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You've selected:
C B A Leads the Way
Sheetmusic to print
19 sheet music found
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1
C B A Leads the Way
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.762288 Composed by Lori Cummings. C…
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Easy Piano - Level 1 - Digital Download SKU: A0.762288 Composed by Lori Cummings. Children,Instructional,Standards. Score. 1 pages. Lori Cummings #3530733. Published by Lori Cummings (A0.762288). This piece is designed for beginner students to enforce their first three notes in the bass clef (using Middle C position). It uses a variety of rhythms using quarter notes and half notes. It is a fun piece with lyrics, bright colours and large font for easy reading. This piece is always a favourite among students! It should follow C D E is Just for Me! which is available for purchase as well.For younger beginner students, a shorter version of the song is also available, entitled C B A.
$3.25
3.04 €
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Easy Piano
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Lori Cummings
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C B A Leads the Way
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Lori Cummings
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SheetMusicPlus
C B A
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.762287 Composed by Lori Cummings. C…
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Easy Piano - Level 1 - Digital Download SKU: A0.762287 Composed by Lori Cummings. Children,Instructional,Standards. Score. 1 pages. Lori Cummings #3530729. Published by Lori Cummings (A0.762287). This song is a shorter version of the song C B A Leads the Way. It is designed for the very young, new beginner students, introducing them to their first three notes of the bass clef. Written in large font with bright colours for easy reading, if also includes lyrics. For students that have difficulty with the note recognition, I will highlight each note head with a different colour. It could follow C D E or Animals at the Zoo, both of which are for sale here. .
$2.99
2.8 €
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Easy Piano
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Lori Cummings
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C B A
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Lori Cummings
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SheetMusicPlus
All the Way My Savior Leads Me
Brass Quartet
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1216833 By â₅
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1216833 By …. By Fanny J. Crosby and ROBERT LOWERY. Arranged by J. Randolph Hall. This edition: Interactive Download. Folk,Holiday,Praise & Worship,Standards. 9 pages. Duration 78. J. Randolph Hall #5olranUZP0amo2PzFjWdQI. Published by J. Randolph Hall (A0.1216833). Key: Eb major.Crosby was an American poet, hymnisst, and composer of the 19th Century. Regardless of being blind, she turned out numerous works. Lowry was a 19th Century American preacher and hymnist. Sections A and C are the verse. Section B and D are the refrain. A modulation to a new key occurs between sections B anC with the help of a German augmented sixth chord. A descant by yours truly is then added.
$4.00
3.74 €
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Brass Quartet
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…
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All the Way My Savior Leads Me
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J. Randolph Hall
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.67 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.86 €
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
I Want It That Way
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet B…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change. It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.
$3.00
2.81 €
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Choral TTBB
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The Backstreet Boys
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I Want It That Way
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Rowena Harper
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SheetMusicPlus
Redlands March: (wp) B-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBBBC (wp) B-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPTBBBC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
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Steve Hodges
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Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Redlands March: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPTN1BC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
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Steve Hodges
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Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Redlands March: (wp) B-flat Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPBBBC (wp) B-flat Bariton…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPBBBC (wp) B-flat Baritone B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPBBBC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
#
Steve Hodges
#
Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Redlands March: (wp) B-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBBTC (wp) B-flat Tuba T…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPTBBTC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
#
Steve Hodges
#
Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Redlands March: (wp) 1st B-flat Trombone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTN1TC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPTN1TC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
#
Steve Hodges
#
Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Redlands March: (wp) E-flat Tuba B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBEBC (wp) E-flat Tuba B…
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Concert Band - Digital Download SKU: AX.00-PC-0000807_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000807_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000807_WPTBEBC). UPC: 038081274263.A dynamic introduction leads to a stirring trumpet duet that opens this regal march by Steve Hodges. Everyone is involved in the melodic content throughout the piece and they will enjoy the unique treatment of the standard march trio and 'dogfight' sections. A great way to open or close a concert!Encore.
$3.00
2.81 €
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Concert band
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Steve Hodges
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Redlands March:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
All Night Long (all Night)
Melody line, (Lyrics) and Chords
C Instrument - Level 2 - Digital Download SKU: A0.1278339 By Lionel Richie. By Lion…
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C Instrument - Level 2 - Digital Download SKU: A0.1278339 By Lionel Richie. By Lionel Richie. Arranged by Zedas Couve. 20th Century,Disco,Hip-Hop,Jazz,Pop,R & B. Lead Sheet / Fake Book. 3 pages. Zedas Couve #870055. Published by Zedas Couve (A0.1278339). 🎵 Celebrate Lionel Richie's Music with the All Night Long (All Night) Leadsheet! 🎵🎶 Have you ever imagined being able to play and sing one of the greatest hits of all time? Well, now you can! Introducing the Leadsheet of the iconic song All Night Long (All Night) by Lionel Richie, available for you to dive into its contagious beat and unforgettable lyrics.🎹 What is a Leadsheet? The Leadsheet format is a simplified way to represent a song, highlighting the chords, the main vocal melody, and the lyrics. It's a popular choice among musicians and artists who want to capture the essence of the music while adding their own creativity. With the Leadsheet of All Night Long (All Night), you'll have the necessary tools to play and sing this iconic song just the way you want.🎤 Feel the Music's Energy: Imagine yourself at a lively party, where people are dancing and singing along with you. All Night Long (All Night) is known for its festive atmosphere and infectious rhythm that's impossible to resist. With the Leadsheet, you'll be able to recreate this vibe anywhere, whether you're playing on a solo instrument, accompanying other musicians, or even putting together your own band to bring back the spirit of the music.🎸 Express Your Creativity: With the Leadsheet, you'll have the solid foundation of the music, allowing you to add your own nuances and personal interpretations. Experiment with different arrangements, vary the chords, and explore new ways to present this legendary track. Whether you're a beginner or an experienced musician, the Leadsheet is a versatile tool to enhance your musical skills.🎵 How to Get the All Night Long (All Night) Leadsheet: Obtaining the Leadsheet of the song that has captivated generations is simple! Visit our website and instantly download the digital file. You can print it out or access it directly on your device, allowing you to start practicing and playing within minutes. Plus, you'll also receive valuable tips on how to approach the music and customize your own style.Don't miss the opportunity to have the All Night Long (All Night) Leadsheet in your hands. Relive the magic of Lionel Richie's music and create unforgettable moments through your unique interpretation. Download it now and start your musical journey!
$4.99
4.67 €
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Melody line, (Lyrics) and Chords
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Lionel Richie
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All Night Long
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Zedas Couve
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SheetMusicPlus
Chase the Shouting Wind: Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016447_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0016447_BBC1 Baritone B.C.. Composed by Vince Gassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016447_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016447_BBC1). UPC: 038081471327.Inspired by the poem, High Flight, by American WWII pilot, John Gillespie Magee, Jr., this energetic work calls to mind the thrill and freedom of flight. Opening with rhythmic energy in the winds and rich harmonic statements in the brass, the mood gives way to a sensitive lyrical section. A dynamic development of the opening statement leads, ultimately, to a powerful and climactic ending. An excellent contest piece, this selection will enhance any program. (3:40) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
2.81 €
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Concert band
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Vince Gassi
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Festival.
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Chase the Shouting Wind: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
Handbells
Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, He…
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Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00
3.74 €
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Handbells
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Frank M
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Encore!
Organ
Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Boc…
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Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
$24.95
23.35 €
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Organ
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Fred Bock
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Encore!
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Fred Bock Music Company
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SheetMusicPlus
Brass Sextet - Allegro Spiritoso
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
23.4 €
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Mike Lyons
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Brass Sextet - Allegro Spiritoso
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Lyons Music Services
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SheetMusicPlus
Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Digital Download SKU: A0.1111158 By David Catherwood. By David Catherwood. Arranged by David Catherwood. Patriotic. Brass Band. 108 pages. Opus 3 Music #713432. Published by Opus 3 Music (A0.1111158). 3 arrangements suitable for the Remembrance/Veterans Day period 1. Abide with Me, 2. Songs from World War One, 3. Postlude on Ellers Abide with Me arranged for Brass Ensemble/Brass Band This arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant. A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments covering all orchestral brass and brass band instruments and transpositions Part 1 in Bb (Trumpet 1/Cornet) Part 2 in Bb (Trumpet 2 /Cornet) Part 2 in Eb (Eb Horn 1) Part 3 in C (Trombone) Part 3 in Eb (Eb Horn 2) Part 3 in F (Horn in F) Part 3 in Bb (Baritone/Bb Trombone (treble clef) Part for Bb Euphonium Part 4 in C (Tuba/Bass Trombone) Part 4 in Eb (Eb Bass Tuba (treble clef) Part 4 in Bb (Bb Bass Tuba (treble clef) Part for Bb Euphonium Percussion Score in C Keep the Home Fires Burning - Songs from World War One arranged for Brass BandContains a selection of songs including - Pack up your troubles, Long way to Tipperary, Keep the Home Fires burning, Roses of Picardy and more... Full Score and parts for standard brass band Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Postlude on Ellers arranged for Brass Band The noble hymn tune 'Ellers' (How wonderful it is to walk with God) is here combined with distant evocative bugle calls - this plus a majestic 'last verse' provides a new arrangement that will provide a fitting end to any gathering (especially suitable for Memorial/Veterans/Remembrance Services) Short (condensed) score only but the full band parts come as follows (Sop, Solo, 1st & 2nd Cornets Flugel, Solo 1st & 2nd Horns, 1st & 2nd Baritone, 1st, 2nd & Bass Trombone, Euphonium, Eb & Bb Basses and Percussion).
$40.00
37.43 €
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David Catherwood
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Remembrance music for Brass Band - 1. Abide with Me, 2.Songs from World War One, 3. Postlude Ellers
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Opus 3 Music
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SheetMusicPlus
Knee Drops
B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283263 By Louis Armstrong. By …
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B-Flat Trumpet - Level 5 - Digital Download SKU: A0.1283263 By Louis Armstrong. By Lillian Hardin Armstrong. Arranged by Leo Maxey. Jazz. 8 pages. Leo Maxey #874458. Published by Leo Maxey (A0.1283263). Louis Armstrong's Trumpet Solo on Knee Drops harmonized and accompanying Leadsheets in C and Bb for trumpet section features and trumpet ensemble.Inspired by great bigband horn sections, the World Saxophone Quartet and Supersax are harmonized arrangements for trumpet! Leo Maxey, TrumpetEd Hrybyk, BassQuincy Phillips, DrumsRussell Kirk, Recording EngineerRecorded at Walker StudiosThe Student should take time to memorize the tune and solo from the original recording.  Where learning the harmonized parts, the metronome should be dialed back 15-30 clicks/BPM or more, until the line is fluid and able to be played up to tempo, for the best results.  The transcriptions also serve as a way to work together on phrasing, unit cohesion and aiding in one's own jazz feel and understanding.The GOAL: To form a tight nit trumpet section that compliments the lead voice(and doesn't crowed 'em), thus contributing to the overall vibe of the ensemble.  In learning parts, the strategy should look like:1. Learn the head2. Learn the lead part (the solo)3. Learn your part (2nd, 3rd or 4th part).
$12.99
12.16 €
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Louis Armstrong
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Knee Drops
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Leo Maxey
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SheetMusicPlus
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