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You've selected:
Breathing In The Moment
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Sheetmusic to print
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Breathing In The Moment
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.857978 Composed by Michele McLaughl…
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Piano Solo - Level 4 - Digital Download SKU: A0.857978 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 6 pages. Michele McLaughlin Music #38261. Published by Michele McLaughlin Music (A0.857978). Song: Breathing In The Moment Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
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Piano solo
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Michele McLaughlin
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Breathing In The Moment
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Michele McLaughlin Music
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SheetMusicPlus
The Lunar Effect
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.857992 Composed by Michele McLaughl…
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Piano Solo - Level 3 - Digital Download SKU: A0.857992 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 4 pages. Michele McLaughlin Music #38289. Published by Michele McLaughlin Music (A0.857992). Song: The Lunar Effect Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
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Piano solo
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Michele McLaughlin
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The Lunar Effect
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Michele McLaughlin Music
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SheetMusicPlus
The Beauty Within
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.857981 Composed by Michele McLaughl…
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Piano Solo - Level 4 - Digital Download SKU: A0.857981 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 6 pages. Michele McLaughlin Music #38263. Published by Michele McLaughlin Music (A0.857981). Song: The Beauty Within Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
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Piano solo
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Michele McLaughlin
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The Beauty Within
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Michele McLaughlin Music
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SheetMusicPlus
The Sense of a Place Will Remain
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Con…
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
7.18 €
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Choral SATB
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Paul Burnell
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The Sense of a Place Will Remain
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Paul Burnell
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SheetMusicPlus
In Your Slumber
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.55 €
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Concert band
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.07 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Yuki-Onna (piano solo)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.41 €
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Piano solo
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Yuki-Onna (piano 4-hands)
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.41 €
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1 Piano, 4 hands
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Symphony in D minor (Movement 3)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Aug…
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String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructional,Romantic Period. Score and Parts. 44 pages. Davison Yon #877509. Published by Davison Yon (A0.1286453). Captivating Transformation: Symphony No. 5 Movement 3 by César Franck - Reimagined for String OrchestraStep into a world of enchanting musical metamorphosis with this meticulously crafted arrangement of Symphony No. 5 Movement 3 by the composer César Franck. This unique adaptation brings a fresh perspective to the timeless beauty of Franck's original composition, tailored specifically for a string orchestra, allowing its inherent brilliance to shine anew.A Symphony Reimagined: This arrangement carefully preserves the essence and emotional depth of César Franck's Symphony No. 5 3rd Movement while introducing a captivating twist through the medium of a string orchestra. The lush harmonies, poignant melodies, and intricate textures are ingeniously reinterpreted, breathing new life into the piece while honoring its historical significance.Unveiling Emotion: Franck's original composition is renowned for its ability to evoke a wide range of emotions, and our arrangement takes this a step further. The inherent expressiveness of the string orchestra accentuates the poignant moments, heightening the emotional impact and transporting listeners to a world where every note carries an indelible story.Versatility and Adaptability: Perfect for both intimate chamber settings and grand concert stages, this arrangement offers remarkable versatility. Whether performed in a refined chamber ensemble or by a full string orchestra, the arrangement's adaptability ensures an unforgettable musical experience that resonates with audiences of all ages.For Performers and Collectors: This meticulously crafted arrangement is an invaluable addition to the repertoire of string orchestras, chamber ensembles, and music collectors. Musicians will relish the opportunity to interpret a beloved classical piece in a new light, while collectors will treasure this arrangement as a testament to the ever-evolving nature of musical artistry.Elevate Your Repertoire: Embark on a musical journey that transcends time and tradition. This arrangement of Symphony No. 5 by César Franck for string orchestra offers a chance to explore the symphonic gem from a fresh perspective, making it an essential addition to the repertoire of any ensemble seeking to elevate their performances to new heights.
$40.00
36.13 €
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String Orchestra
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Cesar Auguste Franck
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Symphony in D minor
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Davison Yon
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SheetMusicPlus
Rejoice (Reprise)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.857993 Composed by Michele McLaughl…
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Piano Solo - Level 5 - Digital Download SKU: A0.857993 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 7 pages. Michele McLaughlin Music #38291. Published by Michele McLaughlin Music (A0.857993). Song: Rejoice (Reprise) Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
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Piano solo
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Michele McLaughlin
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Rejoice
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Michele McLaughlin Music
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SheetMusicPlus
Breaking Free
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.857989 Composed by Michele McLaughl…
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Piano Solo - Level 4 - Digital Download SKU: A0.857989 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 5 pages. Michele McLaughlin Music #38283. Published by Michele McLaughlin Music (A0.857989). Song: Breaking Free Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
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Piano solo
#
Michele McLaughlin
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Breaking Free
#
Michele McLaughlin Music
#
SheetMusicPlus
Wonderment
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.857990 Composed by Michele McLaughl…
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Piano Solo - Level 2 - Digital Download SKU: A0.857990 Composed by Michele McLaughlin. Arranged by Michele McLaughlin. Contemporary,New Age. Score. 4 pages. Michele McLaughlin Music #38287. Published by Michele McLaughlin Music (A0.857990). Song: Wonderment Album: Breathing In The Moment Artist: Michele McLaughlin Composer: Michele McLaughlin Publisher: Michele McLaughlin Music Copyright © 2012 - All rights reserved. Please do not share, distribute or otherwise copy this sheet music without the express permission from Michele McLaughlin. http://www.michelemclaughlin.com.
$5.50
4.97 €
#
Piano solo
#
Michele McLaughlin
#
Wonderment
#
Michele McLaughlin Music
#
SheetMusicPlus
Солнце (Sun)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed …
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
1.8 €
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Choral SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Air
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1412964 By Damien Gauci. By Damien Gauci…
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Piano - Level 3 - Digital Download SKU: A0.1412964 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 244. Damien Gauci #994971. Published by Damien Gauci (A0.1412964). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.
$1.99
1.8 €
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Piano solo
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Damien Gauci
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Air
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Damien Gauci
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SheetMusicPlus
Air
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1411181 By Damien Gauci. By Damien …
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Piano Solo - Level 3 - Digital Download SKU: A0.1411181 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993516. Published by Damien Gauci (A0.1411181). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.
$1.99
1.8 €
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Piano solo
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Damien Gauci
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Air
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Damien Gauci
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SheetMusicPlus
Symphony No. 5 (LEAD SHEET) C minor, Op. 67 [Ludwig van Beethoven]
C Instruments
C Instrument - Digital Download SKU: A0.1259541 Composed by Ludwig van Beethoven. A…
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C Instrument - Digital Download SKU: A0.1259541 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 2 pages. Darek #852845. Published by Darek (A0.1259541). Symphony No. 5 (LEAD SHEET) C minor, Op. 67 [Ludwig van Beethoven] Lead Sheet arrangements of Symphony No. 5 C minor, Op. 67 / Symphony No. 5 in C Minor by Ludwig van Beethoven on various instruments. Step into the world of Ludwig van Beethoven's iconic Symphony No. 5 in C minor, Op. 67, with my meticulously crafted lead sheet arrangement for various instruments. This product offers musicians the opportunity to explore and interpret Beethoven's timeless masterpiece in a versatile and engaging format. As a lead sheet, this arrangement provides the essential melodic and harmonic elements of Symphony No. 5, allowing musicians to bring their unique style and creativity to the performance. Whether you're a pianist, guitarist, violinist, or any other instrumentalist, this lead sheet enables you to make the music your own. Immerse yourself in the expressive melodies and powerful motifs that define Symphony No. 5, one of Beethoven's most renowned compositions from the classical era. With this arrangement, you can delve into the rich musical tapestry of the piece, capturing its dramatic energy and emotional depth. Suitable for musicians of varying skill levels, this lead sheet caters to both beginner and advanced players, enabling everyone to experience the beauty of Beethoven's work. Beginners can grasp the fundamental melodies, while advanced musicians can use the lead sheet as a starting point for improvisation and embellishment. Unlock the potential for memorable performances, enriching practice sessions, and inspiring teaching moments. Whether you're looking to showcase your skills on stage, refine your understanding of the composition, or introduce Symphony No. 5 to your students, this lead sheet is a valuable resource. With its concise format, the lead sheet allows for easy navigation and quick referencing, enhancing your workflow and enabling efficient rehearsals. Explore the nuances of Beethoven's masterpiece as you interpret the melodies, harmonies, and rhythms, breathing life into each note. Expand your repertoire and embrace the profound beauty of Symphony No. 5 with this versatile lead sheet arrangement. Its adaptability for various instruments empowers pianists, guitarists, violinists, and others to express their musicality and connect with Beethoven's genius. As you embark on your musical journey with Symphony No. 5, take advantage of the flexibility offered by this lead sheet arrangement. Embrace the challenge, enjoy the rewards, and discover the transformative power of Beethoven's timeless composition. Enhance your performances, inspire your practice sessions, and ignite your teaching with the captivating melodies of Symphony No. 5. This lead sheet arrangement provides a gateway to the world of Beethoven, allowing you to create your own interpretation and leave a lasting impression on audiences and fellow musicians alike.
$3.00
2.71 €
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C Instruments
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Ludwig van Beethoven
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Symphony No. 5
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Darek
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SheetMusicPlus
Sledgehammer
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.945537 By Rihanna. By Jess…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.945537 By Rihanna. By Jesse Shatkin, Robin Fenty, and Sia. Arranged by Celine Durney. A Cappella,Dance,Pop,R & B. Octavo. 6 pages. Celine Mireille Durney #5970825. Published by Celine Mireille Durney (A0.945537). From the motion picture Star Trek Beyond (2016) by RihannaGreat for high school or collegiate treble-voice a cappella groups! ~Starts off with ominous introduction (d minor) & then, with ongoing crunchy harmonies, shifts quickly into D Major~Lots of choral techniques embedded in this contemporary arrangement that are great for ensembles to work on such as aligning shape of vowels (especially as they change from closed to more open), homophonic chord structures/changes/tuning, staggered breathing within longer phrases, etc.~Features separate solo line, which can be performed by one singer or easily divided amongst other singers based on sections; moments of ensemble echoing the solo as well as having the melody bounce between parts in absence of solo ~Can be well-executed with OR without vocal percussion; notes for vocal percussion are included in score & should be minimal as the main driving force of the song is in the DYNAMICS, EMOTION, & PHRASING of the pieceRanges:S1 - D4-G5S2 - D4-D5A1 - Bb3-G4A2 - F3-F#4.
$3.99
3.6 €
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Choral SSAA
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Rihanna
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Sledgehammer
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Celine Mireille Durney
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SheetMusicPlus
Prophitiae Sibyllarum
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orland…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.
$3.09
2.79 €
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Choral SATB
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Orlande De Lassus
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Prophitiae Sibyllarum
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Jasper Swank
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SheetMusicPlus
Breathing In The Moment
Piano solo
Composed by Michele McLaughlin. 21st Century, Contemporary Classical, New Age. Sheet Music…
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Composed by Michele McLaughlin. 21st Century, Contemporary Classical, New Age. Sheet Music Single. 6 pages. Published by Michele McLaughlin Music (S0.198831). - Sheet Music Single - 21st Century,Contemporary Classical,New Age - Michele McLaughlin Music
$5.50
4.97 €
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Piano solo
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Michele McLaughlin
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Breathing In The Moment
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Michele McLaughlin Music
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SheetMusicPlus
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