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You've selected:
Art Songs, Op. 4
Sheetmusic to print
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751
Twelve Songs, Op. 44 for 4-part Trombone Ensemble
Brass Quartet: 4 trombones
Composed by Johannes Brahms (1833-1897). Arranged by Sauer, Ralph. A Cappella, Baroq…
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Composed by Johannes Brahms (1833-1897). Arranged by Sauer, Ralph. A Cappella, Baroque, Classical, Folk, Romantic Period. Score and parts. 31 pages. Gordon Cherry #3668001. Published by Gordon Cherry
Brahms Twelve Songs, Opus 44 were originally composed between 1859 and 1866 for his Women\'s Chorus in Hamburg, which he founded in 1959. These songs are some of the only a cappella works of his. Several of the songs have folk origins, however No. 10 is more serious (If You Walk Through the Churchyard). This collection is Brahms\' nod to the choral traditions of the Renaissance and early Baroque.<br> <br> Mr. Sauer has produced a lovely score that is perfect for intermediate level performers, the music being in bass clef and of moderate technical difficulty and range. Each song is between 1 and 2 minutes in length.
$27.50
25.33 €
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Brass Quartet: 4 trombones
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Johannes Brahms (1833-1897)
#
Twelve Songs, Op. 44 for 4-part Trombone Ensemble
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Gordon Cherry
#
SheetMusicPlus
Six Songs, Op. 50 for Trombone Quartet
Brass Quartet: 4 trombones
Small Ensemble Bass Trombone,Tenor Trombone - Level 3 - Digital Download SKU: A0.811181…
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Small Ensemble Bass Trombone,Tenor Trombone - Level 3 - Digital Download SKU: A0.811181 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and parts. 68 pages. Gordon Cherry #5902569. Published by Gordon Cherry (A0.811181). Felix Mendelssohn composed the Six Songs, Opus 50 for men's chorus of four voices between 1837 and 1840. The titles are self-descriptive and each movement has a lot of character: 1. Turkish Drinking Song, 2. The Hunter's Farewell, 3. Summer Song, 4. Water Journey, 5. Hiking Song, 6. Love and Wine Trombonists may find these lovely songs have a similar feel and character to the iconic Schubert Suite of Lieder composed also for men's chorus. Mr. Sauer's great arrangement of the Mendelssohn Six Songs, Op. 50 for 4-part Trombone Ensemble is perfect for intermediate level performers as they are all in bass clef and of moderate range and endurance, totaling about 18 minutes of wonderful music.
$27.50
25.33 €
#
Brass Quartet: 4 trombones
#
Felix Bartholdy Mendelssohn
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Six Songs, Op. 50 for Trombone Quartet
#
Gordon Cherry
#
SheetMusicPlus
Art Songs, Op. 4
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1026285 Composed by Crist…
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1026285 Composed by Cristian Dirkhising. 20th Century,Contemporary,Romantic Period. 19 pages. Cristian William Dirkhising #6893325. Published by Cristian William Dirkhising (A0.1026285). Two Art Songs: one for baritone voice and piano, and one for alto voice and piano.
$9.99
9.2 €
#
Cristian Dirkhising
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Art Songs, Op. 4
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Cristian William Dirkhising
#
SheetMusicPlus
Five Songs Opus 41 for Trombone Quartet Ensemble
Brass Quartet: 4 trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811186 Composed by Joh…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811186 Composed by Johannes Brahms. Arranged by Karl Hinterbichler. A Cappella,Classical,Romantic Period. Score and parts. 21 pages. Gordon Cherry #5990973. Published by Gordon Cherry (A0.811186). Five Songs, Op. 41 were first published in 1867 and were Brahms' only foray into a cappella men's chorus. The songs are of contrasting character, ranging from serious and dark to exuberant and carry the genius of the great composer in each work. Karl Hinterbichler has expertly arranged the Five Songs for a 4-part Trombone Ensemble of moderately advanced performers totalling about 14 minutes of music.
$22.50
20.73 €
#
Brass Quartet: 4 trombones
#
Johannes Brahms
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Five Songs Opus 41 for Trombone Quartet Ensemble
#
Gordon Cherry
#
SheetMusicPlus
Pickaninny Lullaby for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.870095…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.870095 Composed by Tod Galloway. Arranged by Martin Todd. 20th Century,Contemporary,Folk,Romantic Period,Standards. 6 pages. Madecroft Publishing #2022913. Published by Madecroft Publishing (A0.870095). Arranged for Clarinet Quartet (SSSB). Duration 1:07. Taken from Galloway's 7 Memory Songs, Op. 30, No. 5.
$4.99
4.6 €
#
Clarinet Quartet: 4 clarinets
#
Tod Galloway
#
Pickaninny Lullaby for Clarinet Quartet
#
Madecroft Publishing
#
SheetMusicPlus
Love Comes Back for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.870110…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.870110 Composed by Tod Galloway. Arranged by Martin Todd. Contemporary,Folk,Instructional,Romantic Period,Standards. 6 pages. Madecroft Publishing #2023579. Published by Madecroft Publishing (A0.870110). Arranged for Clarinet Quartet (SSSB). Duration 1:00. Taken from Galloway's 7 Memory Songs Op. 30, No. 3. Based on the words of Austin Dobson.
$4.99
4.6 €
#
Clarinet Quartet: 4 clarinets
#
Tod Galloway
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Love Comes Back for Clarinet Quartet
#
Madecroft Publishing
#
SheetMusicPlus
Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.530441 Composed by Various. Arranged by Daniel Kelley. Concert,Contemporary,Graduation,Holiday,Wedding. 46 pages. Last Resort Music Publishing #3603717. Published by Last Resort Music Publishing (A0.530441). Music for Four, Volume 1 - Baroque, Classical & Romantic FavoritesPart 3 for Clarinet in Bb #70133DD*25 Fantastic arrangements for quartet with flexible instrumentation including composers like Bach, Gluck, Faure, Wagner, Mendelssohn and more! Perfect for Weddings, Receptions, Concerts and more! Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Parts are sold separately and as sets. Table of ContentsAve Maria, adapted by Gounod (Bach) Jesu, Joy of Man's Desiring (Bach) Suite #3 in D Major - Air, Bourree, Gavotte, Gigue, Overture (Bach) Trumpet Voluntary (Clarke) Berceuse from Dolly Suite Op. 56 (Faure) Sicilienne from Pelleas et Melisande, Op. 78 (Faure) Minuet & Dance of the Blessed Spirits from Orpheus (Gluck) Water Music Suite - Air, Allegro, Andante, Hornpipe (Handel) Regrets from Songs Without Words Op. 19, #2 (Mendelssohn) Spring-Song from Songs Without Words Op. 62, #6 (Mendelssohn) Andante from Piano Concerto #21, K. 467 (Mozart) Romanza from Eine Kleine Nachtmusik, K. 525 (Mozart) Canon (Pachelbel) Andante from String Quartet Rosamunde (Schubert) Danses des petit cygnes from Swan Lake (Tschaikovsky) Theme from Swan Lake (Tschaikovsky) Londonderry Air (Traditional Irish) Bridal Chorus from Act III of Lohengrin (Wagner)
$18.50
17.04 €
#
Clarinet Quartet: 4 clarinets
#
Various
#
Music for Four - Volume 1 - Part 3 Clarinet in Bb 70133
#
Last Resort Music Publishing
#
SheetMusicPlus
None But The Lonely Heart
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1295761 Composed …
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1295761 Composed by Pyotr IIytch Tchaikovsky. Arranged by Anastasio Rossi. 19th Century,Historic,Romantic Period,Traditional. 4 pages. Anastasio Rossi #886056. Published by Anastasio Rossi (A0.1295761). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869. The last of these songs is the melancholy None But The Lonely Heart, a tender, expressive, and delicate song, easy to learn and sing. This arrangement can be sung by any combinationof voices, TB, SA, SATB, male or female, duet, quartet, chorus, and so on. The English lyrics are not a literal translation of the Russian, but capture the emotions of sadness, longing, and being parted from loved ones. The unison voices divide at measure 38, where the song begins the climb to its climax. At 44, a sempre decrescendo brings the song to a quiet, mournful close.Learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$1.99
1.83 €
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Choral 2-part
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Pyotr IIytch Tchaikovsky
#
None But The Lonely Heart
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Anastasio Rossi
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SheetMusicPlus
MENDELSSOHN Two Songs without Words Op.62 for horn quartet
Brass Quartet: 4 horns
Horn - Level 3 - Digital Download SKU: A0.963641 Composed by Felix Bartholdy Mendel…
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Horn - Level 3 - Digital Download SKU: A0.963641 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. 12 pages. Ian Butterworth #5286219. Published by Ian Butterworth (A0.963641). Two contrasting pieces from the Songs without Words Op.62 Funeral March & The Huntsman's Song. All parts are of equal importance.
$7.99
7.36 €
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Brass Quartet: 4 horns
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Felix Bartholdy Mendelssohn
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The Huntsman's Song
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MENDELSSOHN Two Songs without Words Op.62 for horn quartet
#
Ian Butterworth
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SheetMusicPlus
Felix Mendelssohn-Bartholdy: Songs Without Words - coll.4 for piano solo
Piano solo
Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for piano solo of MEDIUM…
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Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for piano solo of MEDIUM skill level. Contents: romances without words, romanze senza parole, romanse,[no.1-6], op.85, op. 85, opus 85, op.102, op. 102, opus 102 / classical
$4.99
4.6 €
#
Piano solo
#
Felix Mendelssohn-Bartholdy
#
Virtualsheetmusic
Songs without words Op.62 No.3
Brass Quartet: 4 trombones
Trombone Quartet Bass Trombone,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.1230…
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Trombone Quartet Bass Trombone,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.1230379 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by shof405. 19th Century,Classical,March,Romantic Period. 8 pages. Shof405 #826093. Published by shof405 (A0.1230379). An arrangement for 4 trombone/3 trombones and a tuba.Â
$10.00
9.21 €
#
Brass Quartet: 4 trombones
#
Felix Bartholdy Mendelssohn
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Songs without words Op.62 No.3
#
shof405
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 2: Consolation from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 6: Heureux anneau from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-06E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-06E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 6: Heureux anneau from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Andante maestoso from: Songs without words, Op. 62 No. 5
1 Piano, 4 hands
Piano (4 hands) - intermediate - Digital Download SKU: S9.Q12121 From: Songs wit…
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Piano (4 hands) - intermediate - Digital Download SKU: S9.Q12121 From: Songs without words. Composed by Felix Bartholdy Mendelssohn. This edition: Sheet music. Classical. Downloadable. Volume op. 62/3. 4 pages. Schott Music - Digital #Q12121. Published by Schott Music - Digital (S9.Q12121). Digital publication of the piece found in the following print music collection: 23 Pieces for Piano Duet.
$3.99
3.68 €
#
1 Piano, 4 hands
#
Felix Bartholdy Mendelssohn
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Andante maestoso from: Songs without words, Op. 62 No. 5
#
Schott Music - Digital
#
SheetMusicPlus
When Spring Comes Calling for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Composed by Tod Galloway. Arranged by Martin Todd. 20th Century, Romantic Period. Score, S…
(+)
Composed by Tod Galloway. Arranged by Martin Todd. 20th Century, Romantic Period. Score, Set of Parts. 6 pages. Published by Madecroft Publishing (S0.17270). - Score,Set of Parts - 20th Century,Romantic Period - Madecroft Publishing
Arranged for Clarinet Quartet (SSSB). Duration 1:21. When Spring Comes Calling was first published in 1897 as the first of Galloway's 7 Memory Songs, Op.30. This song is based on the words of Henry Austin Dobson's (1840-1921) poem with the same name. This arrangement has been made particularly to give your bass clarinet player a chance to play above the break.
$5.99
5.52 €
#
Clarinet Quartet: 4 clarinets
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Tod Galloway
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When Spring Comes Calling for Clarinet Quartet
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Madecroft Publishing
#
SheetMusicPlus
None but the Lonely Heart for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1248281 By Frank Sinatra, Itzhak Perlam, and Placido Domingo. By P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 11 pages. Diego Marani #842830. Published by Diego Marani (A0.1248281). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) with piano accompaniment is suitable for classroom, repertoire and recital.
$12.99
11.97 €
#
Clarinet Quartet: 4 clarinets
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Frank Sinatra, Itzhak Perlam, and Placido Domingo
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None but the Lonely Heart for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
None but the Lonely Heart for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1248171 By Frank Sinatra, Itzhak Perlman, and Placido Domingo. By P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 9 pages. Diego Marani #842733. Published by Diego Marani (A0.1248171). Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy None but the Lonely Heart, a setting of Lev Mei's poem The Harpist's Song which in turn was a translation of Nur wer die Sehnsucht kennt from Goethe's Wilhelm Meister's Apprenticeship.This beautiful composition was recorded by Frank Sinatra, Placido Domingo, Itzhak Perlman and many others.This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) with piano accompaniment is suitable for classroom, repertoire and recital.
$12.99
11.97 €
#
Saxophone Quartet: 4 saxophones
#
Frank Sinatra, Itzhak Perlman, and Placido Domingo
#
None but the Lonely Heart for Saxophone Quartet
#
Diego Marani
#
SheetMusicPlus
Schubert Lieder for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.8…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.812150 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Chamber,Classical,Romantic Period,Sacred. 28 pages. Erin Miesner #2906839. Published by Erin Miesner (A0.812150). Franz Schubert composed over 600 songs in the course of his short life. These charming works are especially well suited to the clarinet and it's vocal qualities. Short and satisfying, all 3 are suitable for ensembles of any skill level, including younger performers. Selections Include: An Sylvia, D.891 (Op. 106, No. 4), Heidenröslein, D. 257 (Op. 3, No. 3), Der Tod und das Mädchen, D. 531 (Op. 7, No. 3), Die Forelle, D. 550 (Op. 32), and Erntelied, D. 434. Includes score (14-pg.) and parts for Clarinet 1 in B-Flat, Clarinet 2 in B-Flat, Clarinet 3 in B-Flat and Bass Clarinet in B-FlatMore information and other music is available at www.ehmpublishing.com.
$23.95
22.06 €
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Clarinet Quartet: 4 clarinets
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Franz Schubert
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Schubert Lieder for Clarinet Quartet
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Erin Miesner
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SheetMusicPlus
Pie Jesu (Requiem, Op.48) - Sax Quartet (Full Score and Parts)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1207285 Composed by Gabriel Faure. Arranged by César Madeira. 19th Century,Chamber,Religious,Romantic Period,Sacred. 8 pages. Sheet Music To Play Editions #805452. Published by Sheet Music To Play Editions (A0.1207285). Pie Jesu from Faure's Requiem, Op.48. Arrangement for Saxophone Quartet - Soprano, Alto, Tenor and Baritone. With Full Score and Individual Parts. Enjoy it!Gabriel Fauré (1845 – 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs Après un rêve and Clair de lune. Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$12.99
11.97 €
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Saxophone Quartet: 4 saxophones
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Gabriel Faure
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Pie Jesu
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Sheet Music To Play Editions
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SheetMusicPlus
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