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696
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671
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643
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504
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503
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494
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487
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444
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299
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290
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282
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245
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207
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107
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105
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89
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86
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84
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81
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80
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63
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61
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55
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36
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35
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34
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32
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30
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30
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27
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26
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23
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22
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22
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18
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18
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17
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16
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12
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11
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10
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9
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7
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7
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6
4 Euphoniums
6
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6
2 French horns, Piano
6
Brass Quintet: 2 trumpets, horn, 2 trombones
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4
Trumpet, Cello, Piano
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2 Trombones, Piano
3
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English horn, Harp (duet)
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Flügelhorn
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1972
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1086
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1077
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801
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784
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643
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640
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581
Doublebass (band part)
569
2 Violas (duet)
436
Viola (band part)
398
String Quintet: 2 violins, viola, cello, bass
381
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374
4 Cellos
351
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348
String Trio: 2 violins, cello
328
Viola, Cello (duet)
306
String trio
284
Violin, Guitar (duet)
281
Cello, Guitar (duet)
239
String Trio: 3 violins
218
String quartet: 4 violins
209
String Trio: 3 cellos
191
2 Violins, Piano
173
Piano Trio: Violin, Viola, Piano
159
String Quartet : 4 violas
144
Viola, Guitar (duet)
129
Harp, Flute (duet)
91
Cello, String Bass (duet)
85
2 Double basses (duet)
76
String Trio: 2 violins, viola
73
String Trio: 3 violas
65
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65
Violin, Bassoon (duet)
63
Viola and Bassoon
62
2 Harps (duet)
59
2 Cellos, Piano
56
2 Violas, Piano
42
String Quintet: 2 violins, 2 violas, cello
41
Cello, Orchestra
41
String Quintet: 2 violins, viola, 2 cellos
31
4 Double Basses
31
Cello Ensemble
27
3 double basses
26
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26
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24
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24
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19
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18
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18
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18
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16
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15
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15
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14
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10
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9
3 Harps
8
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6
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5
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5
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61
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56
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Orchestra, Violin
37
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35
Flexible Instrumentation
25
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24
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16
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15
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13
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Jazz combo
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School Ensemble
7
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Voice and Orchestra
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CLASSICAL - BAROQUE - ROMANTIC
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9976
5 Famous Songs by Bach for Saxophone Quintet
Saxophone Quintet: 5 Saxophones
Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sa…
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Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sacred, Wedding. 51 pages. Woods Only Music #6748251. Published by Woods Only Music
This album contains 5 of Johann Sebastian Bach\'s most famous and versatile pieces for saxophone quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther\'s A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.<br> <br> 1: Air on the G String - The original piece is part of Johann Sebastian Bach\'s Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called \"Air on the G String\" dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the \"Air on the G String\". This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.1189781<br> <br> 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach\'s favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.1189985<br> <br> 3: Jesu, joy of man\'s desiring - This is one of Bach\'s most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary\'s Visitation. It is the final chorale of the cantata \"Herz und Mund und Tat und Leben\". Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.1190041<br> <br> 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.1190181<br> <br> 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190377<br> <br> Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$29.99
27.03 €
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Saxophone Quintet: 5 Saxophones
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Bach, Martin Luther
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5 Famous Songs by Bach for Saxophone Quintet
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Woods Only Music
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.1 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.1 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto in D Minor - After Oboe Concerto by Alessandro Marcello III. Presto - (As played by Víkingur Ólafsson)
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-…
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Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Presto from "Concerto in D minor BWV 974" after A. Marcello's Concerto for Oboe and Strings transcribed for piano as played by Víkingur Ólafsson.
$6.99
6.3 €
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Piano solo
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Johann Sebastian Bach
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Concerto in D Minor - After Oboe Concerto by Alessandro Marcello III. Presto -
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Flavio Regis Cunha
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SheetMusicPlus
Chorale Prelude BWV 639 “Ich ruf zu dir, Herr Jesu Christ” (Transcr. by Ferruccio Busoni) As played By Víkingur Ólafsson (for Piano Solo)
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-…
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Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter, Recital. Score. 4 pages. Published by Flavio Regis Cunha
Chorale Prelude BWV 639 “Ich ruf zu dir, Herr Jesu Christ” (Transcr. by Ferruccio Busoni) As played By Víkingur Ólafsson (for Piano Solo).<br> <br> In this Busoni's transcription that emphasise lush, organ-like sonorities on the piano. Enjoy!
$6.99
6.3 €
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Piano solo
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Johann Sebastian Bach
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Chorale Prelude BWV 639 “Ich ruf zu dir, Herr Jesu Christ”
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Flavio Regis Cunha
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SheetMusicPlus
Crisantemi (Chrysanthemums) by Puccini for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by Giacomo Puccini (185…
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String Orchestra - Intermediate - Digital Download Composed by Giacomo Puccini (1858-1924). Arranged by L.C. Harnsberger. Romantic Period, Opera. Score, Set of Parts. 14 pages. Published by LCH Music
Puccini's gorgeous string quartet Crisantemi (Chrysanthemums) has been skillfullyadapted for string orchestra by L. C. Harnsberger. This is one of Puccini'srare instrumental works that has unfortunately been overshadowed by his numerous operas.Audiences will be mesmerized by the beautiful melody and bold chromaticism.Crisantemi was written as an elegy for the 1890 death of Puccini's friend theDuke of Aosta (formerly King Amadeo I of Spain). Puccini claimed that he was so moved by the passing of his friend that he composed the entire piece in one night. Crisantemi features a wide emotional and dynamic range which makes it a perfect addition to any concert.
$40.00
36.05 €
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String Orchestra
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Giacomo Puccini (1858-1924)
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Crisantemi
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LCH Music
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SheetMusicPlus
Adagio by Albinoni/Giazotto for classical guitar duo
2 Guitars (duet)
Guitar - Advanced - Digital Download Composed by Tomaso Albinoni (1671-1750)/Remo Gia…
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Guitar - Advanced - Digital Download Composed by Tomaso Albinoni (1671-1750)/Remo Giazotto (1910-1998). Arranged by John Pinno. Baroque Period, Funeral, Recital. Score, Set of Parts. 16 pages. Published by John Pinno
An arrangement by John Pinno of Adagio by Tomaso Albinoni (1671-1750) and Remo Giazotto (1910-1998) for two classical guitars. This comes with a full score and individual guitar parts with full left and right hand fingerings. This was inspired by the recording in the mid 1960s for two classical guitars by Ida Presti and Alexander Lagoya.
$14.00
12.62 €
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2 Guitars (duet)
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Tomaso Albinoni (1671-1750)/Remo Giazotto (1910-1998)
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Adagio by Albinoni/Giazotto for classical guitar duo
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SheetMusicPlus
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
Guitar
Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac…
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Guitar, Classical guitar - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Flavio Sala. Impressionistic, Post-Romantic, Repertoire. Score. 7 pages. Published by Flavio Sala
Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.<br> <br> Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.<br> <br> Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.<br> <br> Bojano, 16 Settembre 2020.<br> <br> Flavio Sala.<br> <br> * * *<br> <br> Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.<br> <br> Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.<br> <br> This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.<br> <br> Bojano, September 16,2020.<br> <br> Flavio Sala.
$10.00
9.01 €
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Guitar
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Isaac Albeniz (1860-1909)
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ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
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Flavio Sala
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SheetMusicPlus
ANDANTE from Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal) - as played by Víkingur Ólafsson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-175…
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Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter, Recital. Score. 8 pages. Published by Flavio Regis Cunha
ANDANTE from Organ Sonata No. 4, BWV 528: II. (Transcr. Stradal) - as played by Víkingur Ólafsson. Watch pianist Víkingur Ólafsson (?Artist of the Year? at the Gramophone Awards 2019) perform the Andante from Bach's Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album 'J. S. Bach - Works and Reworks'. The video was directed by Magnús Leifsson. Víkingur Ólafsson ? Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal)Discover 'Bach: Works and Reworks": https://DG.lnk.to/bach-deluxeSubscribe here ? The Best Of Classical Music: http://bit.ly/Subscribe_DG More from Víkingur ÓlafssonMore from Víkingur on Instagram: https://www.instagram.com/vikingurola...More from Víkingur on Facebook: https://www.facebook.com/vikingur.ola...More from Víkingur on Youtube: https://www.youtube.com/vikingurolafssonConcert dates on his website: https://vikingurolafsson.com/
$7.99
7.2 €
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Piano solo
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Johann Sebastian Bach
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ANDANTE from Organ Sonata No. 4, BWV 528: II. Andante [Adagio]
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas. 'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.2 €
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Piano solo
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Nocturne by Frederick Chopin for solo piano
Piano solo
Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic …
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Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. 6 pages. Published by JedEd
This is a PDF DOWNLOAD for the sheet music of “NOCTURNE by Frederick Chopin for Piano Solo. This is a file you print from home.<br> <br> By purchasing this sheet music, you agree to not fileshare via the internet through email, file sharing sites, or giving duplicate copies to your friends.<br> <br> Jeza personally transcribes, notates, and edits all of her songs. Please honor Jeza Sygrynn Bigueras efforts as an independent musicians by purchasing this product Thank you for your support!
$5.00
4.51 €
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Piano solo
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Frederic Chopin (1810-1849)
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Nocturne by Frederick Chopin for solo piano
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$7.99
7.2 €
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Piano solo
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-…
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Piano Solo - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque Period, Sacred, Christmas, Easter, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Choralvorspiel ”Wachet auf, ruft uns die Stimme“<br> <br> Trancribed By Ferruccio Benvenuto Busoni - For Piano<br> <br> Wachet auf, ruft uns die Stimme, BWV 645 adheres pointedly to the melodic and rhythmic contours of one of Bach’s most indelible chorales.<br> <br> "Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" (Catherine Winkworth, "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, Wachet auf, ruft uns die Stimme, BWV 140, one of its many settings for organ and for voices.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$5.99
5.4 €
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Piano solo
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Johann Sebastian Bach
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”Wachet auf, ruft uns die Stimme“ Trancribed By Ferruccio Busoni - For Piano
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Flavio Regis Cunha
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.2 €
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Piano solo
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Largo from Winter by Vivaldi for Saxophone Quintet
Saxophone Quintet: 5 Saxophones
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Early I…
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Early Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Baroque Period, Repertoire, European, Christmas, Wedding. Score. 9 pages. Published by KrahenfuBlieder
This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.<br> <br> The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:<br> <br> Standing quietly and contentedly by the fire<br> While outside the rain bathes everything;<br> Walk on the ice with slow step<br> For fear of falling in the attempt.<br> To feel when going out through the stinging door,<br> Sirocco, Borea, and all the winds at war;<br> That this is winter, but such, that joy door.
$9.99
9 €
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Saxophone Quintet: 5 Saxophones
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Antonio Vivaldi (1678-1741)
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Largo from Winter by Vivaldi for Saxophone Quintet
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KrahenfuBlieder
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SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Quintet - Early Intermediate - Digital Download Composed by Antonio Vivaldi …
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Woodwind Quintet - Early Intermediate - Digital Download Composed by Antonio Vivaldi (1678-1741). Baroque Period, Repertoire, European, Christmas, Wedding. Score. 9 pages. Published by KrahenfuBlieder
This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.<br> <br> The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:<br> <br> Standing quietly and contentedly by the fire<br> While outside the rain bathes everything;<br> Walk on the ice with slow step<br> For fear of falling in the attempt.<br> To feel when going out through the stinging door,<br> Sirocco, Borea, and all the winds at war;<br> That this is winter, but such, that joy door.
$9.99
9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Antonio Vivaldi (1678-1741)
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Largo from Winter by Vivaldi for Woodwind Quintet
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KrahenfuBlieder
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SheetMusicPlus
The Butterfly by Alexander Ilyinsky for Bb Clarinet and Piano
Clarinet and Piano
Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Alexander Ily…
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Piano Accompaniment, Clarinet - Advanced - Digital Download Composed by Alexander Ilyinsky (1859-1920). Arranged by Seunghee Lee. Post-Romantic, Children's Music, Anniversary, Wedding, Recital. Individual Part, Score, Solo Part. 12 pages. Published by Musica Solis
The Butterfly, composed by Alexander Ilyinsky (Ilynsky) 1859-1919, a Russian Composer, for Bb Clarinet and Piano. Advanced Level. Edited by Seunghee Lee. Piano Score (8pages) Clarinet in Bb (4pages). Published by Musica Solis. .
$9.99
9 €
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Clarinet and Piano
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Alexander Ilyinsky
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The Butterfly by Alexander Ilyinsky for Bb Clarinet and Piano
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Musica Solis
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SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.2 €
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Piano solo
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Arts and the Hours" for Piano
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Flavio Regis Cunha
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SheetMusicPlus
Pie Jesu, from Requiem by Gabriel Fauré
Soprano voice, Orchestra
Soprano Voice, Concert Band - Intermediate - Digital Download Composed by Gabriel Faure …
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Soprano Voice, Concert Band - Intermediate - Digital Download Composed by Gabriel Faure (1845-1924). Arranged by Marcelo Jardim. Impressionistic, Christian, Sacred. Set of Parts. 26 pages. Published by Marcelo Jardim
Soprano wind orchestra/wind ensemble - Medium/Intermediate - Set of Parts - Digital Download Composed by Gabriel Faure (1845-1924). Arranged by Marcelo Jardim. Impressionistic, Christian, Sacred.and#65279; Fauré composed his Requiem in D minor Op 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. In the Pie Jesu, the solo soprano (or treble) sings the prayer to the "good Jesus" for everlasting rest. The one line of text is repeated three times, the first two times asking for "requiem" (rest), then intensified for "sempiternam requiem" (everlasting rest). The first call is a modal melody in B-flat majorof six measures, the second call is similar but reaching up higher.
$16.00
14.42 €
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Soprano voice, Orchestra
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Gabriel Faure (1845-1924)
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Pie Jesu, from Requiem by Gabriel Fauré
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Marcelo Jardim
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SheetMusicPlus
Hungarian Dance No.5 by Brahms - Piano Four Hands (Full Score and Parts)
1 Piano, 4 hands
Composed by Johannes Brahms (1833-1897). Arranged by César Madeira. 19th Centur…
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Composed by Johannes Brahms (1833-1897). Arranged by César Madeira. 19th Century, 20th Century, Classical, Film/TV, Romantic Period. Score. 13 pages. Sheet Music To Play Editions #779235. Published by Sheet Music To Play Editions
Hungarian Dance No.5 by Johannes Brahms. Arrangement for Piano Duet. With Full Score and Individual Parts. Enjoy it!<br> <br> Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.<br> <br> For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
7.2 €
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1 Piano, 4 hands
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Johannes Brahms (1833-1897)
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Hungarian Dance No.5 by Brahms - Piano Four Hands
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Sheet Music To Play Editions
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SheetMusicPlus
Variations on a Theme by Paganini
Trumpet, Piano
Piano Accompaniment, Trumpet - Advanced Intermediate - Digital Download Composed by N…
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Piano Accompaniment, Trumpet - Advanced Intermediate - Digital Download Composed by Nicolo Paganini (1782-1840). Arranged by Fiona Hickie. Romantic Period, Blues, Folk, Recital. Score, Solo Part. 14 pages. Published by Fiona Hickie
Variations on a Theme by Niccolo Paganini arranged for Trumpet and Piano by Fiona Hickie with a few new variations. It incudes<br> <br> Theme – Caprice No. 24 (Paganini/Leopold Auer)<br> <br> Variation 1 - Triplet (Paganini/Leopold Auer)<br> <br> Variation 2 - Semiquaver (Paganini/Leopold Auer)<br> <br> Variation 3 – Swing (Fiona Hickie)<br> <br> Variation 4 – Jazz Waltz (Fiona Hickie)<br> <br> Variation 5 – Hornpipe (Fiona Hickie)<br> <br> Variation 6 - Theme (Paganini/Fiona Hickie)<br> <br> Arranged Fiona Hickie (2021)
$5.99
5.4 €
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Trumpet, Piano
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Nicolo Paganini (1782-1840)
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Variations on a Theme by Paganini
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Fiona Hickie
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SheetMusicPlus
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Flavio Regis Cunha. Baroque Period, Repertoire, Recital. Score. 8 pages. Published by Flavio Regis Cunha
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson<br> <br> “For me, Rameau is up there with Handel, Scarlatti, and second only to Bach,” says Ólafsson. “It is simply genius keyboard writing.” His new album ‘Debussy Rameau’ juxtaposes Rameau’s music with that of Debussy, describing it as a “dialogue” between the two composers. He said that together they “defeat time and space with music”. What follows Debussy’s tender apologies on the album are Rameau’s tender complaints in ‘Les Tendres Plaintes’ from his Suite in D. In fact, tenderness was also the word evoked by Debussy to describe what he admired so deeply in Rameau – “Delicate and charming tenderness”, to be exact. Watch Víkingur Ólafsson performing Jean-Philippe Rameau’s ‘Les tendres plaintes’.“Ólafsson’s interpretations inhabit a unique, distinct and extraordinary world all their own.” – Gramophone
$6.99
6.3 €
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Piano solo
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Jean-Philippe Rameau
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Les tendres plaintes
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Flavio Regis Cunha
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SheetMusicPlus
LA CUPIS from Pièces de Clavecin en Concerts for Piano (As played By Víkingur Ólafsson
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by FLAVIO REGIS CUNHA. Classical Period, Baroque Period, Wedding, Graduation, Recital. Score. 8 pages. Published by Flavio Regis Cunha
After an attentive and meticulous work of transcription and editing, we offer you this jewel of French Baroque music, in Ólafsson's interpretation.<br> <br> Víkingur Ólafsson describes Rameau's "La Cupis" as follows: The character pieces stem from Rameau’s 1741 chamber music collection Pièces de clavecin en concerts, also prepared by the composer for solo keyboard. Here, the passage of time has rendered the titles somewhat enigmatic. “La Cupis” may be yet another feminine portrait, its potential namesake being Marie-Anne Cupis, a well-known dancer. Why not? The work’s yearning, soulful melodies are surrounded by nimble, dance-like episodes. Watch Víkingur Ólafsson peform Jean-Philippe Rameau's Pieces de clavecin en concerts : II. La Cupis.<br> <br> "In any case, it is full of passion and zest." - Víkingur Ólafsson<br> <br> The score is unique. We at FRC Music have the joy of being able to offer this beautiful transcription for solo piano. You will love playing this piece and your audience will be delighted. Enjoy.
$7.99
7.2 €
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Piano solo
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Jean-Philippe Rameau
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LA CUPIS from Pièces de Clavecin en Concerts for Piano
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Flavio Regis Cunha
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SheetMusicPlus
5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
2 Pianos, 4 hands
2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Var…
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2 pianos, 4 hands - Early Intermediate - Digital Download Composed by Piano II: Various, Piano I: Simon Peberdy. Arranged by Simon Peberdy. Classical Period, Baroque Period, Repertoire, General Instructional, Children's Music. 70 pages. Published by Simon Peberdy
Have fun with 25 newly arranged pieces for 2 pianos, 4 hands with a brand new additional piano part by Simon Peberdy.<br> This anthology is a special offer giving you a saving $10 compared to if you buy the books separately.<br> This is a collection of books 1-5 of my series of Easy Pieces for 2 pianos, 4 hands.<br> Excellent for learners with other learners or teachers, or for more advanced pianists wanting to have some fun sight reading on 2 pianos.<br> <br> Book 1: https://www.youtube.com/watch?v=nsxdXu3Q9DY<br> Schumann - Stückchen<br> W A Mozart - Menuett<br> Tschaikowsky - Old French song<br> G F Handel - Sarabande<br> Haydn - German Dance<br> <br> Book 2: https://www.youtube.com/watch?v=WvSNEp_eq-w<br> Haydn - Shepherd's Song<br> Mozart - Air from a String Quartet<br> Handel - Sonatina in B flat<br> Rathgeber - Vivace in A<br> Hook - Pastorale<br> <br> Book 3: https://www.youtube.com/watch?v=7BugdfBm_2Y<br> W.A. Mozart - Minuet in F (K5)<br> Hook - Tempo di Minuetto<br> J.S. Bach - Gavotte en Rondeau<br> Gurlitt - Wild Mignonette<br> W.F. Bach - Menuett<br> <br> Book 4: (https://www.youtube.com/watch?v=lwNeO_YaBEI<br> Hook - Air<br> Müller - Study in A minor<br> Purcell - Round O'<br> Couperin - Gavotte<br> Rameau - Minuet<br> <br> Book 5: https://www.youtube.com/watch?v=eRbF5QeR95Q<br> J.S. Bach - Minuet in G (I)<br> J.S. Bach - Minuet in G minor<br> J.S. Bach - Minuet in G (II)<br> J.S. Bach - Minuet in A minor<br> J.S. Bach - Minuet in D minor<br> Arranged for 2 pianos, 4 hands by Simon Peberdy.<br> <br> The pieces are also available individually from www.simonpeberdymusic.com<br> <br> If you print out everything, there are 70 pages.<br> <br> The mp3 is of Rameau's Minuet from Book 4 and is computer generated, I'm afraid. To hear the other pieces, please call them up individually from www.simonpeberdymusic.com
$19.99
18.01 €
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2 Pianos, 4 hands
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Piano II: Various, Piano I: Simon Peberdy
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5 Easy Pieces for 2 pianos Books 1, 2, 3, 4 and 5 - 25 Classics - 2 pianos, 4 hands by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Ave Maria by Bach & Gounod, Pedal Harp Solo
Harp
Harp, Pedal Harp - Advanced Intermediate - Digital Download Composed by Johann Sebast…
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Harp, Pedal Harp - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Stephanie Bennett. Romantic Period, Christian, Christmas, Wedding, Funeral. 6 pages. Published by Harpworld Music Co.
The French Romantic composer Charles Gounod added a beautiful melody to the Prelude in C by Baroque master Johann Sebastian Bach, to create this beloved and inspiring Ave Maria.<br> <br> This pedal harp solo arranged by Stephanie Bennett (ASCAP) has been meticulously notated with fingerings, as well as tempo and dynamics markings. <br> <br> Great for any classical-music setting, & for any Christian occasion (weddings, funerals, christenings, Christmas, etc.)<br> <br> If you print it out on paper, remember that the ODD numbered pages go on your LEFT and the EVEN numbered pages go on your right. Laid out this way, there will be only one easy page turn (from page 3 to page 4).<br> <br> If you take the repeat, it’s about 4 minutes long. If you skip the repeat (go directly to 2nd ending), it’s about 2 minutes & 15 seconds.
$9.00
8.11 €
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Harp
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Johann Sebastian Bach, Charles Gounod
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Ave Maria by Bach & Gounod, Pedal Harp Solo
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Harpworld Music Co.
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SheetMusicPlus
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