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You've selected:
Bui-Doi
SheetMusicPlus
Sheetmusic to print
30 sheet music found
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1
26
Bui-Doi
Piano, Voice
Interactive Download SKU: HX.389461 By Alain Boublil and Claude-Michel Schonberg. T…
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Interactive Download SKU: HX.389461 By Alain Boublil and Claude-Michel Schonberg. This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 7 pages. Published by Hal Leonard - Digital (HX.389461).
$4.99
4.48 €
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Piano, Voice
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Alain Boublil and Claude-Michel Schonberg
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Bui-Doi
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Hal Leonard - Digital
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SheetMusicPlus
Cheos Man Nam Eun Gye Hoig Dai Ro Doi Ji Anh A (Plot Twist)
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1399403 By Tws. By Brother Su, Bu…
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C Instrument - Level 1 - Digital Download SKU: A0.1399403 By Tws. By Brother Su, Building Owner, Bumzu, Hang Kyu Lee, Heon Seo Park, Jin Jeon, Kyu Hoon Rlee, Ohway!, Taisuke Chizaki (Pka T-Sk), and Yusuke Saeki. Arranged by Sol Writes. Pop. Lead Sheet / Fake Book. 3 pages. Sol Writes #982686. Published by Sol Writes (A0.1399403). Lead sheet for Plot Twist by TWSincluding chords, melody, and rominized lyrics.
$3.99
3.58 €
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Easy Piano
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Tws
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Cheos Man Nam Eun Gye Hoig Dai Ro Doi Ji Anh A
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Sol Writes
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SheetMusicPlus
Build Your House
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841437 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841437 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3470867. Published by Andrew Mc Donald (Macka Records) (A0.841437). Build Your House is about listening and doing Gods word. If you do you will be like the wise man building His house on the rock.If not your house will be swept away 'cause you built on the sand.
$4.99
4.48 €
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Piano, Voice
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Andrew Mc Donald
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Build Your House
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Andrew Mc Donald
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SheetMusicPlus
Bui-Doi (from Miss Saigon)
Piano, Voice
Musical/Show. Piano/Vocal. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.361…
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Musical/Show. Piano/Vocal. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.361690). - Piano/Vocal - Musical/Show - Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Voice
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Bui-Doi
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Bui-Doi
Piano, Voice
By Claude-Michel Schonberg and Miss Saigon (Musical). For piano, voice, and guitar (chords…
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By Claude-Michel Schonberg and Miss Saigon (Musical). For piano, voice, and guitar (chords only). Broadway; Musical/Show. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Voice
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Claude-Michel Schonberg and Miss Saigon
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Musical/Show
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Bui-Doi
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Bui-Doi
Piano, Vocal and Guitar
By Alain Boublil, Claude-Michel Schonberg, and Miss Saigon (Musical). Broadway; Musical/Sh…
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By Alain Boublil, Claude-Michel Schonberg, and Miss Saigon (Musical). Broadway; Musical/Show. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Vocal and Guitar
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Alain Boublil, Claude-Michel Schonberg, and Miss Saigon
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Musical/Show
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Bui-Doi
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Bui-Doi
Piano, Vocal and Guitar
By Claude-Michel Schonberg and Miss Saigon (Musical). For piano, voice, and guitar (chords…
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By Claude-Michel Schonberg and Miss Saigon (Musical). For piano, voice, and guitar (chords only). Broadway; Musical/Show. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.48 €
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Piano, Vocal and Guitar
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Claude-Michel Schonberg and Miss Saigon
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Musical/Show
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Bui-Doi
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Rock - a Roger Jones musical
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
8.97 €
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Choral SATB
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Roger Jones, Alison Fuggle
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
44.9 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Fight Song
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.744629 By Rachel Platten. By Dave B…
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Piano Solo - Level 5 - Digital Download SKU: A0.744629 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Elena Fortin. Pop. Score. 5 pages. Elena Fortin #6063897. Published by Elena Fortin (A0.744629). Every year, I post arrangements and videos of songs that I consider to be important either in the way they touch listeners, in how they are used, or iif they have stood the test of time. This arrangement is my first one for the 2020-2021 school year.And what a year it has been! With the global pandemic, many are struggling with physical illness or health challenges, personal trial, loss, or life's difficulties. Like many others, in these challenging times, I turn to music. ...like a small boat...sending big waves into motion Fight Song, written by Rachel Platten and Davve Bassett, has become an anthem of faith and belief for any person that is going through a challenge and brings comfort to many. The song was recorded in 2014 and won iHeartRadio's Music Award for Best Lyrics. When I pick songs to arrange, they are often ones that play over and over in my brain. I've been working on this one for several weeks. My arrangement is for the early advanced player. The arrangement starts quite simply but builds and builds into powerful repetitions of the chorus with arpeggios in the left hand and in the right hand and lots of fun crashing chords. It makes use of the powerfull bass end of the piano too! I hope that you enjoy it! If you like this sheet music please check out my other arrangements at SheetMusicPlus. Here is the link to my publisher page: https://www.sheetmusicplus.com/publishers/elena-fortin/10717 You can also check out some of my other videos from my Youtube channel here https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg Please feel free to subscribe if you want to keep up with what I am doing! You can contact me, or see what I am up to on my website https://the-piano-studio.com. Drop by and say hi!
$4.99
4.48 €
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Piano solo
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Rachel Platten
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Fight Song
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Elena Fortin
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SheetMusicPlus
Haiku by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Compo…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.18 €
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Kayleigh Moyer, Kyle Pudenz, and The Khromatiks
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improvised
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Haiku by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Amazing Grace (for brass quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.650903 Compose…
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Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.650903 Composed by Traditional. Arranged by Ivan R. Brand. Easter,Sacred,Standards,Traditional. 11 pages. Ivan Brand #259988. Published by Ivan Brand (A0.650903). This beautiful setting of Amazing Grace (for brass quintet) progressively builds from an initial feeling of intense inward amazement of God's grace 'that saved a wretch like me' to a final bright declaration of 'when we've been there 10,000 years, bright shining as the sun, there's no less days..' with a crescendoing transition which sounds as though the bright skies have opened for us to look up and see heaven itself. This is an emotional piece that greatly enhances this timeless music and its sacred message. Additional parts are provided for alternate instrumentaton consisting of alto sax (for french horn), tenor sax (for trombone), and bass guitar (for euphonium). A great alternative configuration for the standard brass quintet format could consist of two trumpets, alto sax, tenor sax, and bass guitar.
$15.00
13.47 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional
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Amazing Grace
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Ivan Brand
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SheetMusicPlus
Desert Crossing
Concert band
Concert Band - Digital Download SKU: A0.927167 Composed by George Willson. Contempo…
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Concert Band - Digital Download SKU: A0.927167 Composed by George Willson. Contemporary. Score and parts. 74 pages. George Willson #3515719. Published by George Willson (A0.927167). A symphonic representation of a caravan crossing a desert, the piece moves from a simple march feel slowly crescendoing to a brief climax before settling down for the softer center section. Following a fanfare to herald the next day's journey, the main melody builds through the band to a crashing finale.Grade level would be 3-4. Primary key of piece is d minor, and while the central section technically changes keys, it is notated entirely with accidentals. Solos in flute, oboe, bassoon, bari sax, and trombone. The brass periodically reaches into their upper registers.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$35.00
31.44 €
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Concert band
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George Willson
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Desert Crossing
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George Willson
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SheetMusicPlus
Get Over You
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1419593 By Sophie Ellis-Bextor. B…
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Concert Band - Level 2 - Digital Download SKU: A0.1419593 By Sophie Ellis-Bextor. By Davies, Ellis-Bextor, Johansson, and Korpi. Arranged by John Ivor Holland. 21st Century,Disco,Film/TV,Pop,Singer/Songwriter. 42 pages. John Ivor Holland #1001012. Published by John Ivor Holland (A0.1419593). Get Over You is a disco track by British pop singer Sophie Ellis-Bextor, taken from the album 'Read My Lips' and released as a double-A side with Move This Mountain in June 2002. The song was Ellis-Bextor's third top 10 hit in the United Kingdom, peaking at number three on the UK Singles Chart. Get Over You reached the top 10 in Denmark, Spain, Australia, and New Zealand. In the latter two countries, the song was certified platinum and gold, respectively, also doing well across Europe in Finland, the Netherlands, Norway, and Switzerland. The accompanying music video for Get Over You is set in a shopping mall, after hours, on a rainy night, where slowly all the manequins begin to come to life, led by Ellis-Bextor in a wedding dress, eventually eventually causing havoc and smashing glass, even the camera, at the end. This cool chart has a built-in solo section for alto sax, tenor sax or trumpet towards the end, allowing flexibility as needed, with a punchy tag to finish. Arranged as part of an ongoing project to bring more music by women into the concert band repertoire.
$49.99
44.9 €
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Concert band
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Sophie Ellis-Bextor
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Get Over You
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John Ivor Holland
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
17.96 €
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String Orchestra
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
Finding My Voice
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.991824 Composed by Bradley R Meholi…
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Piano Solo - Level 3 - Digital Download SKU: A0.991824 Composed by Bradley R Meholick. Concert,Instructional,Standards. Score. 4 pages. Bradley R Meholick #3472999. Published by Bradley R Meholick (A0.991824). FINDING MY VOICE is a short intermediate piano work that is simple and symbolic. Inspired by my 4 year old daughter Gracie, the piece represents the music we all have inside us and that we try to connect with early in life. 2 years prior to the start of the piece, I laughed in amusement as my daughter screamed at the top of her enthusiastic lungs to the music of Disney's The Little Mermaid. On the day I began this piece, she sang along to yet another Disney work, Coco, only now with her eyes closed and doing her best at her young age to match pitch and timbre. Of course all of this unaware to her, yet through each phase she enjoys the music and somehow understands and has the will to discover a way to match the art she loves so much. FINDING MY VOICE is simple and symbolic in two special ways. First, the entire song is built with a C, representing that center that we all are trying to find and match in our own way. But for 1/8th of a measure, there is continuously a C sounded throughout the piece. Secondly, the heard melody starts with experimentation, grows, developers, and then reoccurs with strength and confidence.
$1.99
1.79 €
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Piano solo
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Bradley R Meholick
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Finding My Voice
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Bradley R Meholick
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SheetMusicPlus
Glide Zone
Piano solo
Piano - Level 5 - Digital Download SKU: A0.1233950 By Bradley Sowash. By Bradley So…
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Piano - Level 5 - Digital Download SKU: A0.1233950 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 225. Bradley Sowash #829509. Published by Bradley Sowash (A0.1233950). From Bradley Sowash’s “In the Moment†solo piano recorded album and associated sheet music (also available here).Two steps forward, one backThis one was inspired by my love of sailing. Glide zone is a nautical term referring to a sweet spot where the boat achieves maximum forward motion with minimum side slippage. Like most anything worth doing, there is an elusive delicacy to finding it. To get at this fact of life musically, I built in several false starts before it really gets going.Learn more about this artist at https://bradleysowash.com.
$1.99
1.79 €
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Piano solo
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Bradley Sowash
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Glide Zone
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Bradley Sowash
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SheetMusicPlus
For James: a kind of lullaby (1993)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1283969 By Bill Whitley. By Bill Wh…
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Piano Solo - Level 3 - Digital Download SKU: A0.1283969 By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contemporary. Score. 3 pages. Musica Semplice #875142. Published by Musica Semplice (A0.1283969). For James: a kind of lullaby (1993)Built in 1898 the James Monaghan Mansion--now, and since 1942 the home of Gonzaga University's music department--was for many years believed to be haunted. In addition to reports of disembodied footsteps, doors dramatically opening themselves, and sudden appearances of hostile presences, there was also reports of the organ playing itself......which is where I, primarily an organ student at the time, spent a majority of my time. This piece was written entirely at the organ, on that organ while an organ and piano student at Gonzaga. Written in four layers as if for organ, in the end I found that it sounded much better on the piano. It has never been performed or recorded on organ.The working title was Excorsising Monaghan. Â The finished piece sounded less ghostly and more like a lullaby. Whether or not it was James doing the haunting, I thought it best to offer the lullaby to him.--Bill Whitley, 2023.
$4.99
4.48 €
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Piano solo
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Bill Whitley
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For James: a kind of lullaby
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Musica Semplice
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SheetMusicPlus
One More Time
Saxophone (band part)
Soprano Saxophone Solo - Digital Download SKU: A0.925682 By Kenny G. By Ed Hill and…
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Soprano Saxophone Solo - Digital Download SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 pages. Dennis Benning #6201485. Published by Dennis Benning (A0.925682). One More Time is a transcription of the saxophone parts Kenny G plays in the original song. This download includes only the soprano saxophone part, and is meant to be played with a karaoke backing track as well as a vocalist. This download does not include the vocal part, neither by itself nor built into the saxophone part. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
4.48 €
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Saxophone (band part)
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Kenny G
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One More Time
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Dennis Benning
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SheetMusicPlus
All on a Bethlehem Night
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008165 Composed by Donnal…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008165 Composed by Donnalynn Grunewald. Christian,Christmas,Sacred. Octavo. 11 pages. Donnalynn Grunewald #6454697. Published by Donnalynn Grunewald (A0.1008165). This sweet lullaby imagines what various people were doing on that first Christmas Eve. A chorus of Gloria in excelsis Deo is followed by a unison verse (with descant) which builds to a rich SATB ending.
$3.00
2.69 €
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Choral SATB
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Donnalynn Grunewald
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All on a Bethlehem Night
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Donnalynn Grunewald
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.98 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Top Gun: Maverick Anthem
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1102797 Composed by Hans Florian…
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Marching Band - Level 2 - Digital Download SKU: A0.1102797 Composed by Hans Florian Zimmer, Harold Faltermeyer, and Lorne Balfe. Arranged by Patrick Glenn Harper. Film/TV. Score and Parts. 62 pages. Patrick Glenn Harper #706162. Published by Patrick Glenn Harper (A0.1102797). This arrangement of Top Gun: Maverick Anthem for marching band will prove to be an exciting show opener or finale as it takes the familiar theme and gradually builds to an exciting conclusion! Watch the Youtube video to hear the whole piece. Â If you are doing a Flight based halftime show, consider my arrangements of Danger Zone, Jet Airliner, and the Main Theme from Disney's Planes. (All available here as well).
$78.50
70.51 €
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Marching band
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Hans Florian Zimmer, Harold Faltermeyer, and Lorne Balfe
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Top Gun: Maverick Anthem
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Patrick Glenn Harper
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
8.98 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Piano song early advanced - Sweet Hello and Sad Goodbye
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1042063 By Kathi Kerr. By Kathi Ker…
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Piano Solo - Level 4 - Digital Download SKU: A0.1042063 By Kathi Kerr. By Kathi Kerr. Arranged by Kathi Kerr. Instructional,Jazz. Score. 3 pages. Melody Music Publishers #646851. Published by Melody Music Publishers (A0.1042063). In this piano song for the early advanced student, drag the quarter triplets and make sure they are even. Make a nice building effect from bar 9 through bar 10 by increasing the volume and speed (accel). Watch the fingering in bar 10, where the 5th finger slides from the B flat to B natural. Even though there's a ritardando at the end of bar 10, don't pause before going back to the sign; doing this help to continue the musical direction.
$5.99
5.38 €
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Piano solo
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Kathi Kerr
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Piano song early advanced - Sweet Hello and Sad Goodbye
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Melody Music Publishers
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SheetMusicPlus
Divergence by The Khromatiks, for Electric Violin & Loop Station
Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980
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Small Ensemble Cello,Electric Violin,Viola - Level 5 - Digital Download SKU: A0.845980 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. Contemporary,Jazz,New Age,Rock. Score and parts. 25 pages. ViolinVagabond Music #5742365. Published by ViolinVagabond Music (A0.845980). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boss RC-30, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you transpose the bass stave up one octave and use an octave pedal for the pizzicato bass lines. A standard 4-string can also work, although most phrases will have to be transposed 8va.A little about this tune: there are 2 distinct sections. The first is a latin groove with a a highly syncopated chopping groove and a simple, soaring melodic head. This section can be opened up for a variety of solo ideas from jazz to Latin to funk, before it transitions using a common tone into the bridge, which is more of an epilogue. This section has much more of a heavy rock bent, with a thick stack of string overdubs that mimic an orchestra sitting over an overdriven rhythm groove, and a breakdown where aggressive drum fills are accompanied by rhythmic chugging in the violin. Finally, all of these ideas culminate as the A section melody is re-introduced over the rock groove, building to an ultimate climax.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. I usually add additional percussive loops when I perform this solo.I have also included three auxiliary string parts, which can be used to perform this piece with a string section or an orchestra. The parts line up with the second section of the tune and replace some of the loops with live parts. You can see an example of this arrangement in the following video: https://youtu.be/IO30qF2WlR8?t=230The sky is the limit for electric violinists, so feel free to get creative with this chart and make it your own!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.18 €
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The Khromatiks
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Divergence by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
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