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You've selected:
Breach
Sheetmusic to print
21 sheet music found
<
1
The Breach of Promise Case
Piano, Voice
Piano and voice - Digital Download SKU: LV.5190 Arranged by Otto Heboe. Judicial pr…
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Piano and voice - Digital Download SKU: LV.5190 Arranged by Otto Heboe. Judicial proceedings, Lawyers, Courtship, Love, Marriage proposals. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5190). Joe O'Connor's Latest Comic Song & Chorus. The Breach of Promise Case. Arranged by Otto Heboe. Published 1890 by Harding Brothers in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Judicial proceedings, Lawyers, Courtship, Love, Marriage proposals. First line reads The judge took his seat in the courthouse one day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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The Breach of Promise Case
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Breach
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1248643 Composed by PIXEL. 21st C…
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Concert Band - Level 4 - Digital Download SKU: A0.1248643 Composed by PIXEL. 21st Century,Contemporary,Contest,Festival,Instructional. Score and Parts. 65 pages. T.U.X. People's Music #843140. Published by T.U.X. People's Music (A0.1248643). Presenting an engaging challenge for all, Breach is a programmatic take for concert band on the classic heist that features strong percussion and upper woodwind writing complemented by powerful brass!
$75.00
69.14 €
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Concert band
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PIXEL
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Breach
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T.U.X. People's Music
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SheetMusicPlus
Security Breach
Percussion Ensemble Bells,Cymbals,Marimba,Snare Drum,Tom Tom,Triangle,Vibraphone,Wind Chim…
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Percussion Ensemble Bells,Cymbals,Marimba,Snare Drum,Tom Tom,Triangle,Vibraphone,Wind Chimes,Xylophone - Level 2 - Digital Download SKU: A0.1272828 Composed by Drew Morris. 21st Century,Chamber,Contemporary,Contest,Festival. 41 pages. Yellow Envelope Publications #865025. Published by Yellow Envelope Publications (A0.1272828). This piece was written as a way for young percussionists to get some time on marching instruments before they join the marching band, It’s based around the concept of double-beat and a 16th note grid. It starts as a conventional concert percussion ensemble, but halfway through, everyone except for the hi-hat player moves to a marching drum to play some grooves that will further reinforce the technique of double-beat, while also sounding pretty cool! Then everyone returns to their original instruments to finish out the piece.Instrumentation8 Percussionists - Glockenspiel, Xylophone, Marimba, Vibraphone, Concert Snare Drum, Concert Toms (2), Suspended Cymbal, Triangle, Hi-hat, Wind Chimes, Concert Bass Drum, Marching Snare Drum, Marching Tenor Drums, Marching Bass Drum (4)
$35.00
32.27 €
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Drew Morris
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Security Breach
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Yellow Envelope Publications
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SheetMusicPlus
The Breach of the Deeping Wall by Drew Collier - Piano Solo
Piano solo
Sheet Music for The Breach of the Deeping Wall from The Lord of the Rings: The Two Towers;…
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Sheet Music for The Breach of the Deeping Wall from The Lord of the Rings: The Two Towers; The Lord of the Rings arranged for Instrumental Solo in A Minor. Digital sheet music from Musicnotes. --
$5.79
5.34 €
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Piano solo
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Piano Solo
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Musicnotes
Breach Birth by Chevelle - Guitar Tab
Guitar notes and tablatures
Performed by: Chevelle: Breach Birth Digital Sheetmusic - instantly downloadable sheet mus…
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Performed by: Chevelle: Breach Birth Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab, instruments: Guitar;Voice; 6 pages -- Alternative Metal
$5.50
5.07 €
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Guitar notes and tablatures
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Chevelle
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Guitar Tab
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Musicnotes
Hi-Tech Etudes Volume 1
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1422987 Composed by Dominic Irving.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1422987 Composed by Dominic Irving. 21st Century,Comedy,Contemporary,Instructional,Jazz. Score. 28 pages. Masquerade Music #1004343. Published by Masquerade Music (A0.1422987). Hi-Tech Etudes Volume One (solo piano) by Dominic Irving is the first volume in an inspiring and imaginative collection of pieces that reference technology or modern life along with some musical humour at times!The pieces in volume one vary in difficulty but are generally aimed at roughly grades 2-5 with a number of pieces falling into each level. Useful tips have been included to help students achieve the best outcome and creativity and imagination can often be fully explored. Contents: Augmented Reality Friend Request The Brightest Pixel Sir, this Piano's Broken! My Toaster's Online Machine Learning Don't Open the Box! Cyber Cat Living in the Cloud Holograms Dancing Counting the Leaves in the Forest The Day Sweets Fell to Earth Digital Detox Data Breach Red, White and Bluetooth Hi-Tech Etudes makes a great addition to lesson fun and for all ages!.
$9.87
9.1 €
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Piano solo
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Dominic Irving
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Hi-Tech Etudes Volume 1
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Masquerade Music
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SheetMusicPlus
High Flight
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.1236628 Composed by Christia…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1236628 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832148. Published by Hoopla Sheet Music (A0.1236628). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
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French Horn and Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
#
SheetMusicPlus
The Blacksmith
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.793300 Composed by Traditi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.793300 Composed by Traditional. Arranged by Stephen Sharpe. Celtic,Contemporary,Folk,Irish,Multicultural,World. Octavo. 5 pages. Stephen Sharpe #550631. Published by Stephen Sharpe (A0.793300). SATB arrangement of a traditional English folk song collected by Ralph Vaughan Williams in 1909. The song tells the sad story of a cruel breach of promise by a young man to his girlfriend. The arrangement uses some dissonant harmonies to underscore the poignancy of the story.
$2.00
1.84 €
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Choral SATB
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Traditional
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The Blacksmith
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Stephen Sharpe
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SheetMusicPlus
High Flight
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.1236625 Composed by Christian Morr…
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Flute,Piano - Level 4 - Digital Download SKU: A0.1236625 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832145. Published by Hoopla Sheet Music (A0.1236625). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
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Flute and Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
#
SheetMusicPlus
High Flight
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.1236631 Composed by Christian M…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1236631 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832151. Published by Hoopla Sheet Music (A0.1236631). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
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Trombone and Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
#
SheetMusicPlus
High Flight
Clarinet and Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.1236624 Composed by Christian M…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.1236624 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832144. Published by Hoopla Sheet Music (A0.1236624). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
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Clarinet and Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
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SheetMusicPlus
The Burton Quadrille's
Piano solo
Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lest…
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Piano - Digital Download SKU: LV.7806 Composed by Henry Tissington. Portraits. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7806). The Burton Quadrille's. (1) Charles Dimple (Leap Year); (2) Breach of promise); (3) Aminadab Sleek (Serious Family); (4) Mr. Pillicoddy; (5) Mr. Timothy Toodl. Composed and Arranged for the Piano Forte by Henry Tissington, Flautist at Burtons Theatre, Chamber St. Published 1850 by Jollie, 300 Broadway in New York. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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Henry Tissington
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(2) Breach of promise)
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The Burton Quadrille's
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Haru No Umi-El Mar En Primavera
B-Flat Clarinet,B-Flat instrument - Level 3 - Digital Download SKU: A0.1128442 By M…
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B-Flat Clarinet,B-Flat instrument - Level 3 - Digital Download SKU: A0.1128442 By Manuel Gago Fernandez and Michio Miyagi. By Michio Miyagi. Arranged by Manuel Gago Fernandez. 20th Century,Chamber,Classical,Folk,Spiritual. Full Performance. Duration 414. Manuel Gago Fernandez #729063. Published by Manuel Gago Fernandez (A0.1128442). Proof of Mechanical License Acting as the licensing agent, Tunelicensing has acquired Compulsory Mechanical License on behalf of the licensee for the track listed below either directly with the publishers, with the Harry Fox Agency or through Notice of Intent. Licensee Name: Manuel Gago Fernandez Licensee email: manuel.gago.eduextrem@gmail.com License Date: 2022-11-04 Request #: 235638 Music Work Title ?? Haru No Umi-El Mar En Primavera Author(s) Michio Miyagi Copyright Owner(s) Universal Music - MGB Songs - 100% - 1500188594 Date of Distribution / Release Date 2022-08-09 Album Title Recording Artist(s) Manuel Gago Fernandez Catalog Number(s) TCAGJ2268433 Quantity Licensed Unlimited Configuration Digital Download Playing Time 6:54 Tunelicensing has licensed music for this project under the authority of the US Copyright law governing Compulsory Music Licensing. The license obtained is limited to making and distribution within the United States and for a use and configuration that complies with the Compulsory Mechanical provision of Section 115 of the US Copyright Law. Tunelicensing received accurate information, including song title, original recording artist, current recording artist, release date, track length and any other information requested, for the recordings that was licensed. Company is not responsible for any adverse claim by a publisher or copyright holder if licenses obtained with inaccurate information provided. Any breach of the terms and conditions of the Tunelicensing.com will invalidate the license.
$13.00
11.98 €
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Manuel Gago Fernandez and Michio Miyagi
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Haru No Umi-El Mar En Primavera
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Manuel Gago Fernandez
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SheetMusicPlus
High Flight
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1236633 Composed by Christian Morr…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1236633 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832153. Published by Hoopla Sheet Music (A0.1236633). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
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Cello, Piano
#
Christian Morris
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High Flight
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Hoopla Sheet Music
#
SheetMusicPlus
High Flight
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1236635 Composed by Christian Mor…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1236635 Composed by Christian Morris. Contemporary. 32 pages. Hoopla Sheet Music #832155. Published by Hoopla Sheet Music (A0.1236635). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
9.21 €
#
Violin and Piano
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Christian Morris
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High Flight
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Hoopla Sheet Music
#
SheetMusicPlus
Accentus
Concert band
Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and P…
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Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
46.1 €
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Concert band
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
America, the Land of Liberty
Choral SATB
Concert Band & optional SATB Choir - Digital Download SKU: IZ.CBW2210 Composed by M…
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Concert Band & optional SATB Choir - Digital Download SKU: IZ.CBW2210 Composed by Michael Francis Smith. Score and Parts. 58 pages. Imagine Music - Digital #CBW2210. Published by Imagine Music - Digital (IZ.CBW2210). 6.75 x 10.5 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$60.00
55.31 €
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Choral SATB
#
Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
#
SheetMusicPlus
Heinrich Schenker - Four Two Voice Inventions, op. 5
Piano solo
Piano Solo - Digital Download SKU: A0.733166 Composed by Heinrich Schenker (1868-19…
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Piano Solo - Digital Download SKU: A0.733166 Composed by Heinrich Schenker (1868-1935). Arranged by Benjamin Ayotte. 20th Century. Score. 10 pages. Ayotte Custom Musical Engravings #3424921. Published by Ayotte Custom Musical Engravings (A0.733166). Schenker is known to have sent Julius Röntgen a copy of his Zweistimmige Inventionen. He seems to have been particularly fond on no. 2 of the set of four. He wrote to Röntgen on 13 April 1901, I hope that Invention No. 2, of which I am very proud, interests you. It is indeed rather quick-I mean passionate, deliberate, very expressive! It is here, primarily, where I’ve breached modernism. It would make me very happy if this invention pleased you. Patrick Miller offers this assessment of these works vis-à -vis Scheker’s other published output:The four pieces in this set seemingly mark a departure from the dense harmonic and rhythmic textures of Schenker’s previously published piano compositions. The intricate melodic lines of these pieces, however, imply a texture rich with harmonic and rhythmic details. … The first invention is a delicate chromatic study, while the second invention is an intense chromatic piece based on the B–A–C–H motive, Bb–A–C–B. With regard to thematic material and texture, the third invention is the most transparent of the set and is an exacting study in finger articulation. The fourth invention is a canon and, according to a printed footnote, is ‘a study after JS Bach’s Invention no. 2 (C minor) .
$29.99
27.65 €
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Piano solo
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Heinrich Schenker
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Heinrich Schenker - Four Two Voice Inventions, op. 5
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Lewis Capaldi - Someone You Loved
Piano, Voice
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Ca…
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Lewis Capaldi. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Someone You Loved" by Lewis Capaldi on piano!<br> <br> With this piano sheet music, you can play the piano part of "Someone You Loved" just like it is played in the song.<br> It's an accurate transcription of the piano accompaniment in the song's original key of Db major.<br> <br> These piano sheets come with a seperate system for the singer, the song's full melody and lyrics.<br> They are perfect if you want to accompany a singer, or sing along yourself!<br> <br> "Someone You Loved" was released in November 2018 as a single from Lewis Capaldi's EP "Breach".<br> <br> The song will also be included on his debut album "Divinely Uninspired to a Hellish Extent".<br> <br> "Someone You Loved" is an emotional piano ballad and his biggest hit so far, reaching #1 on the UK Singles chart!<br> <br> Here are the full lyrics to "Someone You Loved" by Lewis Capaldi:<br> <br> [Verse 1]<br> I'm going under and this time I fear there's no one to save me<br> This all or nothing really got a way of driving me crazy<br> I need somebody to heal<br> Somebody to know<br> Somebody to have<br> Somebody to hold<br> It's easy to say<br> But it's never the same<br> I guess I kinda liked the way you numbed all the pain<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Verse 2]<br> I'm going under and this time I fear there's no one to turn to<br> This all or nothing way of loving got me sleeping without you<br> Now, I need somebody to know<br> Somebody to heal<br> Somebody to have<br> Just to know how it feels<br> It's easy to say but it's never the same<br> I guess I kinda liked the way you helped me escape<br> <br> [Chorus]<br> Now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> [Bridge]<br> And I tend to close my eyes when it hurts sometimes<br> I fall into your arms<br> I'll be safe in your sound 'til I come back around<br> <br> [Chorus]<br> For now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> But now the day bleeds<br> Into nightfall<br> And you're not here<br> To get me through it all<br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved<br> <br> I let my guard down<br> And then you pulled the rug<br> I was getting kinda used to being someone you loved
$4.99
4.6 €
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Piano, Voice
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Lewis Capaldi
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Lewis Capaldi - Someone You Loved
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Mario Stallbaumer
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.91 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
#
SheetMusicPlus
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