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Before the Ending of the Day
Sheetmusic to print
196 sheet music found
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176
Times and Seasons No 3: Evening (for Sundays and feast days) for solo clarinet (mp3)
Clarinet
Clarinet - Digital Download SKU: A0.1103926 By József Dávid. By David Warin S…
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Clarinet - Digital Download SKU: A0.1103926 By József Dávid. By David Warin Solomons. Chamber,Religious. Full Performance. Duration 175. David Warin Solomons #707210. Published by David Warin Solomons (A0.1103926). Te lucis ante terminum (Before the ending of the day) Performed by József Dávid Part of a series for clarinet solo based on liturgical plainchant, starting with the original chant and going into variations. The scores for all 4 pieces together are also available under the title Times and Seasons for clarinet solo (all 4 pieces).
$4.50
4.06 €
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Clarinet
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József Dávid
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Times and Seasons No 3: Evening
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David Warin Solomons
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SheetMusicPlus
Before the Ending of the Day (JAM LUCIS)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922834 Composed by 6th centu…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922834 Composed by 6th century Latin hymn and Plainsong Melody. Arranged by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 5 pages. Jayne Nitz #6340011. Published by Jayne Nitz (A0.922834). Before the Ending of the Day, a 6th century Latin chant, is often sung during Compline, a prayer service for evening. This arrangement is inspired by the hymn tune JAM LUCIS, and I’ve rewritten the text in modern-day English as well as added another verse of my own. It makes a beautiful bedtime prayer. Includes reproducible lead sheet.
$2.50
2.25 €
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Piano, Voice
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6th century Latin hymn and Plainsong Melody
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Before the Ending of the Day
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Jayne Nitz
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SheetMusicPlus
Times and Seasons No 4: Evening (for weekdays) for solo clarinet (mp3)
Clarinet
Clarinet - Digital Download SKU: A0.1103927 By József Dávid. By David Warin S…
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Clarinet - Digital Download SKU: A0.1103927 By József Dávid. By David Warin Solomons. Chamber,Religious. Full Performance. Duration 143. David Warin Solomons #707211. Published by David Warin Solomons (A0.1103927). Te lucis ante terminum (Before the ending of the day) Performed by József Dávid Part of a series for clarinet solo based on liturgical plainchant, starting with the original chant and going into variations. The scores for all 4 pieces together are also available under the title Times and Seasons for clarinet solo (all 4 pieces).
$4.50
4.06 €
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Clarinet
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József Dávid
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Times and Seasons No 4: Evening
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David Warin Solomons
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SheetMusicPlus
Before the Ending of the Day (Clamor)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102505 Composed by Helder…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102505 Composed by Helder Oliveira. Contemporary,Religious,Sacred,Spiritual. Octavo. 8 pages. T.U.X. People's Music #705918. Published by T.U.X. People's Music (A0.1102505). Scored for organ and choir with optional descant, Before the Ending of the Day is an ideal selection for sacred or secular events! Presented in both English and Portuguese, Helder Oliveira's work is uplifting and inspiring, singing praise with its memorable melodies and accessible 4-part harmonies.
$3.00
2.71 €
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Choral SATB
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Helder Oliveira
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Before the Ending of the Day
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T.U.X. People's Music
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SheetMusicPlus
Clamor (Before the Ending of the Day)
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102520 Composed by Helder…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102520 Composed by Helder Oliveira. Christian,Multicultural,Praise & Worship,Sacred,Spiritual,World. Octavo. 8 pages. T.U.X. People's Music #705933. Published by T.U.X. People's Music (A0.1102520). Scored for organ and choir with optional descant, Before the Ending of the Day is an ideal selection for sacred or secular events! Presented in both English and Portuguese, Helder Oliveira's work is uplifting and inspiring, singing praise with its memorable melodies and accessible 4-part harmonies.
$3.50
3.16 €
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Choral SATB
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Helder Oliveira
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Clamor
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T.U.X. People's Music
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SheetMusicPlus
Before the Ending of the Day
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1149910 By John Sandford. …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1149910 By John Sandford. By John Sandford. Arranged by John Sandford. Christian,Early Music,Latin,Sacred. Octavo. 1 pages. John A Sandford #750075. Published by John A Sandford (A0.1149910). The text is a translation of the old Latin Hymn Te Lucis Ante Terminum. A new melody has been created with three part harmonies working in similar motion. An optional Soprano descant (as heard in this recording) can be added for the last verse. This piece is ideally sung at the end of a program of sacred music.
$1.99
1.79 €
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Choral SATB
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John Sandford
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Before the Ending of the Day
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John A Sandford
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SheetMusicPlus
Prayer before the close of day - tuba quartet
Euphonium, Tuba (duet)
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.575646 Composed by David Warin Solomons. 20th Century,Christian. Score and parts. 15 pages. David Warin Solomons #2026473. Published by David Warin Solomons (A0.575646). A tour de force of breathing for a tuba and euphonium quartet, but very effective and meditative. The idea of writing a piece based on plainchant was suggested to me by the quartet Tubalaté, who are playing the piece in the sound sample here. The amen section at the end courses through many ideas for amens used by composers over the centuries, ending with a rather unusual English cadence. The plainchant used is Te lucis ante terminum (To thee before the close of day...) The pdf file contains score and parts.Video https://www.youtube.com/watch?v=Drf0Vb_32bU
$14.00
12.63 €
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Euphonium, Tuba (duet)
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David Warin Solomons
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Prayer before the close of day - tuba quartet
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David Warin Solomons
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SheetMusicPlus
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
Brass Quintet: 2 trumpets, horn, trombone, tuba
Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. A…
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Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #3367007. Published by Keith Terrett (A0.746751). The official anthem of the Canary Islands, arranged for Brass Quintet & Percussion.A region of Spain, the anthem used in the Canaries for official local occasions was introduced on May 30 (Canary Islands Day), 2003. It is an adaptation of a local folk song called Arrorró (Lullaby).Before the official announcement of the anthem unofficial local songs were in place, and tended to differ depending on the person’s political beliefs. Those who prefered independence for the Canary Islands used the Canto de Tierra as their anthem, while others used another work by Teobaldo Power y Lugo-Vina, Pasodoble Islas Canarias.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$8.99
8.11 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Teobaldo Power y Lugo-Vina
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Percussion
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Canary Islands Official Regional Anthem for Brass Quintet & Percussion
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Keith Terrett
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SheetMusicPlus
Them Changes
Choral SATB
Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
45.08 €
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Choral SATB
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Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley
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Them Changes
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Kerry Marsh
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SheetMusicPlus
Sunday Bloody Sunday
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
18.03 €
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String Quartet: 2 violins, viola, cello
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U2
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
Father, Lead Me Day by Day (for 8-note Bells and Boomwhackers® with Black and White Notes)
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565368 By Sharon Wilson. By Georg C. Strattner. Arranged by Sharon Wilson. Children,Classical,Sacred,Traditional. 11 pages. Sharon Wilson #4280711. Published by Sharon Wilson (A0.565368). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment. This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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Father, Lead Me Day by Day
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Sharon Wilson
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.54 €
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Viola, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Penitent Thief, The
Viola and Harp
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.54 €
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Viola and Harp
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
A Storm is Gathering PVG
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$3.99
3.6 €
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Piano, Voice
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Steven H
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A Storm is Gathering PVG
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Boothe Publishing
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SheetMusicPlus
A Storm is Gathering Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
1.79 €
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Steven H
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A Storm is Gathering Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
A Storm is Gathering Piano Minus Vocal
Piano solo
Piano - Digital Download SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
1.79 €
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Piano solo
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Steven H
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A Storm is Gathering Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Doo-dah-day! for 8-note Bells and Boomwhackers® (with Black and White Notes)
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565234 By Sharon Wilson. By Stephen Foster. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #3626039. Published by Sharon Wilson (A0.565234). The tune is the familiar folk song Camptown Races by Stephen C. Foster. However, the lyrics have been updated so they are more suited for children.This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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Doo-dah-day! for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Prayer before the close of day for 2 tubas and 2 euphoniums (mp3)
Euphonium,Tuba - Digital Download SKU: A0.1059508 Composed by Traditional (Plaincha…
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Euphonium,Tuba - Digital Download SKU: A0.1059508 Composed by Traditional (Plainchant). Arranged by David Warin Solomons. 20th Century,Christian,Sacred,Spiritual. Full Performance. Duration 382. David Warin Solomons #3388491. Published by David Warin Solomons (A0.1059508). Score:https://www.sheetmusicplus.com/title/19978352?aff_id=175705A tour de force of breathing for a tuba and euphonium quartet, but very effective and meditative. The idea of writing a piece based on plainchant was suggested to me by the quartet Tubalaté, who are playing the piece here. The amen section at the end courses through many ideas for amens used by composers over the centuries, ending with a rather unusual English
$3.00
2.71 €
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Traditional
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Prayer before the close of day for 2 tubas and 2 euphoniums
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David Warin Solomons
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SheetMusicPlus
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
13.53 €
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Spiritual
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"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"Wade in the Water" from Crossing Jordan for soprano, cello and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritua…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284056 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 8 pages. Maria Thompson Corley #875229. Published by Maria Thompson Corley (A0.1284056). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$12.99
11.72 €
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Piano, Voice
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Spiritual
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"Wade in the Water" from Crossing Jordan for soprano, cello and piano
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Maria Thompson Corley
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SheetMusicPlus
Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
Handbells
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Chi…
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children's Music. Score, Set of Parts, Solo Part. 87 pages. Published by Sharon Wilson
This collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Each song also includes an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the ?Chroma-Notes? Colored Music System.? If you have a set of Handbells with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar Christmas carols are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Each song is also available separately with accompanying preview pages and audio samples. For each song, a piano accompaniment and/or rehearsal track (MP3 format) is available as a separate purchase. Song titles included in this collection: Angels We Have Heard on High Bring a Torch, Jeannette, Isabella Ding Dong! Merrily on High Joy to the World O Come, All Ye Faithful O Come, O Come, Emmanuel O Thou Joyful Day Simple Gifts The First Noel We Three Kings
$19.99
18.03 €
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Handbells
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Various
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
35.17 €
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String Orchestra
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Martin Lass
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Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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MA Lass & I Lass
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SheetMusicPlus
The Seven Last Days Of Christ (Tenebrae Service) (SAB version)
Choral 3-part
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.616161 Composed by S…
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.616161 Composed by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 75 pages. Exultet Music #6622067. Published by Exultet Music (A0.616161). This Tenebrae service follows in detail every day that Jesus spent before being nailed to the cross starting with Palm Sunday and ending with Good Friday. Scored for SAB, Kids choir, Soloists, Bb-Trumpet (optional), and Piano accompaniment. Script, parts and score included. Accessible and appropriate for any church setting. Many songs have accompaniment tracks which are available on this site. Song List (which are also all available separately on this site: Sing Hosanna, Cast Out The Buyers, Lord, Go To Dark Gethsemane, Abide With Me, This Day Was Made By The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There).
$25.00
22.55 €
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Choral 3-part
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The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There)
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Stephen DeCesare
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The Seven Last Days Of Christ
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Exultet Music
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SheetMusicPlus
The Seven Last Days Of Christ (Tenebrae Service) (2-part choir version)
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.616160 Composed b…
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.616160 Composed by Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 61 pages. Exultet Music #6622069. Published by Exultet Music (A0.616160). This Tenebrae service follows in detail every day that Jesus spent before being nailed to the cross starting with Palm Sunday and ending with Good Friday. Scored for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass), Kids choir, Soloists, Bb-Trumpet (optional), and Piano accompaniment. Script, parts and score included. Accessible and appropriate for any church setting. Many songs have accompaniment tracks which are available on this site. Song List (which are also all available separately on this site: Sing Hosanna, Cast Out The Buyers, Lord, Go To Dark Gethsemane, Abide With Me, This Day Was Made By The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There).
$25.00
22.55 €
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Choral 2-part
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The Lord, Taste And See, Gethsemane, My Song Is Love Unknown and Were You There)
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Stephen DeCesare
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The Seven Last Days Of Christ
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Exultet Music
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SheetMusicPlus
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