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129 sheet music found
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126
My Heart at Thy Sweet Voice
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2 Saxophones (duet)
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Camille Saint-Saens
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Dennis Bathory-Kitsz
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My Heart at Thy Sweet Voice
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Westleaf Edition
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SheetMusicPlus
Instrumental Duet E-Flat Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1076342 Composed by Camille Saint-Saens. A...
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Instrumental Duet E-Flat Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1076342 Composed by Camille Saint-Saens. Arranged by Dennis Bathory-Kitsz. Classical,Opera. Score and parts. 13 pages. Westleaf Edition #680493. Published by Westleaf Edition (A0.1076342). Beautiful operatic duet arranged from voices and orchestra to alto and tenor saxophones. Both pretty and dramatic -- and a playing challenge.
$1.99
Overture to Iphigenia at Aulis
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Brass ensemble
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ADVANCED
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Opera
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Classical
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Christoph Willibald Von Gluck
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Paul Hanna
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Overture to Iphigenia at Aulis
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TBQ Press
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.757226 Composed by Christoph Willibald Von Gluck. Arranged by Paul Hanna. Classical,Opera. Score and ...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.757226 Composed by Christoph Willibald Von Gluck. Arranged by Paul Hanna. Classical,Opera. Score and parts. 17 pages. TBQ Press #1911227. Published by TBQ Press (A0.757226). Florida Solo and Ensemble List grade 6.
$15.00
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Quando Me'n Vo for Cello & Piano
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Cello, Piano
#
INTERMEDIATE
#
Opera
#
Classical
#
Keith Terrett
#
Keith Terrett
#
Quando Me'n Vo for Cello & Pia
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Keith Terrett
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.
$4.99
Quando Me'n Vo for Eb Alto Saxophone & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Opera
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Classical
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Eb Alto Sax
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Keith Terrett
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romant...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651276. Published by Keith Terrett (A0.1046936). An arrangement of one of Puccini’s greatest arias for Eb Alto Saxophone & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
Quando Me'n Vo for Oboe & Piano
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Oboe, Piano (duet)
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Opera
#
Classical
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Keith Terrett
#
Keith Terrett
#
Quando Me'n Vo for Oboe & Pian
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Keith Terrett
#
SheetMusicPlus
Oboe,Piano - Digital Download SKU: A0.1046400 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and...
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Oboe,Piano - Digital Download SKU: A0.1046400 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 6 pages. Keith Terrett #650917. Published by Keith Terrett (A0.1046400). An arrangement of one of Puccini’s greatest arias for Oboe & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
Quando Me'n Vo for Violin & Piano
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Violin and Piano
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INTERMEDIATE
#
Opera
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Classical
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Violin & Pi
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Keith Terrett
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1046404 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Perio...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1046404 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. 5 pages. Keith Terrett #650921. Published by Keith Terrett (A0.1046404). An arrangement of one of Puccini’s greatest arias for Violin & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
STRIDE LA VAMPA! from II Act of “Il Trovatore” for Contralto or Mezzosoprano Voice or Bb Cornet
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Concert band
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EASY
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Opera
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Classical
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Giuseppe Verdi
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Francesco Buono
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STRIDE LA VAMPA! from II Act o
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Francesco Buono
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 ...
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Concert Band - Level 2 - Digital Download SKU: A0.1098365 Composed by Giuseppe Verdi. Arranged by Francesco Buono. Classical,Opera. Score and Parts. 121 pages. Francesco Buono #702227. Published by Francesco Buono (A0.1098365). STRIDE LA VAMPA! from II Act of “Il Trovatore†for Contralto or Mezzosoprano Voice or Bb Cornet Il Trovatore is the second opera in Giuseppe Verdi's popular trilogy created between Rigoletto and La Traviata. Il Trovatore is a drama in four acts and eight pictures, set in Spain at the beginning of the 15th century, which tells, with a beautiful expressive song, flaming passions such as love, jealousy, revenge, hatred and lust. Manrico and the Count of Luna, in love with the same woman, face each other until death as enemies, without knowing that they are brothers. Belonging to two different social classes, they only share Leonora's love which doubles the existing hatred of social conflict. STRIDE LA VAMPA! At the foot of a mountain, in a camp, some gypsies dedicated to their activities cheer their work with songs, dances and toasts (gypsy chorus: See the gloomy nocturnal remains). A pained voice bursts into the general cheerfulness: having woken up from her recurring nightmare, Azucena, mother of Manrico, tells that many years before her she saw her mother die at the stake accused of witchcraft by the old Count di Luna (Stride la vampa) . Her mother's last words had been a plea for revenge, so she had kidnapped the Count's son still in diapers and, blinded by her desperation, decided to throw him into the fire; however, horrified by the vision of her dead mother, she had confused her own son with the child she had kidnapped and had thrown him into her stake in her place.
$15.00
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Orchestra
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INTERMEDIATE
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Opera
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Classical
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Johann Simon Mayr
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Fabrizio Capitanio & Michele G
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Concerto n° 1 for cembalo [fo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Centur...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
Tom
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Voice solo
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EASY
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Opera
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Classical
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Masha Aleskovski
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Tom
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Masha Aleskovski at MashaMuse
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SheetMusicPlus
Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.1003497 Composed by Masha Aleskovski. Opera. 2 pages. Masha Aleskovski at MashaMuse #3379341. Publi...
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Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.1003497 Composed by Masha Aleskovski. Opera. 2 pages. Masha Aleskovski at MashaMuse #3379341. Published by Masha Aleskovski at MashaMuse (A0.1003497). This is a piece from my musical and is sung by the husband of Bella.
$1.99
Wizardry School
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Opera
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Classical
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Masha Aleskovski
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Wizardry School
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Masha Aleskovski at MashaMuse
#
SheetMusicPlus
Small Ensemble High Voice,Low Voice,Synthesizer - Level 2 - Digital Download SKU: A0.1003495 Composed by Masha Aleskovski. Opera. Score and parts. 8 page...
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Small Ensemble High Voice,Low Voice,Synthesizer - Level 2 - Digital Download SKU: A0.1003495 Composed by Masha Aleskovski. Opera. Score and parts. 8 pages. Masha Aleskovski at MashaMuse #3379337. Published by Masha Aleskovski at MashaMuse (A0.1003495).
$1.99
Time To Say Goodbye
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Opera
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Classical
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Andrea Bocelli & Sarah Brightm
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Austin Ralphson
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Time To Say Goodbye
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Austin Ralphson
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.563260 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin R...
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Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.563260 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Austin Ralphson. Opera. Score and parts. 18 pages. Austin Ralphson #3535369. Published by Austin Ralphson (A0.563260). This is probably one of the most beautiful melodies I have ever heard. This song was popular in 1994, and the lyrics are often misinterpreted. The song is about saying goodbye to an old life on the eve of something new, e.g. wedding, birth etc. It is very popular to perform at weddings and also in recital and always goes down very well indeed. This tuba quartet arrangement features all 4 players on the melody line at some point in the piece.
$14.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Down...
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Ro...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duratio...
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Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99
Una furtiva lagrima (from the Italian opera L'elisir d'amore)
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Piano, Guitar (duet)
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EASY
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Opera
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Classical
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Enrico Caruso
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Gaili Schoen for UpperHandsPia
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Una furtiva lagrima
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UpperHandsPiano.com
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SheetMusicPlus
Guitar,Piano - Level 2 - Digital Download SKU: A0.1264832 By Enrico Caruso. By Gaetano Donizetti. Arranged by Gaili Schoen for UpperHandsPiano.com. Class...
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Guitar,Piano - Level 2 - Digital Download SKU: A0.1264832 By Enrico Caruso. By Gaetano Donizetti. Arranged by Gaili Schoen for UpperHandsPiano.com. Classical,Opera,Romantic Period. Score and part. 1 pages. UpperHandsPiano.com #857665. Published by UpperHandsPiano.com (A0.1264832). This is an arrangement of Donizetti's beautiful and haunting Una furtiva lagrima. This early intermediate arrangement includes the essential themes from the original piece, but makes it playable for beginners to intermediate piano players. It originally appeared in the book The Music Remedy: No. 3 - 12 Passionate Pieces to Move You from Discouraged to Hopeful, available on Amazon.com.Upper Hands Piano creates arrangements that are easy to play with beautiful chords, at lower prices. For free monthly sheet music and valuable piano practice tips, follow our blog at http://blog.upperhandspiano.com. You can find our Upper Hands Piano method books for adults 50+ and Songs of the Seasons books on our website: https://www.upperhandspiano.com or on Amazon.com: http://amzn.to/2z49qAq  Thanks for your purchase!  http://blog.upperhandspiano.comhttps://www.upperhandspiano.comhttps://www.themusicremedy.com/.
$2.99
Carmen - five movements from the Suites 1&2 - for violin & harp
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Harp, Violin (duet)
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Georges Bizet
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Nandor & Katrina Szederkenyi
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Carmen - five movements from t
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iStrings
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.875795 Composed by Georges Bizet. Arranged by Nandor & Katrina Szede...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.875795 Composed by Georges Bizet. Arranged by Nandor & Katrina Szederkenyi. Opera,Romantic Period. Score and parts. 21 pages. IStrings #4351045. Published by iStrings (A0.875795). Carmen by Bizet is not surprizingly well known to music lovers with the wonderful melodies all the way through the opera. Perhaps the most beloved parts (at least to us) are this selection of transcriptions for violin and harp. Five movements from the two suites written also by Bizet: Prélude & Aragonaise, Séguedille, Habanera, Intermezzo, Les Torreadors. Definitely a top runner at any ocasion or concert.
$22.00
E lucevan le stelle from Tosca
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Giacomo Puccini
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James Pybus
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E lucevan le stelle from Tosca
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764692 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764692 Composed by Giacomo Puccini (1858-1924). Arranged by James Pybus. Contest,Festival,Opera,Romantic Period. 9 pages. James Pybus #4355739. Published by James Pybus (A0.764692). E lucevan le stelle (When the stars were brightly shining) is the romanza of Mario Cavaradossi, the tenor, a painter in love with Tosca, in the third act of Puccini's opera Tosca, composed in 1899 to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is sung by Cavaradossi while he waits for his execution on the roof of Castel Sant’Angelo.  The aria is introduced by a somber clarinet solo. The incipit of the melody (heard in outline earlier in the act, as the sky lightens and the gaoler prepares for the execution) is repeated on the lines O dolci baci, o languide carezze (With sweetest kisses, tenderest caresses), and also restated in forte in the closing bars of the opera, as Tosca jumps from the ramparts. This arrangement for SATB Saxophone Quartet will allow your audience to enjoy one of the most well-known arias in all of Opera while at the same time giving your quartet a chance to demonstrate your versatility. Performance time is ca. 2:11. Please contact me at james.pybus56@gmail.com.
$16.50
THE ALCHEMIST - by G. F. Handel - for Saxophone Trio or Quartet
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3 Saxophones (trio)
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INTERMEDIATE
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Opera
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Classical
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G
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Ivan Marini
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THE ALCHEMIST - by G. F. Hande
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www.dalsegno.eu
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.770638 Composed by G. F. Haendel, G. F. Handel, and G. F. Händel. Arranged by Iv...
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Saxophone Trio,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.770638 Composed by G. F. Haendel, G. F. Handel, and G. F. Händel. Arranged by Ivan Marini. Baroque,Opera. 43 pages. Www.dalsegno.eu #6439247. Published by www.dalsegno.eu (A0.770638). Complete and accurate arrangement of this famous incidental music by Handel (HWV 43), based on the first edition (ca. 1790) for 2 oboes/violins and continuo ad adapted for Saxophone Trio or Quartet.The 9 movements are in fact largely based on the music composed by Handel for the opera Rodrigo HWV 5. 1) Overture2) Prelude 3) Minuet4) Saraband5) Boree6) Aire7) Minuet8) Aire9) JiggThe Tenor part is optional, conceived to allow equally good results in Trio SAB or Quartet SATB.The music can be played by larger ensembles too.Complete set of score and parts: Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax (with or without low A).Duration approx 15 mins., 43 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
Vesti la giubba from I Pagliacci
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Opera
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Classical
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Ruggero Leoncavallo
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James Pybus
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Vesti la giubba from I Pagliac
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James Pybus
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SheetMusicPlus
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764661 Composed by Ruggero Leo...
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764661 Composed by Ruggero Leoncavallo (1857-1919). Arranged by James Pybus. Opera,Romantic Period. 10 pages. James Pybus #37123. Published by James Pybus (A0.764661). Vesti la giubba (Put on the costume) is a famous tenor aria from Ruggero Leoncavallo's 1892 opera I Pagliacci. Vesti la giubba is sung at the conclusion of the first act, when Canio discovers his wife's infidelity, but must nevertheless prepare for his performance as Pagliaccio the clown because The show must go on. The aria is often regarded as one of the most moving in the operatic repertoire of the time. The pain of Canio is portrayed in the aria and exemplifies the entire notion of the tragic clown: smiling on the outside but crying on the inside. This is still displayed today, as the clown motif often features the painted-on tear running down the cheek of the performer. The 1904 recording by Enrico Caruso was the first million-selling record in history. This aria is often used in popular culture and has been featured in many renditions, mentions, and spoofs. In this arrangement for SATB Saxophone Quartet written in 2013, the original key has been transposed to a more saxophone-friendly key. The tenor saxophone is featured. Duration 3:35 contact me at james.pybus56@gmail.com.
$15.00
La donna è mobile from Rigoletto
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Giuseppe Verdi
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James Pybus
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La donna è mobile from Rigole
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764643 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764643 Composed by Giuseppe Verdi. Arranged by James Pybus. Opera,Romantic Period. 11 pages. James Pybus #34867. Published by James Pybus (A0.764643). La donna è mobile (The woman is fickle) is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The inherent irony is that the Duke, a callous playboy, is the one who is mobile (inconstant). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before its first public performance (in Venice), it was rehearsed under tight secrecy: a necessary precaution, because it proved to be catchy and soon after its first public performance every gondolier in Venice was singing it. The present arrangement written in 2011 for Saxophone Quartet has been transposed to the more saxophone-friendly key of Bb from the original B major. Duration 2:37 contact me at james.pybus56@gmail.com.
$15.00
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mas...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
Excerpts from Carmen - for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Opera
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Classical
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Georges Bizet
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John van Gulik
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Excerpts from Carmen - for Bra
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John van Gulik
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.828055 Composed by Georges Bizet. Arranged by John van Gulik. Opera. Score...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.828055 Composed by Georges Bizet. Arranged by John van Gulik. Opera. Score and parts. 63 pages. John van Gulik #6366281. Published by John van Gulik (A0.828055). This brass quintet arrangement of music from the opera Carmen by Georges Bizet is organized in 3 sections. The first section is the March of the Torreadors. Following this is the beautiful solo for trombone of the Flower Song (La fleur que tu m’avais jetée). The final section concludes with the classic tune always associated with Carmen, Habanera, a real workout for the tuba player. For additional parts and other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com Included parts Part I - Trumpet in Bb Part I - Trumpet in C Part II - Trumpet in Bb Part II - Trumpet in C Part III - Horn in F Part III - Tenor Horn in Eb Part IV - Trombone Part IV - Trombone (TC) Part V - Tuba Part V - Bass in Bb Part V - Bass in Eb
$10.00
In Marble Halls - String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Opera
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Classical
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Michael William Balfe
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Eve C
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In Marble Halls - String Trio
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Zene Strings
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515948 Composed by Michael William Balfe. Arranged by Eve C. Mailly. Celtic,Classical,Fi...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.515948 Composed by Michael William Balfe. Arranged by Eve C. Mailly. Celtic,Classical,Film/TV,Irish,Opera,Romantic Period. Score and parts. 19 pages. Zene Strings #6401777. Published by Zene Strings (A0.515948). (I Dreamt That I Dwelt) In Marble Halls is a beautiful aria from the Opera The Bohemian Girl by M. W. Balfe. It has been used in movies, and recorded by Julian Lloyd Webber as a solo cello piece. This arrangement is for string trio, with the middle part included in both treble (V2) and alto clef (viola), giving you the flexibility of playing with either two violins and cello, or violin, viola and cello. From your friends at Zene Strings!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria ru
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RBMusic
#
SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
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