130). Beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace comes from heaven through Jesus Christ; He is the true Prince of Peace. Like giving manna to all around, He offers his kingly feast. Peace comes from heaven as we near his lavish table all spread. He feeds our souls through tranquility, nourishing with living bread. Peace comes from heaven through Jesus Christ to all of God’s cov’nant saints. As He empowers each one to serve, He lends to others his traits. Peacemakers choose to spread his love, bearing true peace in his stead. “My peace I give to you alone,†are holy words He has said. Peace comes from heaven through Jesus Christ, sensing a stillness to be. Peacemakers calm stormy souls of men, softening strife rev’rently, Clearing contentious clouds that clash, mending sore hearts of disdain. Peacemakers bring unity and calm, causing all tempers to tame. Peace comes from heaven through Jesus Christ; He filled the Father’s true plan. Peacemakers blessed from God’s perfect hands imitate his love of man. Hearing these sacred, holy words: “Peace, peace be unto thy soul,†Brings hope and stillness through God’s pure Name, letting his children be whole.
$3.99
3.61 €
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Piano, Voice
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Kevin G
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Peace Comes From Heaven, sacred vocal solo
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Kevin G. Pace
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SheetMusicPlus
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