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Bring Us Near - Drums
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47 sheet music found
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Bring Us, O Lord God (Downloadable)
Choral SATB
SATB choir and organ - Medium - Digital Download SKU: MQ.AE154-E Composed by Gerald…
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SATB choir and organ - Medium - Digital Download SKU: MQ.AE154-E Composed by Gerald Near. Funeral. Instrument part. 7 pages. Aureole Editions - Digital #AE154-E. Published by Aureole Editions - Digital (MQ.AE154-E). English.Commissioned by the choir of Christ Church Parish in Pensacola, this sublime text by John Donne is given a thoughtful and skillful setting by Gerald Near. The organ part is lyrical and supportive, there is an optional a cappella section of about eight measures. Never above a dynamic of mf, this is restrained and elegant music.
$1.95
1.77 €
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Choral SATB
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Gerald Near
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Bring Us, O Lord God
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Aureole Editions - Digital
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SheetMusicPlus
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
3.59 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gustav Holst
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Nearer, My God, to Thee (as played by 'The Piano Guys')
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1259252 By Sarah Flower …
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys'). Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Instructional,Sacred,Wedding. 17 pages. Flavio Regis Cunha #852516. Published by Flavio Regis Cunha (A0.1259252). Are you a cellist looking for the perfect arrangement to add to your repertoire? Then look no further! Â Introducing 'Nearer, My God, to Thee' composed by Sarah Flower Adams as heard on 'The Piano Guys'. This beautifully arranged piece is perfect for a violoncello quartet. Â For amateurs, students, and professionals alike, this sheet music provides an excellent opportunity to learn and practice the intricate and soaring melodies of this timeless song. The sheet music also makes a delightful addition to any repertoire, providing a wonderful, powerful, and meaningful performance. Â Experience the beauty of 'Nearer, My God, to Thee' the way it was intended with this arranger sheet music from 'The Piano Guys'. Your audience will be in awe of your musical skill in no time!Advanced-IntermediateFormat: Concert, 9 x 12 inches8 pages.Program NotesThe Piano Guys bring to life Sarah Flower Adams's traditional hymn Dawn in this lively arrangement for four violoncellos. In this unique interpretation, the alluring melody of the strings conjure up feelings of anguish and hope evoked by the original hymn. Throughout the piece, the four cellists navigate an intricate combination of Renaissance-era chords, lush harmonies, and entrancing held notes that transition between moments of minor despair and major triumph within the same breath. As the layers of four strong, soulful voices come together at the end, we are left with feelings of optimism and promise, that no matter the tribulations we may face, dawn brings us a sense of renewal.
$12.99
11.82 €
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Sarah Flower Adams and 'The Piano Guys'
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Nearer, My God, to Thee
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Flavio Regis Cunha
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SheetMusicPlus
Nearer, My God, to Thee
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.839940 By Christopher Alexander. By…
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Piano Solo - Level 4 - Digital Download SKU: A0.839940 By Christopher Alexander. By Lowell Mason. Arranged by Christopher Alexander. Sacred. Score. 12 pages. Christopher Alexander #6197209. Published by Christopher Alexander (A0.839940). Most famously notable for being played by the musicians on the RMS Titanic as the ship sank into the Atlantic Ocean in 1912, the beginning of this arrangement aims to capture the essence of that fateful night with the ocean waves represented in an aleatoric figure in the left hand as the melody soars above the rumbling. Â The song moves from there to illustrate more bodies of water (i.e. rivers, creeks, and seas) that beautify and bring peace to the earth and bring to us a sense of wholeness with each image. Â This timeless hymn will surely bring us closer in our journeys of faith during your performance.
$2.00
1.82 €
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Piano solo
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Christopher Alexander
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Nearer, My God, to Thee
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Christopher Alexander
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SheetMusicPlus
Bring Us Near
Digital Download SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404679).
$40.00
36.38 €
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Dianne Wilkinson and Rebecca J
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Bring Us Near
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Full Score
Choral - Digital Download SKU: HX.404669 By Dianne Wilkinson and Rebecca J. Peck. A…
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Choral - Digital Download SKU: HX.404669 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 22 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404669).
$7.00
6.37 €
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Full Score
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Keyboard String Reduction
Piano (band part)
Digital Download SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404679 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404679).
$7.00
6.37 €
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Piano (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Keyboard String Reduction
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Violin 1, 2
Violin (band part)
Digital Download SKU: HX.404675 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404675 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404675).
$7.00
6.37 €
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Violin (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Violin 1, 2
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Viola
Viola (band part)
Digital Download SKU: HX.404676 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404676 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404676).
$7.00
6.37 €
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Viola (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Viola
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Cello
Cello (band part)
Digital Download SKU: HX.404677 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404677 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404677).
$7.00
6.37 €
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Cello (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Cello
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Percussion
Percussion (band part)
Digital Download SKU: HX.404672 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404672 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404672).
$7.00
6.37 €
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Percussion (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Percussion
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Rhythm
Digital Download SKU: HX.404674 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404674 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404674).
$7.00
6.37 €
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Rhythm
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Clarinet (sub. Oboe)
Clarinet (band part)
Digital Download SKU: HX.404671 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404671 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404671).
$7.00
6.37 €
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Clarinet (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near
Choral SATB
(SATB) - Digital Download SKU: HX.404620 Arranged by Richard Kingsmore. Sacred. Cho…
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(SATB) - Digital Download SKU: HX.404620 Arranged by Richard Kingsmore. Sacred. Choral. 11 pages. Duration 225. Published by Hal Leonard - Digital (HX.404620).
$2.15
1.96 €
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Choral SATB
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Bring Us Near
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Oboe
Oboe (band part)
Digital Download SKU: HX.404670 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404670 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404670).
$7.00
6.37 €
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Oboe (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Oboe
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Hal Leonard - Digital
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SheetMusicPlus
Bring Us Near - Double Bass
Doublebass (band part)
Digital Download SKU: HX.404678 By Dianne Wilkinson and Rebecca J. Peck. Arranged b…
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Digital Download SKU: HX.404678 By Dianne Wilkinson and Rebecca J. Peck. Arranged by Richard Kingsmore. This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #289576. Published by Hal Leonard - Digital (HX.404678).
$7.00
6.37 €
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Doublebass (band part)
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Dianne Wilkinson and Rebecca J
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Bring Us Near - Double Bass
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Hal Leonard - Digital
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SheetMusicPlus
No Greater Love
Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105110
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Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99
1.81 €
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David Kai
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No Greater Love
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David Kai
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SheetMusicPlus
Celestial Light (Think Celestial), a sacred hymn
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1355292 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1355292 Composed by Kevin G. Pace (ASCAP), Kristi Lords Kent. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #940011. Published by Kevin G. Pace (A0.1355292). A beautiful hymn with music by Kevin G. Pace and text by Kristi Lords Kent.Text:While we abide on earth in our familiesDiscouragement can strike and bring us to our knees.I will turn to Heaven for the answers that I need.I will turn to Heaven when I am in need.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Jesus lifts the darkness, so we can find His ways.God’s promises are true, remember and obey.Sufficient to meet the challenges today.Sufficient for me and the challenges today.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.Dear Kind, Heavenly Father, and Jesus Christ so dearPromptings from the Holy Ghost, Heaven is so near.Repentance is a gift; the way will be made clear.Repentance I will do so Thy way will be made clear.Oh, let me see with Celestial LightOh, let me feel with Celestial LightOh, let me think with Celestial Light.Oh, let me serve with Celestial Light.
$1.99
1.81 €
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Choral SATB
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Kevin G
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the way will be made clear
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Celestial Light
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Kevin G. Pace
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.42 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Sir Christemasse, A song of Father Christmas : SATB with Acoustic Guitar
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.741933 Composed by M. Ryan Taylor. C…
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Choral Choir (SATB) - Digital Download SKU: A0.741933 Composed by M. Ryan Taylor. Christian,Christmas,Classical,Contemporary,Sacred. Octavo. 15 pages. Vocal Works #484863. Published by Vocal Works (A0.741933). A setting of an adapted Christmas text by Richard Smert (1428-77) Nowell, nowell, nowell. Welcome my lord Sir Christemasse, Welcome to all both more and lasse, Come near, nowell! Come near, nowell. Dieu vous garde beau sire, tidings I you bring: A maid hath born a child full young, Which causeth ye for to sing: Welcome my lord Sir Christe masse, Welcome to all both more and lasse, Come near, nowell. Come near, noWelcome my lord Sir Christemasse, Welcome to all both more and lasse, come near, nowell, come near, nowell, come near, nowell, come near, nowell, come near, nowell. Wherefor sing we all at abrayde: Nowell! come near, nowell. Christ is now born of a pure maid; come near, nowell, come near, nowell, come near, nowell, come near, nowell. Wherefor sing we all at abrayde: Nowell! Come near, Nowell! In an ox stall he is laid; Wherefor sing we all at abrayde: Nowell! Who is there that singeth so? I am here! Beuvex bien par tutte la company, Make good cheer and be right merry, And sing with us most joyfully: Nowell! Who is there that singeth so? Welcome my lord Sir Christemasse, Welcome to all both more and lasse, Come near, nowell!
$1.99
1.81 €
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Choral SATB
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M
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Sir Christemasse, A song of Father Christmas : SATB with Acoustic Guitar
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Vocal Works
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SheetMusicPlus
Richard Kingsmore: Bring Us Near (COMPLETE) - orchestra/band
Orchestra
Instantly printable sheet music by Richard Kingsmore for orchestra/band of MEDIUM skill le…
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Instantly printable sheet music by Richard Kingsmore for orchestra/band of MEDIUM skill level. / sacred
$43.99
40.01 €
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Orchestra
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Richard Kingsmore
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Virtualsheetmusic
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