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Bb Minor Pentatonic Scale
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1
Exercises for Developing Jazz Improvisation Bb Version
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Bb Instruments
#
INTERMEDIATE
#
Instructional
#
Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
#
SheetMusicPlus
Clarinet, Tenor Sax, Soprano Sax, Trumpet, All Bb Instruments - Intermediate - Digital Download Composed by Mat Sibley. Jazz, Swing. 14 pages. Publishe...
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Clarinet, Tenor Sax, Soprano Sax, Trumpet, All Bb Instruments - Intermediate - Digital Download Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ‘licks’ to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99
Bb Minor Pentatonic Scale (Five Positions)
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Guitar notes and tablatures
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BEGINNER
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Traditional
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Danny Crocome
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Bb Minor Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1170317 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Trad...
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Guitar - Level 1 - Digital Download SKU: A0.1170317 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770679. Published by Danny Crocome Music (A0.1170317). This info sheet shows guitarists five separate positions for playing the notes of the Bb Minor Pentatonic Scale.1. Starting from the root note (Bb)2. Starting from the flattened 3rd (Db)3. Starting from the 4th (Eb)4. Starting from the 5th (F)5. Starting from the flattened 7th (Ab).
$2.00
F Minor Pentatonic Scale (Five Positions)
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Guitar notes and tablatures
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BEGINNER
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Traditional
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Danny Crocome
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F Minor Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1169952 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Trad...
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Guitar - Level 1 - Digital Download SKU: A0.1169952 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770321. Published by Danny Crocome Music (A0.1169952). This info sheet shows guitarists five separate positions for playing the notes of the F Minor Pentatonic Scale.1. Starting from the root note (F)2. Starting from the flattened 3rd (Ab)3. Starting from the 4th (Bb)4. Starting from the 5th (C)5. Starting from the flattened 7th (Eb).
$2.00
Eb Minor Pentatonic Scale - Five Positions for the Eb Minor Pentatonic Scale (Eb Gb Ab Bb Db)
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Guitar notes and tablatures
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BEGINNER
#
Chords/Scales
#
Instructional
#
Traditional
#
Danny Crocome
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Eb Minor Pentatonic Scale - Fi
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Danny Crocome Music
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SheetMusicPlus
Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Instructional, Rock, Traditional. Guitar Tab. 1 pages. Danny Crocome M...
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Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Instructional, Rock, Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770817. Published by Danny Crocome Music
$2.00
THE DEEP for solo DOUBLE BASS
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Double Bass
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Contemporary
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932...
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Exercises for Developing Jazz Improvisation Bass Clef Version
#
Bass Clef Instruments
#
INTERMEDIATE
#
Jazz
#
Mat Sibley
#
Exercises for Developing Jazz
#
Mat Sibley
#
SheetMusicPlus
Composed by Mat Sibley. Jazz, Swing. Individual Part. 14 pages. Published by Mat Sibley...
(+)
Composed by Mat Sibley. Jazz, Swing. Individual Part. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ‘licks’ to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99
Exercises for Developing Jazz Improvisation Eb Version
#
Eb Instruments
#
INTERMEDIATE
#
Jazz
#
Mat Sibley
#
Exercises for Developing Jazz
#
Mat Sibley
#
SheetMusicPlus
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ‘licks’ to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99
Exercises for Developing Jazz Improvisation C Version
#
C Instruments
#
INTERMEDIATE
#
Jazz
#
Mat Sibley
#
Exercises for Developing Jazz
#
Mat Sibley
#
SheetMusicPlus
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Composed by Mat Sibley. Jazz, Swing. 14 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation
This method book covers some improvisation techniques to help the developing jazz player expand their jazz skills. It can be broken down into 3 sections:
Introducing Bebop Scales
This section introduces you to the 3 main bebop scales relating to major, minor and dominant 7th chords. It relates each scale to chord tones, moves melodic shapes through each scale type as well as giving you a few sample ?licks? to get started. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Pentatonic Scales
This section explores 5 pentatonic scale types - major, b6, b3, minor and b4. There are 4 basic patterns which are then adapted for each scale type along with a list of suggested scale/chord applications. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos. .
Approach Notes and Enclosure
This section covers 2 note, 3 note and 4 note approach notes and enclosures. Each note grouping is written in all 12 keys ready to practice around the circle of 5ths. There are also 2 written sample solos using these techniques with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, the book has now been adapted for all instruments and is available for C, Bb, Eb and Bass Clef instruments.
$14.99
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