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Behind The Red Door
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Behind The Red Door
Sheetmusic to print
16 sheet music found
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Behind The Red Door
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Piano, Voice
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Broadway
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Scott Frankel & Michael Korie
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Behind The Red Door
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.404077 By Scott Frankel & Michael Korie. This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 14 pages. P...
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Interactive Download SKU: HX.404077 By Scott Frankel & Michael Korie. This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 14 pages. Published by Hal Leonard - Digital (HX.404077).
$4.99
Close The Door Bb Trumpet Score
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Trumpet
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INTERMEDIATE/ADVANCED
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Andrew McDonald
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Andrew McDonald
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Close The Door Bb Trumpet Scor
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Andrew Mc Donald
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1458868 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christian,Pop...
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1458868 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christian,Pop. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #1037804. Published by Andrew Mc Donald (Macka Records) (A0.1458868). Close The Door is a song about going to your room and praying on your knees. Life gets busy and hecticso it is a good idea to get away from the crazy, the kids and the job, and close the door behind you in order to pray. Then your Father in heaven who sees will reward you with answered prayers. This song features the Bb Trumpet and this is it's trumpet score.
$2.99
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Close The Door
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
#
Andrew McDonald
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Andrew McDonald
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Close The Door
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Andrew Mc Donald
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1458174 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christia...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1458174 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Blues,Christian,Country. Score. 8 pages. Andrew Mc Donald (Macka Records) #1037148. Published by Andrew Mc Donald (Macka Records) (A0.1458174). Close the door is a song about praying on your knees when you have a prayer need. As we can have hectic schedules and are very busy with the kids and a job we often neglect praying or put it off cause we don't have time and cannot get to it cause we have no space. But a good suggestion would be to go to your room and close the door nice and tight behind you morning night or day so that you can pray. When you do this your father in heaven will see this and reward you with an answered prayer. Trumpet features throughout this piece. This is a piano and vocal score.
$4.99
Behind the Red Door from War Paint - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
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Behind the Red Door from War P
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Musicnotes
Sheet Music for Behind the Red Door from War Paint arranged for Piano/Vocal/Chords;Singer Pro in Eb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Behind the Red Door from War Paint arranged for Piano/Vocal/Chords;Singer Pro in Eb Major. Digital sheet music from Musicnotes.
$5.99
Christmas Is Coming from A CHARLIE BROWN CHRISTMAS
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Piano, Voice
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INTERMEDIATE
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Christmas
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Vince Guaraldi
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Flavio Regis Cunha
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Christmas Is Coming from A CHA
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597356 Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Christmas,Film/TV,Inst...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597356 Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Christmas,Film/TV,Instructional,Jazz. Score. 9 pages. Flavio Regis Cunha #5742565. Published by Flavio Regis Cunha (A0.597356). The holidays are here and with it comes the joy of Christmas music! 'Christmas Is Coming' from 'A CHARLIE BROWN CHRISTMAS' is composed by the great jazz pianist Vince Guaraldi. This sheet music is perfect for both students and professional pianists. Allow the magic of this classic jazz arrangement to bring festive cheer to your holiday season and fill your hours of practice with the smooth and jazzy sounds of Guaraldi's masterpiece!IntermediateFormat: Concert, 9 x 12 inchesSize: 8 pages🎶 Unwrap the Magic of Christmas with Vince Guaraldi's Jazz Piano Masterpiece! 🎄Calling all music enthusiasts, piano virtuosos, and Charlie Brown fans! Are you ready to infuse your holiday season with the enchanting melodies of Christmas Is Coming from 'A CHARLIE BROWN CHRISTMAS'? Look no further, because we have the perfect musical gift for you.🌟 Why Choose Our Sheet Music? 🌟🎹 Jazz Piano Brilliance: Immerse yourself in the iconic jazz stylings of Vince Guaraldi, the genius behind the beloved 'A CHARLIE BROWN CHRISTMAS' soundtrack. Feel the swing, groove, and festive spirit flow through your fingertips as you play this timeless classic.🎠Unique Holiday Vibes: Tired of the same old carols? Our sheet music offers a refreshing twist on Christmas music. Surprise your audience with a delightful blend of jazz harmonies and holiday cheer that will make your performance stand out.📜 Professionally Notated: Our sheet music is meticulously transcribed to capture every nuance of Guaraldi's original composition. You'll have the authenticity of the original piece right at your fingertips, ensuring a true musical masterpiece.📚 Suitable for All Skill Levels: Whether you're a seasoned professional or just starting your musical journey, our sheet music is designed to accommodate all skill levels. It's a perfect choice for students looking to challenge themselves and pianists seeking to add a touch of holiday magic to their repertoire.🔠Discover More: Are you a music explorer looking to expand your repertoire beyond the standard ensemble formats? Our sheet music opens the door to a world of creativity, allowing you to explore the jazz piano genre and its unique characteristics.🎶 Don't miss out on this opportunity to bring the timeless magic of Vince Guaraldi's Christmas Is Coming to your piano. Elevate your holiday gatherings, impress your friends and family, and create unforgettable memories with your musical talent.🚀 Take your holiday season to the next level. Click the link below to purchase your copy now and experience the joy of playing this iconic piece for yourself. Let the music of 'A CHARLIE BROWN CHRISTMAS' become a cherished part of your holiday tradition!🌟 Make this Christmas unforgettable with the enchanting sounds of Vince Guaraldi's jazz piano masterpiece. Order your sheet music today! 🌟.
$4.99
Scott Frankel & Michael Korie: Behind The Red Door - voice & piano
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Piano, Voice
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INTERMEDIATE
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Broadway
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Scott Frankel & Michael Korie
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Virtualsheetmusic
Instantly printable sheet music by Scott Frankel & Michael Korie for voice & piano of MEDIUM skill level. / musical/show,broadway
Instantly printable sheet music by Scott Frankel & Michael Korie for voice & piano of MEDIUM skill level. / musical/show,broadway
$8.97
Beethoven - March in Bb WoO29
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Classical
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Ludwig van Beethoven
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Ian D
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Beethoven - March in Bb WoO29
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Grumpy Mule Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.949114 Composed by Ludwig van Beethoven. Arranged by Ian D. Crew. Classical,Conce...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.949114 Composed by Ludwig van Beethoven. Arranged by Ian D. Crew. Classical,Concert,Romantic Period,Standards. 7 pages. Grumpy Mule Music #4404364. Published by Grumpy Mule Music (A0.949114). This is a simple, straightforward arrangement for Wind Quintet, in a fairly easy key, that can be happily tackled by players with about a year's tuition behind them.When not composing all the mighty works for which he is known, Ludwig van Beethoven (1770 – 1827) also produced some great little potboilers for 'Harmonie', the German word denoting a small wind ensemble. 'Harmoniemusik' was usually played outdoors, and the music ranged from small forms, such as marches, polonaises, ecossaises and other dances, to multi-movement works such as the Serenades of Mozart and the great Octet in Eb major Op. 103 by Beethoven himself. This particular march was originally scored for the then traditional line-up of two clarinets, two bassoons and two horns.
$5.99
Gagarin (Beyond Blue Sky)
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Choral 2-part
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INTERMEDIATE
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Contemporary
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published b...
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.510157 Composed by Glyn Lehmann. 20th Century. Octavo. 8 pages. Glyn Lehmann #3507407. Published by Glyn Lehmann (A0.510157). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.....4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1Gagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
Gagarin (Beyond Blue Sky)
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Choral SATB
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INTERMEDIATE
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Contemporary
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Glyn Lehmann
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Gagarin
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510169 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). Contemporary. Octavo. 14 pages. Glyn Lehmann #3542449. Published by Glyn Lehmann (A0.510169). The opening song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. Words by Phil Cummings, music by Glyn Lehmann. Other songs are Space Race (To Every Question), The Children of the World (July 1969) and Apollo 11 (Homecoming).In 1961 Russian cosmonaut Yuri Gagarin was the first human to enter space and orbit the Earth. The song ebbs and flows as the story of Gagarin's life unfolds; from humble beginnings to his historic journey into space. More information at songlibrary.net/Space-Racehttps://youtu.be/kV-xs9P9LiwGagarin (Beyond Blue Sky) words by Phil Cummings, music by Glyn LehmannBack in April nineteen sixty oneYuri Gagarin was the chosen oneTo climb through a cold silver doorAnd go where no one had gone beforeA farmer’s son, a humble man Childhood memories of dirt on his handsStanding and gazing at the starry skiesWorlds of wonder there behind his eyesThe first to fly beyond air The first to fly beyond blueTo drift in endless dark spaceThat surrounds me and youThe first to take a breathWhere none can ever breathe To live a dream, a powerful dreamAnd make a world believe… in endless possibilitiesAround the world humanity stoodAll waiting, wondering if he couldSurvive the flames of wild fireAs the rattling rocket roared higher and higherVostok soared beyond atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityChorusGagarin returned to EarthTo the water, the air, the dirt To a world that began to dreamTo work, to imagine, to schemeTo ponder, to study, to striveFor the conquest beyond blue skyVostok soared beyond the atmosphereGagarin shouted for the world to hearFor the first time in history A man saw fragile humanityIn vast darkness blacker than the nightA fragile planet bathed in lightThe land, the rivers and the seaEarth spins … precariouslyLyrics © 2018 Phil Cummings
$2.50
A Million Miles Away Behind The Door
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Piano, Vocal and Guitar
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Andre Previn
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A Million Miles Away Behind Th
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Andre Previn. For Piano/Vocal/Chords. Pop/Rock and Broadway. 5 pages. Published by Alfred Music - Digital Sheet Music ...
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By Andre Previn. For Piano/Vocal/Chords. Pop/Rock and Broadway. 5 pages. Published by Alfred Music - Digital Sheet Music
$3.99
Family Fugue
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Orchestra
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INTERMEDIATE
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Contemporary
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Classical
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
Country Store: Sound of F
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Piano, Voice
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INTERMEDIATE
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Brendon G
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Country Store: Sound of F
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Brendon Holden
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1021982 Composed by Brendon G.M.C. Holden. Country,Film/TV,Jazz,Pop,Rock. Score. 6 pages. Brendon Holden #6418715. Published by Brendon Holden (A0.1021982). Print your own Sheet Music to: Country Store: Sound of F. Country store: sound of F is written for Vocals and piano. Written in F makes this work a one of a kind good. Rock progression was used in the song. A splendidly good song! I suppose the song says, although it does not necessarily, but could be a song that says: I am not poor because I got you! But in the song the Man doing the adoring-is most likely the reason why there is such goodness. Help us with your best lion roar, would mean to be adored, to be made more than judgmental. Vocals are: I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. To my left I C a Store, I C I need some more. I C a Cat, can I tell you some more my friend, I walk into the store. Cat follows close behind walking on the floor. Candies and Cakes, I should get some more, get some for the Cat I adore. I C the birds, I C the trees, O how sweet they are to me, I am living life feeling O so free, not a problem you can C in me. As I am Walking out the door, I C the Cat shake his head you’re so poor. You C me Cat, I am the more, that you C I am not so poor. You’re talking like you want a war, let me ask you do you own the store? You C the shore, you C the store, you C me with all the more. If you see it is you I adore, shout and give me your best lion roar. I C the birds, I C the trees, O how sweet they are to me. Tasty treats I adore, Tasty treats fill my core, Cakes and Candy galore/ all the more, Give me Give me, I want more. I C the birds, I C the trees, O how sweet they are to me. Tasty treats on the shore Tasty treats in the store Me and my Cat want some more, Help us with your best lion roar. Art and Music by Brendon G.M.C. Holden
$5.99
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