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BIG CALLING
Sheetmusic to print
40 sheet music found
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26
Israel, Israel God Is Calling - TB
Choral 2-part
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1098388 Composed by Charles …
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1098388 Composed by Charles C. Converse 1832-1918. Arranged by Betsy Lee Bailey. Praise & Worship,Religious,Sacred. Octavo. 9 pages. Betsy Lee Bailey #702251. Published by Betsy Lee Bailey (A0.1098388). Israel, Israel God Is Calling - TB is a great Restoration hymn. The message is looking forward to the Second Coming of the Savior. The vocal parts are mostly melody with a few added harmony parts. Optional divisi allows for a big chord at the end.
$1.99
1.82 €
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Choral 2-part
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Charles C
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Israel, Israel God Is Calling - TB
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Betsy Lee Bailey
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SheetMusicPlus
Israel, Israel God Is Calling - SA
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1098390 Composed by Charles …
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1098390 Composed by Charles C. Converse 1832-1918. Arranged by Betsy Lee Bailey. Praise & Worship,Sacred. Octavo. 9 pages. Betsy Lee Bailey #702253. Published by Betsy Lee Bailey (A0.1098390). Israel, Israel God Is Calling - SA is a great Restoration hymn. The message is looking forward to the Second Coming of the Savior. The vocal parts use mostly melody with a few added harmony parts for the Sopranos. Optional divisi allows for a big chord at the end.
$1.99
1.82 €
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Choral 2-part
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Charles C
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Israel, Israel God Is Calling - SA
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Betsy Lee Bailey
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SheetMusicPlus
Calling
Soprano Saxophone and Piano
Bass Voice,Piano,Soprano Saxophone - Digital Download SKU: A0.1072765 Composed by C…
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Bass Voice,Piano,Soprano Saxophone - Digital Download SKU: A0.1072765 Composed by Composer1. Arranged by 2. Contemporary,Film/TV. Accompaniment. Duration 211. Wittybigsmoke #4623103. Published by Wittybigsmoke (A0.1072765). Just a chilling jam.
$6.55
5.99 €
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Soprano Saxophone and Piano
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Composer1
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Calling
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Wittybigsmoke
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SheetMusicPlus
Hot Joe! And Fresh Pies By Doris- for big band/jazz ensemble
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1102802 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1102802 Composed by John Hoesly. Arranged by John Hoesly. Blues,Contemporary,Jazz,Pop. 84 pages. PRS&B #706171. Published by PRS&B (A0.1102802). HOT JOE! AND FRESH PIES BY DORIS- for big band/jazz ensemble. A swinging shuffle for big band much in the shout/riff genre. It has a contrasting B section and a trombone counter melody. Solo changes are written in the Alt1, Ten 1, Tpt. 2, Trb 1, opt. Vibes and rhythm section parts. The title is influenced by the signs seen along highways across the country calling attention to the next roadside attraction. 5-4-4-4 (opt. vibes). Intermediate level (Tpt 1 C6 written).
$60.00
54.87 €
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Jazz Ensemble
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John Hoesly
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Hot Joe! And Fresh Pies By Doris- for big band/jazz ensemble
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PRS&B
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SheetMusicPlus
Sunrise (For Flexible/Big Band)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1024625 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1024625 Composed by Jonathan Ryan. Contemporary,Jazz,Pop. Score and parts. 27 pages. Jonathan Ryan #5038263. Published by Jonathan Ryan (A0.1024625). Sunrise is an intermediate level piece for Big Band. It could be used, as each part enters in one by one or two by two, as a way to introduce the band with the conductor or an announcer calling out names as the piece progresses e.g. On Alto Saxophone...Being of an intermediate standard it would be perfect for a secondary school concert but this uplifting and cheery piece isn’t just limited to this one type of performance and could be played close to anywhere.
$9.99
9.14 €
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Jazz Ensemble
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Jonathan Ryan
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Sunrise
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Jonathan Ryan
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SheetMusicPlus
BIG CALLING
Large Ensemble Bassoon,Clarinet,Flute,Guitar,Horn,Piano,Recorder,Saxophone,Trombone,Trumpe…
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Large Ensemble Bassoon,Clarinet,Flute,Guitar,Horn,Piano,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.1009603 Composed by SONNY JOHN ABRAHAM. Arranged by Sonny. Blues,Gospel,Instructional,Jazz,Rock. Score and parts. 1 pages. SONNY JOHN ABRAHAM #2013011. Published by SONNY JOHN ABRAHAM (A0.1009603). A light bluesy feel with a laid back feel.
$4.50
4.12 €
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SONNY JOHN ABRAHAM
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BIG CALLING
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SONNY JOHN ABRAHAM
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SheetMusicPlus
London Calling by The Clash - Beginner Notes
Big Note Piano
Performed by: The Clash: London Calling Digital Sheetmusic plus an interactive, downloadab…
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Performed by: The Clash: London Calling Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Treble Clef Instrument;Piano; 4 pages -- Rock~~Hard Rock~~New Wave~~Pop Rock~~Punk~~Rock & Roll~~British Punk
$3.95
3.61 €
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Big Note Piano
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The Clash
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Beginner Notes
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Musicnotes
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Agnus Dei for SATB chorus and Organ
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.882270 Composed by G. F. H…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970749. Published by Adrian D Biggs (A0.882270). Agnus dei for SATB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, organist. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SATB and Piano.
$3.00
2.74 €
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Choral SATB
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G
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Agnus Dei for SATB chorus and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for SSA Women's Chorus and Organ
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882267 Composed by G. F. Ha…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882267 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 10 pages. Adrian D Biggs #5728919. Published by Adrian D Biggs (A0.882267). Agnus dei for SSA Women’s Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Versions with piano accompaniment are also available.
$3.00
2.74 €
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Choral 3-part
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G
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Agnus Dei for SSA Women's Chorus and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for SATB Chorus and Piano
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882262 Composed by G. F. H…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882262 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723771. Published by Adrian D Biggs (A0.882262). Agnus dei for SATB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.
$3.00
2.74 €
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Choral SATB
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G
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Agnus Dei for SATB Chorus and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for SSA Women's Chorus and Piano
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882259 Composed by G. F. Ha…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882259 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723761. Published by Adrian D Biggs (A0.882259). Agnus dei for SSA Women’s Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.
$3.00
2.74 €
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Choral 3-part
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G
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Agnus Dei for SSA Women's Chorus and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice and Organ
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Han…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian D Biggs #5728909. Published by Adrian D Biggs (A0.882264). Agnus dei for high or medium Solo Voice and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SAB, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Also available in piano versions
$6.00
5.49 €
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Piano, Voice
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G
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Agnus Dei for High or Medium Voice and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for Solo High or Medium Voice and Piano
Voice solo
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.882256 Composed by G. F. Hand…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.882256 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. 7 pages. Adrian D Biggs #5721243. Published by Adrian D Biggs (A0.882256). Agnus dei for high or medium Solo Voice and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.
$6.00
5.49 €
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Voice solo
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G
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Agnus Dei for Solo High or Medium Voice and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for SAB Chorus and Piano
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882261 Composed by G. F. Ha…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882261 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723775. Published by Adrian D Biggs (A0.882261). Agnus dei for SAB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.
$3.00
2.74 €
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Choral 3-part
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G
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Agnus Dei for SAB Chorus and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Piano
Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU…
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Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.
$8.00
7.32 €
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G
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Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Piano
Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Compos…
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Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.4 €
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G
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Agnus Dei for High or Medium Voice, Flute Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Organ
Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.882269
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Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.882269 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5970719. Published by Adrian D Biggs (A0.882269). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB, SAB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singer, oboe or clarinet and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.4 €
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G
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Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Organ
Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Compos…
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Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.
$7.00
6.4 €
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G
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Agnus Dei for High or Medium Voice, Flute Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for SSA Women's Chorus, Violin Solo and Piano
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Ha…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726149. Published by Adrian D Biggs (A0.882263). Agnus dei for SSA Women’s Chorus, Violin Solo, and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Violin Solo introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$4.00
3.66 €
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Choral 3-part
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G
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Agnus Dei for SSA Women's Chorus, Violin Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Violin Solo and Piano
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723155. Published by Adrian D Biggs (A0.882257). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, in place of Violin, Solo Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, violinist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.4 €
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G
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Agnus Dei for High or Medium Voice, Violin Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High Voice Solo, Violin Solo, SAB Chorus and Organ
Choral 3-part
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882273 Composed by G. F. Ha…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882273 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 14 pages. Adrian D Biggs #5970801. Published by Adrian D Biggs (A0.882273). Agnus dei for High Voice Solo, Violin Solo, SAB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, violin and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with piano in place of organ.
$4.00
3.66 €
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Choral 3-part
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G
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Agnus Dei for High Voice Solo, Violin Solo, SAB Chorus and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Violin Solo and Organ
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5728915. Published by Adrian D Biggs (A0.882266). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with Piano accompaniment
$7.00
6.4 €
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G
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Agnus Dei for High or Medium Voice, Violin Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High Voice Solo, SAB Chorus, Violin Solo, and Piano
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882265 Composed by G. F. Ha…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882265 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726159. Published by Adrian D Biggs (A0.882265). Agnus dei for High Voice Solo, SAB Chorus, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Solo Violin introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$4.00
3.66 €
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Choral 3-part
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G
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Agnus Dei for High Voice Solo, SAB Chorus, Violin Solo, and Piano
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Adrian D Biggs
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SheetMusicPlus
Bless This House
Trombone and Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1255758 By Annette Butter…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1255758 By Annette Butters. By May H. Brahe. Arranged by Annette Butters. 20th Century,Sacred. Score and part. 4 pages. Annette Butters #849267. Published by Annette Butters (A0.1255758). Trombone or euphonium players will be able to show off their beautiful tone and lyrical playing skills with this arrangement of Bless this House. The first verse presents the tune, calling for a controlled yet expressive style of playing. During verse two, the soloist demonstrates the beauty of their instrument with musical embellishment over the melody which is now taken by the pianist. The ending allows the soloist to hold the audience in the palm of their hands as they come to a strong and sure finish. Suitable for concerts big and small, this lovely piece of yesteryear will appeal to the older members of your audience, but the strong melody also is easy to listen to and sounds great to perform in resonant buildings. The mp3 sample gives the lead in to verse two. Â Â Â
$8.00
7.32 €
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Trombone and Piano
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Annette Butters
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Bless This House
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Annette Butters
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SheetMusicPlus
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