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You've selected:
Another Sentimental Song
Sheetmusic to print
20 sheet music found
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1
Another Sentimental Song
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775237 Composed by Cole Porter. …
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Brass Quintet - Level 2 - Digital Download SKU: A0.775237 Composed by Cole Porter. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #4367910. Published by Alexander Wilson (A0.775237). Another Sentimental Song is a relatively early (1919) work by Broadway master songwriter Cole Porter. This song is particularly noteworthy because of Porter's use of rapid frills to punctuate a fairly slow-moving melodic line. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:40. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.7 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Cole Porter
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Another Sentimental Song
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Alexander Wilson
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SheetMusicPlus
In A Sentimental Mood
Melody line, (Lyrics) and Chords
C Instrument - Level 4 - Digital Download SKU: A0.499587 By Duke Ellington. By Duke…
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C Instrument - Level 4 - Digital Download SKU: A0.499587 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112884. Published by John Fries (A0.499587). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  In a Sentimental Mood is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. According to Ellington, the song was born in Durham, North Carolina. We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano.
$3.99
3.69 €
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Melody line, (Lyrics) and Chords
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Duke Ellington
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In A Sentimental Mood
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John Fries
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SheetMusicPlus
In A Sentimental Mood
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196327 By Duke Ellin…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196327 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #795481. Published by John Fries (A0.1196327). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. In a Sentimental Mood is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. According to Ellington, the song was born in Durham, North Carolina. We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano.
$4.99
4.61 €
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Piano, Vocal and Guitar
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Duke Ellington
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In A Sentimental Mood
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John Fries
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SheetMusicPlus
In A Sentimental Mood
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1319650 By Duke Ellington. By Duke …
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Piano Solo - Level 4 - Digital Download SKU: A0.1319650 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #908202. Published by John Fries (A0.1319650). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Â In a Sentimental Mood is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. According to Ellington, the song was born in Durham, North Carolina. We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano.
$5.99
5.53 €
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Piano solo
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Duke Ellington
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In A Sentimental Mood
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John Fries
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SheetMusicPlus
Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent (Downloadable)
Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E…
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Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8849-E. Published by E. C. Schirmer Music Company - Digital (MQ.8849-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer, creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget! Duration: 12:00.
$12.00
11.09 €
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Juliana Hall
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Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied (Downloadable)
Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991…
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Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8991-E. Published by E. C. Schirmer Music Company - Digital (MQ.8991-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer (8849), creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget!
$12.00
11.09 €
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Juliana Hall
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Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ebony And Ivory
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802681 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Peet du Toit. Contemporary. Score and parts. 24 pages. Peet du Toit #6383615. Published by Peet du Toit (A0.802681). Ebony and Ivory is a song that was released in 1982 as a single by Paul McCartney and Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's album Tug of War. Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony. The single reached number one on both the UK and the US charts and was among the top-selling singles of 1982 in the US. During the apartheid era, the South African Broadcasting Corporation banned the song after Wonder dedicated his 1984 Academy Award for Best Original Song to Nelson Mandela.McCartney and Wonder began recording Ebony and Ivory in Montserrat in early 1981. The single marked the first time that McCartney had released a duet with another major artist, and anticipated his 1980s collaborations with Michael Jackson. While a major commercial hit, the song has received derision from music critics who view its message as overly simplistic and sentimental. The track also appears on McCartney's All the Best! compilation (1987) and on the two-disc version of Wonder's The Definitive Collection (2002). In 2013, Billboard ranked it as the 69th biggest hit of all-time on the Billboard Hot 100 charts.Here is an arrangement for Brass Quintet and Percussion, presented to you by a South African!
$22.00
20.33 €
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Paul Mccartney W/Stevie Wonder
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Ebony And Ivory
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Peet du Toit
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SheetMusicPlus
(There's No Place Like) Home For The Holidays
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.837129 By Perry Como. By Robert…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.837129 By Perry Como. By Robert Allen. Arranged by R. R. Cardo. Jazz. Score and parts. 10 pages. SBQUSA. Publications #1919737. Published by SBQUSA. Publications (A0.837129). Another Old-Fashioned Christmas Song, changing up your program. Warm and Sentimental, also great to use with a singer. Check out all our CHRISTMAS arrangements (17 more CHRISTMAS titles, mostly pop/contemporary being sold at SMP) in full length audio) at this link:https://www.youtube.com/watch?v=8mT6cPE9DUs&list=PLEByq_Bp6yNpRyzXcRhrLMQdslH37u-S2
$12.99
12 €
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Brass ensemble
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Perry Como
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(There's No Place Like) Home For The Holidays
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SBQUSA. Publications
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SheetMusicPlus
STAY FOREVER (No Quiero Perderte Nunca)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1432654 Composed by ROBERT VAN HORN…
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Piano Solo - Level 4 - Digital Download SKU: A0.1432654 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012429. Published by White Piano International Publishing (A0.1432654). STAY FOREVER (No Quiero Perderte Nunca)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1991Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 4 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. STAY FOREVER captures the essence of a Mexican serenade beautifully. The free and ad lib style, combined with a yearning melody, would evoke a sense of longing and passion. Mexican serenades often convey deep emotions, whether it's love, longing, or even heartbreak, and it seems like this song encapsulates that sentiment perfectly. It's the kind of music that can touch the soul and transport listeners to a world of romance and emotion.Imaginary Spanish words can add a touch of mystery and romance, enhancing the storytelling aspect of the music. It seems like the kind of song that could tug at heartstrings and transport listeners to another world.The piano sheet music for STAY FOREVER is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at:Published by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
2.76 €
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Piano solo
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ROBERT VAN HORNE
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STAY FOREVER
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White Piano International Publishing
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.34 €
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Brass ensemble
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Friedrich von Flotow
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
It Don't Mean A Thing (If It Ain't Got That Swing)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734676 By Duke Ell…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99
12 €
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Jazz Ensemble
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Duke Ellington
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
In the Evening by the Moonlight
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.34 €
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Brass ensemble
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James Bland
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Auld Lang Syne - first tune for easy harp
Harp
Harp - Level 1 - Digital Download SKU: A0.849980 Composed by Traditional Scots tune…
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Harp - Level 1 - Digital Download SKU: A0.849980 Composed by Traditional Scots tune, 17th century. Arranged by Marilyn Rummel. Celtic,Classical,Contemporary,Holiday. Score. 4 pages. Demand Music #6247395. Published by Demand Music (A0.849980). This is the first tune published for the famous Robbie Burns song, which was substituted for another in a second publication. The second tune has become more well-known, but I think this one is the more beautiful, matching the sentiment of the words. It dates back to the earliest version of this song, in the early 1600's.
$3.99
3.69 €
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Harp
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Traditional Scots tune, 17th century
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Auld Lang Syne - first tune for easy harp
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Demand Music
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SheetMusicPlus
The Victim
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1329628 Composed by K…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1329628 Composed by Kate Loder. Arranged by Owain Evans. 19th Century,Classical,Comedy,Historic,Traditional. Score. 4 pages. Owain Evans #917610. Published by Owain Evans (A0.1329628). This song dates from around 1845, by Kate Loder.It is a good example of her song writing and of a female composer.The voice is written in the baritone / tenor range: C-sharp to F’-sharp.The lyrics are secular and are about unrequited love: a man gets stood up by his date and the next morning, she has married another man!It has the sentiment of a tragic comedy.It is 4 pages long.
$1.99
1.84 €
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Piano, Vocal and Guitar
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Kate Loder
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The Victim
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Owain Evans
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SheetMusicPlus
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.71 €
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Piano solo
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Oh My Coffee
Vocal duet, Piano
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1…
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1342221 Composed by Soji Ojeniyi. 21st Century,Broadway,Contemporary,Musical/Show,R & B,Traditional. 21 pages. Tinglescroll Publishers #927738. Published by Tinglescroll Publishers (A0.1342221). From Star of Wonder the musical, Oh My Coffee is sung by the protagonist and her fiance along with his nomad quartet. If choosing a bride from another tribe is not enough to worry about, accepting foreign beverage from her on native soil is sufficient reason for excommunication. Properly choreographed, the song becomes a duel between ethnic bias and love's sentiments.
$10.00
9.24 €
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Vocal duet, Piano
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Soji Ojeniyi
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Oh My Coffee
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Tinglescroll Publishers
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SheetMusicPlus
Two Episodes from Dark Forest
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1025958 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1025958 Composed by Larry Tuttle. 20th Century,Contemporary. Score and parts. 45 pages. Personal Sun Music #5765361. Published by Personal Sun Music (A0.1025958). TWO EPISODES FROM DARK FOREST was originally conceived as a violin concerto. As I was writing the concerto, I was suddenly struck with the idea that I could distribute the virtuosic passages across four instruments instead of giving them all to just the violin, which would make for a great string quartet. There would be challenging passages, intensity and action in all of the parts, serious interactivity, and an enhanced narrative flow. The two episodes portrayed here were originally the third and fourth movements of the concerto. What resulted is something of a group showcase, a feature for the whole quartet, with a lot of fiery passages being passed around in quick succession. CHASE THROUGH THE FOREST is a headlong dash, quick and fun, with a sneaky fast rock feel, plenty of thrills, and a little bit of silent movie melodrama thrown in. In the middle of the movement an aggressive virtuosic duel breaks out, utilizing a lot of double-stops, pitting the two violins against one another, with some nasty interjections from the viola and cello. Following the abrupt and unexpected end of the chase scene, THE JOURNEY HOME arrives as wistful, lyrical and nostalgic, pure sentiment. It's an orchestrated song, with expressive, expansive and eventually intimate melodies.
$14.99
13.85 €
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String Quartet: 2 violins, viola, cello
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Larry Tuttle
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Two Episodes from Dark Forest
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Personal Sun Music
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.31 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
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