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Blues for Four
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C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.86 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Blues for Four
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1023225 Composed by Kevin …
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String Quartet String Quartet - Digital Download SKU: A0.1023225 Composed by Kevin Young. Blues,Contemporary. Score and parts. 13 pages. Kevin Young #4993815. Published by Kevin Young (A0.1023225). String Quartet for young players based on 12 bar blues with variations. Melodic material in Violin 1 and Cello with a 3rd Violin part in lieu of Viola for flexibility. Difficulty Level: Easy.
$15.00
13.69 €
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String Quartet: 2 violins, viola, cello
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Kevin Young
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Blues for Four
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Kevin Young
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SheetMusicPlus
Learn How to Play Blues on the Harp
Harp
Harp - Intermediate - Digital Download Composed by Mac Perry. 20th Century, Jazz, Blu…
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Harp - Intermediate - Digital Download Composed by Mac Perry. 20th Century, Jazz, Blues, Method, General Instructional. 111 pages. Published by Afghan Press Music for the Harp
Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP! Beginner to intermediate level. Five new tunes, blues history, improvisation, wonderful and clever illustrations, hands on training, the four special scales! Everything you ever wanted to know about how to play the Blues on your PEDAL or LEVER HARP!<br> <br> The Four Special Scales used by blues players<br> How to improvise your own solo<br> Special exercises to "see" the Blues Strings<br> Lots of blues licks to use in your improv<br> How to comp using shuffle, syncopation, riffs<br> Learn the secret BLUES TUNING<br> <br> From Carol Robbins, jazz harpist with many TV credits: "Congratulations on a book that is creative, well researched, and beautifully illustrated"<br> <br> From Louise Trotter, "A book on blues for harpists is long overdue, since the subject has been sorely neglected. I. Mac Perry has given us a practical workbook to appeal to classical and pop harpists alike. A valuable contribution."
$30.00
27.38 €
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Harp
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Mac Perry
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Learn How to Play Blues on the Harp
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Afghan Press Music for the Harp
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SheetMusicPlus
Flowers for Dorothy
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. …
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99
3.64 €
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Piano solo
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.68 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Funeral Blues
TTBB chorus and violoncell - Digital Download SKU: BJ.1128 Composed by Hans Lundgre…
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TTBB chorus and violoncell - Digital Download SKU: BJ.1128 Composed by Hans Lundgren. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1128. Published by Bo Ejeby Forlag - Digital (BJ.1128). 8.27 x 11.7 inches.W.H. Auden's poem Funeral Blues (Stop all the clocks ...) became widely known when it appeared in the film Four weddings and a funeral. This composition by Hans Lundgren is for male voices and violoncello.
$5.40
4.93 €
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Hans Lundgren
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Funeral Blues
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.12 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9.12 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
For Amusement Only
2 Clarinets (duet)
2cl. - Easy - Digital Download SKU: F2.FM413 Composed by Terry Kenny. Clarinet Duet…
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2cl. - Easy - Digital Download SKU: F2.FM413 Composed by Terry Kenny. Clarinet Duet. Score. 9 pages. Forton Music - Digital #FM413. Published by Forton Music - Digital (F2.FM413). ISBN 9790570483129.A series of character pieces for two intermediate clarinets. Swing, blues and tango styles are all covered in these four pieces. Both players share the melodies between themselves. Great to play and to listen to.
$9.95
9.08 €
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2 Clarinets (duet)
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Terry Kenny
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For Amusement Only
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Forton Music - Digital
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SheetMusicPlus
Ragtime Suite for Trombone Quartet
Brass Quartet: 4 trombones
Trombone Quartet - Advanced Intermediate - Digital Download Composed by Scott Joplin (1…
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Trombone Quartet - Advanced Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by Jordon Drumgoole. 20th Century, Blues, Dixieland, Ragtime. Score, Set of Parts. 50 pages. Published by Cherry Classics Music
Jordon Drumgoole has arranged four lesser-known gems by master Ragtime composer, Scott Joplin. Ragtime Suite for Trombone Quartet includes the following four rags:
1. Original Rags, 2. Euphonic Sounds, 3. Pineapple Rag and 4. March Majestic
These rags are arranged in very comfortable keys and have easy ranges for all parts; plus, they can be performed by moderately advanced performers. The entire Suite with all repeats contains 14 minutes of delightful music that will get everyone's feet tapping!
$30.00
27.38 €
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Brass Quartet: 4 trombones
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Scott Joplin (1868-1917)
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Ragtime Suite for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Royal Garden Blues
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1497345 Composed by Cla…
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1497345 Composed by Clarence Williams and Spencer Williams. Arranged by Bill Swick. 20th Century,Jazz. Score and Parts. 34 pages. Bill Swick #1073757. Published by Bill Swick (A0.1497345). This Charlie Christian series is written for four guitars, piano, bass, and drums. Each arrangement includes harmonized solos recorded by Charlie Christian. All are from the Dixieland/swing era and are a tribute to Charlie Christian during the period he was performing with Benny Goodman. Some arrangements in this series have opportunities to improvise. All arrangements are in the Intermediate/Advanced category depending on which part is being analyzed.These arrangements may be performed without a rhythm section and parts may be doubled for a larger guitar ensemble.Royal Garden Blues is 33 pages of music.
$20.00
18.25 €
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Clarence Williams and Spencer Williams
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Royal Garden Blues
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Bill Swick
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SheetMusicPlus
Hill Country Miniatures for 8-part Trombone Ensemble
Trombone ensemble
Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Centu…
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Trombone Ensemble - Advanced - Digital Download Composed by Lawn, Richard. 21st Century, Jazz, Blues, Swing. Score, Set of Parts. 143 pages. Published by Cherry Classics Music
Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.<br> <br> This music is about 15 minutes in length and is for advanced performers.<br> <br> The four movements of the work are:<br> <br> Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.<br> <br> Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.<br> <br> The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.<br> <br> Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.<br> <br> Cherry Classics is proud to be the new distributor of this great work.
$50.00
45.63 €
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Trombone ensemble
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Lawn, Richard
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Hill Country Miniatures for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Brass Quartet - A Foregone Conclusion
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..
$25.00
22.82 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - A Foregone Conclusion
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Lyons Music Services
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SheetMusicPlus
Hymn And Dance For The Forgotten
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
3.64 €
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Guitar
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Doug Smith
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Hymn And Dance For The Forgotten
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Doug Smith Guitar Studio
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
School Ensemble
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$34.99
31.93 €
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School Ensemble
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Welsh trad
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COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Austin Ralphson
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SheetMusicPlus
Blues Bass Play-Along Trax
Bass guitar
Electric bass - Beginning- Intermediate - Digital Download Play-Along Tracks for Dev…
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Electric bass - Beginning- Intermediate - Digital Download Play-Along Tracks for Developing your Blues Bass Performance Skill. Composed by Frank De Rose. School of Blues. Lines/Phrases/Rhythm Patterns. E-book and online audio. 25 pages. Mel Bay Publications - Digital Sheet Music #21064MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619115262.<br> <br> Welcome to the School of the Blues Lesson Series! This book and recording were created to help give you context to all the music you worked so hard to learn. The recorded Play-Along Trax have no bass. This gives you the opportunity to work on your blues bass patterns. I have used several different keys and tempos throughout these Play-Along Trax. These Play-Along Trax give you a very realistic example of how you would play live with a band.Music examples are kept fairly simple to make sure this book is accessible to bass players just above the beginning level. For best understanding of these techniques refer to Mel Bay's Blues Bass, Level 1 (MB21063BCD).Lastly, all the references in this book are written for a right-handed four string electric bass. If you play a 5 string bass you just need to extend the examples to include your B string. If you play left-handed then you need to reverse any references to the left and right hands. We will use standard music notation along with bass tablature (TAB) for this book. Includes access to online audio.
$9.99
9.12 €
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Bass guitar
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Blues Bass Play-Along Trax
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Blues for Ben and Me-for piano four hands
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.943111 Compose…
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.943111 Composed by Paul Safar. Contemporary. Score and parts. 11 pages. Paul Safar #6015115. Published by Paul Safar (A0.943111). This jazz, blues based piano duet was inspired by the music of Theolonius Monk. It has room for a small amount of improvisation in the secondo part.
$4.99
4.55 €
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1 Piano, 4 hands
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Paul Safar
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Blues for Ben and Me-for piano four hands
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Paul Safar
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.12 €
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Orchestra
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Quartet for Brass
Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Eliz…
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Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.1044869 Composed by Elizabeth Raum. 20th Century. Score and parts. 47 pages. Gordon Cherry #649485. Published by Gordon Cherry (A0.1044869). Elizabeth Raum's Quartet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for two Trumpets in B-flat, Tenor Trombone and Bass Trombone for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light-hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$35.00
31.94 €
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Elizabeth Raum
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Quartet for Brass
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Gordon Cherry
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SheetMusicPlus
Quintet for Brass
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.792667 Composed by Elizabeth Ra…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792667 Composed by Elizabeth Raum. 20th Century. Score and parts. 49 pages. Gordon Cherry #5329123. Published by Gordon Cherry (A0.792667). Elizabeth Raum's Quintet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for traditional brass quintet with Trumpets in B-flat for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
$45.00
41.07 €
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Brass ensemble
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Elizabeth Raum
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Quintet for Brass
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Gordon Cherry
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SheetMusicPlus
St. Louis Blues
Brass Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1111751 Composed …
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Brass Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1111751 Composed by W.C. Handy. Arranged by Don Bowyer. 20th Century,Classical,Jazz,Standards. Score and parts. 16 pages. Dolphin Don's Music School #714013. Published by Dolphin Don's Music School (A0.1111751). For the Rocket City Trombones. This arrangement for four trombones has a shuffle feel throughout, so all eighth notes should have a triplet feel. Letter C is open for solos over a Bb blues progression. Letter D includes two-bar solo breaks for the first three parts. This works well as a quartet, or as a trombone choir.
$20.00
18.25 €
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W
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St. Louis Blues
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Dolphin Don's Music School
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SheetMusicPlus
Blues for Father
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.945319 Composed by Tom Cortese. Blu…
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Piano Solo - Level 4 - Digital Download SKU: A0.945319 Composed by Tom Cortese. Blues,Jazz. Score. 4 pages. Thomas A. Cortese #5765405. Published by Thomas A. Cortese (A0.945319). I wrote this piece way back in 1990, a few months after my father passed away unexpectedly at the not-so-very-old age of sixty-four...
$5.00
4.56 €
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Piano solo
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Tom Cortese
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Blues for Father
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Thomas A. Cortese
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SheetMusicPlus
PLATFORM NINE an original stage musical
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)
$87.00
79.4 €
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Choral SATB
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Dennis A
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PLATFORM NINE an original stage musical
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Tyne Music
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SheetMusicPlus
Circle of Fourths - All Chords for Jazz Band
Jazz Ensemble
Composed by Jason A. Taurins. Jazz, Blues, Swing, Big Band, Bebop. Individual Part, …
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Composed by Jason A. Taurins. Jazz, Blues, Swing, Big Band, Bebop. Individual Part, Score, Set of Parts. 22 pages. Published by Jason A. Taurins
Use this as a technique builder and as a reference when teaching jazz improvisation. Each exercise starts with the major scale, followed by arpeggios on the following chords on the same root: major seventh, dominant seventh, minor seventh, half-diminished seventh, and fully-diminished seventh. It's an amazing teaching tool for middle and high school jazz musicians!
$19.99
18.24 €
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Jazz Ensemble
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Jason A
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Circle of Fourths - All Chords for Jazz Band
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Jason A. Taurins
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SheetMusicPlus
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