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You've selected:
BOSTON IS MY TOWN
Sheetmusic to print
12 sheet music found
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1
BOSTON IS MY TOWN
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.973530 Composed by Patrick Wisman. 20t…
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Piano,Vocal,Voice - Digital Download SKU: A0.973530 Composed by Patrick Wisman. 20th Century,Contemporary,Pop. Score. 1 pages. Patrick wisman #5026219. Published by patrick wisman (A0.973530). VERY APPROPRIATE FOR SCHOOLS AND STUDENTS. WE LOVED BOSTON ON A RECENT VISIT. VERY FRIENDLY FOLKS OVER THERE. ATE AT DURGIN PARK RESTAURANT .ALSO GOOD FOR POP SINGERS. BMI AFFILIATION' ENJOY! P&S
$3.99
3.65 €
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Piano, Voice
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Patrick Wisman
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BMI AFFILIATION' ENJOY! P&
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BOSTON IS MY TOWN
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patrick wisman
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SheetMusicPlus
MUNICH IS MY TOWN
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.973613 Composed by Patrick Wisman. Con…
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Piano,Vocal,Voice - Digital Download SKU: A0.973613 Composed by Patrick Wisman. Contemporary,World. Score. 1 pages. Patrick wisman #5454471. Published by patrick wisman (A0.973613). TRANSCRIBED FROM OUR COPYRIGHTED 2001 TUNE BOSTON IS MY TOWNOH HOW WE WOULD LOVE TO ATTEND THEIR WONDERFUL OCTOBER FESTIVAL.HOPE YOU ENJOY SINGING OR PLAYING THIS TUNE..ENJOY! P&S. BMI AFFILIATION.
$3.99
3.65 €
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Piano, Voice
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Patrick Wisman
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MUNICH IS MY TOWN
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patrick wisman
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SheetMusicPlus
BECKLEY IS MY TOWN
Small Ensemble - Digital Download SKU: A0.973637 Composed by Patrick Wisman. Contem…
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Small Ensemble - Digital Download SKU: A0.973637 Composed by Patrick Wisman. Contemporary. Score and parts. 1 pages. Patrick wisman #6400141. Published by patrick wisman (A0.973637). Enjoy our 2001 copyrighted version of BOSTON IS MY TOWN. BECKLEY IS A GREAT TOWN TO VISIT ,WHERE FOLKS ARE REALLY FRIENDLY IN WV.SING OR PLAY THIS TUNE AT YOUR NEXT PERFORMANCE.hope you like this one. ENJOY! PAT & SANDRA W BMI : AFFILIATION.
$3.99
3.65 €
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Patrick Wisman
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GREAT
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BECKLEY IS MY TOWN
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patrick wisman
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SheetMusicPlus
BERKELY IS MY TOWN
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.973607 Composed by Patrick Wisman. Con…
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Piano,Vocal,Voice - Digital Download SKU: A0.973607 Composed by Patrick Wisman. Contemporary,Pop,World. Score. 1 pages. Patrick wisman #5372025. Published by patrick wisman (A0.973607). TRANSCRIBED FROM OUR COPYRIGHTED TUNE BOSTON IS MY TOWN...HOPE YOU LIKE THIS ONE, WE HAD A LOT OF FUN WRITING ALL ABOUT BERKELY. P&S. ENJOY! BMI AFFILIATION.
$3.99
3.65 €
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Piano, Voice
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Patrick Wisman
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BMI AFFILIATION.
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BERKELY IS MY TOWN
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patrick wisman
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SheetMusicPlus
The Squeak of My Grandmother's Chair
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5047 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5047 Composed by Peter Wixon. Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5047). Town and Country. Songs. No. 1. The Squeak of My Grandmother's Chair. Words and Music by Peter Wixon. Published 1889 by Chas. D. Blake & Co., 488 Washington St in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. First line reads There's a musical note that I loved long ago, when I was young and fair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Choral SATB
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Peter Wixon
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The Squeak of My Grandmother's Chair
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
St. Louis Blues
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace. He performed this on his t.v. show and record albums. The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
8.22 €
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Piano solo
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W
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St. Louis Blues
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Timothy Stapay
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SheetMusicPlus
I'm One of the Boys
Piano, Voice
Piano and voice - Digital Download SKU: LV.11324 Composed by John Quill. Music stor…
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Piano and voice - Digital Download SKU: LV.11324 Composed by John Quill. Music stores, Stores & shops, Light fixtures, Caricatures, Courtship, Love, Fighting, Firefighters, Butchers, Humorous songs. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11324). T.G. Booth's Celebrated Comic Songs. No. 3. I'm One of the Boys. Words by T.G. Booth. Music by John Quill. Published 1845 by Keith's Music Publishing House, 67 & 69 Court St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Music stores, Stores & shops, Light fixtures, Caricatures, Courtship, Love, Fighting, Firefighters, Butchers, Humorous songs. First line reads My name is Jakey Romain, and I lives across town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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John Quill
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I'm One of the Boys
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Year of the Trumpeter (piano reduction)
Trumpet, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sac…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Año del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009. <br> <br> Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.<br> <br> Linares Rodriguez was a member of the La Armonica Band of Buñol. After he retired from playing, hebecame the manager for the society’s buildings. When I first lived in Buñol in 1996 we became goodfriends and sometimes took walking excursions together.<br> <br> Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.<br> <br> Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.<br> <br> Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buñol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00
13.71 €
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Trumpet, Piano
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
Concertino for Tuba (piano reduction)
Tuba and Piano
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- …
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band “Pershing’s Own” in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition – Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
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Tuba and Piano
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.06 €
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Piano solo
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duet)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
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2 Tubas (duet)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duet)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.28 €
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2 Trombones (duet)
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Gregory Fritze
#
Nineteen Skeletal Duets for Trombones
#
Musica Nova USA
#
SheetMusicPlus
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