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You've selected:
Another Bear
Sheetmusic to print
41 sheet music found
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The Tale Of The Slightly Miffed Dancing Bear
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by Jame…
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
7.27 €
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James Pickering
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The Tale Of The Slightly Miffed Dancing Bear
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Forton Music - Digital
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SheetMusicPlus
Bear Wald Septet for clarinet, horn, bassoon, violin, viola, 'cello. & double bass, Op. 325
A Clarinet,Bassoon,Cello,Horn,Viola,Violin - Digital Download SKU: A0.1226398 Compo…
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A Clarinet,Bassoon,Cello,Horn,Viola,Violin - Digital Download SKU: A0.1226398 Composed by Richard O. Burdick. 21st Century,Baroque,Chamber,Classical,Contemporary. 66 pages. I Ching Music #822402. Published by I Ching Music (A0.1226398). Another wild ride in a sort of expressionist attention-deficit flow that has an strong happy ending (but has hard rhythms for the performers.).
$60.00
54.85 €
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Richard O
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Bear Wald Septet for clarinet, horn, bassoon, violin, viola, 'cello. & double bass, Op. 325
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I Ching Music
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SheetMusicPlus
Another Bear (from Finding Neverland)
Melody line, (Lyrics) and Chords
Digital Download SKU: HX.359565 By Jan A.P. Kaczmarek. This edition: scorch. Film/T…
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Digital Download SKU: HX.359565 By Jan A.P. Kaczmarek. This edition: scorch. Film/TV. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #37221. Published by Hal Leonard Europe (HX.359565).
$3.99
3.65 €
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Melody line, (Lyrics) and Chords
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Jan A
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Another Bear
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Hal Leonard Europe
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SheetMusicPlus
Best of Piano Classics 2
Piano solo
Piano - intermediate - Digital Download 40 Classical Arrangements of Famous Classical…
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Piano - intermediate - Digital Download 40 Classical Arrangements of Famous Classical Masterpieces. Arranged by Hans-Guenter Heumann. This edition: Sheet music. Klavier, Piano, Sammlung, Bearbeitungen, Arrangement. Best of Classics. Downloadable. Schott Music - Digital #Q47699. Published by Schott Music - Digital
Following the success of the first volume of Best of Piano Classics (ED 9060), Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years.<br> <br> The contents include great works from Bach to Gershwin, ranging from chamber music, symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century, from 'Air' to 'Rhapsody in Blue'. With fingerings, tempo and pedal suggestions added, these appealing arrangements for advanced players are in easy to read modern printed scores.<br> <br> Recommended not only for tuition purposes, but for all those who enjoy playing the piano in their leisure time.
$16.99
15.53 €
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Piano solo
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Best of Piano Classics 2
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Schott Music - Digital
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SheetMusicPlus
We are One in The Lord
Voice solo
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.793353 Composed by Minni K. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.793353 Composed by Minni K. Ang with lyrics by Cheong Siew Fun. Christian,Sacred. 1 pages. Dr Minni Ang #4756001. Published by Dr Minni Ang (A0.793353). Song for Christian congregational singing, about unity in Christ, and especially important message given our current times...Though there are many partsYet we are all One BodySo let us join our hands and heartsFor we are One in God’s FamilyCHORUSWe’re One in the LordWe will sing in one accordAs we work hand in hand together till the endWe need to bear with each otherForgiving in Jesus’ LoveFor as we love one anotherHis Love is made complete in us(repeat chorus)We all need one anotherNo one’s too big or smallNo one’s dispensibleSo let us give our all(repeat chorus)
$1.99
1.82 €
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Voice solo
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Minni K
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We are One in The Lord
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Dr Minni Ang
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SheetMusicPlus
The Price He Paid, sacred music for SATB choir
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1503453 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 12 pages. Kevin G. Pace #1078902. Published by Kevin G. Pace (A0.1503453). Beautiful, sacred music for SATB choir with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.Falsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone. Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid.
$2.99
2.73 €
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Choral SATB
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the love of Thy pure Son, all my fears are stayed
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Kevin G
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The Price He Paid, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
The Price He Paid, a sacred hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1497494 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1497494 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1073907. Published by Kevin G. Pace (A0.1497494). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Help me to remember the price that has been paid.By the love of Thy pure Son, all my fears are stayed.When he suffered for all sin, felt all pain and grief,He rescued me from death and bought me sweet relief.CHORUSHelp me to remember ev'ry promise I have madeTo honor and obey Him for the price He paid. Entering the Garden, my Savior knelt to pray.Sensing what was coming, He sought another way.Not my will, but Thine be done. Christ would bear the cost.The bitter cup, He drank it up that none be lost.CHORUSFalsely jailed and tortured, He wore a crown of thorn,Shunned by all His people, left lonely and forlorn.Crucified upon a cross, nails pierced flesh and bone.He suffered more, but meekly bore the cost alone.CHORUS Help me to remember my soul is not my own.Purchased with His precious blood, I kneel at His throne.When He gave His life for me, worth more than all gold.His love for me, I clearly see and I am sold.CHORUS.
$2.99
2.73 €
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Choral SATB
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the love of Thy pure Son, all my fears are stayed
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Kevin G
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The Price He Paid, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Wabash Cannonball
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1398261 By Cascia Talbert. By J.A…
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Concert Band - Level 3 - Digital Download SKU: A0.1398261 By Cascia Talbert. By J.A Roff. Arranged by Cascia Talbert. Country,Folk. 74 pages. Cascia Talbert #981538. Published by Cascia Talbert (A0.1398261). The Great Rock Island Route, popularized as Wabash Cannonball and various other titles, is a 19th-century American folk song that describes the scenic beauty and predicaments of a fictional train, the Wabash Cannonball Express, as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, the Wabash Railroad renaming its daytime express service between Detroit and St. Louis the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971.The Carter Family made one of the first recordings of the song in 1929, though it was not released until 1932. Another popular version was recorded by Roy Acuff in 1936. The Acuff version is one of the fewer than 40 all-time singles to have sold 10 million (or more) physical copies worldwide.The tune is most famously associated with Kansas State University athletics and ESPN in 2016 named it the top Big Twelve football pregame ritual. It is also a signature song of the Indiana State University Marching Sycamores and the Purdue All-American Marching Band as the ISU and Purdue campuses are adjacent to the Mighty Wabash River. It is also associated with the Stephen F. Austin State University Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band. It was also used as the theme song by USS Wabash.The song The Wabash Cannonball is part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. It is the oldest song on the list.This arrangement is for concert band.
$19.99
18.28 €
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Concert band
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Cascia Talbert
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Wabash Cannonball
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Cascia Talbert
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SheetMusicPlus
A Place for Dreaming
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Mede…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
$1.99
1.82 €
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Choral SATB
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
Awake, My Soul in Christ, sacred choral music
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1373142 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1373142 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #957484. Published by Kevin G. Pace (A0.1373142). A rousing, sacred choral anthem with music by Kevin G. Pace and text by Mary Ann W. Snowball. Inspired by 2 Nephi 4:28 from the Book of Mormon, Another Testament of Jesus Christ. Text:Why should I longer yield to sin, Or to temptation's grievous snare? Why should the evil one afflict my soul's desire, My soul's desire to bear? Wilt Thou deliver me, O Lord, And make my path be straight? Encircle me with heav'nly pow'r And glory at Thy gate.Awake, awake my soul in Christ! No longer droop in mortal sin. Rejoice, and sing my psalm to Thee; Like Nephi, I shall win.I know in whom I trust; For me my Savior came. My God is my support, my all; With love I'll praise His name. I will not put my faith in flesh; I know of Christ's sure victory. I know the Rock of Righteousness through mercy saves, through mercy sets me free. I lift my voice with laud to heav'n; My peace, from Thee restored. Thy Spirit's as a flame of fire; Thou art my King, my Lord.
$1.99
1.82 €
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Choral SATB
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Kevin G
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Like Nephi, I shall win
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Awake, My Soul in Christ, sacred choral music
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Kevin G. Pace
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SheetMusicPlus
Joy to the World!
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.950929 Composed by George Frideric …
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Piano Solo - Level 5 - Digital Download SKU: A0.950929 Composed by George Frideric Handel. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466301. Published by Niska Music Publishing (A0.950929). I chose to end this collection with another hymn full of hope and glory and joy. Following a raucous opening giving the impression of a grand brass fanfare, the prelude launches into the statement of the tune proper found amongst a flurry of sixteenth note patterns in the right hand that create an inner rhythmic drive over powerful and syncopated left hand octaves. The left hand becomes more animated, yet the rhythmic momentum continues to push the piece forward to its conclusion. There is the sense of timpani beating as the full orchestra comes to bear in a vibrant and unapologetically joyous finale.
$3.99
3.65 €
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Piano solo
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George Frideric Handel
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Joy to the World!
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Niska Music Publishing
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SheetMusicPlus
Resonances
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.966279 Composed by J. Ryan Garber. …
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Piano Solo - Level 5 - Digital Download SKU: A0.966279 Composed by J. Ryan Garber. 20th Century,Concert,Contemporary. Score. 32 pages. J. Ryan Garber #6130779. Published by J. Ryan Garber (A0.966279). Resonances was commissioned by the Tennessee Music Teachers Association and premiered at that organization’s 2003 meeting in Nashville by Mark E. Hussung. The three movements bear titles that describe the compositional process at work in each. The first movement, Radically Disparate Segment Accretion, is made up of five contrasting segments that are added to each other, then subtracted from each other, more or less. Descending Scheme Transformation is based on a simple descending theme that is heard virtually through the entire movement in one form or another. The final movement, Unrelenting Metrical Interferences, is thus titled because of the extensive use of syncopation.
$4.99
4.56 €
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Piano solo
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J
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Resonances
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J. Ryan Garber
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SheetMusicPlus
Ouverture de l'Opera "Jean de Paris"
Piano solo
Piano - Digital Download SKU: BQ.979-0-50179-150-7 Composed by Carl Czerny. Edited …
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Piano - Digital Download SKU: BQ.979-0-50179-150-7 Composed by Carl Czerny. Edited by Nicolas Di Paolo. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 44 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-150-7). ISBN 9790501791507.In this transcription for piano 4 hands of Boieldieu's overture to his celebrated comic opera Jean de Paris, Czerny brought the same masterful skills to bear that he used as a student in Fidelio under Beethoven's authoritative education. This new publication is a valuable addition to Bisel Classics series of works by Carl Czerny and hopefully stimulates another step forward in the process of revitalising Czerny's rich and varied output, a grand achievement with more than one thousand works of the finest quality under his name.
$21.95
20.07 €
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Piano solo
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Carl Czerny
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Ouverture de l'Opera "Jean de Paris"
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Bisel Classics - Digital
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SheetMusicPlus
The Turtle and the Flamingo
Choral Unison
Unison choir - Digital Download SKU: MQ.24-96050-E Composed by Jill Friedersdorf, M…
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Unison choir - Digital Download SKU: MQ.24-96050-E Composed by Jill Friedersdorf, Melissa Keylock, and Ruth E. Dwyer. Octavo. 8 pages. Colla Voce Music - Digital #24-96050-E. Published by Colla Voce Music - Digital (MQ.24-96050-E). The lyrics of The Turtle and the Flamingo are based on a poem written by James T. Fields (1817-1881). The humorous story of a young turtle who falls in love with, and is rejected by, a “blazingly beauteous†flamingo is one that both singers and audiences will find enjoyable. Fields penned a more serious ending for the love-sick turtle, but the composers couldn’t bear to add it to this song for children’s choirs. They have instead chosen to end their song with a verse allowing the lively turtle to live and love another day. Featured at: 2016 TCDA Convention
$2.10
1.92 €
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Choral Unison
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Jill Friedersdorf, Melissa Keylock, and Ruth E
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The Turtle and the Flamingo
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Colla Voce Music - Digital
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SheetMusicPlus
Colditz March
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1177491 By Robert Farnon & His …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).
$60.00
54.85 €
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Orchestra
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Robert Farnon & His Orchestra
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Colditz March
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Kevin Riley
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.13 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: …
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - Digital Download SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
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Various
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"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
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Various
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"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842…
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - Digital Download SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
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Various
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"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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bl_music
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SheetMusicPlus
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Sopr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - Digital Download SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
14.62 €
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Various
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"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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bl_music
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SheetMusicPlus
Three Pieces for Two Violins and Piano
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Sc…
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Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
29.26 €
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Rebecca Clarke
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Three Pieces for Two Violins and Piano
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Imagine Music - Digital
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SheetMusicPlus
Orgelsinfonie No. 9
Organ
Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by…
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Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7132. Published by Schott Music - Digital (S9.Q7132). One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence.Natürlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathétique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese große Schwester an.
$21.99
20.1 €
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Organ
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Enjott Schneider
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Orgelsinfonie No. 9
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Schott Music - Digital
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SheetMusicPlus
Scènes d'Enfant
Organ
Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Tu…
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Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
$22.99
21.02 €
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Organ
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Jean Guillou
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Scènes d'Enfant
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Schott Music - Digital
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SheetMusicPlus
Captain Kangaroo (puffin' Billy)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged…
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Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
11.88 €
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Brass ensemble
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Edward White
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two stand out
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
String Quartet No. 2 ('Locomotion') - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1402959 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 95 pages. Robert A. Howard #986178. Published by Robert A. Howard (A0.1402959). This Second String Quartet is in four movements, and runs to over 30 minutes long. The work uses the traditionally expected forms for each movement, as a framework or starting point for departure, but also uses a conceptual title for the work as a whole. In this case 'Locomotion', or the conveying of motion (especially with regards to train travel), was used as a compositional stimulus in creating extended pattern-based textures, as well as the development, or journey, of motifs and themes. Otherwise, there is no particular attempt to evoke the sound of particular modes of transportation, or certain landscapes or scenes. Such imagery is left at the discretion of the listener. Formally, the work begins with a loose sonata form first movement, based around E (modal minor). The second movement, on A, bears the hallmarks of a busy scherzo, while the sentimental slow movement in D minor that follows is based on ground basses, in a ternary form of two varied themes. The extended finale grows out of the previous movement, with a jig-like rondo theme on another ground bass. Contrasting episodes feature modulating material, as well as a secondary theme in C. The final section sees a cyclic return of the first movement's first theme, now at the finale's faster tempo, and in the closing key of G minor. The work as a whole sees much use of canonic, or heterophonic textures, within a broadly minimalist style.  Duration: 32 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$24.99
22.85 €
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String Quartet: 2 violins, viola, cello
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Robert A
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String Quartet No. 2
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Robert A. Howard
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SheetMusicPlus
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