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C'est ma vie
Sheetmusic to print
44 sheet music found
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1
26
Ma Vie Par Procuration
Digital Download SKU: A0.1416235 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416235 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Standards,Traditional,World. Full Performance. Duration 242. ArtIA #997918. Published by ArtIA (A0.1416235). Cette version réimaginée plonge dans l'essence même de l'amour et de la solitude, tout en explorant la complexité des relations humaines à travers le prisme de la technologie moderne. L'intégration de mon interprétation vocale offre une nouvelle dimension à cette mélodie intemporelle, enrichissant l'expérience d'écoute avec une touche personnelle et contemporaine.Dans ce clip, vous découvrirez non seulement une performance vocale empreinte d'émotion, mais aussi une production visuelle captivante qui illustre la quête d'authenticité dans un monde souvent trop connecté. Chaque scène, soigneusement conçue, vise à évoquer les sentiments de nostalgie, de réflexion et d'espoir, résonnant profondément avec les auditeurs de tous âges.Cette version de Ma vie par procuration est une invitation à réfléchir sur les moyens par lesquels nous exprimons et vivons l'amour dans le contexte de notre époque digitale.Rejoignez-nous dans cette aventure musicale et émotionnelle, et laissez-vous transporter par la mélodie et les paroles revisitées de cette chanson emblématique.
$1.99
1.79 €
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Cédric Hermand
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Ma Vie Par Procuration
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ArtIA
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SheetMusicPlus
Salvatore Adamo: C'est ma vie
4.99 €
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Salvatore Adamo: C'est ma vie
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C'est ma vie
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Quickpartitions
Salvatore Adamo: C'est ma vie
Piano, Vocal and Guitar
4.99 €
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Piano, Vocal and Guitar
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Salvatore Adamo: C'est ma vie
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C'est ma vie
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Quickpartitions
Joseph est marié
Choral 3-part
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.977675 Composed by Traditio…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.977675 Composed by Traditional French. Arranged by Sylvia Miles. Christian,Christmas,Classical,World. Octavo. 2 pages. Sylvia Miles #4890429. Published by Sylvia Miles (A0.977675). Dates from the C16.Words: 1.Joseph est bien marié (2), A la fille de Jessé (2). C’était chose bien nouvelle, Que d’ être mère et pucelle Dieu y a bien operé, Joseph est bien marié. 2.Et quand ce vint au premier (2), Que Dieu voulut nous sauver (2), Il fit en terre descender, Son cher fils Jésus pour prendre En Marie humanité: Joseph est bien marié. 3.Quand Joseph eut aperçu (2), Que Marie avait conçu (2) Il lui dit ma bonne amie, Certes dignes je suis mie D’ être vous apparié: Joseph est bien marié.4.Mais Gabriel lui a dit (2), Joseph tu es en credit (2), Car ton épouse Marie Est grosse de fruit de vie Par prophètes publié: Joseph est bien marié.5. Change donc ton pensement (2), Et l’approche hardiment (2), Car par divine puissance, Tu es durant son enfance A le server dédié: Joseph est bien marié. 6.A Noel sur les minuit (2) La Vierge enfanta son fruit (2); Sans lit traversin ni couche, De ce lieu elle ne bouge Où son ame était lié: Joseph est bien marié.Joseph gets a lesson in manners from the angel Gabriel!The sopranos and altos take turns to tell the story: fun to sing with rhythm and energy.
$2.99
2.7 €
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Choral 3-part
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Traditional French
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Joseph est marié
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Sylvia Miles
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SheetMusicPlus
La barque sur l'eau
Violin and Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1264997 Composed by Bastien Cheva…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Chevalley #857838. Published by Bastien Chevalley (A0.1264997). I'm delighted to present my latest composition, the fruit of my growing passion for the violin! Just three weeks ago, I began this incredible musical adventure, discovering the subtleties of this fascinating instrument. Oh, how I love it already, despite the challenges it presents! Despite my short experience, I already had an irrepressible urge to create music. And so was born this original composition, based on just three modest notes on the violin. However, thanks to a more elaborate piano accompaniment, the piece comes to life and acquires a more captivating musical interest.********************************************************************************************************************Je suis ravi de vous présenter ma toute nouvelle composition, fruit de ma passion grandissante pour le violon ! Il y a tout juste trois semaines, j'ai entamé cette incroyable aventure musicale en découvrant les subtilités de cet instrument fascinant. Oh, que je l'adore déjà , malgré les défis qu'il m'impose ! Malgré ma courte expérience, j'ai déjà une envie irrépressible de créer de la musique. C'est ainsi qu'est née cette composition originale, basée sur seulement trois modestes notes au violon. Cependant, grâce à un accompagnement plus élaboré au piano, la pièce prend vie et acquiert un intérêt musical plus captivant.
$5.00
4.51 €
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Violin and Piano
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Bastien Chevalley
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La barque sur l'eau
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Bastien Chevalley
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SheetMusicPlus
Mills on the Merrimack: Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017044_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017044_BBC1 Baritone B.C.. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017044_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017044_BBC1). UPC: 038081498119.Mills on the Merrimack presents a musical portrait of Lowell, MA and its mill town traditions. Opening with a view of the river on a misty morning, the music flows with the river into the city of Lowell where industry and the Irish heritage of its settlers is represented. These two main musical themes are then brought together in a way that depicts the bond between the city and its founding citizens. (3:45) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Concert band
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Robert Sheldon
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Festival.
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Mills on the Merrimack: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Mills on the Merrimack: Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017044_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017044_BTC1 Baritone T.C.. Composed by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017044_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017044_BTC1). UPC: 038081498119.Mills on the Merrimack presents a musical portrait of Lowell, MA and its mill town traditions. Opening with a view of the river on a misty morning, the music flows with the river into the city of Lowell where industry and the Irish heritage of its settlers is represented. These two main musical themes are then brought together in a way that depicts the bond between the city and its founding citizens. (3:45) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.71 €
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Concert band
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Robert Sheldon
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Festival.
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Mills on the Merrimack: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Un folletto un po' speciale
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976840 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976840 Composed by Monica Bergo. Children,Christmas,Contemporary. Score. 8 pages. Monica Bergo #3236507. Published by Monica Bergo (A0.976840). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫UN FOLLETTO UN PO’ SPECIALE ♫*´¨`*•.¸¸.♫ Ogni anno è sempre uguale Con l’arrivo del Natale Non mi sento molto bene La malinconia mi assale Ma quest’ anno son sicura Di poterla controllare Con l’aiuto di una storia Che ora vado a raccontare Nel regno di Babbo Natale C’è un folletto un po’ speciale A cui non importa niente della gioia della gente Di balocchi e di regali non ne vuole costruire e la festa del Natale per lui è solo da abolire Venite qua, c’è Monica un’altra favola racconterà Un personaggio indisponente Senza freni ed arrogante Quello che gli viene in mente di sicuro lui farà Per rovinare l’atmosfera La magia di quella sera lui si metterà d’impegno Dite che ci riuscirà ? Augurerà a tutti quanti un buon Natale Con la speranza che vi vada tutto male nel marzapane mette il sale panettoni da buttare pan di zenzero e dolcetti col purgante farcirà Un po’ di etere e le renne dormiranno Mentre saltella e fa gli auguri di buon anno Quanti natali son passati Tanti i ricordi ormai sbiaditi Il tempo passa e non riporterà L’infanzia che non ho vissuto Un giorno come un altro allora Il mondo fuori festeggiava Ma quel grigiore non cambiava Babbo natale non veniva I sogni miei non avverava E la mia lettera non leggeva mai Ma ritorniamo nel presente E al folletto mio arrogante So di lui cosa pensate Lo vorreste cancellare Dal mio libro di Natale Perché va contro corrente Proprio come la mia mente Che non riesco ad imbrigliare Ma ciò che è bene e ciò che è male È difficile capire perchè ormai questo natale è un affare commerciale solo oggetti da comprare l’elfo ci vuol far capire che Natale è tutto l’anno se viviamo nell’amore pacchetti e strenne scintillanti le vetrine luccicanti fiocchi e nastri appariscenti il folletto brucierà augurerà a tutti quanti un buon natale e intanto nei biscotti aggiungerà del fiele Babbo Natale certo lo licenzierà …. Venite qua che Monica Ci dice come questa storia finirà Non pensate così male del mio elfo che riflette la nevrosi che mi assale all’arrivo del natale Lui non c’entra, è innocente Partorito da una mente C he non vuol dimenticare e sorridere al presente…. Natale è qua e passerà Con la Befana il mio carbone arriverà ! Monica Bergo
$3.99
3.6 €
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Piano solo
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Monica Bergo
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Un folletto un po' speciale
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Monica Bergo
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SheetMusicPlus
Chipolata
Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416365 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Comedy,Contest,Festival,Multicultural,World. Full Performance. Duration 163. ArtIA #998046. Published by ArtIA (A0.1416365). Découvrez une version réinventée de Chipolata de Téo Lavabo, magistralement interprétée par ma voix. Ce clip unique apporte une nouvelle dimension à la chanson humoristique, alliant l'art de la musique à une touche personnelle et créative.Dans cette réinterprétation, embarquez pour un voyage culinaire et musical, où chaque chipolata n'est pas juste un mets, mais une célébration de la joie et de l'absurdité de la vie quotidienne. Avec des scènes allant d'un petit-déjeuner festif à des aventures fantaisistes à la recherche de la chipolata parfaite, ce clip est une expérience à ne pas manquer.Suivez Cédric dans sa quête humoristique, illustrée par des séquences vidéo pleines d'humour et de fantaisie, où la préparation de chipolatas devient le prélude à des festivités inattendues. C'est un hommage à l'amour de la bonne nourriture, de la bonne compagnie, et surtout, du bon temps.Chipolata par Cédric est plus qu'un clip musical; c'est une invitation à rire, à chanter et à danser, rappelant que les plaisirs simples de la vie sont souvent les plus précieux. Préparez-vous à être captivé par cette performance vocale et visuelle, où la gaieté et l'esprit sont au rendez-vous.Chipolata par Cédric, une aventure à savourer sans modération. Partagez votre amour pour la musique et la cuisine avec moi, et voyez comment un simple plat peut inspirer une œuvre d'art.
$1.99
1.79 €
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Cédric Hermand
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Chipolata
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ArtIA
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SheetMusicPlus
Le Taulier
Harp
Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigi…
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Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or
$4.99
4.5 €
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Harp
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Brigitte Bonin
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Le Taulier
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Brigitte Bonin
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SheetMusicPlus
Bagge - String Quartet in C major, Op.12
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.819845 Composed by Selmar …
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String Quartet String Quartet - Digital Download SKU: A0.819845 Composed by Selmar Bagge. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 80 pages. J.G. Cuco Barber #6871071. Published by J.G. Cuco Barber (A0.819845). Work Title String Quartet, Op.12 Composer Bagge, Selmar Opus/Catalogue Number Op.12 Key C major Movements/Sections 4 movements I. Allegro non tanto II. Adagio molto, quasi fantasia III. Scherzo. Allegro vivace ma non troppo IV. Finale. Presto agitato First Publication 1861 – Vienna: Gustav Lewy Dedication Herrn Leo Grafen von Thun-Hohenstein Composer Time Period Romantic Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
20.75 €
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String Quartet: 2 violins, viola, cello
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Selmar Bagge
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Bagge - String Quartet in C major, Op.12
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J.G. Cuco Barber
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SheetMusicPlus
Toccata et fugue en ré mineur (BWV 565)
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Compo…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
7.21 €
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Johann Sebastian Bach
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Toccata et fugue en ré mineur
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Sam Bateman
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SheetMusicPlus
La ballata di Fandalism
Piano solo
Piano Solo - Digital Download SKU: A0.976867 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976867 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3239699. Published by Monica Bergo (A0.976867). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La ballata di Fandalism ♫*´¨`*•.¸¸.♫Sola, navigavo in questo mare con la musica nel cuore sempre alla ricerca di calore e sole quando, come un canto di sirene una musica che viene e ora mi trasporta già ... Ma cos'è? Ma dov'è? C'era già ? o è apparsa all'improvviso dentro me forse là troverò gente che mi somiglia almeno un po'.... Si chiama Fandalism siamo su Fandalism qui troverai gli artisti più simpatici non siam famosi ma abbiamo un'anima solo ascoltandoci si capirà Qui non c'è gara e non si vince nulla ma ci si guadagna in cuore e solidarietà Youtube non ti amo più Beat 100 neanche tu sai darmi il brivido che c'è quaggiù Grandi amicizie qui che si cementano distanze chilometriche si annullano storie d'amore che sbocciando ispirano perciò ho deciso che mi fermo qua C'è chi fa jazz o musica elettronica chi suona il basso o la chitarra elettrica c'è chi è geniale ma non se ne accorgerà perchè qui a Fandalism c'è l'umiltà Li adoro tutti e tutti me li abbraccerei io coccolata come non son stata mai come un folletto neli mio bosco magico vole tra note e generosità Rinnoverò l'incanto fermerò il mio tempo e ascolterò il tuo canto e ciò che mi dirai Ti voglio al mio fianco e io suonerò per te soltanto ed asciugherai tu il mio pianto e se sarò triste lo capirai Mentre sfioro tanta gente (senza toccarla mai) che è indifferente (ma tu non lo sei) corro nel niente con gli accordi miei e questa mente che non riposa mai ma tu puoi sentire quello che ho dentro la presenza tua forse può dare un senso a tutto ciò La mia diversità qui è la normalità sono accettata qui con la mia musica un cantastorie io fuori dal tempo mio vivo sospesa tra sogno e realtà Rimango attonita per il talento altrui mi sento piccola, talmente inutile poi mi incoraggiano torno a sorridere perchè qui a Fandalism c'è umanità E ci vogliamo bene e si collabora qui siamo al centro esatto della musica Doc m'incorona rosa in questo regno e poi sono felice Because the Doc says! Scrivo commenti e dò puntelli a raffica e mi preoccupo quando spariscono non c'è malignità non ci si critica e qui l'invidia no, non entrerà Vieni su Fandalism ti aspetto a Fandalism perchè qui a Fandalism ci siamo noi!! Mi fermo a Fandalism resto su Fandalism perchè qui a Fandalism ci siete voi!!!! Ehi!!! Ci sono anch'io!!! Monica Bergo
$3.99
3.6 €
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Piano solo
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Monica Bergo
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La ballata di Fandalism
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Monica Bergo
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petro…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
29.72 €
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Modest Petrovich Mussorgsky
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Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.56 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Transfigured Life - Still Life
Violin and Piano
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.68 €
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Violin and Piano
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
L'amore e le sue forme
Piano solo
Piano Solo - Digital Download SKU: A0.976833 Composed by Monica Bergo. Spiritual. S…
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Piano Solo - Digital Download SKU: A0.976833 Composed by Monica Bergo. Spiritual. Score. 5 pages. Monica Bergo #3235425. Published by Monica Bergo (A0.976833). 2017 Holiday Contest Entry L'AMORE E LE SUE FORME Lo incontrai era un giorno senza fiato perso tra la folla mi guardava disperato stai con me sembri triste e solo mentre piega il capo lo accarezzo e lo consolo non so chi sei ma ti starò vicino non sei uomo o donna non sei adulto nè bambino guardami oltre le apparenze, mi hai rincorso tanto ed ero qua ero con te in quelle vie ma tu non mi hai notato negli occhi spenti di chi ormai tutto ha perduto ero in quel barbone steso là avvolto nel giornale ero in quella squallida corsia tra la miseria e il male Ma Ora fermati smetti di correre quante forme vuoi prima di accorgerti che sono intorno a te in ogni brivido che proverai e come angeli dalle ali fragili spiccate il volo verso cieli sterili sfiorate il sole ma poi come Icaro cadete giù ma ora tu puoi dirmi cosa vuoi? vorrei, vorrei, vorrei scordare le lacrime e poi vorrei con te toccare le nuvole vorrei gettare la maschera e poi sentirmi più libera vorrei poter riconoscere tra tanta gente che c'è chi somiglia un po' a me Vorrei tornare all'origine e poi riscrivere pagine vorrei spezzare i silenzi e poi io vorrei e non dovrei ricordarmi di lui ti lascio esplodere nascosta nemesi divento sterile femmina inutile moderna Elettra nel mio lutto fragile di nero mi vestirò e smetto i panni di Pierrot improbabile ed indurisco la mia scorza debole povero cuore mio soltanto un muscolo l'amore rinnegherò non mi commuovo più smetto di ridere calpesto questa parte mia sensibile io burattino strano e un po' patetico i fili miei taglierò La gentilezza che diventa acredine e sputo in faccia a chi fraintende e immagina che donna dolce = disponibile uomini solo a metà femmina alfa di tribù di vergini vi incateniamo maschilisti ipocriti la tua virilità non può dipendere solo dal sesso che fai Mi adeguo a questa società di plastica e mi innamoro solo del tuo bancomat la mia natura astratta e vulnerabile cenere al vento sarà ma questa donna chi è non sono io e ritorno al mondo mio e a te che so chi sei ti ho riconosciuto sei l'amore in ogni forma offeso e maltrattato stai con me non sarò triste e sola stringo la tua mano che guarisce e che consola.. Monica Bergo
$3.99
3.6 €
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Piano solo
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Monica Bergo
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L'amore e le sue forme
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Monica Bergo
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SheetMusicPlus
Come Scrooge (Il fantasma del Natale)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò come vampiri nella notte ci muoviamo in libertà e trasformati in pura luce noi voliamo via da qua sfioro la luna, immensa e bianca solo lei non cambia mai la sua immortalità spaventa è luce eterna su di noi la mia casa è là un punto lontano e mi manca già la mia realtà e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è E fa Din - Don Din-Don la triste campana apro gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei come un libro che svela il suo finale il futuro è qua è scritto già e ora siamo qua una dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
$3.99
3.6 €
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Piano solo
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Monica Bergo
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Come Scrooge
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Monica Bergo
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SheetMusicPlus
Sones y Jarabes Mixes - Cuarteto para Clarinetes
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Com…
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Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Composed by Rito Marcelino Rovirosa. Arranged by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 17 pages. Everardo GarcÃa Vargas #836352. Published by Everardo GarcÃa Vargas (A0.1240957). Sones y Jarabes Mixes - Cuarteto para ClarinetesLa obra musical ceremonial “Sones y Jarabes Mixesâ€, compuesta por Rito Marcelino Rovirosa, es ampliamente reconocida como uno de los himnos representativos de la región Mixe. Además de ser una pieza musical, también es un baile que forma parte integral de la cultura Mixe del estado de Oaxaca, México. El mismo autor también compuso un himno especÃfico para la región titulado “Himno Mixeâ€. En la tradición y costumbres de esta región, se realizan ceremonias y ritos para agradecer o pedir a las potencias naturales como el rayo, el viento, el agua, el sol, la montaña, la madre tierra y al rey “Konk ëy†(rey bueno), quien representa el vÃnculo con lo sagrado. Estas ceremonias pueden tener como objetivo tener una buena cosecha, alejar un mal sobrenatural, mejorar las condiciones de vida, tener abundancia económica o un buen año. Durante estas ceremonias se ofrendan bebidas como tepache y mezcal, alimentos y música, incluyendo sones y jarabes para bailar.Rito Marcelino Rovirosa, es un ilustre compositor mexicano conocido como el “hijo de la sierra mixeâ€, nació en Asunción Cacalotepec, Mixe, Oaxaca el 07 de abril de 1908 y falleció en Santiago Zacatepec Mixe, Oaxaca el 05 de julio de 2000 a la edad de 92 años. Rovirosa dejó un legado de más de 200 obras que se extendieron más allá de su región y fueron interpretadas por las bandas filarmónicas de casi todos los estados de la República Mexicana. Entre sus creaciones se encuentran sones y jarabes mixes, himno mixe, los mixes, fandango mixe, raza mixe, rey condoy, lustre, fiesta animada, viuda alegre, alegrÃa de mi alma, nueva esperanza, mi paisano y pájaro montañero. Sin embargo, no todas sus obras fueron conocidas o grabadas; dejó muchas inéditas e incluso escribió varias piezas a petición de otros músicos quienes le solicitaron que las dejara sin tÃtulo ni autorÃa. Marcelino Rovirosa vivió como cualquier otro campesino; dedicaba su tiempo a cuidar sus cultivos de café, maÃz y frijol. Las noches eran sus momentos favoritos para escribir sus obras inspirándose en la naturaleza, el canto de los pájaros y las convivencias con sus paisanos. Nadie hubiera imaginado que un indÃgena mixe iba a trascender con su música más allá de la frontera mixe. En la década de los años cuarenta del siglo pasado fue humillado por el mandamás de su pueblo quien lo envió a la cárcel acusándolo falsamente. Fue llevado a pie amarrado de las manos y sujetado por una cuerda por los guardianes desde su natal Asunción Cacalotepec hasta la cabecera distrital de Santiago Zacatepec un pueblo que lo adoptarÃa más tarde, después de caminar más de 10 horas en plena serranÃa fue conducido directamente a la cárcel donde permaneció durante tres años. Mientras estaba en la cárcel su creciente fama como buen músico llegó a oÃdos de las autoridades del pueblo, del agente del ministerio público, del juez que llevaba su caso y también de don Luis RodrÃguez Jacob, lÃder de la comunidad y del distrito mixe. A pesar de estar privado de su libertad gozaba de algunos tratos preferenciales que los demás no tenÃan. Fue incluido en la banda de música que viajó a la ciudad de Oaxaca, junto con las autoridades municipales para participar en un evento oficial que resultó ser todo un éxito. Al término de la misión y de regreso a Zacatepec don Luis RodrÃguez encomendó a los maestros de música y al distinguido Marcelino Rovirosa que escribieran una melodÃa representativa de la región mixe. Rito regresó como era natural a la cárcel municipal y puso manos a la obra; le facilitaron papel pautado y pluma y en pocos dÃas la obra solicitada quedó lista y lo tituló “fandango mixe†nombre sugerido por don Luis RodrÃguez.
$38.50
34.73 €
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Clarinet Quartet: 4 clarinets
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Rito Marcelino Rovirosa
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Sones y Jarabes Mixes - Cuarteto para Clarinetes
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Everardo GarcÃa Vargas
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SheetMusicPlus
LOVE AND ITS FORMS
Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Compo…
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Small Ensemble Drums,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012750 Composed by Monica Bergo. Contemporary. Score and parts. 20 pages. Moni Bergo #5743677. Published by Moni Bergo (A0.1012750). Music and song composed by me, about my imaginary conversation with love♫*´¨`*•.¸¸.♫ L'amore e le sue forme ♫*´¨`*•.¸¸.♫ Lo incontrai era un giorno senza fiato perso tra la folla mi guardava disperato stai con me, sembri triste e solo mentre piega il capo lo accarezzo e lo consolo non so chi sei, ma ti starò vicino non sei uomo o donna non sei adulto nè bambino guardami, oltre le apparenze, mi hai rincorso tanto ed ero qua.. ero con te in quelle vie ma tu non mi hai notato, negli occhi spenti di chi ormai tutto ha perduto ero in quel barbone steso là , avvolto nel giornale ero in quella squallida corsia tra la miseria e il male ma ora fermati, smetti di correre quante forme vuoi prima di accorgerti che sono intorno a te in ogni brivido che proverai e come angeli dalle ali fragili spiccate il volo verso cieli sterili sfiorate il sole ma poi come Icaro cadete giù ma ora tu puoi dirmi cosa vuoi vorrei, vorrei, vorrei scordare le lacrime e poi vorrei con te toccare le nuvole vorrei gettare la maschera e poi sentirmi più libera vorrei poter riconoscere tra tanta gente che c'è chi somiglia un po' a me Vorrei tornare all'origine e poi riscrivere pagine vorrei squarciare il silenzio e poi io vorrei e non dovrei ricordarmi di lui... ti lascio esplodere selvaggia nemesi divento sterile femmina inutile moderna Elettra nel mio lutto fragile di nero mi vestirò e smetto i panni da Pierrot improbabile ed indurisco la mia scorza debole povero cuore mio soltanto un muscolo l'amore rinnegherò non mi commuovo più smetto di ridere calpesto questa parte mia sensibile io burattino strano e un po' patetico i fili miei taglierò la gentilezza che diventa acredine e sputo in faccia a chi fraintende e immagina che donna dolce=disponibile uomini solo a metà Femmina alfa di tribù di vergini vi incateniamo maschilisti ipocriti la tua virilità non può dipendere solo dal sesso che fai Mi adeguo a questa società di plastica e mi innamoro solo del tuo bancomat la mia natura astratta e vulnerabile cenere al vento sarà Ma questa donna chi è? non sono io e ritorno al mondo mio da te che so chi sei ti ho riconosciuto sei l'amore in ogni forma offeso e maltrattato stai con me non sarò triste e sola stringo la tua mano che accarezza e che consola.... Monica Bergo
$5.00
4.51 €
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Monica Bergo
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LOVE AND ITS FORMS
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Moni Bergo
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.17 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
La dipendenza
Piano solo
Piano Solo - Digital Download SKU: A0.976884 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976884 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3359365. Published by Monica Bergo (A0.976884). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La dipendenza ♫*´¨`*•.¸¸.♫ Ti sembro libera... e invece sono incatenata.. Si avvicina sorridente mi è antipatico di già sul metrò c'è poca gente ma si siede proprio qua. Io bruttina ,un po' rachitica conscia dei limiti miei sono persa tra le nuvole e mi faccio i fatti miei Lui mi guarda ed è insistente ma da me cosa vorrà ? E' un bell'uomo ed è elegante forse è miope, chi lo sa? Dal suo sguardo penetrante io mi sento trapassare e mi sono già stufata e in faccia gli vorrei gridare Ti sembro libera e invece sono innamorata dammi un piano, una chitarra e passo tutta la giornata Divento isterica quando mi portano in vacanza perchè di settime e rivolti non so proprio fare senza Malata cronica e sono ormai senza speranza però non voglio medicine per questa mia dipendenza.. Tu entri e scoppi nelle vene con le tue catene stringimi di più Sento l'energia infinita scorre tra le dita e tu solo puoi ed allevierai i dolori miei sei la mia compagna nei momenti più bui Mi proteggerai dagli eccessi miei in questo mondo finto scintilla tu sarai Alla fine si decide e mi apostrofa così sei la mia nuova vicina, la mia casa è proprio lì, e la sera io m'incanto e ti ascolterei per ore mentre suoni il pianoforte insieme a te posso volare e lo so che forse è tardi però ci vorrei provare so che ai bimbi dai lezione ed anche io vorrei imparare Ma che uomo intelligente! Mi è simpatico di già gli racconto del ceffone che ha rischiato poco fa lui mi dice che ha un compagno e che lo ama dolcemente io mi prenderei a pedate maledetta diffidente!! Voliamo liberi sui nostri accordi in dissonanza dimenticando ogni problema, grosso guaio od incombenza Malato cronico della mia stessa dipendenza che lo contagia, si propaga ed entra nella sua esistenza Soltanto anime e metto a nudo la sua essenza mentre lo ascolto solfeggiare entra il cielo in questa stanza... Monica Bergo
$3.99
3.6 €
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Piano solo
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Monica Bergo
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La dipendenza
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Monica Bergo
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SheetMusicPlus
Hölderlin’s Tower for 2 cellos (mp3)
Cello
Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Sza…
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Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de Hölderlin Elle est près du fleuve dormeur debout mais le saule incliné toucherait de sa cîme l'eau L'église vieille dit les heures de l'île où la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altérer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from Hölderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50
4.96 €
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Cello
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Ölveti Mátyás and Mády-Szabó Eszter
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Hölderlin’s Tower for 2 cellos
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David Warin Solomons
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SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
58.58 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
SAXOPHONE CHRISTMAS CAROLS vol. 3 - 13 world famous French Carols for Sax Quartet (SATB or AATB)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.770515 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.770515 Composed by Various. Arranged by Ivan Marini. Christmas,Multicultural,Sacred,Standards,World. 35 pages. Www.dalsegno.eu #6086469. Published by www.dalsegno.eu (A0.770515). After volume 1 and 2, dedicated to the English carols, now out for you 13 world famous French Carols for a very low price: less than 40 cent for each Carol!Titles included:1) Il est né le divin enfant2) Un flambeau, Jeannette, Isabelle (from Provence)3) Les Anges dans nos campagnes4) D’où viens-tu bergère?5) Minuit, chrétiens (Cantique de Noël)6) La marche des rois (from Provence) aka L'Arlesienne Theme7) Célébrons la naissance8) Quittez, pasteurs9) Pat a Pan10) Quoique soyez petit encore11) Noël nouvelet12) Dors, ma colombe (from Alsace)13) Noël des AuselsEasy and flexible arrangements, card size printable, for both SATB and AATB Quartets.Really useful for instrumental classes, to build a repertoire, for concerts, recitals, Christmas rites etc., even as a seasonal encores.Complete set with card size parts for Alto 1, Soprano (instead of Alto 1), Alto 2, Tenor and Baritone.Other transpositions or custom settings available at simply request.Duration: ca. 9 minutes tot. (but reprises are welcome), 35 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
4.5 €
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Saxophone Quartet: 4 saxophones
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Various
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SAXOPHONE CHRISTMAS CAROLS vol. 3 - 13 world famous French Carols for Sax Quartet
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www.dalsegno.eu
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SheetMusicPlus
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