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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
22.88 €
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Carson Cooman
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
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Musik Fabrik Music Publishing
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SheetMusicPlus
It Was You - A Song For Grandparents' Day [Piano and Vocals]
Choral Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1007860 Composed by by A…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1007860 Composed by by Australian composer, Rebecca Summers. Children. Octavo. 5 pages. Rebecca Summers #3907535. Published by Rebecca Summers (A0.1007860). A song written especially for young voices to celebrate the value of our Grandparents. Terrific for Grandparents' Day ceremonies for whole schools to perform with a very simple chorus that even the tiniest student can take part. Bound to get some hearts moving. Piano part and vocal lead sheet available separately. Lyrics Please know I’ll remember The time we’ve spent together You taught me things so eagerly To take my life less seriously Your house is full of clutter You say it doesn’t matter Life’s too short to pick up socks To burn a bridge or turn a lock PRECHORUS And it was you Who taught me ‘bout family And it was you Who showed me how to love CHORUS Older, wiser, softer, kinder Older, wiser, softer, kinder Older. wiser, softer, kinder Older, wiser, softer, kinder VERSE 2 Your laugh makes people stop and stare You hear songs and music everywhere I’ve seen you tango with a mop Fed me cakes, hot chips and lollipops You seem to have more time for me You’d sweat and laugh and lie for me Your grass gets greener everyday I’m glad you’re here with me today CODA Please know I’ll remember,the time we spent togetherI need you in so many waysLet me wish you Happy Grandparents’ Day
$1.99
1.83 €
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Choral Unison
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by Australian composer, Rebecca Summers
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It Was You - A Song For Grandparents' Day [Piano and Vocals]
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Rebecca Summers
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.91 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
BURN IN ME
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.960825 Composed by Peggy Pep…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.960825 Composed by Peggy Peppers. Christian,Praise & Worship. Score. 2 pages. Peggy J Peppers #418557. Published by Peggy J Peppers (A0.960825). Yearning for God--a powerful song. Single line with chords; easy accompaniment on piano or guitar.
$4.51
4.14 €
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Piano, Voice
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Peggy Peppers
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BURN IN ME
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Peggy J Peppers
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 10 (Songs 244-270)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 48 pages. Socrates Arvanitakis #753038. Published by Socrates Arvanitakis (A0.1152799). This is the tenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 10 (Songs 244-270)Dilly Song 1 (the)Dilly Song 2 (the)Dives and LazarusDo you remember that nightDonkey RidingDorrington Lads (My Dearie She Sits Ower Late up)Doun the Burn DavieDowie Dens of Yarrow (the)Down By Sally’s GardenDown in the Meadows (O Waly Waly-variant)Down in Yon Forest 1Down in Yon Forest 2Dragoon and the Lady 1 (the)Dragoon and the Lady 2 (the)Dragoon and the Lady 3 (the)Dragoon and the Lady 4 (the)Drill Drill ye TarriersDrink To Me OnlyDrover’s Dream (the)Drowned Lover (the)Drowsy Sleeper (Arise, Arise-new setting)Drummer and the Cook (the)Drummer Boy of Waterloo (the)Duke of Marlborough (the)Dunster Carol 1 (I Hear Along Our Street)Dunster Carol 2 (I Hear Along Our Street)Dying Cowboy (the).
$25.00
22.93 €
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Sally’s Garden
Down in the Meadows
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 10
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Socrates Arvanitakis
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SheetMusicPlus
Create in Me
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.744816 Composed by Dan Chadburn. Ch…
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Piano Solo - Level 4 - Digital Download SKU: A0.744816 Composed by Dan Chadburn. Christian,Concert,Contemporary,New Age,Sacred. Score. 7 pages. Dan Chadburn Music #6015903. Published by Dan Chadburn Music (A0.744816). Popular on Pandora, Spotify, and other streaming platforms around the world, Create in Me is one of four tracks improvised in the studio and recorded directly onto Dan Chadburn's 1998 debut album, solo piano. In her review at MainlyPiano.com, Kathy Parsons wrote, Dan Chadburn's debut recording is a soaring collection of thirteen wonderful compositions and improvisations. Some solo piano albums seem a bit empty and in need of accompaniment, but Dan clearly indicates why solo piano can be the most expressive of any musical medium. I've probably listened to this album at least twenty times, but each time, I've discovered something new, and the songs always seem as fresh as the first time I heard them.For more information about Dan Chadburn and his music, visit his website at www.DanChadburn.com
$5.50
5.04 €
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Piano solo
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Dan Chadburn
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Create in Me
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Dan Chadburn Music
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SheetMusicPlus
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harp and Piano
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00
36.69 €
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Harp and Piano
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Australian neo-classical composer, Mr
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Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Mr. Phillip Anthony Russo
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
4.13 €
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
The Water is Wide for Viola & Piano
Viola, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.22 €
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Viola, Piano
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Traditional Scottish
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett.…
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
27.51 €
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Concert band
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Speak Your Mind, Compromise - Barter, Trust, for wind quintet & other instruments - Score and Parts
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1500108 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 18 pages. Paul Burnell #1076184. Published by Paul Burnell (A0.1500108). Speak Your Mind, Compromise - Barter, Trust, by Paul Burnell, composed 2000 for wind quintet and other instruments as required. Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F Individual parts can be used for rehearsal. In performance the combined score/part can be used - each wind quintet instrument plays as written, with the bassoon playing as if with a bass clef, the others as if with a treble clef. Eb and alto clef parts (based on the horn in F) are also available to enable inclusion, in a larger ensemble, of alto saxophone, tenor horn, viola. Programme Note I wanted to write a piece that took inspiration from one aspect of the political process. The starting point was a quote from William Burke (1729-97): All government, indeed every human benefit and enjoyment, every virtue, and every prudent act, is founded on compromise and barter. [Speech on Conciliation with America, 1775] This quote did not in itself suggest to me all that was required, and so I tried to suggest the ideas of 'SpeakYour Mind' and 'Trust' in the other two sections. The music is presented as a combined score/part and I felt that in this context the idea of musicians playing within a single 'forum' would have an extra resonance. The music is presented on two sides of a single page, and I deliberately preceded the third section 'Trust' with the instruction 'turn over...'. In this way I hope to evoke the idea of 'turning over a new leaf'.
$4.99
4.58 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Paul Burnell
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Speak Your Mind, Compromise - Barter, Trust, for wind quintet & other instruments - Score and Parts
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Paul Burnell
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SheetMusicPlus
BURN ME
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1019322 Composed by Geoff Ro…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1019322 Composed by Geoff Rod Thomson. Lyrics:Tony Anderson. Broadway,Contemporary,Film/TV,Musical/Show. Score. 1 pages. Geoff R Thomson #5024593. Published by Geoff R Thomson (A0.1019322). 'BURN ME' is a poem by Tony Anderson which I've written music to in the form of a lead sheet. It's a short and powerful modern love song. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.83 €
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Piano, Voice
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Geoff Rod Thomson
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BURN ME
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Geoff R Thomson
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SheetMusicPlus
Make Me Whole, a sacred vocal solo
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.840865 Composed by Kevin G. …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.840865 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Easter,Praise & Worship,Sacred,Spiritual. Score. 9 pages. Kevin G. Pace #447589. Published by Kevin G. Pace (A0.840865). A sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Oh, Savior of my soul; make me whole. Oh, make me whole. Lend comfort to my mourning heart for errors I still owe. Pure penitence burns deep within; I implore thy grace. Let mercy claim my broken pledge as I seek thy face. Oh, trust my contrite plea; set me free. Oh, set me free. As deepest anguish stirs inside, oh, seek me searchingly. Consuming fire leaves no stain; cleanse my ev’ry thought. Oh, lead me to thy suff’ring side where I can be taught. Now I will wait ‘til I see thy face, ‘til my soul receives comfort in thy warm embrace. Oh, teach me to discern as I learn. Oh, I will learn. My promise is to heed thy voice when my sore conscience burns. So blessed am I who grieve for sins; I can know thy Name. I will remember, gratefully, thy redeeming pain. Oh, Savior at the gate; I will wait. Oh, I will wait. Sure comfort comes with strains of love when solemn vows I make. Thy covenant assures true peace, lending holiness. Then beauty for sweet ashes gives my eternal rest. Now I’m whole, I am whole; I can see thy face. Oh, now my soul is comforted in thy warm embrace.
$3.99
3.66 €
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Piano, Voice
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Kevin G
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make me whole
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Make Me Whole, a sacred vocal solo
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Kevin G. Pace
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Violin, Cello (duet)
By Tony Bennett. By Bart Howard. Arranged by Lore Burns. Contemporary, Jazz, Standar…
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By Tony Bennett. By Bart Howard. Arranged by Lore Burns. Contemporary, Jazz, Standards, Wedding. Score and parts. 2 pages. Published by Lore Phoenix Burns
Intermediate jazz duo for violin and cello.<br> <br> This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$4.99
4.58 €
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Violin, Cello (duet)
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Tony Bennett
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Fly Me To The Moon
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Lore Phoenix Burns
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SheetMusicPlus
O Tell Na Me O' Wind and Rain
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1486504 By Lil…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1486504 By Lila Senior. By Lila Senior. Arranged by Lila Senior. Celtic,Folk,Irish,Multicultural,World. 5 pages. Lila Senior #1063567. Published by Lila Senior (A0.1486504). O Tell Na Me O' Wind and Rain (Senior)Lyrics by ROBERT BURNSFor mixed choir (Sop., Alt., Bar.), piano and fiddle (or penny whistle, flute, accordion).Easy choir arrangement with enjoyable voice parts.Duration approx. 3:00 / 5 pages.BACKING TRACK ALSO AVAILABLE to purchase.
$2.99
2.74 €
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Choral SATB
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Lila Senior
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O Tell Na Me O' Wind and Rain
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Lila Senior
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SheetMusicPlus
Burn Down The Mission
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1287775 By Elton John. By Bernie Ta…
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Piano Solo - Level 5 - Digital Download SKU: A0.1287775 By Elton John. By Bernie Taupin and Elton John. Arranged by G. White. Blues,Rock. Score. 34 pages. Elton's Notes #878860. Published by Elton's Notes (A0.1287775). This 17 minute 37 second transcription features the closing song of Elton's Tumbleweed Connection album with a cover of My Baby Left Me and Get Back along with a nearly 10 minute long rock n'roll and blues inspired solo. This performance was recorded and performed live at the A&R Studios in New York City on November 11th, 1970 and is featured on the live album 17-11-70.The original performance featured a trio of Piano, Electric Bass, and Drums by Elton John, Dee Murray, and Nigel Olsson. The sheet music ONLY includes the piano transcription. Note-for-note accuracy was the goal when creating the transcription.
$19.99
18.33 €
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Piano solo
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Elton John
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Burn Down The Mission
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Elton's Notes
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SheetMusicPlus
Make Me Whole, a sacred vocal duet
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.846557 Composed by Kevin G. …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.846557 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 10 pages. Kevin G. Pace #453243. Published by Kevin G. Pace (A0.846557). A beautiful vocal duet for tenor and alto. Words by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: O, Savior of my soul: Make me whole, make me whole. Lend comfort to my mourning heart for errors I still owe. Pure penitence burns deep within; I implore thy grace. Let mercy claim my broken pledge as I seek thy face. O, trust my contrite plea: Set me free, set me free. As deepest anguish stirs inside, seek me searchingly. Consuming fire leaves no stain; cleanse my ev’ry thought. O, lead me to thy suff’ring side where I can be taught. O, my beloved child: I am here; I am here. Each mournful moment pardons fault, drying ev’ry tear. So blessed are they who grieve for sins; know my holy name. Remember I have giv’n my soul; that is why I came. O, child of my soul: Hear my voice, hear my voice. Sure comfort comes with strains of love; solace is my choice. My covenant assures thy peace, lending holiness, Then beauty for sweet ashes gives my eternal rest. Now I’m whole, I am whole; I can see thy face. O, now my soul is comforted in thy warm embrace.
$3.99
3.66 €
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Piano, Voice
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Kevin G
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I implore thy grace
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Make Me Whole, a sacred vocal duet
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Kevin G. Pace
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SheetMusicPlus
Flamenco Fantastico for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet - Early Intermediate - Digital Download Composed by David Burndrett. Score, …
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Clarinet - Early Intermediate - Digital Download Composed by David Burndrett. Score, Set of Parts. 12 pages. Published by David Burndrett
I dedicate this arrangement of my composition 'Flamenco Fantastico for Clarinet Quartet' on 11th March 2018 to my mum Mary Burndrett who was a wonderful woodwind teacher and has been an inspiration and great support to me all my life!<br> <br> This piece works well as a concert piece or just for fun!<br> <br> Each instrument gets part of the tune!<br> <br> The clarinet four part is the same as the bass clarinet part, if you need one.
$8.95
8.21 €
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Clarinet Quartet: 4 clarinets
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David Burndrett
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Flamenco Fantastico for Clarinet Quartet
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David Burndrett
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SheetMusicPlus
Flamenco Fantastico for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Early Intermediate - Digital Downlo…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax - Early Intermediate - Digital Download Score, Set of Parts. 12 pages. Published by David Burndrett
I dedicate this arrangement of my composition 'Flamenco Fantastico for Saxophone Quartet' on 11th March 2018 to my mum Mary Burndrett who was a wonderful woodwind teacher and has been an inspiration and great support to me all my life!<br> <br> This piece works well as a concert piece or just for fun!<br> <br> Each instrument gets part of the tune!<br> <br> Download includes the score and all of the parts.
$8.95
8.21 €
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Saxophone Quartet: 4 saxophones
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Flamenco Fantastico for Saxophone Quartet
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David Burndrett
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SheetMusicPlus
Burn For Me
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1169678 By The Night Flight Orchest…
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Piano Solo - Level 3 - Digital Download SKU: A0.1169678 By The Night Flight Orchestra. By David Andersson. Arranged by Jussi Kontinen. Pop,Rock. Score. 4 pages. Jussi Kontinen #770040. Published by Jussi Kontinen (A0.1169678). Piano accompaniment part and guitar/bass riff written on the left hand stave.
$4.99
4.58 €
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Piano solo
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The Night Flight Orchestra
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Burn For Me
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Jussi Kontinen
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SheetMusicPlus
Scottish National Anthem for Brass Band Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digit…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith Terrett. Patriotic,Praise & Worship,Traditional. 10 pages. Keith Terrett #812052. Published by Keith Terrett (A0.1215186). An arrangement of the Scottish National Anthem for Brass Band Quintet. A constituent nation of the United Kingdom, Scotland lacks an official, legislated national song; in fact there are several songs in use as national songs of Scotland. The one most often considered as the unofficial national anthem (and most often presented as Scotland’s anthem at sporting matches) is Flower of Scotland, written by Roy Williamson in 1965 for the popular folk group The Corries. It was first used in a sporting match in 1974 by the Scottish national rugby team in 1974, sung by the team. When the British God Save the Queen was sung before a rugby match in 1988 to represent Scotland, and was met by derision from the crowd, Flower of Scotland was adopted as Scotland’s pregame anthem. Flower of Scotland, however, has not been adopted in any official basis as the Scottish anthem. Other popular national songs of Scotland have sometimes used as unofficial national anthems, the most common being Scotland the Brave (a traditional melody (sheet music) with lyrics writted by Cliff Hanley in 1950). Scotland the Brave was used as the Scottish anthem at the Commonwealth Games until 2010 (when it was replaced by Flower of Scotland) and is most commonly heard on the bagpipe, the Scottish national instrument. When the Scottish Parliament was opened in 1997, another national song (A Man’s A Man for A’ That by national poet Robert Burns) was used, which isn’t usually presented as a Scottish anthem. The choice of this song may have been to duck the controversy of choosing one of the previously mentioned national songs as an official regional anthem, or by using God Save the Queen (the anthem of the United Kingdom, of which Scotland is a part). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.25 €
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Keith Terrett
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Scottish National Anthem for Brass Band Quintet
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Keith Terrett
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SheetMusicPlus
Saturnalia Song for voices, wind, brass and percussion
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576366 Composed by David Warin Solomons. 20th Century,Christmas,Classical,Contemporary,World. Octavo. 27 pages. David Warin Solomons #18013. Published by David Warin Solomons (A0.576366). A vivid and at times raucous celebration of Saturnalia, in Latin, for an ensemble of voices and instruments (including various percussion, woodwind and brass instruments). The sound sample is a sung performance by the composer with an electronic preview of the instruments. Further explanations: Song for Saturnalia - a raucous and fun romp - in whole tones (since there is scant evidence of the types of scales used in those days - whole tones just seem to work in this context). The Latin words make references to relatively modern times but the spirit of Saturnalia is timeless, after all. The pileum (also written pilleum) is the little cap that slave wore during Saturnalia to show they were free men and women on that day - they would point to their cap and say libertus sum (I am a free person) and omnes aequales sumus (we are all equal). The words (and translation - both by me) are as follows: Saturnalia Song Io Saturnalia! Hodie igitur dominus noster non es. [Hooray, it’s Saturnalia, so today you’re not our boss] Hodie omnes aequales sumus. Io! [Today we are all equal, hooray!] [spoof of USA Anthem] Salve O Frutici [Hi there, Bush] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of UK Anthem] Salve O Campestri [Hi there, Blair] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] [spoof of German Anthem] Salve O Candelari [Hi there Brandt] Ecce meum pileum: [Look, see my little cap of freedom] libertus sum [I’m a free man] Io Saturnalia, Io! [Hooray, it’s Saturnalia, hooray!] [Note on the invented names (used in the vocative in the song of course): Fruticius is based on the word frutex a bush - it’s also used to mean blockhead in Roman comedies, but I can’t help that!. Campestrius is based on campester - a plain or place of clear ground (Blair is the Celtic equivalent word - a forest clearing!) Candelarius is based on candela - a taper or candle - ie something burning hence Brandt (yes, I know he’s earlier than the other two politicians, but, hey, it’s all a bit of anachronistic fun!)].
$10.00
9.17 €
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Choral SATB
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David Warin Solomons
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Saturnalia Song for voices, wind, brass and percussion
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David Warin Solomons
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.5 €
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Chamber Orchestra
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Joseph Eastburn Winner
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
Duets For Violin & Violoncello 114-129 (volume 8)
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1369621 Compose…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1369621 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #953986. Published by Socrates Arvanitakis (A0.1369621). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS114 ΛΑΖΑΡΟΥ ΤΟΥ (Lazarus' Song)115 ΛΑΛΑ Τ' ΑΗΔΟÎΙ (The Nightingale Sings)116 ΛΑΛΗΣΕ ΚΟΥΚΕ (Sing Cuckoo Bird)117 ΛΑΦΙÎΑ Η 1 (The Doe 1)118 ΛΑΦΙÎΑ Η 2 (The Doe 2)119 ΛΕΒΕÎΤΙΑ 1 (Valour 1)120 ΛΕΒΕÎΤΙΑ 2 (Valour 2)121 ΛΕΪΜΟÎΙΑ Η (The Lemon Tree)122 ΛΕΜΟÎΑΚΙ (Little Lemon)123 ΛΕÎΚΩ Η (Lenko)124 ΛΟΥΛΟΥΔΙ ΤΗΣ ΜΟÎΕΜΒΑΣΙΑΣ (Flower of Monemvasia)125 ΛΥΓΕΡΗ Η 1 (The Graceful Lass 1)126 ΛΥΓΕΡΗ Η 2 (The Graceful Lass 2)127 Îœ' ΕΚΑΨΕΣ ΓΕΙΤΟÎΙΣΣΑ (Neighbor, You've Burned Me)128 ΜΑΚΕΔΟÎΙΚΟΣ (Dance from Macedonia)129 ΜΑΚΕΔΟÎΙΚΟΣ ΚΛΕΦΤΙΚΟΣ (Macedonian Kleftik Dance).
$20.00
18.34 €
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Violin, Cello (duet)
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Socrates Arvanitakis
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Duets For Violin & Violoncello 114-129
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Socrates Arvanitakis
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