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You've selected:
Best Of Intentions
Sheetmusic to print
70 sheet music found
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1
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51
Best Of Intentions
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Piano, Vocal and Guitar
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Country
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Travis Tritt
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Best Of Intentions
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Hal Leonard - Digital
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SheetMusicPlus
By Travis Tritt. This edition: scorch. Country. Score. 6 pages. Hal Leonard - Digital #29822. Published by Hal Leonard - Digital ...
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By Travis Tritt. This edition: scorch. Country. Score. 6 pages. Hal Leonard - Digital #29822. Published by Hal Leonard - Digital
$4.99
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98...
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
Travis Tritt: Best Of Intentions - voice, piano or guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Country
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Travis Tritt
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Virtualsheetmusic
Instantly printable sheet music by Travis Tritt for voice, piano or guitar of MEDIUM skill level. / country
Instantly printable sheet music by Travis Tritt for voice, piano or guitar of MEDIUM skill level. / country
$6.97
Travis Tritt: Best Of Intentions for voice & other instruments
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Country
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Travis Tritt
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Virtualsheetmusic
Instantly printable sheet music by Travis Tritt for voice & other instruments (fake book) of MEDIUM skill level. / country
Instantly printable sheet music by Travis Tritt for voice & other instruments (fake book) of MEDIUM skill level. / country
$4.97
The Tale Of The Slightly Miffed Dancing Bear
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James Pickering
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The Tale Of The Slightly Miffe
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Forton Music - Digital
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SheetMusicPlus
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. For...
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
A Revelation of Love
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John Newell
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A Revelation of Love
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Abierto Music
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1518018 Composed by John Newell. 21st Century,A Cappella,Medieval,Sacred. 8 pages. Abierto Music #1...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1518018 Composed by John Newell. 21st Century,A Cappella,Medieval,Sacred. 8 pages. Abierto Music #1092162. Published by Abierto Music (A0.1518018). This is a setting for unaccompanied soprano of selected passages from Revelations of Divine Love, by the 14th-15th century mystic Julian of Norwich. Her work is widely acknowledged to be one of the great Christian spiritual classics. It is also the earliest surviving book in middle English written by a woman. The short text was written soon after Julian recovered from a severe illness and describes sixteen visions that she had received: revelations of Christ's suffering and God's love. The second version (long text) was written perhaps twenty years later; it is a greatly expanded volume that includes her meditations on what she had been shown. This work begins with a spoken passage, the very first words of her work, directly followed by a soliloquy that includes some of Julian's best known quotations (e.g. all shall be well). I chose to adapt Julian's language into modern English, while remaining as faithful as possible to the style and intent of her original text. For more information about this and all my other works visit: www.johnnewellmusic.com.
$5.95
The Light of God's Love
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Choral Unison
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Sacred music
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Mark Burrows
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The Light of God's Love
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Chorister's Guild - Digital
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SheetMusicPlus
Unison/two-part chorus - Digital Download SKU: C7.CGA1496 Composed by Mark Burrows. General. With Percussion. Sacred Anthem. Octavo. 12 pages. Chorister'...
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Unison/two-part chorus - Digital Download SKU: C7.CGA1496 Composed by Mark Burrows. General. With Percussion. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1496. Published by Chorister's Guild - Digital (C7.CGA1496). UPC: 749193024966.What better way to celebrate God's light shining through us than this fun, new anthem from bestselling composer Mark Burrows? With a soulful melody, a rockin' accompaniment, and suggestions for optional percussion, this anthem will become one of your choristers' favorites. Mark's lyrics move from me to you to we - intentionally putting the focus on community and mission. (Bonus: he sneaks in a throwback to This Little Light of Mine!).
$2.45
Best of Macklemore Piano Medley by KimBo - Piano Solo
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Piano solo
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KimBo
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Best of Macklemore Piano Medle
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Musicnotes
Performed by: KimBo: Best of Macklemore Piano Medley - Same Love - Good Old Days - Marmalade - Let's Eat - Downtown - Need To Know - Thrift Shop - Glorious...
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Performed by: KimBo: Best of Macklemore Piano Medley - Same Love - Good Old Days - Marmalade - Let's Eat - Downtown - Need To Know - Thrift Shop - Glorious - And We Danced - Growing Up (Sloan's Song) - Drug Dealer - Can't Hold Us - Intentions Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 12 pages -- Instrumental Pop~~Solo Instrumental~~Hip Hop~~Contemporary R & B
$14.99
Best Of Intentions
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Melody line, (Lyrics) and Chords
#
Country
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Travis Tritt
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Best Of Intentions
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Travis Tritt. Country. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Travis Tritt. Country. Fakebook. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
Canzon per Sonar noni toni for Trombone or Low Brass Duodectet (12)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Renaissance
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Eric Burger Music
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Canzon per Sonar noni toni for
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.508194 Arranged by Eric Burger Music. Renaissance. Score and parts. 34 pages. Eric Burger Music #3514...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.508194 Arranged by Eric Burger Music. Renaissance. Score and parts. 34 pages. Eric Burger Music #3514677. Published by Eric Burger Music (A0.508194). Sacrae symphoniae, Liber 1 No.58, Ch.183 (1597) This lively and challenging work for 3 quartets highlights some of the best of Garbieli's writing. Every member of your ensemble will enjoy the this work! View the score with playback at:https://youtu.be/SRfDzDsDXxY This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
You've Got A Friend
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Choral 3-part
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INTERMEDIATE/ADVANCED
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James Taylor
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Dan Signor
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You've Got A Friend
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Sig
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By Carole King. Arranged by Dan Signor. A Cappella,Folk,Jazz,Pop. Octavo...
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1144670 By James Taylor. By Carole King. Arranged by Dan Signor. A Cappella,Folk,Jazz,Pop. Octavo. 6 pages. Sig #745007. Published by Sig (A0.1144670). Who knew that 3 part a cappella music could be so rewarding and fun?! I attempted to bring out the best of both renditions performed by James Taylor and Carole King. Intentionally shortened by omitting the second verse, this arrangement's emotional power will still shine through. The additional song references are designed to add just a bit of musical humor for not only the performers, but also the audience members who catch them in real time. Enjoy!
$2.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
#
Piano Trio No. 1 "Poets and Pr
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Hallelujah Chorus from Handel's Messiah
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Classical
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts....
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
Sarasate - Andalusian Romance, Op. 22, No. 3 - Arrangement for Violin and String Quartet (SCORE AND
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String Quartet: 2 violins, viola, cello
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Classical
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P
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C
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Sarasate - Andalusian Romance,
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Amnael Orozco-Diaz
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 Composed by P. de Sarasate. Arranged by C. A. Orozco-Diaz. Romantic Pe...
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 Composed by P. de Sarasate. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 30 pages. Amnael Orozco-Diaz #21993. Published by Amnael Orozco-Diaz (A0.826920). Few things are more pleasant than the magic moments brought up by our favourite, ageless, simple showpieces played or listened in the most varied of interpretations. Sarasate knew that, and made sure to leave behind a vast catalogue of these for the rest of the world to enjoy. Gather up your buddies' String Quartet and serenade away with this beautiful romance! Every effort has been put to best capture the intentions, harmonies and colours of the original piano accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$21.99
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Pe...
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 ...
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
Schubert: Mass in G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) Vocal Score
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Piano solo
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Classical
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Franz Schubert
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Roar Kvam
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Schubert: Mass in G Major D-16
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KVAMusic Edition
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition...
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Piano Solo - Digital Download SKU: A0.768511 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score. 58 pages. KVAMusic Edition #5321077. Published by KVAMusic Edition (A0.768511). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$10.00
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (PARTS)
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Classical
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Classical
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from
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Amnael Orozco-Diaz
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.826941 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 10 pages. Amnael Orozco-Diaz #4407076. Published by Amnael Orozco-Diaz (A0.826941). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$13.24
Divertimento in D K136
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Classical
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Wolfgang Amadeus Mozart
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Adrian Gurung
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Divertimento in D K136
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Adrian Gurung
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216331 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arrang...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1216331 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Adrian Gurung. Classical,Romantic Period. 17 pages. Adrian Gurung #812939. Published by Adrian Gurung (A0.1216331). This movement from Mozart's from Divertimento in D K136 is a beautiful piece that captures the essence of the early Romantic Period. The ebb and flow, and the distribution of lines going in and out of the foreground give the piece forward movement which makes it gentle yet captivating. The arranger has tried to stay true to the composer's intentions while still making adjustments here and there to create the best presentation for the ensemble. Â
$5.99
Character pieces
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String Orchestra
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EASY
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Harald Genzmer
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Character pieces
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Schott Music - Digital
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SheetMusicPlus
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: S9.Q7086 11 Miniatures. Composed by Harald Genzmer. This ed...
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: S9.Q7086 11 Miniatures. Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 17' 45. Schott Music - Digital #Q7086. Published by Schott Music - Digital (S9.Q7086). Harald Genzmer has done a lot for the work with young musicians, and many a string player can recall school orchestra days when Sinfonietta was on the programme quite often. But the probably best-known pupil of Hindemith has written far more of such educational music: all in all, 3 sinfoniettas, apart from collections of simple settings like the eleven Character Pieces for String Orchestra from 1998. They are expressive, entirely songlike miniatures, livened up by two rousing pieces and a pizzicato setting. The pieces can either be played separately or put together into little suites and are ideally suited for school, hobby and amateur orchestras. And despite all educational intentions: It is enjoyable and lively music which is fun to play.
$21.99
Dvorak - Song to the Moon from Rusalka, Op. 114 - Reduction for Soprano and String Quartet (SCORE)
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Classical
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Classical
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Antonin Dvorak
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C
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Dvorak - Song to the Moon from
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Amnael Orozco-Diaz
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SheetMusicPlus
Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU: A0.826938 Composed by Antonin Dvorak. Arranged by C. A. Orozco-D...
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Small Ensemble Cello,High Voice,Piano Accompaniment,Viola,Violin - Digital Download SKU: A0.826938 Composed by Antonin Dvorak. Arranged by C. A. Orozco-Diaz. Opera,Romantic Period. Score and parts. 15 pages. Amnael Orozco-Diaz #4407074. Published by Amnael Orozco-Diaz (A0.826938). Probably the sexiest song from any Bohemian opera ever, this staple of the singers' repertoire is now available for string quartet. Every effort has been put to best capture the intentions, harmonies and colours of the original orchestral accompaniment into this all-strings version. This item includes a score for the accompaniment.Contact us at facebook.com/HouseOfLilithMusic for comments and requests!
$5.22
Götterdämmerung
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Classical
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Richard Wagner
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Götterdämmerung
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Ch...
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17847 Der Ring des Nibelungen. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17847. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17847). German.This edition is based upon Wagner's autograph manuscript, which is the only reliable source to reproduce the composer's intentions. Besides this, the edition records changes made by Wagner during rehearsals in 1876 for the first complete performance at Bayreuth, written in on his instructions by Heinrich Porges, Hermann Levi, Felix Mottl and others. Anyone using this edition thus not only benefits from the best possible musical score, but also gains insight into the performance practice of that time.
$71.99
Call Me Irresponsible
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jazz
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Dinah Washington
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Peet du Toit
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Call Me Irresponsible
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy C...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1495281 By Dinah Washington. By James Van Heusen and Sammy Cahn. Arranged by Peet du Toit. Jazz. 9 pages. Peet du Toit #1071801. Published by Peet du Toit (A0.1495281). Call Me Irresponsible is a 1962 song composed by Jimmy Van Heusen with lyrics written by Sammy Cahn which won the Academy Award for Best Original Song in 1963.According to the Mel Tormé book The Other Side of the Rainbow with Judy Garland on the Dawn Patrol, Van Heusen originally wrote the song for Garland to sing at a CBS dinner. At that time, Garland had just signed to do The Judy Garland Show on CBS, and the intent of the song was to parody her well-known problems. Garland later sang the song on the seventh episode of the show.However, in 1988, Sammy Cahn said during an interview with freelance writer Harlan Conti, in San Francisco, that the song was originally written for Fred Astaire to sing in the film Papa's Delicate Condition in which Astaire was to star. Cahn personally auditioned the song for Astaire's approval, which was given. However, Astaire's contractual obligations prevented him from making the film and the role went to Jackie Gleason, who introduced the song. It won the Academy Award for Best Original Song at the 36th Academy Awards held in 1964.Cahn is said to have had a particular satisfaction in the number of five-syllable words in the lyrics of Call Me Irresponsible.Being born in 1963, you can call me irresponsible for orchestrating this lovely jazz standard. Nevertheless, live has begun! Enjoy with me.
$13.00
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