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Sheetmusic to print
301 sheet music found
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Lamento di Federico from L'Arlesiana
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1516022 Composed by Francesco Cil…
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C Instrument - Level 3 - Digital Download SKU: A0.1516022 Composed by Francesco Cilea. Arranged by Bojan Mladenović. 20th Century,Classical,Opera. Lead Sheet / Fake Book. 1 pages. Bojan Mladenovic #1090267. Published by Bojan Mladenovic (A0.1516022). Lead sheet - Melody and Lyrics Full orchestra arrangement available at links: Sheetmusicdirect & Sheetmusicplus
$3.99
3.67 €
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C Instruments
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Francesco Cilea
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Lamento di Federico from L'Arlesiana
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Bojan Mladenovic
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SheetMusicPlus
Concert and Contest Collections (solo C Flute)
C Flute - Solo Part Flute - Grade 3-4 SKU: HL.4471610 Solo Book Only. Edited…
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C Flute - Solo Part Flute - Grade 3-4 SKU: HL.4471610 Solo Book Only. Edited by H. Voxman. Concert Band Method. Solo Collection (Rubank). Classical. Instrumental solo book (softcover). 24 pages. Rubank Publications #RUBL145A. Published by Rubank Publications (HL.4471610). ISBN 9781423445203. UPC: 073999716108. 9x12 inches.A top-rated collection of solo literature offering each instrument a variety that is simply superb. A very high percentage of the solos in these books are included on various state contest lists. Piano accompaniments published separately.
Song List
: Andalouse, op. 20 Bergamask Flight of the Bumblebee from 'The Legend of Czar Sultan' Gavotte Meneut and Spirit Dance form 'Orpheus' Meneut from L'Arlesienne Suite No. 2 Pan! Pastorale Polonaise and Badinerie from Suite in B minor Romance, op. 41 Scherzino, Op. 5, No. 6 Serenade Serenade, Op. 3 Siciliana and Giga from Sonata V Valse Gracieuse, Op. 261, No. 2
$8.99
8.27 €
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Concert and Contest Collections
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Rubank Publications
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SheetMusicPlus
Lullaby From A Distant Star (31-Piece Digital Pack)
Concert band
Concert band Piano - Level 3 - Digital Download SKU: HX.179584 Composed by Richard …
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Concert band Piano - Level 3 - Digital Download SKU: HX.179584 Composed by Richard L. Saucedo. Contest,Festival. Individual instrument part. 2 pages. Duration 230. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.179584).
Digital Pack includes
:
Lullaby From A Distant Star - Conductor Score (Full Score)
Lullaby From A Distant Star - Piccolo
Lullaby From A Distant Star - Flute 1
Lullaby From A Distant Star - Flute 2
Lullaby From A Distant Star - Oboe
Lullaby From A Distant Star - Bassoon
Lullaby From A Distant Star - Bb Clarinet 1
Lullaby From A Distant Star - Bb Clarinet 2
Lullaby From A Distant Star - Bb Clarinet 3
Lullaby From A Distant Star - Bb Bass Clarinet
Lullaby From A Distant Star - Eb Alto Saxophone 1
Lullaby From A Distant Star - Eb Alto Saxophone 2
Lullaby From A Distant Star - Bb Tenor Saxophone
Lullaby From A Distant Star - Eb Baritone Saxophone
Lullaby From A Distant Star - Bb Trumpet 1
Lullaby From A Distant Star - Bb Trumpet 2
Lullaby From A Distant Star - Bb Trumpet 3
Lullaby From A Distant Star - F Horn 1
Lullaby From A Distant Star - F Horn 2
Lullaby From A Distant Star - Trombone 1
Lullaby From A Distant Star - Trombone 2
Lullaby From A Distant Star - Baritone B.C.
Lullaby From A Distant Star - Baritone T.C.
Lullaby From A Distant Star - Tuba
Lullaby From A Distant Star - String Bass
Lullaby From A Distant Star - Percussion 1
Lullaby From A Distant Star - Percussion 2
Lullaby From A Distant Star - Percussion 3
Lullaby From A Distant Star - Percussion 4
Lullaby From A Distant Star - Timpani
Lullaby From A Distant Star - Piano
$65.00
59.82 €
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Concert band
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Richard L
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Lullaby From A Distant Star
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Hal Leonard - Digital
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SheetMusicPlus
Hymne A L'amour
C Instrument,Cello,Clarinet,Double Bass,High Voice,Piano,Piccolo,Violin - Level 3 - Digita…
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C Instrument,Cello,Clarinet,Double Bass,High Voice,Piano,Piccolo,Violin - Level 3 - Digital Download SKU: A0.1488412 By Josh Groban. By Edith Piaf and Marguerite Monnot. Arranged by Uwe Rössler Roessler Rassler. 20th Century,Broadway,Contest,Festival,Musical/Show,Pop,Standards. 19 pages. Uwe Roessler #1065277. Published by Uwe Roessler (A0.1488412). Edith Piaf´s great classic. Follows in key (F Major), phrasing, voicings, chords and dynamics Céline Dion´s iconic version from the opening of the Olympics 2024. - Hence the video link. Including the instrumental intro which is not heard on most of the videos of this great event. Ideal for vocal backing with an ensemble or small orchestra. Including correct (!) French lyrics.Duration: approx. 3.30 min. Instrumentation minimum: Voice, Violin 1, Piano.Comes with full score and all individual parts: Vocals, Violin 1, Violin 2, Cello, C-voice (Flauto), Bb-voice (Clarinet), Piano, Bass. Professional sheet material!Key words: Hymne à l´ amour, Hymne a l Amour, Hymne a l´amour.
$30.00
27.61 €
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Josh Groban
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Hymne A L'amour
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Uwe Roessler
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SheetMusicPlus
From The Start
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1430383 By Laufey. By Laufey and …
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C Instrument - Level 2 - Digital Download SKU: A0.1430383 By Laufey. By Laufey and Spencer Stewart. Arranged by Marco Polo C. Ignacio. Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #1010987. Published by MARCO POLO IGNACIO (A0.1430383). Laufey's single From the Start found great chart success in Canada, New Zealand, and the United Kingdom in 2023, wherein it is included in her album Bewitched, in which the album won Best Traditional Pop Vocal Album at the 66th Annual Grammy Awards (2024).Laufey Lín Bing Jónsdóttir (Icelandic: [ˈlœyːvei ˈliːn ˈjounsˌtouhtɪr̥]; Chinese: 林冰; pinyin: Lín Bīng; born 23 April 1999), known mononymously as Laufey (/ˈleɪveɪ/ LAY-vay), is an Icelandic singer-songwriter and record producer. She achieved prominence in the early 2020s for her success as a jazz-inspired pop artist, with critics noting that her jazz-inflected songs have received considerable success for a genre that has largely declined commercially.
$4.99
4.59 €
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C Instruments
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Laufey
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Chinese: 林冰
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From The Start
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MARCO POLO IGNACIO
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SheetMusicPlus
From Darkness To Light
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #766187. Published by Lisa L Ochoco (A0.1165816). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
14.72 €
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Flute ensemble
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Simon Franglen
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From Darkness To Light
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Lisa L Ochoco
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SheetMusicPlus
Concert and Contest Collection for Baritone T.C.
Saxhorn and Piano
Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with …
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Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002586). ISBN 9781423477259. UPC: 884088166120. 9.0x12.0x0.09 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each book offers a superb variety of solos customized for that instrument, and most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: � Full-performance and accompaniment-only audio tracks � PDF piano accompaniment - download and print only what you need � PLAYBACK A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Air Gai (Berlioz) � Andante and Allegro (Clérisse) � Andante from Concerto in Eb (Haydn) � Calm as the Night (C. Böhm) � Concertino (Ostransky) � Dedication (R. Strauss) � �légie (Duquesne) � L'Allegro (Koepke) � Morceau de Concours (Alary) � My Regards (Llewellyn) � Orientale (Barat) � Petite Pièce Concertante (Balay) � Premier Solo de Concours (Maniet) � Romance in Eb (Ostransky) � Sarabanda and Gavotta (Corelli) � Serenade (O. Böhme) Also available: � Solo Book - Bb Cornet/Trumpet or Baritone T.C. (HL04471730) � Solo Book - Baritone B.C. (HL04471750) � Piano Accompaniment Book (HL04471740) � Solo Book with Online Media - Baritone B.C. (HL04470007) � Solo Book with Online Media - Bb Cornet/Trumpet (HL04002518).
Song List
: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante and Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$16.99
15.64 €
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Saxhorn and Piano
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Concert and Contest Collection for Baritone T.C.
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Rubank Publications
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SheetMusicPlus
Concert and Contest Collection - Trumpet/Cornet/Baritone (Trumpet/Cornet/Baritone T.C. Solo Part)
Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-…
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Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-4 SKU: HL.4471730 Solo Book Only - Bb Cornet, Trumpet or Baritone T.C.. Edited by Himie Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 24 pages. Rubank Publications #RUBL294A. Published by Rubank Publications (HL.4471730). ISBN 9781423445531. UPC: 073999717303. 9.0x12.0x0.096 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. Also available: • Solo Book - Baritone B.C. (HL04471750) • Piano Accompaniment Book (HL04471740) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Cornet/Trumpet (HL04002518) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone B.C. (HL04470007) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone T.C. (HL04002586) Contents: Air Gai (Berlioz) • Andante and Allegro (Clérisse) • Andante from Concerto in Eb (Haydn) • Calm as the Night (C. Böhm) • Concertino (Ostransky) • Dedication (R. Strauss) • Élégie (Duquesne) • L'Allegro (Koepke) • Morceau de Concours (Alary) • My Regards (Llewellyn) • Orientale (Barat) • Petite Pièce Concertante (Balay) • Premier Solo de Concours (Maniet) • Romance in Eb (Ostransky) • Sarabanda and Gavotta (Corelli) • Serenade (O. Böhme).
Song List
: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante & Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) My Regards (Llewellyn) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Serenade,Op.22,No.1 (Bohme) Zueignung Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$9.99
9.19 €
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Cornet
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Concert and Contest Collection - Trumpet/Cornet/Baritone
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Rubank Publications
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SheetMusicPlus
Farandole (From L'Arlésienne ) (Orchestra/Concert Band Flexible Instrumentation)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.902746 Composed by Georges Bizet.…
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Concert Band - Level 3 - Digital Download SKU: A0.902746 Composed by Georges Bizet. Arranged by Frank Chow. Instructional,Romantic Period. Score and parts. 59 pages. Frank Chow #6858701. Published by Frank Chow (A0.902746). Farandole is the finale of L'Arlésienne Suite No. 2. Published in 1879, the opening theme of this movement is also known as March of the Kings, which is an Epiphany carol. This energetic theme appears in the prelude of Suite No. 1 too. The flexible instrumentation arrangement enables a mixture of instruments, from small ensemble to full orchestra. This arrangement is suitable for junior players who have played the instrument for 1 year or above. Essential fingerings and bowings are provided in the string parts.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Timpani, Snare Drum, Bass Drum, Cymbal, Triangle, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow
$30.00
27.61 €
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Concert band
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Georges Bizet
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Farandole
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Frank Chow
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SheetMusicPlus
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
String Orchestra
Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium …
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Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$2.25
2.07 €
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String Orchestra
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David Conte
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In paradisum from Requiem Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ode To Joy (from Symphony No. 9) (Orchestra/Concert Band Flexible Instrumentation)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.902754 Composed by Ludwig van Bee…
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Concert Band - Level 2 - Digital Download SKU: A0.902754 Composed by Ludwig van Beethoven. Arranged by Frank Chow. Children,Instructional,Romantic Period. Score and parts. 32 pages. Frank Chow #6876081. Published by Frank Chow (A0.902754). Ode To Joy is an ode originally written by German poet Friedrich Schiller in 1785. Later in 1824, L. Van Beethoven adapted the ode in the finale of his ninth symphony by introducing a few new sections, which is the most well known usage of the poem. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for amateur players who have played the instrument for around 1 year. The range of all instruments is within one octave.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Timpani, Snare Drum, Bass Drum, Cymbal, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$30.00
27.61 €
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Concert band
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Ludwig van Beethoven
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Ode To Joy
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Frank Chow
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SheetMusicPlus
Concert and Contest Collection - C Flute (Piano accompaniment)
C Flute - Piano Part Flute - Grade 3-4 SKU: HL.4471620 Piano Accompaniment. …
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C Flute - Piano Part Flute - Grade 3-4 SKU: HL.4471620 Piano Accompaniment. Edited by H. Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 64 pages. Rubank Publications #RUBL145. Published by Rubank Publications (HL.4471620). ISBN 9781423445432. UPC: 073999716207. 9.0x12.0x0.192 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. Also available: • Solo Book (HL04471610) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002506) Contents: Andalouse (Pessard) • Bergamask (Koepke) • Flight of the Bumblebee (Rimsky-Korsakoff) • Gavotte (Gossec) • Menuet and Spirit Dance (Gluck) • Menuet from L'Arlésienne Suite No. 2 (Bizet) • Pan/Pastorale (Donjon) • Polonaise and Badinerie (J.S. Bach) • Romance, Op. 41 (Brun) • Scherzino, Op. 55 No. 6 (Andersen) • Serenade (Haydn) • Serenade, Op. 3 (Herbert) • Siciliana and Giga (Handel) • Valse Gracieuse (Popp).
Song List
: Song List Available Upon Request
$11.99
11.03 €
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Concert and Contest Collection - C Flute
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Rubank Publications
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SheetMusicPlus
Comptine D'un Autre Été: L'après-midi
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1181217 By Yann Tiersen. By Yann …
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C Instrument - Level 1 - Digital Download SKU: A0.1181217 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. Lead Sheet / Fake Book. 2 pages. Fabio Eduardo #781055. Published by Fabio Eduardo (A0.1181217). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadComptine D'un Autre Été: L'après Midi is considered one of Yann Tiersen's best piano compositions, from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson.
$3.99
3.67 €
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Easy Piano
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Yann Tiersen
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Comptine D'un Autre Été: L'après-midi
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Fabio Eduardo
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SheetMusicPlus
L'ABC de la Guitarra Vol1
Easy Piano
C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By J…
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C Instrument - Level 1 - Digital Download SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996686. Published by José Lucas (A0.1414957). ABC for Guitar Beginners Vol.1 (Catalan Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
16.11 €
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Easy Piano
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Professor Mussol
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L'ABC de la Guitarra Vol1
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José Lucas
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SheetMusicPlus
Concert and Contest Collection for C Flute
Book with Online Media Flute - Grade 3-4 SKU: HL.4002506 Solo Book with Online M…
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Book with Online Media Flute - Grade 3-4 SKU: HL.4002506 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002506). ISBN 9781423477174. UPC: 884088109004. 9.0x12.0x0.07 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Andalouse (Pessard) • Bergamask (Koepke) • Flight of the Bumblebee (Rimsky-Korsakoff) • Gavotte (Gossec) • Menuet and Spirit Dance (Gluck) • Menuet from L'Arlésienne Suite No. 2 (Bizet) • Pan/Pastorale (Donjon) • Polonaise and Badinerie (J.S. Bach) • Romance, Op. 41 (Brun) • Scherzino, Op. 55 No. 6 (Andersen) • Serenade (Haydn) • Serenade, Op. 3 (Herbert) • Siciliana and Giga (Handel) • Valse Gracieuse (Popp). Also available: • Solo Book (HL04471610) • Piano Accompaniment Book (HL04471620).
Song List
: Gavotte Pan Andalouse The Flight Of The Bumble Bee Scherzino (J.Anderson)
$16.99
15.64 €
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Concert and Contest Collection for C Flute
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Rubank Publications
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SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Toccata from "L´Orfeo" Version in Bb, C and D - arrangement for trumpet and organ
Organ, Trumpet (duet)
Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000556 Compos…
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Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000556 Composed by Claudio Monteverdi (1576-1643). Arranged by Matthias Eckart - Edition Ensemble Akzente. Baroque. 10 pages. Matthias Eckart #6343425. Published by Matthias Eckart (A0.1000556). Toccata from L`Orfeo from Claudio Monteverdi (1576-1643) is a beautiful short baroque piece for trumpet and organ in three different keys (Bb, C and D). Trumpet parts in Bb, C, D and A are included. A nice short opener for concerts. Also playable on baroque trumpet.Toccata aus L´Orfeo von Claudio Monteverdi (1576-1643) ist ein zauberhaftes kurzes Barockstück für Trompete und Orgel, herausgegeben in drei Tonarten (B-, C- und D-Dur). Trompetenstimmen in B, C, D und A sind vorhanden. Ein schönes kurzes Eröffnungsstück für Konzerte. Auch für Barocktrompete geeignet.
$17.00
15.65 €
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Organ, Trumpet (duet)
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Claudio Monteverdi
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Toccata from "L´Orfeo" Version in Bb, C and D - arrangement for trumpet and organ
#
Matthias Eckart
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SheetMusicPlus
Prière á Notre Dame from "Suite gothique" op.25 - Version in F & G - arrangement for trumpet & organ
Organ, Trumpet (duet)
Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000595 Compos…
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Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000595 Composed by Léon Boëllmann (1826-1897). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 16 pages. Matthias Eckart #6351565. Published by Matthias Eckart (A0.1000595). Prière á Notre Dame from Suite gothique op.25 from Léon Boëllmann (1826-1897) is one of his famous piece - original for Organ Solo. Here in an arrangement for trumpet and organ here in two keys F and G. Trumpet parts in Bb and C are included. A highlight for every concert.Prière á Notre Dame aus der Suite gothique op.25 von Léon Boëllmann (1826-1897) ist eines seiner berühmtesten Werke - original für Orgel Solo. Hier in einem Arrangement für Trompete und Orgel in zwei Tonarten F- und G-Dur. Trompetenstimmen in B und C sind vorhanden. Ein Highlight für jedes Konzert.
$17.00
15.65 €
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Organ, Trumpet (duet)
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Léon Boëllmann
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Prière á Notre Dame from "Suite gothique" op.25 - Version in F & G - arrangement for trumpet & organ
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Matthias Eckart
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SheetMusicPlus
He Shall Feed His Flock Like Shepherd (From "The Messiah") for 2 C instruments and Piano
Flute, Violin, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 4 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.821254 Composed by G. F. Handel. Arranged by Judith L. Maggs. Baroque,Christian,Classical,Religious,Sacred. 14 pages. Maggs #5824011. Published by Maggs (A0.821254). Although it's not possible to improve upon Handel, I've taken his lovely aria He Shall Feed His Flock Like Shepherd from The Messiah, and re-imagined it with a duet part and a flowing piano accompaniment. The duet will work for most treble clef C-instruments. The range is from C-4 to D-6. Included is a piano score (with parts) and separate parts for the duet instruments.
$6.99
6.43 €
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Flute, Violin, Piano
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G
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He Shall Feed His Flock Like Shepherd
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Maggs
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SheetMusicPlus
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio V…
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String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00
14.72 €
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String Orchestra
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Antonio Vivaldi
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Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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Sneakwood Editions
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SheetMusicPlus
Op. 43, No. 3: Pour boire dessus l’herbe tendre from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.76 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 43, No. 3: Pour boire dessus l’herbe tendre from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 48, No. 4: Eh! quoi ? tu fuis l’Amour from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-44E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9 pages. E. C. Schirmer Music Company - Digital #8491-44E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-44E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.76 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 48, No. 4: Eh! quoi ? tu fuis l’Amour from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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