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You've selected:
Ave Maria - Schubert for violin solo G Major
Sheetmusic to print
5 sheet music found
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Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-G…
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.17 €
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Euphonium, Piano (duet)
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J S Bach-Gounod
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Bach-Gounod: Ave Maria for Baritone
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Colin Kirkpatrick Publications
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SheetMusicPlus
Ave Maria (Gounod) in G Major for 2 voices & quintet
Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Piano,Tenor Saxophone,Trumpet,Violin,Vo…
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Small Ensemble Alto Saxophone,Cello,Clarinet,Flute,Piano,Tenor Saxophone,Trumpet,Violin,Voice - Level 3 - Digital Download SKU: A0.843102 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 27 pages. Dico #6607241. Published by Dico (A0.843102). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) for 2 soloist and quintet - in the 1st time, the voice 1 sings the traditional part of the solo. In the 2nd time, the voice 2 sings the solo part and the voice 1 sings the vocalise part. Obviously, roles can be switched. The vocalise part can be singed with any consonant phoneme or bocca chiusa. Provided in many keys in my catalogue for various voice ranges.- Voices- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Flute | Oboe | Clarinet | Sop sax | Alto sax | Tenor sax)- Piano- Violin- Cello
$18.00
16.24 €
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Bach - Gounod
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Ave Maria
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Dico
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SheetMusicPlus
Elijah (Part 3) Tone Poem for Violin and Piano by Stephen R Dalrymple: God's Voice
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By…
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Piano,Violin - Level 5 - Digital Download SKU: A0.818226 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Contemporary. 88 pages. Stephen R Dalrymple #3075427. Published by Stephen R Dalrymple (A0.818226). Elijah (Part 3) God’s Voice♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗  2023 Stephen R Dalrymple♫ sequenced by the composer ♫ presentation © 2023 Stephen R Dalrymple♫ After the victory of Yahweh over Ba’al at Mount Carmel, Elijah and the people executed the 450 prophets of Ba’al. For the first time in 3 years, Elijah prays for rain. In the following rainstorm, Elijah outruns Ahab’s chariot returning to Samaria. But the next morning it seems as if nothing has happened. Jezebel still has her 400 prophets. She sends a message to Elijah that he will be killed.♫ Elijah is discouraged and defeated. Did Mt Carmel really mean nothing? He runs for the wilderness, complaining to God. He is so disheartened that he asks God to take his life. He makes a pilgrimage to Mt Horeb where Moses received the Law, fasting for 40 days, still complaining. He yearns for God to answer him. As at Mt Carmel, God had demonstrated His power at Sinai with thunderstorm and lightning. Elijah is evidently expecting large dramatic gestures for God to reveal Himself. But now God will teach Elijah that He also acts in ordinary, quiet ways, as will his continued ministry♫ 8 Themes were used to create this movement: 1. Ahab (based on Movement 2, theme 3) 2. Jezebel (based on Movement 2 Theme 4 – Atonal) 3. Elijah's Excuses (based on Movement 2 Theme 2 in Dorian Mode) 4. Elijah's Depression (Based on Movement 2 Theme 2 in Dorian Mode) 5. God of Abraham, Isaac, and Jacob (based on Movement 1 Theme 1 in Aeolian Mode) 6. Windstorm (Modified Dorian Mode) 7. Earthquake (tritones and clusters) 8. God's Voice - Polytonal (A minor / G major)♫ The score shows the parts for violin and piano, but individual parts are provided for the other solo instruments. The flute is featured on the audio and YouTube presentations here.♫ Includes 14 score choices: Full Score for violin and piano letter size; Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts; Full Score for violin and piano - small page format for performing from a 10 inch tablet; the same solo parts for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ This sheet music is available for purchase at SheetMusicPlus.com & SheetMusicDirect.com♫ English and Krèyol have separate versions of this video on YouTube.♫ A free copy of the music is available to the Haitian community. Contact Stephen Dalrymple.
$4.50
4.06 €
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Violin and Piano
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Stephen R Dalrymple
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Elijah
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Stephen R Dalrymple
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SheetMusicPlus
Gounod - Ave Maria Meditation in G Major - Intermediate
Descant (Soprano) Recorder
Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1143116 Compose…
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Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1143116 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Individual part. 12 pages. Piacere Music Sheets #743478. Published by Piacere Music Sheets (A0.1143116). Opus/Catalog Number: CG 89 Key/Tone: G major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for Descant (soprano) Recorder and piano, set in the key of G Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
8.98 €
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Descant (Soprano) Recorder
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Charles-François Gounod
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Gounod - Ave Maria Meditation in G Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
54.12 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
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