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Cadenza - Violin Concerto Contemporary
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Cadenza - Violin Concerto Contemporary
Sheetmusic to print
41 sheet music found
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1
26
Cadenza for Mozart's piano Concerto K466
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Piano solo
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INTERMEDIATE/ADVANCED
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Mozart, Olcese
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Cadenza for Mozart's piano Con
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Stefano Olcese
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.934335 Composed by Mozart, Olcese. Classical,Contemporary,Romantic Period. Score. 4 pages. Stefano Olcese...
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Piano Solo - Level 4 - Digital Download SKU: A0.934335 Composed by Mozart, Olcese. Classical,Contemporary,Romantic Period. Score. 4 pages. Stefano Olcese #6668835. Published by Stefano Olcese (A0.934335). This is an original cadenza for the first movement of Mozart's piano Concerto in D minor K466, probably his best and most known piano concerto. It's not an extremely demanding cadenza: it just requires cleanliness and precision at the beginning and at the end, while the middle section has to be more romantic and free-flowing. Enjoy!I am a composer and opera singer based in Malmö, Sweden. Feel free to contact me to know more about my music, my singing and possible collaborations!http://www.stefano-olcese.com/ https://www.facebook.com/olcesestefano https://www.instagram.com/stefano_olcese
$1.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Ofer Ben-Amots
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Klezmer Concerto - for clarine
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The Composer's Own Press
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's ...
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String Orchestra - Level 4 - Digital Download SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
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String Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. M...
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String Orchestra - Level 5 - Digital Download SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95
Double Concerto for Flute and Guitar (SCORE ONLY)
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Orchestra
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Apostolos Paraskevas
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Double Concerto for Flute and
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Si...
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Guitar Concerto No 1 (Score only)
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Chamber Orchestra
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Apostolos Paraskevas
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Guitar Concerto No 1
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Silver Sickle Publications
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver...
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Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver Sickle Publications #6082737. Published by Silver Sickle Publications (A0.942093). The guitar concerto Phygein Adynaton (Impossible to Escape) calls for a guitarist with two classical guitars (one of which is prepared with paper-clips) and orchestra. The work is in one movement throughout but essentially has two parts divided in half by the guitar Cadenza at the end of the first part. The first part is evocative and stochastic. This invocation is around a tonal center where guitar and orchestra coexist in equal terms. In the second part the orchestra takes a different, more dynamic part. The prepared guitar sounds almost distorted, like a new instrument melodic and percussive at the same time. This part of the concerto is darker in the mood and of a philosophical point of view is trying to give a direction in the battle between life and death.
$35.00
Concerto for Soprano Saxophone
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Soprano Saxophone and Piano
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ADVANCED
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Contemporary
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Mark Engebretson
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Concerto for Soprano Saxophone
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Effiny Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021992 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 79 pages. E...
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021992 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 79 pages. Effiny Music #6273829. Published by Effiny Music (A0.1021992). The Concerto for Soprano Saxophone and Orchestra was composed in 2012 for saxophonist Susan Fancher. The project was supported by the North Carolina Arts Council, a division of the Department of Cultural Resources, with funding from the National Endowment for the Arts. Duration is 20:00 The work is in three movements, entitled Groove, Grace, and Burn. The first movement takes inspiration from electronic, pop and hip-hop worlds, and features a cadenza played over the top of looped orchestral parts. The second is fashioned as a highly ornamented jazz ballad. The third movement is a flashy tour-de-force that fully displays the technical virtuosity of the soloist. Overall, the Concerto continues my interest in developing pieces in close collaboration with stellar performers, so that the composition is imbued with aspects of the musicality, performance abilities and personality of the dedicatee. Susan Fancher gave the first performance on April 15, 2012 with conductor Ligia Amadio and the Symphonic Orchestra of the University of Sao Paulo in Sala Sao Paulo, Brazil.
$20.00
Circles - Concerto for Cello & (H.S.) String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cel...
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
Concerto for Clarinet and Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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David Woodcock
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Concerto for Clarinet and Cham
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David Woodcock
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1506193 Composed by David Woodcock. 21st Century,Classical,Contemporary. 340 pages. David Woodcock...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1506193 Composed by David Woodcock. 21st Century,Classical,Contemporary. 340 pages. David Woodcock #1081544. Published by David Woodcock (A0.1506193). The concerto is in three movements. The first is lively, playful and folk-like, but is interspersed with suspenseful and thoughtful interludes.After a brief introduction, the main soulful theme of the second movement emerges, setting the mood for most of the movement. There is a another appearance of the introductory material, which is further developed, before the return of the main musical idea.The last movement has a sense of restlessness and anxiety, the music being fragmented and rhythmic, ending with a solo cadenza, and brief orchestral coda.
$199.00
Opus 133, Concerto for Harmonica & Orchestra in C-do (Score)
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Chamber Orchestra
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ADVANCED
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Contemporary
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Henry Pool
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Opus 133, Concerto for Harmoni
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976319 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 188 pages. Viola Editio...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976319 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 188 pages. Viola Editions #3435325. Published by Viola Editions (A0.976319). A brilliant concerto for the so popular Harmonica in three movements and with a cadenza in the end.
$47.00
Opus 133, Concerto for Harmonica & Orchestra in C-do (Parts)
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Chamber Orchestra
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ADVANCED
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Contemporary
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Henry Pool
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Opus 133, Concerto for Harmoni
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976320 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 102 pages. Viola Editio...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976320 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 102 pages. Viola Editions #3435331. Published by Viola Editions (A0.976320). These are the parts for that exquisite concerto for Harmonica & Orchestra - in three movements and with a cadenza in the end.
$25.50
Concerto for Double Bass (solo part, orchestral parts & full score)
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Orchestra
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ADVANCED
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Contemporary
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James Bersey
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Concerto for Double Bass
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James Bersey
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.932543 Composed by James Bersey. Contemporary. Score and Parts. 268 pages. James Bersey #6668845. Pub...
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Full Orchestra - Level 5 - Digital Download SKU: A0.932543 Composed by James Bersey. Contemporary. Score and Parts. 268 pages. James Bersey #6668845. Published by James Bersey (A0.932543). CONCERTO FOR DOUBLE BASScomposed by JAMES BERSEYINCLUDES:1) Solo double bass part (& cadenza, as performed by the composer 2017)2) Complete set of orchestral parts 3) Full scoreVersion for Double bass & Piano is also available from Sheetmusic Plus:ITEM ID: S0.1162305PRINTING:Parts:Select each part, set your printer to A4 booklet, paper size A3 and fold each part into an A4 booklet. No staples or binding required.Score:Either read from device, or print off onto A4 back-to-back or fit to A3 back-to-back & bind.COPYRIGHTInternational copyright secured.LICENCESfor public performances, recordings or broadcasts are available from PRS for Music (UK), ASCAP (USA) and all other global affiliated Performing Rights Organisations.
$14.99
Concerto for Soprano Saxophone (sax quartet)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Phil Steadman
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Concerto for Soprano Saxophone
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Phil Steadman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.992171 Composed by Phil Steadman. Baroque,Classical,Contemporary. 48 pages. Phil ...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.992171 Composed by Phil Steadman. Baroque,Classical,Contemporary. 48 pages. Phil Steadman #3381959. Published by Phil Steadman (A0.992171). The Soprano concerto is a modern composition based on traditional styles and can be played by quartets of all standards. The faster movements work equally well at the stated tempos or at slower or faster tempos as desired. There are 5 movements plus an introduction. The first 3 movements should be segue including the introduction. There should be a comfortable break between the 3rd/4th and the 4th/5th movement. Introduction – Adagio The dynamics should be exaggerated in the lower 3 parts giving large crescendos and diminuendos. Segue. Movement I – Allegro Set by the soprano, care should be taken note to take the tempo too fast as it gets a little trickier later on. The soprano cadenza can be ad-libbed and played at any tempo. The lower instruments should come off the dotted minim in strict time in bar 81. Segue. Movement II - AndanteWhile it is segue, take care not too rush into this movement. The lower parts should be played gently to avoid overpowering the soprano lead. Make the most of the accents. Segue. Movement III – AllegrettoThis movement should be played lightly in the accompaniment, particularly in the slightly comical middle section. Movement IV – LentoThe quieter it is played, the more effective this movement sounds. Allow the soprano to play as quietly as possible but the soprano should become animated in bar 235 before dying back down. The lower instruments can come out in the section at bar 241 (with the lead on tenor) but must die down completely at to the end of the movement. Movement V – AllegroTake care not to allow the accompaniment to overpower the soprano and try to avoid any accelerando for the last 9 bars.
$11.99
Opus 131, Concerto for Oboe & Orchestra in Bb-do (Parts)
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Chamber Orchestra
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ADVANCED
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Contemporary
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Henry Pool
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Opus 131, Concerto for Oboe &
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976314 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 103 pages. Viola Editio...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976314 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 103 pages. Viola Editions #3423197. Published by Viola Editions (A0.976314). These are the parts of this beautiful concerto in three movements for a beautiful instrument with a Cadenza in the end.
$25.75
Opus 131, Concerto for Oboe & Orchestra in Bb-do (Score)
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Chamber Orchestra
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ADVANCED
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Contemporary
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Henry Pool
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Opus 131, Concerto for Oboe &
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976313 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 177 pages. Viola Editio...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976313 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 177 pages. Viola Editions #3423195. Published by Viola Editions (A0.976313). A beautiful concerto in three movements for a beautiful instrument with a Cadenza in the end.
$44.25
Neruda Trumpet Concerto in Eb (trumpet parts for C trumpet)
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Trumpet
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INTERMEDIATE/ADVANCED
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Contemporary
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Johann Baptist Georg Neruda
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John Fleming
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Neruda Trumpet Concerto in Eb
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flemingmusic
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.802360 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Contemporary. Individual part...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.802360 Composed by Johann Baptist Georg Neruda. Arranged by John Fleming. Contemporary. Individual part. 5 pages. Flemingmusic #6421213. Published by flemingmusic (A0.802360). Trumpet parts for the Neruda Trumpet Concerto for C trumpet. With cadenzas written.I also have backing tracks for the concerto available from this site.
$3.99
Concerto for Piccolo Clarinet and Chamber Orchestra
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Chamber Orchestra
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Contemporary
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William Grosvenor Neil
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Concerto for Piccolo Clarinet
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, L...
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Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
Concerto for Piccolo Clarinet
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Contemporary
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William Grosvenor Neil
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percussion (1987) (score &
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Concerto for Piccolo Clarinet
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Small Ensemble Clarinet,Double Bass,Drum Set,Trombone,Trumpet - Digital Download SKU: A0.980580 Composed by William Grosvenor Neil. Contemporary. Score a...
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Small Ensemble Clarinet,Double Bass,Drum Set,Trombone,Trumpet - Digital Download SKU: A0.980580 Composed by William Grosvenor Neil. Contemporary. Score and parts. 49 pages. TheComposerStudio.Com, LLC #3517475. Published by TheComposerStudio.Com, LLC (A0.980580). Concerto for Piccolo Clarinet , bassoon, trumpet, tenor-bass trombone, double bass, & percussion (1987) (score & parts)was composed for and dedicated to clarinetist John Bruce Yeh. The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Listen to the audio from John Bruce Yeh's recording on Newport Classics: https://www.youtube.com/watch?v=fA1vHmNzfcA Information on the composer: www.williamneil.net email for support thecomposerstudio@gmail.com.
$40.00
Piano Concerto
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Orchestra
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ADVANCED
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Contemporary
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John Carbon
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Piano Concerto
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John Carbon
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1131224 Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 722 pages. Joh...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1131224 Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 722 pages. John Carbon #731479. Published by John Carbon (A0.1131224). Composed in 1999, revised in 2022, John Carbon's Piano Concerto was written for pianist William Koseluk and the Czech Radio Orchestra's historic first American tour. The premieres were in Boston's Symphony Hall and Prague's Smetana Hall. The recording has been released on the MMC and Convivium labels. The work is in one movement with several cadenzas and it showcases both the pianist and orchestra. Like most of Carbon's music the score is melodically rich with an appealing blend of tonal and atonal harmonic material that is fused into a compelling language that appeals to a wide variety of audiences.
$40.00
Piano Concerto - Score Only
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Orchestra
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ADVANCED
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Contemporary
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John Carbon
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Piano Concerto - Score Only
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John Carbon
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1131185 Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 117 pages. Joh...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1131185 Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 117 pages. John Carbon #731437. Published by John Carbon (A0.1131185). Composed in 1999, revised in 2022, John Carbon's Piano Concerto was written for pianist William Koseluk and the Czech Radio Orchestra's historic first American tour. The premieres were in Boston's Symphony Hall and Prague's Smetana Hall. The recording has been released on the MMC and Convivium labels. The work is in one movement with several cadenzas and it showcases both the pianist and orchestra. Like most of Carbon's music the score is melodically rich with an appealing blend of tonal and atonal harmonic material that is fused into a compelling language that appeals to a wide variety of audiences.
$25.00
Opus 132, Concerto for Clarinet & Orchestra in Bb-do (Score)
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Chamber Orchestra
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ADVANCED
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Henry Pool
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Opus 132, Concerto for Clarine
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.976316 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 184 pages. Viola Editio...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.976316 Composed by Henry Pool. 20th Century,Contemporary. Score and parts. 184 pages. Viola Editions #3434815. Published by Viola Editions (A0.976316). A beautiful concert for a very fine instrument in three movements with a cadenza in the end.
$46.00
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