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Berte C
Sheetmusic to print
5 sheet music found
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1
The Aeroplane Rag
Piano, Voice
Piano and voice - Digital Download SKU: LV.19035 Composed by Berte C. Randall. Airp…
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Piano and voice - Digital Download SKU: LV.19035 Composed by Berte C. Randall. Airplanes, Air pilots, Hangars, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19035). The Aeroplane Rag. Words by Fred C Roegge. Music by Berte C Randall. Published 1911 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Airplanes, Airpilots, Hangars, Courtship & love. First line reads Now I've been made love to ev'ry way there be, On the desert sands and on the bounding sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Berte C
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The Aeroplane Rag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
我心屬於你
C Instruments
C Instrument - Level 1 - Digital Download SKU: A0.1440703 By Lea Sutanto, Robert Le…
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C Instrument - Level 1 - Digital Download SKU: A0.1440703 By Lea Sutanto, Robert Lea Sutanto. By Lea Sutanto, Robert Lea Sutanto. Arranged by Lea Sutanto, Robert Lea Sutanto. 21st Century,Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1020681. Published by Steven See (A0.1440703). 我來到你面前全心向你稱謝 耶穌你是如此愛我 我單單屬於你主我在這裡 獻上我的心生命的一切 完全獻給你因為我並沒有 財寶和金銀能夠獻給你 唯有我的心我唯一禱告 唯一的呼求是你能悅納我 獻上的全所有願我這一生 成為你器皿來完成你旨意betapa hatiku, berterima kasih TuhanKau mengasihiku, Kau memilikikuhanya ini Tuhan persembahankusegenap hidupku, jiwa dan ragakus'bab tak kumiliki harta kekayaanyang cukup berarti, 'tuk kupersembahkanhanya ini Tuhan permohonankuterimalah Tuhan persembahankupakailah hidupku sebagai alatMu, seumur hidupkubetapa hatiku, berterima kasih TuhanKau mengasihiku, Kau memilikikuhanya ini Tuhan persembahankusegenap hidupku, jiwa dan ragakus'bab tak kumiliki harta kekayaanyang cukup berarti, 'tuk kupersembahkanhanya ini Tuhan permohonankuterimalah Tuhan persembahankupakailah hidupku sebagai alatMu, seumur hidupku(instrument)hanya ini Tuhan persembahankusegenap hidupku, jiwa dan ragakus'bab tak kumiliki harta kekayaanyang cukup berarti, 'tuk kupersembahkanhanya ini Tuhan permohonankuterimalah Tuhan persembahankupakailah hidupku sebagai alatMu, seumur hidupku.
$1.99
1.83 €
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C Instruments
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Lea Sutanto, Robert Lea Sutanto
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我心屬於你
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Steven See
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SheetMusicPlus
That Aeroplane Rag
Piano, Voice
Composed by Berte C. Randall. For piano/vocal. From the Sam DeVincent Collection of Illust…
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Composed by Berte C. Randall. For piano/vocal. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 1.1: Transportation - Aeronautics, Box 4, Folder P, Archives Center, National Museum of American History, Smithsonian Institution.
$5.99
5.52 €
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Piano, Voice
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Berte C
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That Aeroplane Rag
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SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Cello, String Bass (duet)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
22.97 €
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Cello, String Bass (duet)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Es gibt immer einen Weg
Piano, Voice
By Fred Bertelmann. By Lars Funkel. For piano & voice. Key of C-Major. Schlager Music.…
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By Fred Bertelmann. By Lars Funkel. For piano & voice. Key of C-Major. Schlager Music. Score. Text Language: German. 7 pages. Published by Roba Music Verlag
$3.99
3.67 €
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Piano, Voice
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Fred Bertelmann
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voice
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Es gibt immer einen Weg
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Roba Music Verlag
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SheetMusicPlus
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