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At The Door
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The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
The Little Things - (The Lockdown Song) - SATB Choir with piano accompaniment - Chris Lawry
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris L…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.749985 Composed by Chris Lawry, Angela Cope. 20th Century,Contemporary,Sacred. Octavo. 12 pages. Moonhouse Music #5792953. Published by Moonhouse Music (A0.749985). During the Covid 19 lockdown the community choir Amber Valley Voices have worked with their MD Angie Cope and accompanist and composer Chris Lawry to write a lock down inspired song to rehearse in their Zoom rehearsals to hopefully use in their forthcoming concerts once restrictions are eased and we can begin to meet and sing together again.Much love to all out there that can't sing together yet; we are feeling your pain with you!Sheet music (for Unison, SA and SATB choir) available from www.chrislawry.com. If you need a backing track or leadsheet, or anything, please get in touch using: contact@chrislawry.com Lyrics: Waiting by the window, Parcels at the door, Kisses left hanging in the air. Doorstep daughters and street-side sons, It's the little things to show that you still care. ]Smiles from total strangers we pass along the way, Neighbours that speak now ev’ry day. Time for conversations, time for souls to touch It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch. It’s the little things that now mean oh so much. A letter from a loved one, flowers from a friend The look that says I know, I understand Early morning birdsong, a woodlands dappled light, It’s the outward signs of natures healing hand.To wander through a meadow, to drink in cleaner air New life bursts out around us ‘midst our pain. So much has been lost at immeasurable cost But together we’ll rebuild our world again. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much. The little things that mean so much The little things we miss and those we don’t, as such The little things: a sight, a sound, a smell, a touch.It’s the little things that now mean oh so much.
$1.99
1.82 €
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Choral SATB
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Chris Lawry, Angela Cope
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The Little Things -
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Moonhouse Music
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SheetMusicPlus
Behold! Behold! I Stand At The Door.
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031851 Composed by Joel B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031851 Composed by Joel Boadi. Christian,Contemporary,Sacred. Octavo. 3 pages. Joel Boadi #4793167. Published by Joel Boadi (A0.1031851). The composer seek to touch the heart of those who are still wandering in this world of sin; calling them back to the Savior, who is knocking at the door of their hearts and waiting to enter. The text of the music is selected from Revelations chapter three (3) verses twenty (20) with an additional text from the composer to enrich the music. The soft, sweet voice of the Lord calls for those who are broken hearted and are earnestly seeking Him.This music can be sung at church, schools and other gatherings.
$1.99
1.82 €
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Choral SATB
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Joel Boadi
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Behold! Behold! I Stand At The Door.
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Joel Boadi
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SheetMusicPlus
An die Türen (I will creep up to the doors) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.57670…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - Digital Download SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
7.31 €
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Franz Schubert
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An die Türen
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David Warin Solomons
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SheetMusicPlus
Write a Letter to My Mother. Song and Chorus
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4075 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4075 Composed by P.B. Isaacs. War casualties, Families, Correspondence, Death, Civil War. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4075). Write a Letter to My Mother. Song and Chorus. Companion to Brother's Fainting at the Door. Words by E. Bowers. Music by P.B. Isaacs. Published 1864 by S.T. Gordon, 538 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include War casualties, Families, Correspondence, Death, Civil War. First line reads Raise me in your arms, my brother, let me see the glorious sun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Choral SATB
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P
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Write a Letter to My Mother. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Open the Door for Three
Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.140…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1402927 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 36. Heather Mueller Music #2GptA7FcSShikPj01jSgqz. Published by Heather Mueller Music (A0.1402927). Key: G major.Title: Open the Door for Three Type/Genre: Slip Jigs (Irish) Arranger: Heather M Music Composer: Trad (Traditional) Description: Step into the lively world of Irish music with Open the Door for Three, a captivating set of slip jigs deeply rooted in the musical traditions of Ireland. These spirited tunes, known for their graceful melodies and intricate rhythms, evoke images of lively sessions and gatherings. Whether you're playing at a session or practicing at home, Open the Door for Three invites you to join in the spirited celebration of Celtic tradition. Let the lively tempo and dynamic energy of these slip jigs transport you to the heart of Ireland's musical landscape. Key Features: Interactive Sheet Music: Seamlessly adjust the Key, Tempo, and instrument volumes using our intuitive sheet music interface. Melody and Basic Accompaniment: Our comprehensive sheet music includes the melodies along with basic accompaniment and guitar chords, providing a solid foundation for musicians of all levels.
$2.99
2.73 €
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Traditional Fiddle Tunes
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Open the Door for Three
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Heather Mueller Music
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.42 €
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Concert band
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Leave The Door Open
C Instruments
C Instrument - Level 1 - Digital Download SKU: A0.1489824 By Bruno Mars, Anderson .…
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C Instrument - Level 1 - Digital Download SKU: A0.1489824 By Bruno Mars, Anderson .paak And Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Bruno Mars, Chris Brody Brown, and Dernst Emile. Arranged by Marcelo Borba. Folk,Funk,Pop,Singer/Songwriter,Soul. Lead Sheet / Fake Book. 4 pages. Marcelo Borba #1066697. Published by Marcelo Borba (A0.1489824). For Lead Sheet Style [Melody + Chords] Leave the Door Open is a song by the group Silk Sonic, formed by Bruno Mars and Anderson .Paak. Released on March 5, 2021, the song is the lead single from the duo's debut album, *An Evening with Silk Sonic*. ### **Context and Creation** Bruno Mars and Anderson .Paak met in 2017 during Mars' tour for the *24K Magic* album. The chemistry between the two artists was evident, and they began collaborating, eventually leading to the formation of Silk Sonic. The duo wanted to create something that captured the essence of 1970s soul music, with romantic lyrics and production that evoked a sense of nostalgia.The creation of Leave the Door Open was a collaborative process, with both artists contributing to the songwriting and production. D’Mile, an award-winning producer and songwriter, was also involved in the production of the track.### **Style and Influences**The song is a soul and R&B ballad that harkens back to the classic style of groups like The Isley Brothers and The Stylistics. It highlights the vocal abilities of Bruno Mars and Anderson .Paak, with smooth harmonies and production that incorporates live instruments such as piano, guitar, and drums, creating a rich and authentic sound. ### **Release and Reception** Leave the Door Open was well-received by critics and the public, praised for its vintage production and romantic charm. The song became a major commercial success, reaching the top of the charts in several countries, including the United States, where it hit number one on the Billboard Hot 100. ### **Cultural Impact** The song became an instant hit, standing out on various streaming platforms and receiving widespread radio play. The music video, directed by Mars and Florent Déchard, was also praised for its retro aesthetic, which perfectly complements the song's style.Leave the Door Open was widely recognized during the awards season, winning in several categories, including Song of the Year at the 2022 Grammy Awards. The track solidified Silk Sonic's success and highlighted the musical chemistry between Bruno Mars and Anderson .Paak, setting the stage for the success of the album *An Evening with Silk Sonic*.
$3.99
3.65 €
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C Instruments
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Bruno Mars, Anderson
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Leave The Door Open
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Marcelo Borba
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SheetMusicPlus
Fox, you've stolen the goose
Double Bass ad lib. - intermediate - Digital Download SKU: S9.Q10807 As Ludwig v…
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Double Bass ad lib. - intermediate - Digital Download SKU: S9.Q10807 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: separate part. Downloadable, Individual part. Duration 13 minutes. Schott Music - Digital #Q10807. Published by Schott Music - Digital (S9.Q10807). What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.
$5.99
5.48 €
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Ludwig van Beethoven and Wolfgang Birtel
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Fox, you've stolen the goose
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Schott Music - Digital
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SheetMusicPlus
Fox, you've stolen the goose
String Quartet: 2 violins, viola, cello
String quartet - intermediate - Digital Download SKU: S9.Q7119 As Ludwig van Bee…
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String quartet - intermediate - Digital Download SKU: S9.Q7119 As Ludwig van Beethoven could (possibly) have composed it. Composed by Ludwig van Beethoven and Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q7119. Published by Schott Music - Digital (S9.Q7119). What do Beethoven and the children's song Fuchs Du hast die Gans gestohlen have in common? Nothing, strictly speaking. Although the song was written as early as 1824 (and theoretically, Beethoven could have known it), it has not left deep marks on his oeuvre. But what if he had known it? Wolfgang Birtel pursued this question and, in reply to it, conceived a symphony for string quartet: behind each movement is an original symphony by Beethoven (spiced with quotes from other works). The children's song appears as the main theme in the final movement of Symphony No. 1, in the famous funeral march of Eroica, fate knocks at the door (of the goose house) in remembrance of Symphony No. 5, and the work ends with Ode to the Roast Goose (Symphony No. 9). A funny and cleverly arranged collage, a performing and listening pleasure in the footsteps of Beethoven.
$45.99
42.05 €
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String Quartet: 2 violins, viola, cello
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Ludwig van Beethoven and Wolfgang Birtel
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Fox, you've stolen the goose
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Schott Music - Digital
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SheetMusicPlus
I'm Getting Ready For My Mother-In-Law
Piano, Voice
Voice and piano - Digital Download SKU: LV.19430 Composed by Jack Norworth. Automob…
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Voice and piano - Digital Download SKU: LV.19430 Composed by Jack Norworth. Automobiles, Accidents, Couples, Humorous pictures, Homicides. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19430). I'm Getting Ready For My Mother-In-Law. Words and Music by Jack Norworth. Published 1906 by The York Music Co., Albert von Tilzer, Mg'r., 40 West 28th St. in New York. Composition of strophic with chorus with voice and piano instrumentation. Subject headings for this piece include Automobiles, Accidents, Couples, Humorous pictures, Homicides. First line reads My wife met me at the door, letter in her hand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Jack Norworth
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I'm Getting Ready For My Mother-In-Law
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
'Twas the Master That Knocked at the Door. Song and Chorus
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4607 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4607 Composed by C.A. White. Portraits, Death, Biblical references, Heaven, Memorial works. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4607). Twas the Master That Knocked at the Door. Song and Chorus. Words by George R. Jackson. Music by C.A. White. Published 1877 by White, Smith & Comp'y, 516 Washington Street in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Death, Biblical references, Heaven, Memorial works. First line reads Enwrapp'd in the mantle of night, death waits at the bridge for his prey.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Choral SATB
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C
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'Twas the Master That Knocked at the Door. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Cabin with the roses at the door
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.887675 Composed by Cat McG…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.887675 Composed by Cat McGill. Folk. Octavo. 4 pages. Cat McGill #3508913. Published by Cat McGill (A0.887675). The Cabin with the roses at the door is based on an old broadside ballad, the lyrics of which were found in the collection at the Bodleian Library in Oxford. Cat McGill's beautiful melody and emotive harmonies are the perfect setting to the lyrics of love, reflection, and belonging.The melody line moves between the voices in this arrangement, making it interesting to sing, and creating an ebb and flow to the performance.There is NO MINIMUM ORDER quantity on this arrangement, because I arrange all my songs to be taught by ear.
$4.60
4.21 €
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Choral SATB
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Cat McGill
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The Cabin with the roses at the door
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Cat McGill
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SheetMusicPlus
The Latch String at the Door. Song and Chorus
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3718 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3718 Composed by James Harrison. Dwellings, Meadows, Fences, Country life, Homecomings, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3718). The Latch String at the Door. Song and Chorus. Words by January Searle. Music by James Harrison. Published 1867 by Root & Cady, 67 Washington St. (Opera House Building) in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Meadows, Fences, Country life, Homecomings, Love. First line reads Go wander where you may, dear friend.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Choral SATB
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James Harrison
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The Latch String at the Door. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
His Footstep at the Door. Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.4252 Composed by Horace E. Kimball. Wate…
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Piano and voice - Digital Download SKU: LV.4252 Composed by Horace E. Kimball. Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4252). His Footstep at the Door. Song & Chorus. Words by Mary E. Kail. Music by Horace E. Kimball. Published 1872 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. First line reads I am waiting, I am waiting, fondly waiting for my sweet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Horace E
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His Footstep at the Door. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The 'Rectile Dysfunctioning Blues
Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contempo…
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Digital Download SKU: A0.1072010 Composed by Jim Ivy. Arranged by Jim Ivy. Contemporary,Country. Full Performance. Duration 97. Jim Ivy #5214027. Published by Jim Ivy (A0.1072010). You've heard the Men's Clinic ads on the radio. This one is just for fun!A fellow named EdWas havin’ trouble in the bedTill he turned on his radio.The announcer saidAre you having trouble in bed?There is a place you can go!Oh, the doctor’s thereSpecialize in men’s care,They’ve got the cure you can use!Just go on inYou’ll leave with a grinAnd a stiffer… constitution!---------------------------------------If the women in your lifeAre giving you strifeYou just can’t keep it up no more.Say you’re out on a date andShe says, Oh, please stay late!Do you just hang your head at the door?Now you can walk right in,You’ll leave with a grin‘Cause of your new stiffer… constitution!So if your problems halfwayBetween your head and your toesYou got the ‘rectile Dysfunctioning Blues’.
$1.99
1.82 €
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Jim Ivy
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The 'Rectile Dysfunctioning Blues
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Jim Ivy
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SheetMusicPlus
At The Door
Marching band
Marching Band - Level 4 - Digital Download SKU: A0.1325885 By The Strokes. By Alber…
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Marching Band - Level 4 - Digital Download SKU: A0.1325885 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, Nikolai Fraiture, and Paul Vincent Vassallo. Arranged by Kevin LeBoeuf. New Age,Pop,Rock. 29 pages. Kevin LeBoeuf #914076. Published by Kevin LeBoeuf (A0.1325885). Written for a marching brass ensemble featuring either solo trumpet/baritone or vocalist.
$50.00
45.71 €
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Marching band
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The Strokes
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At The Door
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Kevin LeBoeuf
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SheetMusicPlus
Festive Overture - Lutherstadt Wittenberg 2017
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.597265 Composed by Flávio R…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597265 Composed by Flávio Régis Cunha. Contemporary,Holiday,Sacred. Score and parts. 137 pages. Flavio Regis Cunha #4831309. Published by Flavio Regis Cunha (A0.597265). On October 31, 2017 debuted the work Lutherstadt Wittenberg 2017 at the concert held at the Ruy Barbosa Auditorium, which celebrated two important dates: the 147 years of Mackenzie Presbyterian University and the 500 years of the Protestant Reformation. The work has a festive character and was composed especially for the occasion. It makes use of original musical material and quotes from the melody Ein feste Burg ist unser Gott (Castle Fort) by Martin Luther. The title of the work refers to the German city Wittenberg, which was the scene of the Protestant Reformation of 1517 and where the reformer Martin Luther preached his 95 theses on the door of the Wittenberg Cathedral, going against various dogmas of the Roman Catholic Church.
$20.00
18.28 €
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Orchestra
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Flávio Régis Cunha
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Festive Overture - Lutherstadt Wittenberg 2017
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Flavio Regis Cunha
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SheetMusicPlus
We Want A King (Elders) from "The Kings" - ACT 1:Song 3
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784816 Composed by McCorkle,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784816 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 30 pages. DF McCorkle Music and eBook Publications #11639. Published by DF McCorkle Music and eBook Publications (A0.784816). ACT ONE: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:4-5 - 4 Then all the elders of Israel gathered themselves together, and came to Samuel unto Ramah, 5 And said unto him, ‘Behold, you are old, and your sons do not walk not in your ways: now make us a king to govern us like all the nations.’] The ELDERS, with their own agenda at heart, use the political climate and fears of the people to force a change in the governmental system. Gathering at SAMUEL’S front door, the ELDERS confront SAMUEL about his sons and demand that a king be appointed over them like all the other nations. [We Want a King – Elders and Samuel]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.73 €
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Piano, Voice
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McCorkle, Dennis F
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We Want A King
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiP…
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
2.28 €
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Piano solo
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Escape (medium/big percussion ensemble)
Percussion Ensemble
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspend…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$80.00
73.14 €
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Percussion Ensemble
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Frits Renting
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The Escape
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Frits_Renting
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SheetMusicPlus
The Escape - (small/medium percussion ensemble)
Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam…
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Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.
$70.00
64 €
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Frits Renting
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The Escape -
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Frits_Renting
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SheetMusicPlus
At The Door
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1209313 By The Strokes. By…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1209313 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, Nikolai Fraiture, and Paul Vincent Vassallo. Arranged by Gabriel Lawson. A Cappella,Rock. Octavo. 13 pages. Gabriel Lawson #807429. Published by Gabriel Lawson (A0.1209313). “At the Door†is an a cappella arrangement of the powerful ballad from the album The New Abnormal by The Strokes. Arranged for four-part Men's Chorus (TTBB) with the melody primarily in the Tenor 2 part. Difficulty 8/10. Tenor F3-C5. Lead Bb2-A4. Baritone Bb2-Eb4. Bass Eb2-C4.
$1.99
1.82 €
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Choral TTBB
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The Strokes
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At The Door
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Gabriel Lawson
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SheetMusicPlus
Prison Doors - an original hymn for SATB voices
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701451 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701451 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3124511. Published by Kevin G. Pace (A0.701451). A thought-provoking, original hymn. Text by Kathryn W. Hales below.YouTube video: https://youtu.be/tc-lFghc0YAPrison doors were opened For Peter and for Paul, And for the coat-clad Joseph, For Daniel, saved from a lion’s maul. For Alma and for Amulek, Nephi and Lehi too; Why not countless others Locked away from freedom’s view? Why not brave Abinadi? Or Joseph and Hyrum Smith? Why not Christians in catacombs, Or prisoners in Auschwitz? Why was the prison door opened For Barabbas, a murderer at heart, While the innocent Christ was crucified, One in whom there was no fault? Why not those entrapped today In prisons of mortal pain; Why are the doors opened for a few, While millions suffer long in vain? Yet still the promise has been made, And believe in it we must__ That all prison doors will someday open If in God we trust. Prison doors of pain and grief, Of tragedy and shame, Through the mercy of our Lord All shall be free again.
$1.99
1.82 €
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Kevin G
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Prison Doors - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
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