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You've selected:
Become God's Story
Sheetmusic to print
15 sheet music found
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1
Become God's Story
Choral SATB
SATB chorus - Digital Download SKU: C7.CGA1176 Composed by Allen Pote. General. Mix…
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SATB chorus - Digital Download SKU: C7.CGA1176 Composed by Allen Pote. General. Mixed Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1176. Published by Chorister's Guild - Digital (C7.CGA1176). UPC: 749193014028.This poignant anthem reminds us that, as believers, we share the story of Christ's redemption through loving actions and words of grace. Ideal for youth or adult choirs, the anthem's ABA form and memorable melody make it a snap to teach and to learn. Modest vocal ranges and a recurring refrain contribute to an easy learning process.
$1.95
1.79 €
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Choral SATB
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Allen Pote
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Become God's Story
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Chorister's Guild - Digital
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SheetMusicPlus
Carriers of the Light-A Children's Christmas Musical
Choir Sacred - Digital Download SKU: JX.00-16077 Director's Score. Composed …
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Choir Sacred - Digital Download SKU: JX.00-16077 Director's Score. Composed by Anna Laura Page and Jean Anne Shafferman. This edition: Director's Score. Christian Elementary Musical; Church Musicals; Performance Music Ensemble; Worship Resources. Children; Christmas; Sacred; Winter. Score. 38 pages. Jubilate Music Group - Digital #00-16077. Published by Jubilate Music Group - Digital (JX.00-16077). English.This creative story line is inspired by scriptural passages celebrating Jesus as the Light of Salvation and culminates with a beautiful candlelighting ceremony for cast and audience, challenging all people to become Carriers of God's Light. Reproducible program, costuming and staging suggestions included in director's Score. Fully-orchestrated recordings by Alan Billingsley. Grades K-8, approx. 20 minutes.
$19.95
18.32 €
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Anna Laura Page and Jean Anne Shafferman
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Church Musicals
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Carriers of the Light-A Children's Christmas Musical
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Jubilate Music Group - Digital
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SheetMusicPlus
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
2.75 €
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Choral SATB
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Rock - a Roger Jones musical
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
9.17 €
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Choral SATB
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Roger Jones, Alison Fuggle
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Amazing Grace (SATB + solo)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904862 Composed by John Ne…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.904862 Composed by John Newton. Arranged by LF - ed. Marco Borsoi. Sacred. Octavo. 8 pages. Marco Borsoi #6681785. Published by Marco Borsoi (A0.904862). John Newton’s Amazing Grace has become one of the most powerful and well-known hymns in the world created from a personal testament to his own story of falling into grace. He wrote Amazing Grace at a time when he had rediscovered faith in God and meant the lyrics as a true confession of the amazing grace he experienced. Millions of people would go on (and continue) to hear Newton’s powerful words of redemption and find a similar feeling within themselves. Amazing Grace is a beautiful example of the redeeming essence of God’s love, that while even in the darkest of times we can find grace and inspire others. Discover more about John’s life and the meaning of the hymn’s lyrics below!
$1.99
1.83 €
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Choral SATB
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John Newton
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Amazing Grace
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Marco Borsoi
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SheetMusicPlus
Amazing Grace
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.1185646 Composed by Chr…
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Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.1185646 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 2 scores. 3 pages. M das Melodias #785312. Published by M das Melodias (A0.1185646). Sheet Music for Clarinet in Bb Duo.Amazing Grace is a Christian song that has become a popular hymn around the world, and is often played at funerals, church services, and solemn events. The song was written by Anglican poet and clergyman John Newton in the 18th century, originally as a hymn for the Sunday service of the Church of England.The song's lyrics talk about God's redeeming grace and the salvation He offers everyone regardless of their faults and sins. The lyrics also reflect Newton's own life story, who was formerly a slave trader but later converted to Christianity and became an advocate for the abolition of slavery.The song's melody is based on an old Scottish melody, and it's simple and soulful, allowing the lyrics to stand out. The song is usually sung at a slow, emotional pace, with minimalist instrumental arrangements that further highlight the beauty of the lyrics.Amazing Grace is considered to be one of the most well-known and beloved songs in the Christian tradition, and has been recorded by countless artists around the world, in a variety of different musical styles. The song is also an example of the power of music to connect people, regardless of their faith or beliefs, and to offer comfort and hope in difficult times.
$4.99
4.58 €
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2 Clarinets (duet)
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Christopher Smith, John Newton, and Traditional
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Amazing Grace
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M das Melodias
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SheetMusicPlus
Amazing Grace
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Level 1 - Digital Download SKU: A0.1185733 Com…
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Alto Saxophone Duet Alto Saxophone - Level 1 - Digital Download SKU: A0.1185733 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 2 scores. 4 pages. M das Melodias #785395. Published by M das Melodias (A0.1185733). Sheet Music for Alto Saxophone Duet.Amazing Grace is a Christian song that has become a popular hymn around the world, and is often played at funerals, church services, and solemn events. The song was written by Anglican poet and clergyman John Newton in the 18th century, originally as a hymn for the Sunday service of the Church of England.The song's lyrics talk about God's redeeming grace and the salvation He offers everyone regardless of their faults and sins. The lyrics also reflect Newton's own life story, who was formerly a slave trader but later converted to Christianity and became an advocate for the abolition of slavery.The song's melody is based on an old Scottish melody, and it's simple and soulful, allowing the lyrics to stand out. The song is usually sung at a slow, emotional pace, with minimalist instrumental arrangements that further highlight the beauty of the lyrics.Amazing Grace is considered to be one of the most well-known and beloved songs in the Christian tradition, and has been recorded by countless artists around the world, in a variety of different musical styles. The song is also an example of the power of music to connect people, regardless of their faith or beliefs, and to offer comfort and hope in difficult times.
$4.99
4.58 €
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2 Saxophones (duet)
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Christopher Smith, John Newton, and Traditional
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Amazing Grace
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M das Melodias
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SheetMusicPlus
Lacrimosa
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925020 Composed by Jen Wag…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925020 Composed by Jen Wagner. 20th Century,Classical,Contemporary,Romantic Period,Sacred. Octavo. 12 pages. Jen Wagner #4623157. Published by Jen Wagner (A0.925020). Octavo Available www.jenwagnermusic.com p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Baskerville; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} The text Lacrimósa is taken from the Dies Irae sequence in the Roman Catholic Requiem Mass. The piece is composed in three sections, representative of the Father, Son and Holy Spirit. The close harmonies create the mournful emotional tension. Word painting and story telling is apparent throughout, especially in passages such as resúrget, in which a solo soprano soars above the choir representing the ascension to heaven, and the repeated Lacrimósa, paints an image of tears falling down ones face. A sense of urgency begins to build in the Judicándus section, and the melodic and harmonic structure changes. As the harmonies build and tempo increases you can feel the fear of the unknown future which lies ahead. Begging and pleading for forgiveness ensues as the voices call out, párce Déus, to be seated at the Father’s side. As the tension builds and harmonies become more complex the piece escalates to its climax and comes to an abrupt end. After a slight pause, the calm settles in. Judgement has been passed and the tenors transition us to the PÃe Jésu section with Dóna éis réquiem, surrounded by the return of the melodic motif meant to appear as the angels delivering the assurances of God’s mercifulness. The final phrase dóna éis réquiem, is sung with cross voicing found in the tenor and bass section representing the ascension to heaven as the harmonies settle into their final resting place.
$39.95
36.69 €
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Choral SATB
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Jen Wagner
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font: 12.0px Baskerville
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Lacrimosa
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Jen Wagner
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SheetMusicPlus
Accentus
Concert band
Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and P…
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Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
45.91 €
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Concert band
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
America, the Land of Liberty
Choral SATB
Concert Band & optional SATB Choir - Digital Download SKU: IZ.CBW2210 Composed by M…
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Concert Band & optional SATB Choir - Digital Download SKU: IZ.CBW2210 Composed by Michael Francis Smith. Score and Parts. 58 pages. Imagine Music - Digital #CBW2210. Published by Imagine Music - Digital (IZ.CBW2210). 6.75 x 10.5 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$60.00
55.1 €
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Choral SATB
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Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
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SheetMusicPlus
When David Killed Goliath
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.972976 Composed by John W.…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.972976 Composed by John W. Fisher. Children,Christian,Jewish,Praise & Worship,Sacred. Octavo. 8 pages. John Fisher #4744579. Published by John Fisher (A0.972976). This rhythmic versatile piece has elements of the well known Macarena telling the beloved story of David and Goliath with suggested motions for Bible schoolers, children's choir, concert choir or a mime. Sopranos tell the story until a quartet comes in and a bass sings the part of Goliath. the music has Saul's troops trembling and David whacking off Goliath's head. It is the literal brutality of the Old Testament. The sling shot move is from Zumba and it represents David hurling that little pebble which becomes the rock on which his faith in God is based.
$5.00
4.59 €
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Choral SATB
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John W
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When David Killed Goliath
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John Fisher
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SheetMusicPlus
Portals of Catedral de Orihuela.
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SK…
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
9.18 €
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Dr Anthony Costandius
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Portals of Catedral de Orihuela.
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Anthony Costandius Music
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.87 €
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Orchestra
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Rainer Fabich Orchestra
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Nordic Movement 1: Ginnungagap
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. C…
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Concert Band - Level 2 - Digital Download SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
$24.99
22.95 €
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Concert band
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Aric Noble
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It
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Nordic Movement 1: Ginnungagap
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Aric Noble
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.17 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
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