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You've selected:
An Organ Book Of Spirituals
Sheetmusic to print
11 sheet music found
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1
An Organ Book Of Spirituals
Organ
Organ 2-staff - Digital Download Arranged by Eugene W Hancock. Sacred. Organ. 20 page…
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Organ 2-staff - Digital Download Arranged by Eugene W Hancock. Sacred. Organ. 20 pages. Lorenz Publishing Company #KK196. Published by Lorenz Publishing Company
$21.00
19.24 €
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Organ
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An Organ Book Of Spirituals
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Lorenz Publishing Company
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SheetMusicPlus
Let Us Break Bread Together — trombone, organ
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-Amer…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together†is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$5.99
5.49 €
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Trombone
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African-American Spiritual
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Let Us Break Bread Together — trombone, organ
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Con Spirito Music
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SheetMusicPlus
Beginning Trombonist's Songbook
Trombone
Trombone - Beginning - Digital Download SKU: M0.21878EB Composed by Joe Maroni. Tun…
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Trombone - Beginning - Digital Download SKU: M0.21878EB Composed by Joe Maroni. Tunebooks. Folk. E-book. Mel Bay Publications - Digital Sheet Music #21878EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21878EB). ISBN 9781619111301. 8.75x11.75 inches.The purpose of this Trombone song book is to provide the beginning Trombone player with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. They continue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for Trombone utilizing dynamics, expression markings, and some articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Trombone players. Guitar chord symbols appear above the melody; however, the chords may be played by banjo, ukulele, autoharp, and chord organ. Note: Chord Symbols are in Concert Key Included are: Irish Songs, Folk Songs, American Hymns, Spirituals, and Classics. This song book is an ideal supplement to any beginning Trombone Method book. All the songs are appropriate for performance at concerts, recitals, and contests.
$9.99
9.15 €
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Trombone
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Joe Maroni
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Beginning Trombonist's Songbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nath…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.914176 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Christian,Romantic Period,Sacred,Spiritual. Octavo. 11 pages. Music for a While #6416607. Published by Music for a While (A0.914176). Robert Nathaniel Dett (1882-1943) was born in Canada before moving to the Unites States at the age of 11. He began studying piano at an early age and went on to be the first black American to graduate from Oberlin Conservatory of Music. Throughout his career he worked as a composer, organist, pianist, choral director and music professor; he received many awards for his music and writing and spent a period at the Fontainebleau School of Music south of Paris where he studied with Nadia Boulanger. Dett became well known for incorporating tunes and and elements of African American folk songs and spirituals into classical music.Listen to the Lambs is scored for mixed unaccompanied chorus with solo soprano part and was originally published by G. Schirmer in 1914. It became one of his most famous choral works and was featured in The Oxford Book of Spirituals and Choral Music: A Norton Historical Anthology. There are modern recordings of the anthem performed by chamber choirs but Dett himself conducted a 900-voice performance of the work at Hampton University, Virginia where he was the director of the music department between 1928 and 1932.
$1.99
1.82 €
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Choral SATB
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R
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R. Nathaniel Dett - Listen to the Lambs for solo soprano and 8-part chours
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Music for a While
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SheetMusicPlus
Beginning Trumpeter's Songbook
Trumpet
By Joe Maroni. For Trumpet. All Styles. 28 pages. Published by Mel Bay Publications - Digi…
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By Joe Maroni. For Trumpet. All Styles. 28 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619111226. The purpose of this Trumpet songbook is to provide the beginning Trumpet player with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. They continue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for Trumpet utilizing dynamics, expression markings, and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Trumpet player. Guitar chord symbols appear above each melody; however, the chords may be played by banjo, ukulele, autoharp, and chord organ. Note: Chord Symbols are in Concert KeyIncluded are: Irish Songs, Folk Songs, American Hymns, Spirituals, and Classics. This song book is an ideal supplement to any beginning Trumpet method Book. All the songs are appropriate for performance at concerts, recitals, and contests.
$9.99
9.15 €
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Trumpet
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Joe Maroni
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Beginning Trumpeter's Songbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Beginning Cellist's Songbook
Cello
By Joe Maroni. For Cello. All Styles. 28 pages. Published by Mel Bay Publications - Digita…
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By Joe Maroni. For Cello. All Styles. 28 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619111318. The purpose of this cellist songbook is to provide the beginning cellist with a repertoire of 24 of the most familiar and beloved tunes ever written. There are several great folk songs of America and other lands. They continue to bring pleasure and knowledge as a link to the past. All the songs are written specifically for cello utilizing dynamics, expression markings, and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning cellist. Guitar chord symbols appear above each melody; however, the chords may be played by banjo, ukulele, autoharp, and chord organ. Included are: Irish Songs, Folk Songs, American Hymns, Spirituals, and Classics. This song book is an ideal supplement to "Cello Method" (MB96459) published by Mel Bay Publications, Inc. All the songs are appropriate for performance at concerts, recitals, and contests.
$9.99
9.15 €
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Cello
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Joe Maroni
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Beginning Cellist's Songbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Sonata Hymnica No. 1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.7 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 2
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.7 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Sonata Hymnica No. 3
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.7 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
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