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You've selected:
Be Still and Know - SSA A Cappella
Sheetmusic to print
13 sheet music found
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1
Be Still And Know That I Am God (StA C00165)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1269997 Composed by Mark R…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1269997 Composed by Mark Rippe. Arranged by Mark Rippe. Christian,Religious,Sacred,Traditional. Octavo. 5 pages. Mark Rippe #862460. Published by Mark Rippe (A0.1269997). StA C00165. Original composition SATB a cappella choral anthem. Â Probably not for very modest choirs, but if you're choir is comfortable with a cappella, this may be accessible. Â Part of the St. Andrew's Collection.
$1.99
1.83 €
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Choral SATB
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Mark Rippe
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Be Still And Know That I Am God
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Mark Rippe
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SheetMusicPlus
Be Still and Know
Choral SATB
Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.360556 By Stacey V. Gib…
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Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.360556 By Stacey V. Gibbs. This edition: scorch. Choral. A Cappella,Sacred. 11 pages. Pavane Publishing #P1531. Published by Pavane Publishing (HX.360556).
$2.35
2.16 €
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Choral SATB
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Stacey V
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Be Still and Know
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Pavane Publishing
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Psalm 46:10 Be Still...
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028649 Composed by V. Luc…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028649 Composed by V. Lucid. A Cappella,Christian,Jewish,Praise & Worship,Sacred,Spiritual. Octavo. 1 pages. Vincent J. Lucid #4356073. Published by Vincent J. Lucid (A0.1028649). A short piece (c 1 minute) for mixed chorus, SATB a cappella. It starts with Judaeo-Christian scripture and ends with Eastern philosophy:Be slill and know that I am GodBe still and knowBe stillBe....Watch a video with sacred geometry https://youtu.be/vBX3FDH1Pw8
$1.99
1.83 €
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Choral SATB
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V
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Psalm 46:10 Be Still...
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Vincent J. Lucid
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SheetMusicPlus
Don't Worry, Be Happy
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.759061 By Bobby McFerrin. …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.759061 By Bobby McFerrin. By Bobby McFerrin. Arranged by Tim Olt. A Cappella,Jazz. Score and parts. 14 pages. Olt Music #3878277. Published by Olt Music (A0.759061). Get into the island vibe with this classic by Bobby McFerrin! Originally the first a cappella song to reach number one on the Billboard Hot 100 back in 1988, it is still number one in our hearts. Your audience will be swaying along before they know it. Just wait and see how many whistle along....It's even better for horn quartet!
$12.99
11.97 €
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Bobby McFerrin
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Don't Worry, Be Happy
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Olt Music
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SheetMusicPlus
Lullaby Of Birdland
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853846 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853846 Composed by George Shearing. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4642187. Published by Larry Wright (A0.853846). A MEN'S 4-part, a cappella, barbershop arrangement of this mid-tempo'd tune recorded by many well-known artists. Check out the brief audio sample. IMPORTANT NOTE: by FIRST purchasing the COMBO of this arrangement from my website store <www.larrywrightmusic.com>, you'll be getting the EXCELLENT part-predominant, vocal learning trax from my website store... and be able to purchase the sheet music from SMP for their lowest $1.89 to $1.99 per-copy price,... and NOT the much higher $14.25 per-copy price. PLUS you get to select a second COMBO from my website FREE!!!! Of course, you'll still need to pay the per-copy fee to the publisher who controls the song copyright licensing. After FIRST purchasing the COMBO on my website store, if the Sheet Music Plus (SMP) website per-copy price is anything more than $1.99, DON'T PAY IT!!!!  Email me <larry@larrywrightmusic.com> for assistance. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent, part-predominany, vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.82 €
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Choral TTBB
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George Shearing
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for assistance
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Lullaby Of Birdland
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Larry Wright
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SheetMusicPlus
IS THERE STILL A DROP OF BLOOD (at the foot of the cross)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A.…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522328 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Gospel,Praise & Worship. Octavo. 3 pages. Paul A. Jorg #5829317. Published by Paul A. Jorg (A0.522328). This arrangement is for male a cappella voices (TTBB), The song was inspired by a Kentucky state prisoner's prayer prior to a service - Lord, let them know there is still a drop of blood at the foot of the cross. The first verse depicts the questions that person may have had prior to his salvation, the second and third verses are Christ's answers, based on scripture. References are:Vs. 2 Be still - Psa. 46:10; Come to Me - Matt. 11:28; Fountain flowing - John 4:14; Wash with His blood - Psa. 51:7; Rev. 1:5; My Father will see you - Rom. 3:23-26; Our great love - John 3:16; Before the earth - Eph. 1:3-5; Sins scarlet - Isa. 1:18; Life full - John 10:10 and free - Eph. 2:8.Vs. 3 Come to the fount - Rev. 21:6; 22:17; Bring no money - Acts 3:6; 8:20; Look and live - Isa. 45:22; Num. 21:19; John 3:14; Lighten heavy burden - Matt. 11:28-30; Eternity to stay - John 17:24; City I'm building - John 14:2; Crystal Sea - Rev. 4:6.
$4.59
4.23 €
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Choral TTBB
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Paul A
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IS THERE STILL A DROP OF BLOOD
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Paul A. Jorg
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SheetMusicPlus
Where Everybody Knows Your Name Theme from the Paramount Television Series CHEERS
Choral TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853832 Composed by …
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853832 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4638541. Published by Larry Wright (A0.853832). A MEN'S 4-part, a cappella, uptempo'd, barbershop arrangement of this Cheers TV show theme song; a fun tune; short, and probably contestable for BHS. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP... or whatever publisher controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.82 €
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Choral TTBB
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Gary Portnoy and Judy Hart Angelo
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a fun tune
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Where Everybody Knows Your Name Theme from the Paramount Television Series CHEERS
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Larry Wright
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SheetMusicPlus
Be Still and Know That I Am God
Choral SATB
Composed by Carl Schalk. 21st Century. Octavo. Published by MorningStar Music Publishers (…
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Composed by Carl Schalk. 21st Century. Octavo. Published by MorningStar Music Publishers (MQ.50-2520-2E). - octavo - 21st Century - MorningStar Music Publishers
$2.25
2.07 €
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Choral SATB
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Carl Schalk
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Be Still and Know That I Am God
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MorningStar Music Publishers
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SheetMusicPlus
Stacey V. Gibbs: Be Still and Know - choir (SATB: soprano, alto, tenor, bass)
Choral SATB
Instantly printable sheet music by Stacey V. Gibbs for choir (SATB: soprano, alto, tenor, …
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Instantly printable sheet music by Stacey V. Gibbs for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred,a cappella
$5.33
4.91 €
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Choral SATB
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Stacey V. Gibbs
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Virtualsheetmusic
Eternal Father, Strong to Save — original for SATB Choir
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Artistic Score Engraving di Galvagno Michele #714605. Published by Artistic Score Engraving di Galvagno Michele (A0.1112596). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$3.50
3.22 €
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Choral SATB
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John Bacchus Dykes
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Eternal Father, Strong to Save — original for SATB Choir
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Brass Quartet
Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John…
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Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Patriotic,Praise & Worship,Sacred. 18 pages. Artistic Score Engraving di Galvagno Michele #714601. Published by Artistic Score Engraving di Galvagno Michele (A0.1112593). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.15 €
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John Bacchus Dykes
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Eternal Father, Strong to Save - for Brass Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for Cello Quartet
4 Cellos
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
5.07 €
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4 Cellos
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John Bacchus Dykes
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Eternal Father, Strong to Save — for Cello Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
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