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As Long As I Have Music
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Sheetmusic to print
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As Long As I Have Music
Easy Piano
Piano - Level 1 - Digital Download SKU: A0.1328960 Composed by Don Besig and Nancy …
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Piano - Level 1 - Digital Download SKU: A0.1328960 Composed by Don Besig and Nancy Price. Arranged by DecPlay Ltd. Contemporary,Pop,Rock,Standards. DecPlay Piano. 3 pages. DecPlay Ltd #916971. Published by DecPlay Ltd (A0.1328960). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
$3.99
3.62 €
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Easy Piano
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Don Besig and Nancy Price
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As Long As I Have Music
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DecPlay Ltd
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SheetMusicPlus
As Long As I Have Music
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1135191 Composed by Don Besig and…
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Concert Band - Level 2 - Digital Download SKU: A0.1135191 Composed by Don Besig and Nancy Price. Arranged by Tony Tournoff. Pop. Score and parts. 35 pages. Fairways Music #735229. Published by Fairways Music (A0.1135191).
$50.00
45.34 €
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Concert band
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Don Besig and Nancy Price
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As Long As I Have Music
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Fairways Music
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SheetMusicPlus
I'll Get By (as Long As I Have You)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1291721 Composed by Fred E. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1291721 Composed by Fred E. Ahlert and Roy Turk. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #882330. Published by DAVID LEE GINGRAS (A0.1291721). I'll Get By (As Long as I Have You) is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk. The song was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929. In 1944 the song achieved its biggest success with a version by Harry James and His Orchestra featuring vocalist Dick Haymes. This version features a root-based chord blocking that John and I have used in a number of our arrangements and was developed from the original 1928 sheet music. We also added some pretty cool left-hand fills to keep things moving along smoothly. We hope you like what we've done with this grand old tune!
$4.99
4.52 €
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Piano, Voice
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(As Long as I Have You) is a popular song with music by Fred E
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Fred E
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I'll Get By
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DAVID LEE GINGRAS
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SheetMusicPlus
I'll Get By (as Long As I Have You)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.954151 Composed by Fr…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.954151 Composed by Fred E. Ahlert. Arranged by F Turnbull. 20th Century,Contemporary. Score. 1 pages. Musicaliti Publishing #6521921. Published by Musicaliti Publishing (A0.954151). Group sing a long for guitar accompaniment, with rhythm indicated in rests.
$4.99
4.52 €
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Piano, Vocal and Guitar
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Fred E
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I'll Get By
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Musicaliti Publishing
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SheetMusicPlus
I'll Get By (As Long As I Have You)
Big Note Piano
Digital Download SKU: HX.460000 By Roy Turk. Jazz,Pop,Standards. E-Z Play Today. 2 …
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Digital Download SKU: HX.460000 By Roy Turk. Jazz,Pop,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.460000). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.71 €
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Big Note Piano
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Roy Turk
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I'll Get By
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Hal Leonard - Digital
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SheetMusicPlus
I'll Get By (As Long As I Have You)
C Instruments
C Instrument - Digital Download SKU: A0.1350687 Composed by Fred Ahlert and Roy Tur…
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C Instrument - Digital Download SKU: A0.1350687 Composed by Fred Ahlert and Roy Turk. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #935509. Published by Mark Wayne Music, LLC (A0.1350687). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$1.99
1.8 €
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C Instruments
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Fred Ahlert and Roy Turk
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I'll Get By
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Mark Wayne Music, LLC
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SheetMusicPlus
As Long As I'm Able
Choral SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.977130 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.977130 Composed by Tim Russell. Praise & Worship,Sacred. 2 pages. Sing Alleluia! Music #3572957. Published by Sing Alleluia! Music (A0.977130). SATB song ideal for a congregation, choir or quartet. This is a song stating that as long as I have the ability, I will worship and serve the Lord.
$2.99
2.71 €
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Choral SATB
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Tim Russell
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As Long As I'm Able
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Sing Alleluia! Music
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SheetMusicPlus
I Surrender All - 8 Core Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.742693 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 51 pages. AnderKamp Music #3637265. Published by AnderKamp Music (A0.742693). This is a beautifully worshipful rendition of this powerful hymn. This arrangement was written with the opportunity to feature the woodwind section. If you just have the 2 ‘core’ woodwinds (a flute and an oboe or clarinet) you can still play this piece and it will be beautiful. BUT…if you have 2 flutes, oboe, 2 clarinets and a bassoon or bass clarinet, there are some really nice moments in this piece to feature them. This arrangement is in the Key of D. This would serve as a powerfully worshipful offertory or as a special moment in any style service. As with all the arrangements in this series, you don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
45.33 €
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Orchestra
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Public Domain
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I Surrender All - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.75 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
I Am Jesus' Little Lamb
Handbells
Handbell - Digital Download SKU: A0.898772 Composed by Anonymous. Arranged by Craig…
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Handbell - Digital Download SKU: A0.898772 Composed by Anonymous. Arranged by Craig A. Harmann. Sacred. Score. 3 pages. Craig A. Harmann #5884763. Published by Craig A. Harmann (A0.898772). Craig Harmann has arranged the favorite hymn I am Jesus' Little Lamb for 12 bells. Permission is given to make as many copies as needed for your group as long as you have the music. .
$5.00
4.53 €
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Handbells
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Anonymous
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I Am Jesus' Little Lamb
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Craig A. Harmann
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SheetMusicPlus
British Blues Rock Play A Long and Solos Collection for Flute Beginner Series
Flute
Flute Solo - Level 1 - Digital Download SKU: A0.1161643 By Andrew D. Gordon. By And…
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Flute Solo - Level 1 - Digital Download SKU: A0.1161643 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762013. Published by A.D.G. Productions (A0.1161643). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.71 €
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Flute
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Andrew D
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British Blues Rock Play A Long and Solos Collection for Flute Beginner Series
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A.D.G. Productions
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SheetMusicPlus
Texas Blues Shuffle Play A Long and Solos Collection for Tenor Sax Beginner Series
Tenor Saxophone
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1161681 By Andrew D. Gord…
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Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.1161681 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762026. Published by A.D.G. Productions (A0.1161681). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.71 €
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Tenor Saxophone
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Andrew D
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Texas Blues Shuffle Play A Long and Solos Collection for Tenor Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
British Blues Rock Play A Long and Solos Collection for Alto Sax Beginner Series
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161637 By Andrew D. Gordo…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161637 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762007. Published by A.D.G. Productions (A0.1161637). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.71 €
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Alto Saxophone
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Andrew D
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British Blues Rock Play A Long and Solos Collection for Alto Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
Texas Blues Shuffle Play A Long and Solos Collection for Alto Sax Beginner Series
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161651 By Andrew D. Gordo…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1161651 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Rock. Individual part. 2 pages. A.D.G. Productions #762022. Published by A.D.G. Productions (A0.1161651). This is one of many 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blue, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. .This Blues style contains a solo improvisational melody line, 12 measures in leng designed for the beginner student in mind as a starting point to create your or Improvisational solos.Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.The track has been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice.My suggestion is to first learn and then memorize each solo that you are working on so that you build up a vocabulary of musical phrases. It is vitally important to memorize the solo rather than relying on the music. When you have memorized and mastered the solo, slowly develop your own musical phrases by changing the order and rhythm of the notes Have fun practicing improvising along to the play-a-long tracks.I have authored over 120 music instructional books for piano/keyboards, woodwinds, guitar/bass, brass in the styles of Blues, Jazz, Funk, Latin, Rock,Gospel, Country, that are available on the Sheet Music Plus website or my own website http://www.adgproductions.com
$2.99
2.71 €
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Alto Saxophone
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Andrew D
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Texas Blues Shuffle Play A Long and Solos Collection for Alto Sax Beginner Series
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A.D.G. Productions
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SheetMusicPlus
(they Long To Be) Close To You
Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tuba TC,Euphonium - Lev…
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Brass Ensemble Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tuba TC,Euphonium - Level 3 - Digital Download SKU: A0.746177 By The Carpenters. By Burt Bacharach. Arranged by Michael Pilley. Pop,Rock. Score and Parts. 39 pages. Michael Pilley Music #3884095. Published by Michael Pilley Music (A0.746177). Written for Tredegar Town Band for their 2014 Brass In Concert program, this arrangement was originally done for the mellow tones of 6 flugelhorns with 6 trombones along with tuned percussion. It aims to capture the essence of an amazing performance of the tune by Burt Bacharach and Barbara Streisand on a Emmy award winning TV special entitled Singer Presents Burt BacharachRearranged for a standard 10 piece Brass Ensemble, this is a great addition to your bands repertoire and will be a firm fan favourite. If you don't have access to tuned percussion, the important parts are cued in the resting instruments.I hope you enjoy playing this arrangement as much as I loved writing and hearing it. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$40.00
36.27 €
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The Carpenters
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(they Long To Be) Close To You
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Michael Pilley Music
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SheetMusicPlus
As Long As He Needs Me
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200179 Composed by L…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200179 Composed by Lionel Bart. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. John Fries #798981. Published by John Fries (A0.1200179). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. As Long as He Needs Me is a torch song sung by the character of Nancy in the 1960 musical Oliver! and written by Lionel Bart. Georgia Brown, who was the first actress to play Nancy, introduced the song. I t is a love ballad expressing Nancy's love for her criminal boyfriend Bill Sikes despite his mistreatment of her. Its popularity grew by virtue of renditions by several popular singers, including Shirley Bassey who reached number two for 5 weeks on the United Kingdom charts with the song. Bassey's recording became one of the highest sellers of 1960 staying on the UK charts for 30 weeks.
$4.99
4.52 €
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Piano, Vocal and Guitar
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Lionel Bart
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As Long As He Needs Me
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John Fries
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SheetMusicPlus
As Long As He Needs Me
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.500141 Composed by Lionel Bart. A…
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C Instrument - Level 4 - Digital Download SKU: A0.500141 Composed by Lionel Bart. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113324. Published by John Fries (A0.500141). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. As Long as He Needs Me is a torch song sung by the character of Nancy in the 1960 musical Oliver! and written by Lionel Bart. Georgia Brown, who was the first actress to play Nancy, introduced the song. I t is a love ballad expressing Nancy's love for her criminal boyfriend Bill Sikes despite his mistreatment of her. Its popularity grew by virtue of renditions by several popular singers, including Shirley Bassey who reached number two for 5 weeks on the United Kingdom charts with the song. Bassey's recording became one of the highest sellers of 1960 staying on the UK charts for 30 weeks.
$3.99
3.62 €
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C Instruments
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Lionel Bart
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As Long As He Needs Me
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John Fries
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SheetMusicPlus
Music for Three, Volume 3 Part 2 Viola 50322
Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.5…
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Small Ensemble,Strings Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.530636 Composed by Various. Arranged by Daniel Kelley. Contemporary,Sacred,Spiritual,Wedding. Score and parts. 50 pages. Last Resort Music Publishing #4854635. Published by Last Resort Music Publishing (A0.530636). Including works by Handel, Massenet & Mozart and titles such as Amazing Grace, Dodi Li & Be Thou My VisionAn incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. Table of Contents My Heart Ever Faithful Aria from Cantata #68 (Bach)Wachet Auf Chorale from Cantata #140 (Bach)Agnus Dei from incidental music to L'Arlesienne (Bizet)Amazing Grace (Early American Melody)Hallelujah Chorus from The Messiah (Handel)Heavens Are Telling, The from The Creation (Haydn)Children's Prayer from Hansel and Gretel (Humperdink)A Mighty Fortress is Our God (Luther)Meditation from Thais (Massenet)On Wings of Song from Op. 34 #2 (Mendelssohn)Alleluia from Exsultate Jubilate, K. 165 (Mozart)Ave Maria (Schubert)SImple Gifts (Shaker Hymn)Deep River (Spiritual)Give Me That Old-Time Religion (Spiritual)Go Tell It on the Mountain (Spiritual)He's Got the Whole World in His Hands (Spiritual)Nobody Knows the Trouble I've Seen (Spiritual)Sometimes I Feel Like a Motherless Child (Spiritual)Swing Low, Sweet Chariot (Spiritual)Were You There? (Spiritual)Battle Hymn of the Republic (Steffe & Howe)Onward Christian Soldiers (Sullivan)Be Thou My Vision (Traditional Irish Melody) Traditional Jewish BashanaDodi Li (Bridal March) Erev Shel Shoshanim (Wedding processional) Hava Nagila and Tsena TsenaJerusalem of Gold (Y'rushalayim Shel Zahov)Od Yeshoma, Version 1 (Wedding recessional)Od Yeshoma, Version 2 (Wedding recessional)Oif'n PripetshokOse Shalom and Hevenu Shalom Aleychem Simon Tov and Chosen Kalle Mazel Tov (Wedding recessional)Yedid Nefesh (Wedding processional)The following parts are available for Music for Three, Volume 350311 Part 1 Flute or Oboe or Violin50313 Part 1 Clarinet in Bb50321 Part 2 Flute or Oboe or Violin50322 Part 2 Viola 50323 Part 2 Clarinet in Bb50331 Part 3 Cello or Bassoon50340 Keyboard or Guitar50399 Score Please visit www.lastresortmusic.com for more titles and information!
$20.00
18.13 €
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Various
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Music for Three, Volume 3 Part 2 Viola 50322
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Last Resort Music Publishing
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SheetMusicPlus
Who You Say I Am
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.845992 Composed by Ben Fielding and Reuben Morgan. Arranged by Kyle Pudenz. Contemporary,Easter,Praise & Worship,Sacred. Score and parts. 19 pages. ViolinVagabond Music #6696601. Published by ViolinVagabond Music (A0.845992). This is a gig or church service-ready arrangement of Hillsong's Who You Say I Am for string quartet. A great addition to your gig book for weddings or your musical catalog for worship/church bands that feature strings. Included with the quartet score & parts is a slash/chord lead sheet if you wish to perform this with along with guitar, piano or full band.The form follows Hillsong's live version all the way through Chorus 3. It does not include the recap/vamp of the bridge and 4th chorus, but you can loop back on the chart from letter G to letter E if your performance requires a longer rendition. I have also taken the liberty of transposing this from the original key of F# (...oof) into the much more string & band-friendly key of G (and your purchase is all the thanks I need). I've added a few small flourishes, dynamic drops, and general instrumental interest throughout this arrangement, but would still describe this chart as sight-readable for professional players with experience playing pop/rock tunes. It's also well within the technical capability of high school or recreational ensembles with just a bit of practice, but if your violist hasn't ever seen a ghost note printed on a chart before, I would highly recommend taking 10 minutes to look it up...Performance time - approximately 3:20 straight through, longer if you loop back to the bridge like Hillsong Worship's live version. Lots of other exit/entry points can be easily incorporated at most of the rehearsal marks.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$14.99
13.59 €
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String Quartet: 2 violins, viola, cello
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Ben Fielding and Reuben Morgan
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Who You Say I Am
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ViolinVagabond Music
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SheetMusicPlus
As Long As He Needs Me
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794106 Composed by Lionel Ba…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794106 Composed by Lionel Bart. Arranged by Dave Gingras and John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6340779. Published by DAVID LEE GINGRAS (A0.794106). As Long As He Needs Me is a really pretty torch song from the musical Oliver!. This version features a root-based chord-blocking technique that John and I have used in most of our arrangements. Everything is here to play it as written or ad-lb a little, much like you would do with a lead sheet, and make it your own! John and I hope you like it!
$4.99
4.52 €
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Piano, Voice
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Lionel Bart
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As Long As He Needs Me
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DAVID LEE GINGRAS
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SheetMusicPlus
Music for Three, Volume 8 - Keyboard or Guitar 50840
Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865
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Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00
23.57 €
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Various
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Music for Three, Volume 8 - Keyboard or Guitar 50840
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Last Resort Music Publishing
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SheetMusicPlus
As Long As He Needs Me
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797760
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797760 Composed by Lionel Bart. Arranged by Derek Hasted. Contemporary. Score and parts. 8 pages. Derek Hasted #5197285. Published by Derek Hasted (A0.797760). AS LONG AS HE NEEDS ME (Oliver) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.This poignant yet uplifting piece is from the stage show & film Oliver and is another fine example of Lionel Bart's craftsmanship with melody.Derek Hasted writes This makes a delightful 'quiet piece' in a concert - many of the audience will know the music and my arrangement has been crafted to make an accessible duet that generates rich chords without complexity - the work is split across the players.The first guitar part goes high up the neck, but the music is slow and the shapes are straightforward. The second guitar part requires the 6th string to be tuned down to D and there are a couple of chords that require three fingers to be placed simultaneously, but there are lots of open strings throughout the piece that help improve the sustain and flow. The bottom D provides real depth to this piece and the sound is full and lush for minimal effort. The last chord has a thick bass that creates the illusion of an even deeper D to end the piece.I have also arranged Where Is Love by Lionel Bart for solo guitar and for flute/guitar duet - you can find them here or via my wwebsite (below)>br>I hope you enjoy this piece!
$4.99
4.52 €
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2 Guitars (duet)
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Lionel Bart
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As Long As He Needs Me
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Derek Hasted
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SheetMusicPlus
I'll Be Home For Christmas
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.746225 By Rascal Flatts. B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$4.50
4.08 €
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Choral SATB
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Rascal Flatts
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I'll Be Home For Christmas
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Michael Pilley Music
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SheetMusicPlus
Ensemble Music for Church and School
Twenty-three sacred hymns and songs From the Foreword: R…
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Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Song List
: A Christmas Package A Mighty Fortress Adoramus Te An American's Pride Come, Thou Almighty King Holy, Holy, Holy I Sing the Mighty Power of God Ivory Palaces March Pontifical Music for Easter Now Thank We All Our God O God, Our Help In Ages Past O Mighty God Onward, Christian Soldiers Praise Ye The Lord, The Almighty Prayer Thanksgiving The Heavens Are Telling Three Spirituals Trumpet Tune Trumpet Voluntary Under His Wings When Morning Gilds the Skies
$12.95
11.74 €
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Ensemble Music for Church and School
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SheetMusicPlus
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