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You've selected:
Blue Touch Sonata
Sheetmusic to print
3 sheet music found
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Sonata Hymnica No. 3
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. A…
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Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
8.69 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Blue Touch Sonata
2 Guitars (duet)
By Christophe Leu. For 2 guitars. Level 2. Published by Les Productions d'OZ - Digital
By Christophe Leu. For 2 guitars. Level 2. Published by Les Productions d'OZ - Digital
$10.95
10.01 €
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2 Guitars (duet)
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Christophe Leu
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Blue Touch Sonata
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Les Productions d'OZ - Digital
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SheetMusicPlus
Hämmerklavier
Piano, french harp and kazoo (1 player) - difficult - Digital Download SKU: S9.Q5926
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Piano, french harp and kazoo (1 player) - difficult - Digital Download SKU: S9.Q5926 Part XII, Highway 61, after a blues by Fred MacDowell. Composed by Moritz Eggert. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5926. Published by Schott Music - Digital (S9.Q5926). “Hammerklavier†is a full-length cycle in which the composer sends the listener on a journey, a journey into the unknown; this journey presents itself as an act of unleashing, taking Eggert on a departure from the traditions of our planet. The title does not refer to a concert piano, nor to Beethoven’s Hammerklavier Sonata, but to a specific manner of playing: the pianist does not only have to touch the keys, but to be a “performer†in the wider sense. Pieces I-XI have already appeared in two volumes (ED 8622 and ED 9137) and on a recording under WERGO (WER 6611-2) played by the composer.
$22.99
21.03 €
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Moritz Eggert
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Hämmerklavier
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Schott Music - Digital
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SheetMusicPlus
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