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Three Songs (1995) (Composer's Autograph Manuscript)
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.889760 Composed by William H…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.889760 Composed by William Hawley. Contemporary. Score. 16 pages. William Hawley #6617983. Published by William Hawley (A0.889760). This is the Composer's Autograph Manuscript of William Hawley's Three Songs (1995), composed for Mezzo-Soprano Emma Selway and Pianist Michael Paine, setting poetry by Percy Bysshe Shelley, Lord Byron, and John Keats. The Premiere Performance took place in private concert in London in 1996. There is no extant recording. Duration: 5.5 minutes. ASCAP https://www.williamhawley.net.
$4.99
4.54 €
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Piano, Voice
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William Hawley
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ASCAP
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Three Songs
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William Hawley
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SheetMusicPlus
Three Songs (1984) (Composer's Autograph Manuscript)
Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 5 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 5 - Digital Download SKU: A0.889761 Composed by William Hawley. Contemporary. Score and parts. 15 pages. William Hawley #6617961. Published by William Hawley (A0.889761). This is the Composer's Autograph Manuscript of William Hawley's Three Songs (1984), including the Full Score and Violin Part. This work, which sets poetry by John Keats, Emily Dickinson, and John Milton, was composed for Soprano Dora Ohrenstein and Violinist Mary Rowell, who performed its World Premiere at Symphony Space, New York City, on January 15, 1985, with Elizabeth Wright, Piano. The audio clip is the complete live recording of the Premiere Performance. Duration: 5' 45. ASCAP https://www.williamhawley.net .
$4.99
4.54 €
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William Hawley
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https://www
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Three Songs
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William Hawley
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SheetMusicPlus
Seven Madrigals (Composer's Autograph Manuscript)
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.889759 Composed by Willi…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.889759 Composed by William Hawley. Contemporary. Octavo. 44 pages. William Hawley #6597387. Published by William Hawley (A0.889759). This is the Composer's Autograph Manuscript Score of William Hawley's original set of Seven Madrigals, which was composed for the vocal ensemble Chanticleer, and given its World Premiere in the Herbst Theater, San Francisco, in 1986. Included are the Italian texts by Torquato Tasso (1544-1595), with English translations by the composer.
$9.99
9.09 €
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William Hawley
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Seven Madrigals
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William Hawley
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SheetMusicPlus
Army and Navy Autograph. March and Two-Step
Piano solo
Piano - Digital Download SKU: LV.21367 Composed by H. L. Kann. Patriotism, Spanish-…
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Piano - Digital Download SKU: LV.21367 Composed by H. L. Kann. Patriotism, Spanish-American War. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21367). Army and Navy Autograph. March and Two-Step. By H.L. Kann. Published 1899 by The John B. Shepp Music Co. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Patriotism, Spanish-American War. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano solo
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H
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H
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Army and Navy Autograph. March and Two-Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Autograph
Ukulele
Digital Download SKU: HX.317963 By John Denver. Country,Folk,Pop. Ukulele Chords/Ly…
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Digital Download SKU: HX.317963 By John Denver. Country,Folk,Pop. Ukulele Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.317963).
$1.99
1.81 €
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Ukulele
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John Denver
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Autograph
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Hal Leonard - Digital
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SheetMusicPlus
Autograph
Piano solo
By John Denver. Country; Folk; Pop. PNOCHD. 3 pages. Published by Hal Leonard - Digital Sh…
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By John Denver. Country; Folk; Pop. PNOCHD. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.81 €
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Piano solo
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John Denver
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Folk
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Autograph
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Vivaldi – Trio Sonata for violin, violoncello and continuo in C minor RV 83
String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.1266243 C…
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String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.1266243 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. 23 pages. Sneakwood Editions #858975. Published by Sneakwood Editions (A0.1266243). Preface and notes to the edition (English and Spanish) Score Parts (violin, violoncello, and basso) The sonata can be found in autograph version at the Biblioteca Nazionale Universitaria di Torino (Foá 29, pp.83r-86v).  It is the only known copy of this work, and was composed around 1720. It is copied in full score format.In the known catalog of Vivaldi’s works we find only another piece written for the same instrumentation (violin, violoncello, and basso): the trio sonata RV 820. The differences between the two sonatas are notable: the rv 820 sonata was written in Vivaldi’s younger years (ca. 1705) while the rv 83 sonata shows us a Vivaldi who has already forged his own fully recognizable style.Vivaldi used abbreviations and sometimes omitted certain information; a common practice found in many of his autographs. This edition clarifies all these annotations and, at the same time, gives the performer all the information contained in the manuscript.
$10.00
9.1 €
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Antonio Vivaldi
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Vivaldi – Trio Sonata for violin, violoncello and continuo in C minor RV 83
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Sneakwood Editions
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SheetMusicPlus
3 Dance Pieces
Piano solo
Piano - intermediate - Digital Download SKU: S9.Q11444 Composed by Harald Genzmer. …
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Piano - intermediate - Digital Download SKU: S9.Q11444 Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11444. Published by Schott Music - Digital (S9.Q11444). The Hindemith pupil Harald Genzmer (1909–2007) worked with virtually all music genres and composed works for many, even unusual instruments (such as the trautonium). He also wrote compositions for the piano, of course, and in 1938 published a major work, Sonata No. 1. For Richards Laugs who had worked in Mannheim since 1945, first as musical director at the National Theatre, then as director of the local music academy, he wrote '3 Tänze' for piano the autograph of which was discovered among the effects of Laugs' widow only recently. These very enjoyable-to-play and melodious miniatures are published for the first time here.Les “3 Danses†pour piano de Harald Genzmer (1909-2007), élève de Hindemith, ont été écrites pour Richard Laugs. La partition autographe a réapparu dernièrement dans la succession de sa veuve. Ces trois délicieuses miniatures sont publiées ici pour la première fois.
$16.99
15.45 €
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Piano solo
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Harald Genzmer
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3 Dance Pieces
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Schott Music - Digital
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SheetMusicPlus
Chopin - Valse No. 1 in A flat Major - Intermediate
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1048265 Composed by Frederic Chopin…
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Piano Solo - Level 3 - Digital Download SKU: A0.1048265 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 5 pages. Piacere Music Sheets #652688. Published by Piacere Music Sheets (A0.1048265). Opus/Catalog Number: Op. 69, No. 1 - CT 215 Key/Tone: A flat Major Movements/Sections: Tempo di Valse (Lento) Year/Date of Composition: 1835 Difficulty: Grade 8/12 (Intermediate) Obs.: This piece is the first of the two Valses pour le Piano, Op. 69, CT 215-216. In September 1835, Chopin presented an autograph copy of this waltz as a farewell gift to Marie Wodzinska, to whom he was once engaged. This autograph is kept in the National Library of Poland in Warsaw. The present edition represents this autograph. There also exists a different autograph of this waltz, kept at the Conservatoire de Paris, but it is considered to be a less refined version. Moreover, the posthumous edition of Jules Fontana presents yet another version, which does not correspond to any known autograph.
$8.95
8.14 €
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Piano solo
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Frederic Chopin
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Chopin - Valse No. 1 in A flat Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Jacques Leguerney: Sonate for piano and flute
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguern…
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Flute,Piano - Level 4 - Digital Download SKU: A0.533323 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #2343129. Published by Musik Fabrik Music Publishing (A0.533323). Sonate pour piano et flûteI. Andantino spirituosoII. Pas trop lentIII. VifDates de composition : décembre, 1926 - octobre, 1927The Sonata for Piano and Flute (Sonate pour piano et flûte) was composed for Claude Desanges, a school mate of the composer. The only known performance was an informal one at the Parisian apartment of Leguerney’s parents. Leguerney’s mentor and dear friend, Thérèse Cahen, accompanied Desanges.The Sonata is dedicated to Michel Jomier, Leguerney’s close friend, who also wrote several poems that Leguerney set during his early period of exploratory compositions. Part of the handwritten dedication is illegible, it reads “To Michel Jomeir, in memory of ?†and there we can only guess at the rest. There are several autograph manuscripts on deposit at the Département Musique of the Bibliothèque National in Paris. These manuscripts are the property of the Leguerney Estate, and are identified by a code starting with OL. OL11 is a full-score rough draft with several corrections, indicated by hatch-marks. It is dated 1 October 1927. At the end of the 1st movement, the last quarter notes in the piano part are marked with a slur going over the final double bar, indicating that the sound should continue to resonate. There is a fermata over this ending double bar in both the flute and piano parts, which implies that the 2nd movement should continue immediately. This mark is eliminated in OL11A. The 2nd movement also has slurs over the final notes, indicating a segue to the 3rd and final movement. There are fermatas over the final chords of the 2nd movement as well. These are eliminated in OL11A. The 2nd movement isdated 29 October 1927 and the 3rd movement is dated 9 December 1926. OL11A is a cleanly copied full-score autograph manuscript where the title is Sonate pour Piano et Flûte en 3 Mouvements. Andantino spiritoso, Pas trop lent, Vif. (Sonata for Piano and Flute in 3 Movements. Andantino spiritoso, Pas trop lent, Vif.) OL11B is a clean copy of the flute part. Although unsigned, it appears to be an autograph manuscript. The breath marks placed into the Musik Fabrik edition are written in pencil in both OL11B and OL11C. OL11C is a flute part that appears to be used. It is worn, has some paste overs and penciled-in cues in the 2nd movment, as well as some breath marks and nuance indications. This seems to be a workingcopy for a performance or reading. The editor thinks that OL11B is the final draft, written out after OL11C was used for a performance. This edition is based upon all of these sources, using the full score of OL11A and the flute score OL11B as the final thoughts of the composer.
$19.95
18.15 €
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Flute and Piano
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Jacques Leguerney
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Jacques Leguerney: Sonate for piano and flute
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Musik Fabrik Music Publishing
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SheetMusicPlus
Beethoven - Bagatelle No. 1 in G Minor - Intermediate
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1128722 Composed by Ludwig van Beet…
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Piano Solo - Level 3 - Digital Download SKU: A0.1128722 Composed by Ludwig van Beethoven. Arranged by Piacere Music Sheets. Classical,Instructional,Standards. Score. 5 pages. Piacere Music Sheets #726288. Published by Piacere Music Sheets (A0.1128722). Opus/Catalog Number: Op. 119, No. 1 Key/Tone: G Minor Movements/Sections: Allegretto Year/Date of Composition: 1822 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is one of Beethoven's shortest bagatelles. It was composed during Beethoven's mature period, when he was about 53 years old. It has the following musical form : Measures 1-16: Theme in the main key of G minor Measures 17-32: Contrasting section in the key of E flat Major Measures 33-36: Transition modulating back to G minor Measures 37-52: Theme returns, in G minor, with its second phrase slightly varied Measures 53-65: Codetta in G minor Measures 66-end: Conclusion in C minor, based on the first fragment of the theme, with an unusual ending on the dominant chord (G) of the key of C minor Obs.: There are some modifications to be noted: Measure 20: the autograph as well as the Clementi & Co. edition (London, 1823) have parallel Ab4-G4 on the first two beats of the right hand. In this arrangement you'll see F4-Eb4 as in the Sauer & Liedersdorf (Vienna, 1824) edition Measure 65: the autograph has a quarter rest on the first beat of the right hand, and the G5 on the second beat. The Vienna 1824 edition has G5 on the first beat and the rest on the second beat Measure 72: the Vienna 1824 edition and the Schlesinger edition show arpeggiations in both hands here, which do not appear in the autograph.
$5.95
5.41 €
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Piano solo
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Ludwig van Beethoven
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Beethoven - Bagatelle No. 1 in G Minor - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
String Trio No. 3 in A major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio No. 4 in E major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio No. 6 in B flat major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 6 in B flat major
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Artaria Editions
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SheetMusicPlus
String Trio No. 5 in C minor
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio No. 2 in D major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio No.1 in E flat major
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
44.57 €
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String Trio: violin, viola, cello
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/ Wm
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William Shield
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String Trio No.1 in E flat major
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Artaria Editions
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SheetMusicPlus
Sonata for Pianoforte with Flauto Obbligato, Op.87 (for flute and piano)
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1488844 Composed by Ferdinand Ries…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1488844 Composed by Ferdinand Ries. Arranged by Uwe Grodd. Classical. Score and part. 29 pages. Artaria Editions #1065698. Published by Artaria Editions (A0.1488844). Artaria Editions AE438This edition is based on Ries' autograph score. It is, for the most part, carefully written and presents few difficulties to the editor. Nonetheless, there are instances where dynamic markings and articulations are ambiguous and, in some places, where the pitches are unclear. In order to facilitate performance, the style and notation of articulation and dynamic markings have been standardized throughout, and, where missing from the autograph, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are places within brackets. Uwe Grodd's research for this edition was made possible with the support of a grant from the University of Auckland Research Committee UARC. Allan Badley, Uwe Grodd.
$30.00
27.29 €
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Flute and Piano
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Ferdinand Ries
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Sonata for Pianoforte with Flauto Obbligato, Op.87
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Artaria Editions
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SheetMusicPlus
Intermezzo Sinfonico from Cavalleria Rusticana — for piano solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1374665 Composed by Pietro Mascagni…
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Piano Solo - Level 4 - Digital Download SKU: A0.1374665 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. Score. 10 pages. Artistic Score Engraving di Galvagno Michele #959203. Published by Artistic Score Engraving di Galvagno Michele (A0.1374665). Pietro Mascagni’s (1863—1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friend’s wedding in 2010. While arranging, I stumbled upon the composer’s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composer’s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This edition’s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva l’Italia!
$9.95
9.05 €
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Piano solo
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Pietro Mascagni
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Intermezzo Sinfonico from Cavalleria Rusticana — for piano solo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Intermezzo Sinfonico from Cavalleria Rusticana ? original orchestration
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1374671 Composed by Pietro Masc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 33 pages. Artistic Score Engraving di Galvagno Michele #959220. Published by Artistic Score Engraving di Galvagno Michele (A0.1374671). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$38.00
34.56 €
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Orchestra
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Pietro Mascagni
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Intermezzo Sinfonico from Cavalleria Rusticana ? original orchestration
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Intermezzo Sinfonico from Cavalleria Rusticana ? for cello ensemble
Cello Ensemble
String Ensemble Cello - Level 4 - Digital Download SKU: A0.1374669 Composed by Piet…
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String Ensemble Cello - Level 4 - Digital Download SKU: A0.1374669 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 16 pages. Artistic Score Engraving di Galvagno Michele #959217. Published by Artistic Score Engraving di Galvagno Michele (A0.1374669). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$14.00
12.73 €
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Cello Ensemble
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Pietro Mascagni
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Intermezzo Sinfonico from Cavalleria Rusticana ? for cello ensemble
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Lohengrin
2 Sopranos, Tenor, Baritone, 2 Basses, Mixed Chorus and Orchestra - Digital Download SK…
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2 Sopranos, Tenor, Baritone, 2 Basses, Mixed Chorus and Orchestra - Digital Download SKU: S9.Q17850 Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - opera. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17850. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17850). German.Lohengrin is regarded as Wagner's most fairy-story-like opera, its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence. This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score, representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished. The original musical text is now available in a handy format for the first time - and is perfectly suited for study purposes. With German/English preface and Critical Report!
$71.99
65.48 €
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Richard Wagner
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Lohengrin
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Turn Up The Radio
Bass Clarinet,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1357842 By…
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Bass Clarinet,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1357842 By Autograph. By Keni Richards, Randy Rand, Steve Isham, Steve Lynch, and Steven Plunkett. Arranged by SamboatMusic. This edition: Interactive Download. Rock. Individual part. 6 pages. Duration 253. SamboatMusic #3QhPj627BVhBPyDhIqlM4M. Published by SamboatMusic (A0.1357842). Key: G major.Bass Tab and Transcription of Randy Rand's bass part in the studio version of Turn Up the Radio by Autograph off their 1984 studio album Sign In Please Note: the studio track is tuned about 32 cents above Eb standard tuning.
$5.00
4.55 €
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Autograph
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Turn Up The Radio
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SamboatMusic
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SheetMusicPlus
Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts (PDF)
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vi…
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String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com
$18.00
16.37 €
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String Orchestra
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Antonio Vivaldi
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Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts
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Sneakwood Editions
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SheetMusicPlus
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