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Au P'tit Bonheur : J'veux du soleil
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
C Instruments
Instruments en Do
Instruments en Do
4.99 €
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C Instruments
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Bb Instruments
Instruments en Si bémol
Instruments en Si bémol
4.99 €
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Bb Instruments
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Eb Instruments
Instruments en Mi bémol
Instruments en Mi bémol
4.99 €
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Eb Instruments
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Piano Accompaniment
Partitions piano d'accompagnement
Partitions piano d'accompagnement
4.99 €
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Piano Accompaniment
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au P'tit Bonheur : J'veux du soleil
Piano Accompaniment
Partitions piano d'accompagnement
Partitions piano d'accompagnement
4.99 €
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Piano Accompaniment
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Au P'tit Bonheur
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J'veux du soleil
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Noviscore
Au p'tit Bonheur: J'veux du soleil
4.99 €
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Au p'tit Bonheur: J'veux du soleil
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J'veux du soleil
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Quickpartitions
Au p'tit Bonheur: J'veux du soleil
Piano, Vocal and Guitar
4.99 €
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Piano, Vocal and Guitar
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Au p'tit Bonheur: J'veux du soleil
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J'veux du soleil
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Quickpartitions
Duet "Au fond du temple saint" from Georges Bizet's opera "Les Pêcheurs de Perles"
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.1456029 Composed by Georg…
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Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.1456029 Composed by Georges Bizet. Arranged by Alexander Geluk. 19th Century,Classical,Opera,Wedding. Score. 6 pages. Fibonacci Music & Multimedia #1035188. Published by Fibonacci Music & Multimedia (A0.1456029). The duet Au fond du temple saint The duet Au fond du temple saint from Georges Bizet's operaLes Pêcheurs de Perles has now been beautifully arranged fortwo trumpets. This arrangement is perfect for trumpeters whoare looking to explore and perform classical opera duets, offeringthem an opportunity to experience the richness and depth ofBizet's music.After a self-imposed absence, Nadir returns to Ceylon, wherehis friend Zurga has recently been elected Fisher King by thelocal pearl fishermen. The two friends had previously fallen inlove with the same woman, but they promised each other torenounce their love for her and stay loyal to their friendship.Upon reuniting, they sing a duet, reminiscing about how theyfirst became infatuated with a veiled priestess of Brahma theyhad seen passing through an adoring crowd.Points to consider The parts are arranged for Bb instruments. They will play in Fmajor, sounding in Ebmajor (concert pitch) The measure numbering starts from the “Duo” in Bizet’s originalorchestral score. These parts are used in real live performances with symphonyorchestra's.
$7.90
7.25 €
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2 Trumpets (duet)
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Georges Bizet
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Duet "Au fond du temple saint" from Georges Bizet's opera "Les Pêcheurs de Perles"
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Fibonacci Music & Multimedia
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SheetMusicPlus
Deep Inside the Sacred Temple (Au fond du temple saint) from 'The Pearl Fishers'
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1384083 By Andrea Bocelli, Bryn T…
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Concert Band - Level 3 - Digital Download SKU: A0.1384083 By Andrea Bocelli, Bryn Terfel. By Georges Bizet. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Film/TV,Opera. 81 pages. John Ivor Holland #968445. Published by John Ivor Holland (A0.1384083). Au fond du temple saint (Deep inside the sacred temple) is a duet from Georges Bizet's 1863 opera 'Les pêcheurs de perles' ('The Pearl Fishers'). The libretto was written by Eugène Cormon and Michel Carré. Generally known as The Pearl Fishers' Duet, it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga (baritone) in act 1 and has been performed by many famous singers, including Andrea Bocelli and Bryn Terfel. This arrangement for two euphoniums and concert band retains the original key and recitative sections to present the most authentic version possible.
$49.99
45.88 €
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Concert band
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Andrea Bocelli, Bryn Terfel
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Deep Inside the Sacred Temple
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John Ivor Holland
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SheetMusicPlus
Ange Flégier: Au crépuscule for baritone voice and piano
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Musik Fabrik Music Publishing #2913373. Published by Musik Fabrik Music Publishing (A0.533410). A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In e minor. Duration: aprox. 4 minutesAnge Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.Dans le silenceLe bateau dortEt bord sur bordIl se balance.Seul à l’avantUn petit mousseD’une voix douceSiffle le vent.Au couchant pâleEt violetFlotte un refletDernier d’opale.Les flots déteintsOnt sous la briseLa couleur griseDes vieux étains.Alors la veuveAux noirs cheveuxSe dit: «Je veuxFaire l’épreuveDe mes écrinsDans cette glace.»Et la Nuit placeParmi ses crins,Sous ses longs voilesAux plis dormants,Les diamantsDe ses étoiles.
$9.10
8.35 €
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Baritone voice, Piano
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Ange Flégier
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Ange Flégier: Au crépuscule for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Au Fond Du Temple Saint
Piano Trio: Violin, Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.948813 By Ten Tenors. By Shannon Brown and Steven Edgar Baker. Arranged by arr. Adrian F. Pipas. Contemporary. Score and parts. 31 pages. Adrian F. Pipas #6661423. Published by Adrian F. Pipas (A0.948813). Au fond du temple saint (At the back of the holy temple) is a duet from Georges Bizet's 1863 opera Les pêcheurs de perles. The libretto was written by Eugène Cormon and Michel Carré. Generally known as The Pearl Fishers' Duet, it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga (baritone) in act 1.
$17.99
16.51 €
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Piano Trio: Violin, Viola, Piano
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Ten Tenors
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Au Fond Du Temple Saint
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Adrian F. Pipas
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SheetMusicPlus
As the Wind Blows / Au gre du vent
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.906923 Composed by Marc-Andre Pepin…
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Piano Solo - Level 3 - Digital Download SKU: A0.906923 Composed by Marc-Andre Pepin. 20th Century,Contemporary,New Age. Score. 5 pages. Editions Emma-P #50745. Published by Editions Emma-P (A0.906923). From the album Rendez-vous - www.marcandrepepin.com.
$3.99
3.66 €
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Piano solo
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Marc-Andre Pepin
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As the Wind Blows / Au gre du vent
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Editions Emma-P
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SheetMusicPlus
Automania - Galop / March - L.P. Laurendeau
Digital Download SKU: A0.1071621 Composed by Louis-Philippe Laurendeau. Arranged by…
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Digital Download SKU: A0.1071621 Composed by Louis-Philippe Laurendeau. Arranged by Ivan Marini. 20th Century,Folk,Patriotic,Standards. Full Performance. Duration 129. Www.dalsegno.eu #4580299. Published by www.dalsegno.eu (A0.1071621). (en/fr)Galop (march-like dance) composed by Canadian L.P. Laurendeau and arranged for modern band by Ivan Marini.The title refers to the automobile mania that swept in the USA and Canada during the first years of the 20th century.Grade 2 1/2, suitable for smaller ensembles and marching bands too.Galop (danse rapide) composé par le Québécois L.P. Laurendeau et adapté pour la moderne orchestre d'harmonie par Ivan Marini.Le titre fait référence à la manie automobile qui a balayé les États-Unis et le Canada au cours des premières années du XXe siècle.Grade 2 1/2, convenant aussi aux petits ensembes et aux défilées.Sheet music (Full Score, Condensed Score and Card size Parts) availableOther transpositions, missing parts or custom settings available for free at simply request. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.83 €
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Louis-Philippe Laurendeau
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Automania - Galop / March - L.P. Laurendeau
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www.dalsegno.eu
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SheetMusicPlus
Automania - Galop / March - L.P. Laurendeau for Concert or Marching Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.770383 Composed by Louis-Philippe…
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Concert Band - Level 3 - Digital Download SKU: A0.770383 Composed by Louis-Philippe Laurendeau. Arranged by Ivan Marini. 20th Century,Contest,Festival,Folk,Holiday,Patriotic. Score and parts. 26 pages. Www.dalsegno.eu #4579941. Published by www.dalsegno.eu (A0.770383). (en/fr)Galop (march-like dance) composed by Canadian L.P. Laurendeau and arranged for modern band by Ivan Marini.The title refers to the automobile mania that swept in the USA and Canada during the first years of the 20th century.Grade 2 1/2, suitable for smaller ensembles and marching bands too.Galop (danse rapide) composé par le Québécois L.P. Laurendeau et adapté pour la moderne orchestre d'harmonie par Ivan Marini.Le titre fait référence à la manie automobile qui a balayé les États-Unis et le Canada au cours des premières années du XXe siècle.Grade 2 1/2, convenant aussi aux petits ensembes et aux défilées.Full Score and Condensed Score.Card size Parts for:Piccolo, Flute 1+2, Oboe (or Soprano Sax)Clarinet 1+2, Bass Clarinet, Alto Sax 1+2, Tenor Sax, Baritone SaxBb Trumpet 1+2+3, F/Eb Horn 1+2, Trombone 1+2+3Euphonium BC (also Bassoon) and TC, TubaTimpani, Bells, Percussion (SD, BD, Cym.)Other arrangements, missing parts or custom settings available at simply request.Duration: ca. 2'15'' minutes, 26 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
9.17 €
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Concert band
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Louis-Philippe Laurendeau
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Automania - Galop / March - L.P. Laurendeau for Concert or Marching Band
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www.dalsegno.eu
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SheetMusicPlus
Jean-Michel Jarre: Jonques de pêcheurs au crépuscule
Piano solo
4.99 €
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Piano solo
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Jean-Michel Jarre: Jonques de pêcheurs au crépuscule
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Jonques de pêcheurs au crépuscule
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Quickpartitions
Rougeoyante pénombre --- Commande du Trio des Aulnes --- SCORE AND PARTS --- JCM2017
Small Ensemble Cello,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.878768…
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Small Ensemble Cello,Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.878768 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 24 pages. Jean-Christophe Masson #6306315. Published by Jean-Christophe Masson (A0.878768). Pedagogical trio for violin, cello and piano. Duration : 7-8 minutes level : early intermediate / intermediate niveau (Conservatoires français) : fin Ier cycle. ©Jean-Christophe Masson N° de membre SACEM 00623 9409www.jcmasson.com Création le 21 janvier 2018 au CRD d'Auxerre (élèves du CRD d’Auxerre) Commande du Trio des Aulnes.
$16.00
14.68 €
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Jean-Christophe Masson
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Rougeoyante pénombre --- Commande du Trio des Aulnes --- SCORE AND PARTS --- JCM2017
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Jean-Christophe Masson
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.3 €
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Francisco Braga
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Đà Lạt Đâu Có Lỗi
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1462963 By Duong Minh Duc. By Duo…
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C Instrument - Level 2 - Digital Download SKU: A0.1462963 By Duong Minh Duc. By Duong Minh Duc. Arranged by Duong Minh Duc. 21st Century,Pop. Lead Sheet / Fake Book. 3 pages. Duong Minh Duc #1041690. Published by Duong Minh Duc (A0.1462963). A song about a love story in Dalat-/-Đà Lạt đâu có lỗi khi em nói lời chia taykỷ niệm con dốc quen ai đấy nắm lấy bàn tay nàycảm giác kỳ lạ nhiều khi rất khó nói hết ra những tâm tư thật thàĐà Lạt có lỗi hay là do tôi? bồi hồi quay bước đi sau lưng có nỗi nhớ hàng thông giàđoạn đường hai chúng ta dường như mới chớp mắt ngày hôm quacô đơn phải chăng là điều mình đã cố chấp giữ mãi trước khi bắt đầuĐà Lạt có lỗi hay là do tôi? anh muốn kể với em về câu chuyện Liang Biang như ngày mới quennhớ mái tóc rối lúc em nghiêng đầu tựa vào vai anh cung đường vắng tanhta sẽ cố giấu những nỗi đau mơ hồ chẳng thể gọi tên cho đến bao giờdường như trái tim ta vẫn nhớdường như trái tim em Đà Lạtdường như trái tim ta vẫn nhớdường như trái tim em Đà Lạt khờ dại thêm chút đi làm sao biết phía trước là chia lymỉm cười lệ ướt mi em có chắc trái tim mình muốn gìchẳng lẽ Đà Lạt là nơi chẳng thể giấu nước mắt thấm ướt đẫm những câu chuyện buồnĐà Lạt có lỗi hay là do tôi? liệu rằng mưa sẽ rơi khi nỗi nhớ chất chứa thành nỗi buồnliệu rằng em vẫn tin vào giây phút vỡ nát bàn tay buôngcô đơn phải chăng là điều mình đã cố chấp giữ mãi trước khi bắt đầuĐà Lạt có lỗi hay là do tôi? Anh muốn kể với em về câu chuyện Lang Biang như ngày mới quenNhớ mái tóc rối lúc em nghiêng đầu tựa vào vai anh cung đường vắng tanhTa sẽ cố giấu những nỗi đau mơ hồ chẳng thể gọi tên cho đến bao giờdường như trái tim ta vẫn nhớdường như trái tim em Đà Lạtdường như trái tim ta vẫn nhớdường như trái tim em Đà LạtĐà Lạt có lỗi hay là do tôi?
$1.99
1.83 €
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C Instruments
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Duong Minh Duc
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Đà Lạt Đâu Có Lỗi
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Duong Minh Duc
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SheetMusicPlus
Guía práctica para el estudio de la armonía - Piotr Ilich Tchaikovsky
Choral SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.958765 Composed by Peter …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.958765 Composed by Peter Ilyich Tchaikovsky. Arranged by Juan Carlos Cortés A. Instructional,Romantic Period,World. Octavo. 234 pages. Juan Carlos Cortés Aguirre #6473855. Published by Juan Carlos Cortés Aguirre (A0.958765). Traducción al idioma Español (Castellano) de la obra pedagógica musical GuÃa práctica para el estudio de la armonÃa por Piotr Ilich Tchaikovsky (Vótkinsk, 7 de mayo de 1840 - San Petersburgo, 6 de noviembre de 1893), compositor ruso del Siglo XIX basado en la versión rusa, luego traducida a los idiomas Alemán e Inglés. Obra amparada por el © Copyright como Derecho Conexo que otorga protección a quienes, sin ser autores, contribuyen con creatividad, técnica u organización, en el proceso de poner a disposición del público una obra.VÃDEOS:VIMEO:https://vimeo.com/679341606Перевод на иÑпанÑкий (каÑтильÑкий) Ñзык музыкально-педагогичеÑкого ÑÐ¾Ñ‡Ð¸Ð½ÐµÐ½Ð¸Ñ Â«ÐŸÑ€Ð°ÐºÑ‚Ð¸Ñ‡ÐµÑкое поÑобие по изучению гармонии Петра Ильича ЧайковÑкого (ВоткинÑк, 7 Ð¼Ð°Ñ 1840 г. - Санкт-Петербург, 6 ноÑÐ±Ñ€Ñ 1893 г.), руÑÑкого композитора XIX века. РуÑÑÐºÐ°Ñ Ð²ÐµÑ€ÑиÑ, затем Ð¿ÐµÑ€ÐµÐ²ÐµÐ´ÐµÐ½Ð½Ð°Ñ Ð½Ð° немецкий и английÑкий Ñзыки. Работа защищена авторÑким правом © как Ñмежное право, которое обеÑпечивает защиту тем, кто, не ÑвлÑÑÑÑŒ авторами, вноÑит Ñвой творчеÑкий вклад, иÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÑ Ñ‚ÐµÑ…Ð½Ð¸ÐºÑƒ или организацию, в процеÑÑе предоÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ñ Ð¾Ð±Ñ‰ÐµÑтвенноÑти Работа.Ãœbersetzung in die spanische Sprache (Kastilisch) des musikpädagogischen Werks Praktischer Leitfaden für das Studium der Harmonielehre von Pjotr ​​Iljitsch Tschaikowsky (Vótkinsk, 7. Mai 1840 - Sankt Petersburg, 6. November 1893), russischer Komponist des 19. Russische Version, dann in die deutsche und englische Sprache übersetzt.. Werk geschützt durch © Copyright als verwandtes Recht, das denjenigen Schutz gewährt, die, ohne Autoren zu sein, mit Kreativität, Technik oder Organisation einen Beitrag zur öffentlichen Zugänglichmachung leisten a Arbeit.Translation into Spanish language (Castilian) of the musical pedagogical work Practical guide for the study of harmony by Pyotr Ilyich Tchaikovsky (Vótkinsk, May 7, 1840 - Saint Petersburg, November 6, 1893), Russian composer of the XIX century based in the Russian version, later translated into the German and English languages. Work protected by © Copyright as a Related Right that grants protection to those who, without being authors, contribute with creativity, technique or organization, in the process of making available to the public a work.Traduzione in lingua spagnola (castigliano) dell'opera di pedagogia musicale Guida pratica per lo studio dell'armonia di Pyotr Ilyich Tchaikovsky (Vótkinsk, 7 maggio 1840 - San Pietroburgo, 6 novembre 1893), compositore russo del XIX secolo con sede nel Versione russa, poi tradotta in lingua tedesca e inglese Opera protetta da © Copyright as a Related Right che garantisce protezione a coloro che, senza essere autori, contribuiscono con creatività , tecnica o organizzazione, nel processo di messa a disposizione del pubblico di un lavoro. Traduction en espagnol (castillan) de l'ouvrage de pédagogie musicale Guide pratique pour l'étude de l'harmonie de Piotr Ilich Tchaïkovski (Votkinsk, 7 mai 1840 - Saint-Pétersbourg, 6 novembre 1893), compositeur russe du XIXe siècle, basée sur la version russe, traduite ultérieurement en allemand et en anglais. L'Å“uvre est couverte par le © Copyright en tant que droit voisin qui accorde une protection à ceux qui, sans être des auteurs, contribuent de manière créative, technique ou organisationnelle au processus de mise à disposition d'une Å“uvre au public.
$39.99
36.7 €
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Choral SATB
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Peter Ilyich Tchaikovsky
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Guía práctica para el estudio de la armonía - Piotr Ilich Tchaikovsky
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
6 Pieces of Joy an Melancholy
Guitar - Digital Download SKU: ZY.DO-1546 Composed by Yorgos Nousis. Score. 9 pages…
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Guitar - Digital Download SKU: ZY.DO-1546 Composed by Yorgos Nousis. Score. 9 pages. Les Editions Doberman-Yppan (digital) #DO 1546. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1546). SIX PIECES OF JOY AND MELANCHOLY is a collection of short pieces with a more melodic and in some cases rhythmic character. The pieces were composed individually for different occasions, but they work together somehow and offer the performer and the audience a roller-coaster sensation through the constant change of mood. Danceuphoria is the opening piece, an uneven, powerful dance which immediately creates an uplifting mood. Melodic Sorrow is a piece dedicated to the memory of my father, Konstantinos Nousis. It's one of the first pieces I wrote for guitar as a teenager. Here you can read an evolved version of that first piece which keeps the simplicity of the primary inspiration.Lifeness is an ode to life piece full of rich colors, melodies and harmonies. Meditation, originally written as the theme music for a Reiki Yoga YouTube channel, is a very slow and meditative piece with short melodic legato lines. Hope evokes warmer feelings. A simplistic piece based on natural harmonies that calms and soothes us.Finally, Cascading Waltz was chosen as the final piece, because it can be freely interpreted by any performer and gives the opportunity for diverse crescendos and accelerandos.The pieces can complement the repertoire of young students as well as professional guitarists who seek a modern yet melodic approach to the guitar.SIX PIECES OF JOY AND MELANCHOLY est une collection de courtes pièces au caractère plus mélodique et, dans certains cas, rythmique. Les pièces ont été composées individuellement pour des occasions différentes, mais elles fonctionnent ensemble d'une certaine manière et offrent à l'interprète et au public une sensation de montagnes russes grâce au changement constant d'humeur. Danceuphoria est la pièce d'ouverture, une danse inégale et puissante qui crée immédiatement une atmosphère exaltante. Melodic Sorrow est une pièce dédiée à la mémoire de mon père, Konstantinos Nousis. C'est l'une des premières pièces que j'ai écrites pour la guitare lorsque j'étais adolescent. Vous pouvez lire ici une version évoluée de cette première pièce qui conserve la simplicité de l'inspiration première.Lifeness est une ode à la vie, un morceau plein de couleurs, de mélodies et d'harmonies. Meditation, écrit à l'origine comme thème musical pour une chaîne YouTube de Reiki Yoga, est un morceau très lent et méditatif avec de courtes lignes mélodiques legato. Hope évoque des sentiments plus chaleureux. Il s'agit d'un morceau simpliste basé sur des harmonies naturelles qui nous calme et nous apaise.Enfin, Cascading Waltz a été choisie comme pièce finale, car elle peut être interprétée librement par n'importe quel interprète et donne l'occasion de divers crescendos et accelerandos.Les morceaux peuvent compléter le répertoire des jeunes étudiants ainsi que des guitaristes professionnels qui recherchent une approche moderne et mélodique de la guitare.1. Danceuphoria2. Melodic Sorrow3. Lifeness4. Meditation5. Hope6. Cascading Waltz.
$5.95
5.46 €
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Yorgos Nousis
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6 Pieces of Joy an Melancholy
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Les Editions Doberman-Yppan
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SheetMusicPlus
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