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You've selected:
And So It Goes, Harp Solo
Sheetmusic to print
14 sheet music found
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1
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
Harp
Lever Harp - Level 2 - Digital Download SKU: A0.1380924 Composed by Rachael Acheson…
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Lever Harp - Level 2 - Digital Download SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #965699. Published by TheHarpLibrarian (A0.1380924). This is my first original composition for small solo harp. I like to think it gives spooky filmscore / Wednesday Addams vibes, with a neoclassical air, while still remaining very accessible to a less-experienced musician with a small, simple, or budget instrument.It is in the key of A minor (i.e. no sharps or flats) with no lever changes. It should also already fit the range of most common small harp models, including Harpsicle harps (even if your model has no levers!), Roosebeck Pakistani harps (it goes no lower than the F below middle C), Harp-E harps (it goes no higher than your high E), Dusty Strings Ravenna, Musicmakers Sonnet Lap Harp, and others. It can also, obviously, be played on any and all larger harp models.Played at full-speed, some of the turn-arounds in the right-hand, as well as the octave jump in the middle, can prove tricky (as you can see from my own playing in the video!). But played under tempo and more expressively, it could be accessible even to beginner/early-intermediate harpists, so long as you are learning to replace fingers and change directions.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.Also note: If the preview shows a 4/4 timing, this is a software rendering error. I have already uploaded a new pdf with the correct preview, in 3/4 waltz time. But know, in the meantime, that the actual, full score itself is, and has always been, rendered correctly in 3/4 timing.
$5.99
5.49 €
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Harp
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Rachael Acheson
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Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
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TheHarpLibrarian
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SheetMusicPlus
And So It Goes
Harp
Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541269 By Billy Joe…
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Instrumental Solo,Lap Harp - Level 3 - Digital Download SKU: A0.541269 By Billy Joel. By Billy Joel. Arranged by Cindy Blevins. Pop,Rock. Individual part. 4 pages. Cindy Blevins #3106167. Published by Cindy Blevins (A0.541269). This is an arrangement for lap harp. Three pages of music. You need a harp with C below middle C and 24-26 strings. This song is also available arranged for lever/pedal harp and for easy harp. My website: https://www.blevinsmusic.com
$4.99
4.58 €
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Harp
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Billy Joel
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And So It Goes
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Cindy Blevins
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SheetMusicPlus
And So It Goes, Harp Solo
Harp
By Billy Joel. Arranged by Jodi Ann Tolman. Individual Part, Sheet Music Single, Solo Part…
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By Billy Joel. Arranged by Jodi Ann Tolman. Individual Part, Sheet Music Single, Solo Part. 3 pages. Published by Jodi Ann Tolman (H0.349205-27311). - Individual Part,Sheet Music Single,Solo Part - - Jodi Ann Tolman
$6.99
6.41 €
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Harp
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Billy Joel
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And So It Goes, Harp Solo
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Jodi Ann Tolman
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SheetMusicPlus
Billy Joel: And So It Goes - harp solo
Harp
Instantly printable sheet music by Billy Joel for harp solo of MEDIUM skill level. / pop,r…
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Instantly printable sheet music by Billy Joel for harp solo of MEDIUM skill level. / pop,rock
$6.97
6.39 €
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Harp
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Billy Joel
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Virtualsheetmusic
Billy Joel: And So It Goes (arr. Emily Brecker) - harp solo
Harp
Instantly printable sheet music by Billy Joel for harp solo of MEDIUM skill level. / pop
Instantly printable sheet music by Billy Joel for harp solo of MEDIUM skill level. / pop
$7.97
7.31 €
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Harp
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Billy Joel
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Virtualsheetmusic
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.93 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Southwest Sunrise Trumpet Solo with Piano
Trumpet, Piano
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.
$6.72
6.16 €
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Trumpet, Piano
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Alex Lewis and Eddie Lewis
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Southwest Sunrise Trumpet Solo with Piano
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Tiger Music
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SheetMusicPlus
And So It Goes for solo harp or harp and voice
Harp, Voice
By Billy Joel. Arranged by Jim Palmer. Score. 4 pages. Published by harpisticpublications …
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By Billy Joel. Arranged by Jim Palmer. Score. 4 pages. Published by harpisticpublications (H0.288395-27311). - Score - - harpisticpublications
$4.99
4.58 €
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Harp, Voice
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Billy Joel
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And So It Goes for solo harp or harp and voice
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harpisticpublications
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.49 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
It Is Cold!
Easy Piano
Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsi…
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Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsin Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #3426901. Published by Joyful Sound Music (A0.906748). It is Cold for Beginner Level The story behind this song:I installed a brand new AC and heating unit at my house during the summer of 2014. The person who installed the system did not do a good job. I had a lot of problems with the brand new ac unit after they came to install it. One of the problems is that every year, when the temperature outside goes down to 30 degrees, the brand new installed heating system would not go above 65 degrees. Normally, it stays at 61 degrees. I was and still am very frustrated about this. This new heating and ac system costs a lot of money. (A person use the same amount of money to buy a nice small car.) Because the temperature has not gone above 65 degrees inside, I have had to wear two sweat shirts, one coat, one feather jacket, two pairs of cotton pants, two pairs of socks, and two warm hats almost every single day for about one month. I have been so cold every winter. A lot of times during the coldest days in the winter, I have to stay in my 1998 Toyota Sienna van. Because it is warmer in my van than in my house. One day, while I was driving, I thought about writing a song about how cold I have been.In this song, I used many seconds including Major 2nd and Minor 2nd. The Major and Minor seconds sound very sharp, like the cold that is cutting through your skin. It is very uncomfortable, and that is the idea behind this song. This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99
2.74 €
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Easy Piano
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Joy Gilmore, Hsin Gilmore
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It Is Cold!
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Joyful Sound Music
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.63 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.63 €
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Orchestra
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Heal The World (prelude)
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.925654 By Doctors Pop, Marty…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.925654 By Doctors Pop, Marty Paich. By Martin Paich. Arranged by Jennifer Kusuma. Contemporary. Score. 3 pages. JellyMakesMusic #6091805. Published by JellyMakesMusic (A0.925654). An easy arrangement for piano solo of Michael Jackson's Heal The WorldThis is perfect for you who's starting to learn chords on the left hand. This arrangement uses constant left hand patterns that is perfect for beginners to learn how to stretch their hands.This song also has 3 sharps so it's a good challenge for beginners or early intermediate. If you are familiar with the song, it's much easier. This is a shorter version as it only goes up to chorus, but you can repeat as many times as you like. .
$4.99
4.58 €
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Piano, Voice
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Doctors Pop, Marty Paich
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Heal The World
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JellyMakesMusic
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SheetMusicPlus
The Way We Were
Choral Choir - Level 3 - Digital Download SKU: A0.500168 By Barbra Streisand. By Al…
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Choral Choir - Level 3 - Digital Download SKU: A0.500168 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Susanna Lausevic. 20th Century,A Cappella,Pop,Wedding. Octavo. 3 pages. Susanna Lausevic #113352. Published by Susanna Lausevic (A0.500168). A cappella version. shortened version. looks difficult, but when you start singing it it is not difficult at all. soloist is written for female whose highest note is D, so could be considered a low-voice soloist. sop harmony goes up to F sharp. Great anniversary song. Fun to sing. check out my YOUTUBE channel for the audio version and subscribe for more songs.
$3.00
2.75 €
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Barbra Streisand
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The Way We Were
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Susanna Lausevic
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SheetMusicPlus
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