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Away From The Sun
Sheetmusic to print
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The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.43 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
The Dreaming Sea
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski…
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Piano Solo - Level 4 - Digital Download SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
5.5 €
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Piano solo
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Back to the Heart
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.55 €
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Alto voice, Piano
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Солнце (Sun)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed …
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
1.83 €
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Choral SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
On The Lake
Choral SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942890 Composed by James …
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox Music (A0.942890). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$4.65
4.27 €
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Choral SATB
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the beautiful light of this summer's day
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
On The Lake (harp)
Harp
Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemp…
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Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$10.00
9.18 €
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Harp
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the beautiful light of this summer's day
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Rosary Sonatas: The Resurrection
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it. --Mark 16:1-11 (RSV-CE).
$29.99
27.54 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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for it was very large
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Rosary Sonatas: The Resurrection
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JMJ Arrangements
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SheetMusicPlus
Aphelion
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Cont…
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Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
4.59 €
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Piano solo
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M
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Aphelion
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M.Y Owusu
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.3 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
Away in a Manger
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.818334 By Stephen R Dalrymple. By J…
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Piano Solo - Level 3 - Digital Download SKU: A0.818334 By Stephen R Dalrymple. By James R Murray & William J Kirkpatrick. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christmas. Score. 13 pages. Stephen R Dalrymple #6142327. Published by Stephen R Dalrymple (A0.818334). Away in a Manger ♫ piano solo arrangement by Stephen R Dalrymple ♫ This version is based on the well-known public domain carol. The author of the lyrics of verses 1 and 2 is unknown, the earliest known publication was in 1885. Verse 3 was written by John Thomas McFarland. (1851-1913) ♫ The lyrics are often sung to a melody by William J Kirkpatrick (MUELLER 1895), although the most common tune used is by James R Murray (LUTHER’S CRADLE HYMN 1887) ♫ The video features 1 of 2 additional verses written by the arranger. These verses are © 2017 Stephen R Dalrymple♫ music © 2020 (copyright registered in 'Worthy Worship and 6 Other Unpublished Works’)• •The Lord of Creation, though very few knew • Not far from the Temple, yet hidden from view.• Look! Myriads of angels announce from the sky •God's immeasurable love gift: salvation is nigh. • • And wisemen are coming; They search for the King. • Gold, myrrh, and incense: their tribute they bring. • Reverent Magi, their aim to bow down • To the new born baby who shall wear the crown. ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the arranger ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)YouTube channel: @DalrympleDesigns.
$4.50
4.13 €
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Piano solo
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Stephen R Dalrymple
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They search for the King
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Away in a Manger
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Stephen R Dalrymple
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SheetMusicPlus
Three Images from the Hubble Telescope
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Co…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00
9.18 €
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Trumpet
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Amy Dunker
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Three Images from the Hubble Telescope
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Amy Dunker
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SheetMusicPlus
The Holy Child
Choral SATB
SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas…
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SATB choir, organ, narrator SKU: LO.65-1966S Reflections on the Eve of Christmas. Composed by Gilbert M. Martin. Choral, cantatas. Advent, Christmas, Sacred. Choral score. Sacred Music Press #65/1966S. Published by Sacred Music Press (LO.65-1966S). UPC: 000308098303.The birth of the Holy Child is gently recalled in this serene and contemplative mini-cantata. This composer's familiar hallmarks of colorful organ sounds and expressive choral writing shine throughout this luminous work. An original, flowing setting of Come, Thou Long-Expected Jesus leads off the Bethlehem journey, followed by the well-known Lo, How a Rose E'er Blooming. The very first awe-filled visitors are in attendance with While Shepherds Watched Their Flocks, and all adore the new-born King with a sumptuous choral arrangement of Away in a Manger, weaving both familiar melodies together in simple tranquility. A sensitive setting of the Christina Rossetti poem, Love Came Down at Christmas brings the entire work together, quietly heralding Jesus' peaceful arrival on earth. The narrator comments throughout with the familiar Christmas story from St. Luke. You will find this work to be suitable for the Sundays before Christmas, on Christmas Day, and especially, on Christmas Eve.
Song List: Come Thou Long-Expected Jesus Lo How A Rose E'er Blooming While Shepherds Watched Their Flocks Away In A Manger Love Came Down At Christmas
$7.95
7.3 €
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Choral SATB
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Gilbert M
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The Holy Child
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Sacred Music Press
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SheetMusicPlus
The Daedalus and Icarus Journey
Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 …
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Instrumental Duet Guitar,Instrumental Duet,Voice - Digital Download SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99
8.26 €
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Apostolos Paraskevas
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The Daedalus and Icarus Journey
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Silver Sickle Publications
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SheetMusicPlus
The Call of Home
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1348485 Com…
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Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1348485 Composed by Paul Ambrose. Arranged by Ren Challacombe. 20th Century,Folk. 5 pages. Ren Challacombe #933262. Published by Ren Challacombe (A0.1348485). Originally published in 1921, The Call of Home is a song written about the warmth of family and the strength it gives during times of strife with text by Abbie Farwell Brown and the original arangement by Paul Ambrose. The original text written reads:The path is hard, your feet must travel little oneThe way is long and weary is the loadThe clouds are black that threaten soon to hide the sunA chilling fear is lurking by the roadBut gather close the cloak your mother wove for youTo keep you safe in danger and in stormTheir very heart have made a shield of love for youStrong as her faith, and like her courage warm.The cheery house that craddled you is far awayThe pretty toy that pleased you as a childThe inn you hope to enter at the close of dayIs hidden still beyond the forest wildBut wrap you warm in love that was the whole of herAnd walk in joy, as she would have you doThe thread of life she spun from out the soul of herDraws you to her again a magic clueThe lyrics and voicings have been modified to speak of kin rather than a singular mother figure. Appropriate for early-intermediate choirs. Arranged for three-part mixed-voice choir and piano.
$1.99
1.83 €
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Paul Ambrose
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The Call of Home
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Ren Challacombe
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SheetMusicPlus
Moon Over The Rising Sun
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - …
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
22.96 €
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiP…
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
2.29 €
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Piano solo
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano solo
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
4.59 €
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Piano solo
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Sunset
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1412973 By Damien Gauci. By Damien Gauci…
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Piano - Level 2 - Digital Download SKU: A0.1412973 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 153. Damien Gauci #994978. Published by Damien Gauci (A0.1412973). The second last piece of this album ‘Sunset’ is a depiction of the sun setting after a relaxed Sunday. The piece open with long-sustained chords in both hand which are reflective of the beauty, calmness, and peacefulness of the sun sitting among the landscape in the distance. This is emphasised by the slow tempo and the soft dynamics of the composition.As the piece moves away from the sustained chords, the an arpeggiated pattern is introduced in the left hand which adds some rhythm. The melody floats above this accompaniment and is unhurried and gentle. In the final section of ‘Sunset’ the right hand joins the left with it’s flowing arpeggiated motion to continue the calm and peaceful atmosphere.I don’t watch the sunset often so writing this piece allowed me to think about the feelings I have when I sit there and simply appreciate the beauty of this event that happens every day, something that goes largely unnoticed in our busy lives.
$1.99
1.83 €
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Piano solo
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Damien Gauci
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Sunset
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Damien Gauci
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SheetMusicPlus
Sunset
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1411187 By Damien Gauci. By Damien …
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Piano Solo - Level 2 - Digital Download SKU: A0.1411187 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #993522. Published by Damien Gauci (A0.1411187). The second last piece of this album ‘Sunset’ is a depiction of the sun setting after a relaxed Sunday. The piece open with long-sustained chords in both hand which are reflective of the beauty, calmness, and peacefulness of the sun sitting among the landscape in the distance. This is emphasised by the slow tempo and the soft dynamics of the composition. As the piece moves away from the sustained chords, the an arpeggiated pattern is introduced in the left hand which adds some rhythm. The melody floats above this accompaniment and is unhurried and gentle. In the final section of ‘Sunset’ the right hand joins the left with it’s flowing arpeggiated motion to continue the calm and peaceful atmosphere.I don’t watch the sunset often so writing this piece allowed me to think about the feelings I have when I sit there and simply appreciate the beauty of this event that happens every day, something that goes largely unnoticed in our busy lives.
$1.99
1.83 €
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Piano solo
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Damien Gauci
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Sunset
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Damien Gauci
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SheetMusicPlus
Promised Land Early American Hymns from the Shape-Note Tradition
Vocal - Beginning - Digital Download SKU: M0.30856EB Christian. Woodwinds. E-book. …
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Vocal - Beginning - Digital Download SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30856EB). ISBN 9781513470801. 8.75x11.75 inches.With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings†are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
Song List: All Is Well Bozrah Consolation (Morning Song) David's Lamentation Dundee (Norwich Tune) Evening Shade Fairfield GREENLAND Holy Manna Idumea Jesus Wept (When) Kedron Lone Pilgrim Middlebury Nativity New Britain (Amazing Grace) O Come, Come Away Promised Land Quapah Restoration Star In The East Tender Thought Union Vernon Wayfaring Stranger Wondrous Love
$9.99
9.17 €
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Promised Land Early American Hymns from the Shape-Note Tradition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Rolled Away SSATB Choral Anthem
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.505451 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.505451 Composed by Travis L. Boyd. Arranged by Travis L. Boyd. Easter,Praise & Worship,Sacred,Traditional. Octavo. 12 pages. Travis Boyd #117104. Published by Travis Boyd (A0.505451). Rolled Away is an exciting anthem for Easter Sunday, which features a dramatic opening sequence describing the crucifixion, followed by a triumphant section declaring the stone was rolled away from the grave. A contrasting bridge section sets the stage for a modulation and majestic ending. Your choir and congregation will be inspired by this reminder of God's ultimate miracle--the resurrection of Christ.
$2.50
2.3 €
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Choral SATB
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Travis L
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Rolled Away SSATB Choral Anthem
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Travis Boyd
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SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
41.31 €
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Ma Shui Long 馬水é¾
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《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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SpringAutumnmusic
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SheetMusicPlus
Listen to the Mocking Bird
Brass Quartet
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.3 €
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Brass Quartet
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Music by Richard Milburn
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
The Old Palmer Song
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditi…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
2.02 €
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Choral SATB
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the time the rush was over, the Palmer had yielded over 100 tons of gold!
The Old Palmer Song
is set to the tune of
Ten Thousand Miles Away
, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century
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Traditional
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
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