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Ocarina Repertoire Volume 2 by Thomas Preece (D Edition)
Ocarina - Level 3 - Digital Download SKU: A0.908532 Composed by Various. Arranged b…
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Ocarina - Level 3 - Digital Download SKU: A0.908532 Composed by Various. Arranged by T E Preece. Baroque,Classical,Folk,Romantic Period,World. Score. 46 pages. Preece Music #2857725. Published by Preece Music (A0.908532). Following on from Volume 1, this book aims to provide even more music for intermediate to advanced players of the English (or pendant) ocarina. Just like the first volume, this is not a graded tutor book, but contains pieces of varying difficulty levels  although anyone who has successfully played the music in Volume 1 should have no difficulty with Volume 2.Despite being a followÂup to Volume 1, this book is also designed to stand alone, and so the exercises from Volume 1 have been reproduced here, and will be particularly helpful for those who haven't yet picked up a copy of the first volume. The pieces presented after the exercises, however, are all new, but still following the same structure of folk songs, then classical solos and duets, and finally an extended suite  in this case, selections from Handel's Water Music.The arrangements presented here are all released under the Creative Commons Attribution licence, allowing you to freely share, adapt and perform the music without requiring payment or special permission. The book is available both in print and as an ebook - the content is identical in both formats.This edition is intended for ocarinas in the key of D (Langley or similar), with G ocarinas used for some of the harmony parts. For musicians with ocarinas in C, a separate edition is available with the same pieces arranged in that key.
$9.99
9.22 €
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Various
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Ocarina Repertoire Volume 2 by Thomas Preece
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Preece Music
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SheetMusicPlus
Ocarina Repertoire Volume 2 by Thomas Preece (C Edition)
Ocarina - Level 3 - Digital Download SKU: A0.908536 Composed by Various. Arranged b…
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Ocarina - Level 3 - Digital Download SKU: A0.908536 Composed by Various. Arranged by T E Preece. Baroque,Classical,Folk,Romantic Period,World. Score. 46 pages. Preece Music #3866897. Published by Preece Music (A0.908536). Following on from Volume 1, this book aims to provide even more music for intermediate ocarina players. Just like the first volume, this is not a graded tutor book, but contains pieces of varying difficulty levels  although anyone who has successfully played the music in Volume 1 should have no difficulty with Volume 2.Despite being a followÂup to Volume 1, this book is also designed to stand alone, and so the exercises from Volume 1 have been reproduced here, and will be particularly helpful for those who haven't yet picked up a copy of the first volume. The pieces presented after the exercises, however, are all new, but still following the same structure of folk songs, then classical solos and duets, and finally an extended suite  in this case, selections from Handel's Water Music.The arrangements presented here are all released under the Creative Commons Attribution licence, allowing you to freely share, adapt and perform the music without requiring payment or special permission. The book is available both in print and as an ebook - the content is identical in both formats.This edition is intended for ocarinas in the key of C, with F ocarinas used for some of the harmony parts. For musicians with ocarinas in D and G (such as the Langley pendant ocarinas), a separate edition is available with the same pieces arranged in those keys.
$9.99
9.22 €
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Various
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Ocarina Repertoire Volume 2 by Thomas Preece
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Preece Music
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SheetMusicPlus
15 Hymns & Spirituals for Trombone Quartet-Bass clef edition
Brass Quartet: 4 trombones
Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.811022 Composed…
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Trombone Quartet Bass Trombone - Level 4 - Digital Download SKU: A0.811022 Composed by Traditional. Arranged by Ausman, Sonny. Classical,Sacred,Spiritual. 43 pages. Gordon Cherry #4728673. Published by Gordon Cherry (A0.811022). 15 beautiful Hymns & Spirituals arranged in bass clef for Trombone quartet by Sonny Ausman. Includes the following music: Abide With Me Amazing Grace Be Still, My Soul (Finlandia) In The Garden The Spacious Firmament On High (from The Creation) Holy, Holy, Holy! Lord God Almighty How Great Thou Art I Love To Tell The Story Joyful, Joyful, We Adore Thee (Ode To Joy) The Old Rugged Cross Onward, Christian Soldiers Praise The Lord! Ye Heavens Adore Him (Haydn) Rock Of Ages Turn Your Eyes To Jesus Were You There This edition is playable by intermediate performers & even includes the complete lyrics of the selections available as a download online. For Church services & other occasions, these Hymns are perfect.
$25.00
23.07 €
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Brass Quartet: 4 trombones
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Traditional
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15 Hymns & Spirituals for Trombone Quartet-Bass clef edition
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Gordon Cherry
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SheetMusicPlus
All Shall Be Well
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39116 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39116 Composed by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. H. W. Gray. Sacred. Part(s). 42 pages. H. W. Gray #00-39116. Published by H. W. Gray (JX.00-39116). English. Words by Dame Julian of Norwich.Dame Julian of Norwich lived during dark days, yet her unwavering devotion to God allowed her to see her troubled world with a sense of compassion and optimism. Sometimes our contemporary lives feel like those dark ages. This anthem is born of some of those recent dark days. Fallujah, Iraq, March 2004; Tucson, Arizona January 2011 . . . both violent, nightmare experiences of loss and deep pain. But through it all the words of Dame Julian still ring true---with God in Jesus Christ---all shall be well. Nothing can separate us from God's love. Related Scripture: Psalm 118:14; Philippians 3: 8-11; Romans 8:38-39.
$60.00
55.38 €
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Sheldon Curry
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Choral Octavo
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All Shall Be Well
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H. W. Gray
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SheetMusicPlus
Jacobean Salute
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced -…
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Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - advanced - Digital Download SKU: S9.Q52737 Composed by Graham Waterhouse. This edition: performance score. Downloadable, Performance score. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52737. Published by Musikverlag Robert Lienau - Digital (S9.Q52737). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$13.99
12.91 €
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Graham Waterhouse
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Jacobean Salute
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Jacobean Salute
Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - Digital Do…
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Flute, oboe, clarinet, horn, bassoon, 2 violins, viola, cello and double bass - Digital Download SKU: S9.Q52749 Composed by Graham Waterhouse. This edition: set of parts. Downloadable, Set of parts. Op. 34. Duration 13 minutes. Musikverlag Robert Lienau - Digital #Q52749. Published by Musikverlag Robert Lienau - Digital (S9.Q52749). German • English • French.Jacobean Salute could be interpreted as a miniature symphony. Originally, a considerable part of the thematic material was intended for Scottish bagpipes which is why the B flat major bass pipes are still audible in certain parts. The glissandi of the strings, for instance, are meant to convey how the pipes are being blown through. The introductory motif is based on a lament from the 17th century. Lady Doyle’s Salute“ whose melancholic mood penetrates the complete piece dates from the reign of James VI, King of Scotland (who would later become James I of England). The Scottish aspect of the composition is further emphasized and intensified by passages which resemble a Jig and a Reel (old Scottish dances).
$23.99
22.14 €
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Graham Waterhouse
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Jacobean Salute
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Canons for the Church Year, Set 3 (Downloadable Choral Score)
Unison voices, optional Orff instruments, and handbells - Moderately Easy - Digital Downlo…
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Unison voices, optional Orff instruments, and handbells - Moderately Easy - Digital Download SKU: MQ.50-9810A-E Composed by Michael Burkhardt. Advent, All Saints/All Souls, Christmas, Easter, Epiphany, Lent, Pentecost, Reformation. Instrument parts. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-9810A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9810A-E). Thirteen canons featuring material from several classical composers as well as traditional melodies that span the entire church year. Many of the canons have optional Orff instrument or handbell ostinato parts. Two editions are available. The Director's Edition contains extensive teaching suggestions as well as optional keyboard accompaniments. The Choral Score includes the canons and optional ostinato patterns.Title:AlleluiaBe Still, and KnowCome, FollowGlory to GodHail, True WisdomJust as a FatherO How Lovely Is the EveningSapientia verumSing and RejoiceSisters, BrothersSoul, Come Forth with Joy and GladnessThis Is the DayToday the Christ Is Born.
$1.90
1.75 €
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Michael Burkhardt
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Canons for the Church Year, Set 3
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Die Walkure
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.83 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.68 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
15 Hymns & Spirituals for Trombone Quartet-Bb Treble clef
Brass Quartet: 4 trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811023 Composed by Tra…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811023 Composed by Traditional. Arranged by Ausman, Sonny. Praise & Worship,Sacred,Spiritual. Score and parts. 43 pages. Gordon Cherry #4728675. Published by Gordon Cherry (A0.811023). 15 beautiful Hymns & Spirituals arranged in treble clef for Trombone quartet by Sonny Ausman. Includes the following music: Abide With Me   Amazing Grace   Be Still, My Soul (Finlandia) In The Garden   The Spacious Firmament On High (from The Creation) Holy, Holy, Holy! Lord God Almighty   How Great Thou Art I Love To Tell The Story   Joyful, Joyful, We Adore Thee (Ode To Joy) The Old Rugged Cross   Onward, Christian Soldiers Praise The Lord! Ye Heavens Adore Him (Haydn) Rock Of Ages   Turn Your Eyes To Jesus   Were You There This edition is playable by intermediate performers & even includes the complete lyrics of the selections available as a download online. For Church services & other occasions, these Hymns are perfect.
$22.50
20.77 €
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Brass Quartet: 4 trombones
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Traditional
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15 Hymns & Spirituals for Trombone Quartet-Bb Treble clef
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Gordon Cherry
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SheetMusicPlus
Horn Sonata No. 1 (Complete)
French horn
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
16.61 €
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French horn
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
The Masters of the Violin
Violin
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.68 €
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Violin
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violin
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
(+)
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.76 €
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Violin
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Mathieu Crickboom
#
The Masters of the Violin
#
Schott Music - Digital
#
SheetMusicPlus
The Masters of the Violin
Violin
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.76 €
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Violin
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehan…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
32.3 €
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Flute and Piano
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Douglas Knehans
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Tempest-Concerto for Flute and Orchestra
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Armadillo Edition
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SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
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Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
31.33 €
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Stephen Goss
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Wynwood Walls
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Les Editions Doberman-Yppan
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SheetMusicPlus
Concertino G major
Cello (band part)
Cello - very easy - Digital Download SKU: S9.Q45316 Composed by Ferdinand Kuechler.…
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Cello - very easy - Digital Download SKU: S9.Q45316 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45316. Published by Schott Music - Digital (S9.Q45316). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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Cello (band part)
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Concertino G major
String Quartet: 2 violins, viola, cello
Alto - very easy - Digital Download SKU: S9.Q45315 Composed by Ferdinand Kuechler. …
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Alto - very easy - Digital Download SKU: S9.Q45315 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45315. Published by Schott Music - Digital (S9.Q45315). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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String Quartet: 2 violins, viola, cello
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Concertino G major
String Quartet: 2 violins, viola, cello
Violin III - very easy - Digital Download SKU: S9.Q45314 Composed by Ferdinand Kuec…
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Violin III - very easy - Digital Download SKU: S9.Q45314 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45314. Published by Schott Music - Digital (S9.Q45314). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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String Quartet: 2 violins, viola, cello
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Concertino G major
Violin and Piano
Double bass - very easy - Digital Download SKU: S9.Q45317 Composed by Ferdinand Kue…
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Double bass - very easy - Digital Download SKU: S9.Q45317 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45317. Published by Schott Music - Digital (S9.Q45317). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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Violin and Piano
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Concertino G major
Violin (band part)
Violin 1 - very easy - Digital Download SKU: S9.Q45312 Composed by Ferdinand Kuechl…
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Violin 1 - very easy - Digital Download SKU: S9.Q45312 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45312. Published by Schott Music - Digital (S9.Q45312). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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Violin (band part)
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
#
SheetMusicPlus
Concertino G major
Violin (band part)
Violin II - very easy - Digital Download SKU: S9.Q45313 Composed by Ferdinand Kuech…
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Violin II - very easy - Digital Download SKU: S9.Q45313 Composed by Ferdinand Kuechler. This edition: separate part. Schott Student Edition - Repertoire. Downloadable, Individual part. Op. 11. Schott Music - Digital #Q45313. Published by Schott Music - Digital (S9.Q45313). Key: G major. German • English • French.Ferdinand Küchler is regarded as one of the great violin teachers of the 20th century, not least because of his violin method. His Concertino in G major Op. 11 still is a popular entry-level piece of concert literature even in today's violin lessons. Apart from the edition in the original instrumentation for violin and piano (SE 1001), this arrangement follows the title 'Concertino' and allows for early playing with string accompaniment – with string quartet and double-bass ad libitum or scored for multiple parts with string orchestra. Further individual orchestral parts are available for download at www.notafina.de. As an alternative to the viola part, a part for a third violin is notated as well. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$3.99
3.68 €
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Violin (band part)
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Ferdinand Kuechler
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Concertino G major
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Schott Music - Digital
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SheetMusicPlus
Cuban Gold
Piano solo
Piano Solo - Digital Download SKU: A0.971664 Composed by Jeffrey Hoover. 20th Centu…
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Piano Solo - Digital Download SKU: A0.971664 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 16 pages. Musicart Publications #5992091. Published by Musicart Publications (A0.971664). Cuban Gold for solo piano. 5 min. 15 sec. There is also an optional painting that may be projected in performance if desired. Please contact the composer directly for a jpg. The poem may also be used in performance or reprinted in a program, in place of traditional program notes. The pages of this score are arranged to be printed double-sided, with correct page turns.Program Note/Poem Cuban Gold White mist rising from a broad field of green, Sun breaking the horizon then rose smoke curling into the sky. Steel ringing in rhythm to voices, the sound of metal slicing through wood in all its sweetness. A hot brilliant mid-day sun on the street. Ducking into the doorway, then tuning the piano. It must be a special day.The clock and church bell sounding in unison, the end of Tuesday’s labor.Humidity saturates El Tropicano, with the upright piano and a half-glass of amber. The piano montuno and bass tumbao, along with a half-complete catch of drums telegraph out the rhythms for the Casino dancing. Tall ivory women and shorter browner men in white hats, moving across the floor. ‘Still time for one more dance. Old Havana at Midnight: Cuban Gold.Cuban Gold poem copyright 2019, Jeffrey Hoover All Rights ReservedJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$9.95
9.18 €
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Piano solo
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Jeffrey Hoover
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The pages
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Cuban Gold
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Musicart Publications
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SheetMusicPlus
Alla Turca Jazz
Harp
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.45 €
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Harp
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Fazil Say
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
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