And They That Be Wise Sheet Music to download and print

365 sheet music found

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C Instrument - Level 1 - Digital Download SKU: A0.485184 Composed by Colleen Enders…(+)

$2.99 2.75 € #C Instruments #Colleen Enders & Kristan Fears #And They That Be Wise #Pensacola Christian College #SheetMusicPlus

Grandma Got Run Over By A Reindeer Piano, Vocal and Guitar

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by R…(+)

$10.99 10.09 € #Piano, Vocal and Guitar #A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas Coull

Grandma Got Run Over #Randy Brooks #Grandma Got Run Over By A Reindeer #MTC Publishing #SheetMusicPlus

Rain After That Flute and Piano

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. B…(+)

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95 6.38 € #Flute and Piano #Joe Hisaishi #Rain After That #The Flautist #SheetMusicPlus

Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band Concert band

Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…(+)

Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1Â PiccoloAtÂ leastÂ 2Â flutes,Â clarinets, altoÂ &Â tenorÂ saxesAtÂ leastÂ 1Â bassÂ clarinetAtÂ leastÂ Â 2Â trumpets,Â horns,Â trombonesÂ &Â tubas4Â timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 44.04 € #Concert band #Gabrieli #Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band #jmsgu3 #SheetMusicPlus

Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band Concert band

Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…(+)

Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae SymphoniaeÂ (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 44.04 € #Concert band #Gabrieli #Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band #jmsgu3 #SheetMusicPlus

Bethlehem Angel and The First Noel

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…(+)

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompanimentÂ on Intermediate Level. Â It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ----Â Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 4.58 € #Ginny Saltzman #Bethlehem Angel and The First Noel #Ginny's House of Music #SheetMusicPlus

50 Favorite Hymns for Solo and Duet Instruments--Tuba Tuba

Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gosp…(+)

Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordanâ€™s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Fatherâ€™s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97 7.32 € #Tuba #50 Favorite Hymns for Solo and Duet Instruments--Tuba #Chris Cooke #SheetMusicPlus

Four Favorite Hymns from the Movie - "Stars In My Crown"

Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …(+)

Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 Â¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99 7.34 € #John R #Four Favorite Hymns from the Movie - "Stars In My Crown" #Ginny's House of Music #SheetMusicPlus

They Who Decide Fate Flute, Oboe, Clarinet, Bassoon

Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Comp…(+)

Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99 82.65 € #Flute, Oboe, Clarinet, Bassoon #Brandon Nelson #They Who Decide Fate #Brandon Nelson #SheetMusicPlus

Elements Suite for Violin and Piano 1st Mvnt: Earth Violin and Piano

Instrumental Solo,Piano,Violin - Level 4 - Digital Download SKU: A0.862516 Composed…(+)

Instrumental Solo,Piano,Violin - Level 4 - Digital Download SKU: A0.862516 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and individual part. 5 pages. Michael Butkus-Bomier #2032635. Published by Michael Butkus-Bomier (A0.862516). Contemporary music MUST use elements that are either different in substance or in context from the Old Common Practise: otherwise, the music is not contemporary. Yet, Earth, Air, Fire and Water, these elements have not changed since the dawn of, well, Everything! So, our Suite for Violin and Piano is named after these unchanging aspects of our world, while using musical elements and contexts that are NOT from the past. Asymmetrical or odd-numbered phrases, major 7th, tritones, and half-steps instead of diatonic scales, wide melodic intervals, pointillisms, non-tonal harmony in the accompaniments, etc. This first movement is Adagio, slow and solid. The audio clip, along with the score, will show you more than can be described in words. Playable, listenable, accessible, and yet novel. Contemporary music that retains just enough of an older sound and feeling is the best way to get players and audiences to perform and listen to what it has to offer. Each selection in the suite runs just over 2 mins. They are all posted here as individual titles, and can certainly be played as such. Audio clips of each movement are available through this method. The entire 4-movement suite is advantageously priced. parts and a score for each. MBB.
$4.99 4.58 € #Violin and Piano #Michael Bomier #Elements Suite for Violin and Piano 1st Mvnt: Earth #Michael Butkus-Bomier #SheetMusicPlus

Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Compo…(+)

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday. 21 pages. Connie Boss #911661. Published by Connie Boss (A0.1323437). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a strings quartet - 3 violins and 1 cello and piano. Parts are included with purchaseThis can be played without the piano accompaniment if desired.This can also be played for Pachelbel Canon in D only - it plays the same.Â Â email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$7.99 7.34 € #Johann Pachelbel #Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano #Connie Boss #SheetMusicPlus

Pachelbel Canon with optional Christmas Medley lyrics violin and cello duet and piano

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323427 Compo…(+)

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323427 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday,Religious. 13 pages. Connie Boss #911650. Published by Connie Boss (A0.1323427). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a violin and cello duet and piano. Parts are included with purchaseThis can also be played for Pachelbel Canon in D only - it plays the same.Â Â email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$6.99 6.42 € #Johann Pachelbel #Pachelbel Canon with optional Christmas Medley lyrics violin and cello duet and piano #Connie Boss #SheetMusicPlus

Pachelbel Canon with optional Christmas Medley lyrics violin duet and piano

Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323418 Composed by…(+)

Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323418 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Religious. 14 pages. Connie Boss #911633. Published by Connie Boss (A0.1323418). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a violin duet and piano. Parts are included with purchaseThis can also be played for Pachelbel Canon in D only - it plays the same.Â Â email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$6.99 6.42 € #Johann Pachelbel #Pachelbel Canon with optional Christmas Medley lyrics violin duet and piano #Connie Boss #SheetMusicPlus

Caprice for Viola and Piano Viola, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Co…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (A0.955749). Caprice started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for viola. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. Itâ€™s mainly about melody, not technical abilities. Spirited, lyrical, reflective â€“ those are the three moods the player needs to communicate, and always with a light touch. The first section, up to the key change, should be thought of as a song. That is followed by an instrumental interlude before the song returns at measure 72. At times there is a hint of Latin feeling in the piano accompaniment, which will require some sensitive playing to support that song-like concept. The repetition of the opening four notes in the solo part at the end should not be played loud â€“ they should be regarded as an afterthought. Likewise, the last note in the piano part should not be a weâ€™ve-reached-the-end thump, instead played lightly, like an understatement.
$3.99 3.66 € #Viola, Piano #Phil Thrift #Caprice for Viola and Piano #Phil Thrift #SheetMusicPlus

Three Wise Camels - a Roger Jones Christmas musical Choral SATB

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927449 Composed by Alison …(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927449 Composed by Alison Fuggle, Jane Hicks, and Roger Jones. Arranged by Annie Routley. Children,Christian,Christmas,Musical/Show,Sacred. Octavo. 57 pages. Christian Music Ministries #6087153. Published by Christian Music Ministries (A0.927449). Three Wise Camels - an amazing journey of discovery.Particularly appropriate for churches and schools.Camelia, Humphrey and Samson are three camels who set out on what proves to be the most exciting excursion of their lives! Seen through the camels' eyes, the musical reveals truths about the costly gifts of the Three Kings as they follow the extra-bright star which guides them along their way to Bethlehem where, to their amazement, they discover that the gifts are for a little boy. Samson is awe-struck when he sees angels while Humphrey wonders why the child isn't living in a palace. Camelia is just thrilled that she came! The musical ends with them all bowing down in praise and worship of Jesus, the true King.Told in a light-hearted and amusing way, this musical will appeal to young and old alike. Eight songs for choir, soloists and three wise camels.This vocal score contains all 8 songs with full piano score, guitar chords, SATB choir parts plus solo parts, and drama.
$9.99 9.18 € #Choral SATB #Alison Fuggle, Jane Hicks, and Roger Jones #Three Wise Camels - a Roger Jones Christmas musical #Christian Music Ministries #SheetMusicPlus

Life is Beautiful Easy Piano

Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…(+)

Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3 Louis Landon 2016 / Landon Creative, Inc. 63 minutes Review by Kathy Parsons Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout. It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant. Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon! I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended! November 4, 2016 Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B. Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”. Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music. For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021. Louis Landon mission: To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude. Reviews: “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com "He has a gift for composition that is second to none." Zone Music Reporter "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine Recognition: Louis Landon's music has had over 140 million streams on Pandora radio! Louis Landon's music has had over 34 million streams on Spotify! Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio. Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio. Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016. Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015. Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010. Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter. Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide. unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally. Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 4.82 € #Easy Piano #Louis Landon #Life is Beautiful #Landon Creative, Inc. #SheetMusicPlus

The Best Hymns of All Time (for Wind Instruments) Book 2 Concert band

Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arran…(+)

Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Hereâ€™s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. Thereâ€™s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns youâ€™ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflÃ¼gen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99 29.38 € #Concert band #Various #The Best Hymns of All Time #Colin Kirkpatrick Publications #SheetMusicPlus

Duets For Violin & Violoncello 17-32 (vol.2) Violin, Cello (duet)

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1347173 Compose…(+)

Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1347173 Composed by Socrates Arvanitakis. 21st Century. 69 pages. Socrates Arvanitakis #931967. Published by Socrates Arvanitakis (A0.1347173). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedLondon 2023Socrates ArvanitakisCONTENTS17 Â Î‘Î Î‘ÎÎ© Î£Î¤Î—Î Î¤Î¡Î™Î‘ÎÎ¤Î‘Î¦Î¥Î›Î›Î™Î‘ (On Top Of The Rose Bush)18 Â Î‘Î ÎŸ ÎžÎ•ÎÎŸÎ Î¤ÎŸÎ ÎŸ (From Foreign Parts)19 Â Î‘Î ÎŸ Î¤Î‘ Î“Î›Î¥ÎšÎ‘ Î£ÎŸÎ¥ ÎœÎ‘Î¤Î™Î‘ (From Your Sweet Eyes)20 Â Î‘Î ÎŸÎšÎ¡Î™Î‘Î¤Î™ÎšÎŸ (Carnival Song)21 Â Î‘Î¡ÎšÎ‘Î”Î™Î‘ÎÎ— Â (The Arcadian Lass)22 Â Î‘Î£ Î Î‘Î ÎÎ‘ Î”ÎŸÎ¥Î Î¤Î‘ ÎœÎ‘Î¤Î™Î‘ ÎœÎŸÎ¥ (Let My Eyes Go And See)23 Â Î‘Î£Î Î¡ÎŸ Î¤Î¡Î™Î‘ÎÎ¤Î‘Î¦Î¥Î›Î›ÎŸ Î’Î‘Î£Î¤Î© (I Hold A White Rose)24 Â Î‘Î£Î¤Î¡ÎŸÎ¦Î•Î“Î“Î™Î‘ (Starlight)25 Â Î‘Î§, ÎÎ¤ÎŸÎ¥ÎÎ™Î‘! (Ah, World!)26 Â Î’Î‘Î“Î“Î•Î›Î™Î© Î— (Vangelio)27 Â Î’Î‘Î¡ÎšÎ‘ Î˜Î•Î›Î© Î' Î‘Î¡ÎœÎ‘Î¤Î©Î£Î© (I want to rigg a boat)28 Â Î’Î‘Î£Î™Î›Î™ÎšÎ— Î Î¡ÎŸÎ£Î¤Î‘Î–Î•Î™ (The Musket Commands)29 Â Î’Î‘Î£Î™Î›Î© Î— (Vassilo)30 Â Î’Î‘Î£Î™Î›Î© ÎšÎ‘Î›Î‘ÎœÎ‘Î¤Î™Î‘ÎÎ— (Vassilo From Kalamata)31 Â Î’Î™ÎŸÎ›Î•Î¤Î‘ Î‘ÎÎ˜Î™Î£ÎœÎ•ÎÎ— (Violette In Blossom)32 Â Î’Î›Î‘Î§ÎŸÎ˜Î‘ÎÎ‘Î£Î© Î— (The Valachian Athanassia).
$20.00 18.37 € #Violin, Cello (duet) #Socrates Arvanitakis #Duets For Violin & Violoncello 17-32 #Socrates Arvanitakis #SheetMusicPlus

Duets For Violin & Violoncello 194-209 (volume 13) Violin, Cello (duet)

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409341 Compose…(+)

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1409341 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 80 pages. Socrates Arvanitakis #991966. Published by Socrates Arvanitakis (A0.1409341). GENERAL PREFACE â€“ Î“Î•ÎÎ™ÎšÎŸÎ£ Î Î¡ÎŸÎ›ÎŸÎ“ÎŸÎ£This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS194 Î Î•Î¤Î‘ Î¤Î— Î¡ÎŸÎšÎ‘ (Throw Away The Spindle)195 Î Î—Î”Î—Î§Î¤ÎŸÎ£ ÎšÎ¡Î—Î¤Î—Î£ (Jumping Dance from Crete)196 Î Î—Î›Î™ÎŸÎ¡Î•Î™Î¤Î™ÎšÎŸÎ£ Â (Mount Pilion Dance)197 Î Î›Î‘Î¤Î‘ÎÎŸÎ£ ÎŸ (The Plane Tree)198 Î ÎŸÎ˜ÎŸÎ£ (Î£Î±Î½ Î Î±Ï‚ Î Î¿Ï…Î»Î¯ ÎœÎ¿Ï…) (Craving)199 Î ÎŸÎ›Î•ÎœÎŸÎ£ Î˜Î¡Î—ÎÎŸÎ£ Î“Î™ÎÎ•Î¤Î‘Î™ (War And Lament Is Happening)200 Î ÎŸÎ¤Î‘ÎœÎŸÎ£ ÎŸ 1 (The River 1) in D201 Î ÎŸÎ¤Î‘ÎœÎŸÎ£ ÎŸ 2 (The River 2) in G202 Î ÎŸÎ¤Î•Î£ Î˜Î‘ ÎšÎ‘ÎœÎ•Î™ ÎžÎ‘Î£Î¤Î•Î¡Î™Î‘ (when will the sky clear)203 Î ÎŸÎ¥ ÎÎ‘ Î’Î¡Î© Î“Î© Î’Î‘Î£Î™Î›Î™ÎšÎŸ (Where Should I Find A Basil)204 Î ÎŸÎ¥Î›Î‘ÎšÎ™ ÎžÎ•ÎÎŸ (Foreign Bird)205 Î Î©Î£ Î¤ÎŸ Î¤Î¡Î™Î’ÎŸÎ¥Î Î¤ÎŸ Î Î™Î Î•Î¡Î™ (How They Grate The Pepper)206 Î¡Î—ÎÎ‘ÎšÎ™ Î¤ÎŸ 1 (Rinaki)207 Î¡Î™ÎÎ‘ÎšÎ™ Î¤ÎŸ 2 (Little Catherine-Rinaki 2)208 Î¡ÎŸÎ’Î‘Î£ ÎŸ (Rovas)209 Î¡ÎŸÎ”Î™Î¤Î™ÎšÎŸÎ£ (Dance from Rhodes Island).
$20.00 18.37 € #Violin, Cello (duet) #Socrates Arvanitakis #Duets For Violin & Violoncello 194-209 #Socrates Arvanitakis #SheetMusicPlus

Duets For Violin & Violoncello 81-96 (vol. 6) Violin, Cello (duet)

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1364556 Compose…(+)

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1364556 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #948849. Published by Socrates Arvanitakis (A0.1364556). GENERAL PREFACE â€“ Î“Î•ÎÎ™ÎšÎŸÎ£ Î Î¡ÎŸÎ›ÎŸÎ“ÎŸÎ£This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS81 Â ÎšÎ‘Î›Î‘ÎœÎ‘Î¤Î™Î‘ÎÎ— Î— (The Lass From Kalamata)82 Â ÎšÎ‘ÎÎ‘Î¡Î™Î‘ Î¤Î‘ (The Canaries)83 Â ÎšÎ‘ÎÎ•Î›Î‘ Î— (Canella)84 Â ÎšÎ‘Î Î•Î¤Î‘Î Î›ÎŸÎ¥ÎšÎ‘Î£ ÎŸ (Captain Lukas)85 Â ÎšÎ‘Î ÎŸÎ¥Î¤Î–Î—Î”Î©Î (The Guards of The Seven Towers of Salonica)86 Â ÎšÎ‘Î¡Î‘Î“ÎšÎŸÎ¥ÎÎ‘ (Karagouna-Thessalian Lady)87 Â ÎšÎ‘Î¡Î Î‘Î˜Î™Î©Î¤Î™ÎšÎŸÎ£ (Dance from Karpathos)88 Â ÎšÎ™ÎÎ—Î£Î• ÎŸ Î¡ÎŸÎ’Î‘Î£ (Rovas Moved)89 Â ÎšÎ‘Î£Î¤ÎŸÎ¡Î™Î‘ÎÎŸÎ£ (Î¡ÎŸÎ¥Î£ÎŸÎ¥Î›Î•ÎÎ‘)-(Dance from Kastoria)90 Â ÎšÎ‘Î¤Î£Î‘ÎÎ¤Î©ÎÎ—Î£ ÎŸ (Katsantonis)91 Â ÎšÎ‘Î¤Î© Î‘Î ' Î¤ÎŸ Î“Î•Î¡ÎŸ Î Î›Î‘Î¤Î‘ÎÎŸ (Under The Old Plane Tree)92 Â ÎšÎ‘Î¤Î© Î£Î¤Î‘ Î¤Î£Î‘ÎšÎ©ÎÎ™ÎšÎ‘ (Down In The Tsakonian Places)93 Â ÎšÎ•Î¡ÎšÎ¥Î¡Î‘ ÎšÎ‘Î™ ÎšÎ•Î¦Î‘Î›Î©ÎÎ™Î‘ (Corfu and Cephalonia)94 Â ÎšÎ•Î¡ÎšÎ¥Î¡Î‘ÎªÎšÎŸÎ£ (Dance from Corfu)95 Â ÎšÎ•Î§Î‘Î“Î™Î‘Î”Î™ÎšÎŸÎ£ (Kehaghiadikos Dance-Island of Lemnos)96 Â ÎšÎ›Î•Î¦Î¤Î™ÎšÎ— Î–Î©Î— Î— (The Life of the Klefts).
$20.00 18.37 € #Violin, Cello (duet) #Socrates Arvanitakis #Duets For Violin & Violoncello 81-96 #Socrates Arvanitakis #SheetMusicPlus

String Quartet No. 3: Among Friends String Quartet: 2 violins, viola, cello

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 33.06 € #String Quartet: 2 violins, viola, cello #Robert M #String Quartet No. 3: Among Friends #Robert M. Greenberg #SheetMusicPlus

I Wonder on That Christmas Day, a sacred Christmas hymn Choral SATB

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1125754 Composed by Kevin …(+)

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #726494. Published by Kevin G. Pace (A0.1125754). A lovely, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love Heâ€™d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Babyâ€™s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew Heâ€™d grow to be Godâ€™s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 1.83 € #Choral SATB #Kevin G #I Wonder on That Christmas Day, a sacred Christmas hymn #Kevin G. Pace #SheetMusicPlus

I Wonder on That Christmas Day, a sacred Christmas song for children Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G.…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Religious,Sacred. Score. 3 pages. Kevin G. Pace #726952. Published by Kevin G. Pace (A0.1126251). A lovely, Christmas song for children. Music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love Heâ€™d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Babyâ€™s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew Heâ€™d grow to be Godâ€™s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 1.83 € #Piano, Voice #Kevin G #I Wonder on That Christmas Day, a sacred Christmas song for children #Kevin G. Pace #SheetMusicPlus

All on my Own - 17 fun pieces for Piano ONE HAND Piano solo

Piano Solo - Level 2 - Digital Download SKU: A0.1417934 By Barbara Arens. By Barbar…(+)

Piano Solo - Level 2 - Digital Download SKU: A0.1417934 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Contemporary,Instructional,Medieval. Score. 28 pages. Barbara Arens #999478. Published by Barbara Arens (A0.1417934). In 2013, I was so fortunate as to be able to publish my â€˜One Hand Pianoâ€™ with Breitkopf & HÃ¤rtel.This book has proven so popular that Breitkopf has since published my â€˜One Hand Piano 2â€™.You can tell: I really enjoy the challenge of writing for the left or right hand alone!Now I have been requested to publish a further little collection of pieces for Piano One Hand at a slightly easierlevel than the Breitkopf & HÃ¤rtel books.These are likewise not only for piano students with a broken arm, they are for music-lovers of all ageswho were possibly born with the use only one hand, or who have had a stroke or other injury temporarily orpermanently forcing them to play with one hand only. FORTUNATELY you can play a lot of great music andhave a lot of fun with just one hand on the piano!
$9.99 9.18 € #Piano solo #Barbara Arens #HÃ¤rtel #All on my Own - 17 fun pieces for Piano ONE HAND #Barbara Arens #SheetMusicPlus

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