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Calling for Harmony
Sheetmusic to print
21 sheet music found
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1
Carol of the Bells and the Carols of Christmas for Beginner Piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1318028 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1318028 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 53 pages. SilverTonalities #906724. Published by SilverTonalities (A0.1318028). Carol of the Bells and the Carols of Christmas for Beginner Piano Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.ANGELS WE HAVE HEARD ON HIGH, originating from France and recounting the biblical story of the birth of Jesus, pages 1-3AS WITH GLADNESS MEN OF OLD, 19th century British Carol that celebrates the joy and wonder of the Magi's journey to visit baby Jesus, 4-6AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels,  pages 7-9BLESSED BE THAT MAID MARIE, honors the miraculous birth of Jesus Christ through the perspective of the Virgin Mary, pages 10-11CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 12-14FIRST CHRISTMAS NIGHT, an 1899 Carol also known as “I Should Have Heardâ€, pages 15-17GLOUCESTERSHIRE WASSAIL, originating from England, is sung during the Christmas season to celebrate the arrival of the coming new year, pages 18-19HERE IS JOY FOR EVERY AGE, a 13th Century Carol that celebrates the spirit of joy and unity that defines the holiday season, pages 20-21HURON CAROL “TWAS IN THE MOON OF WINTERTIME’, originates from the indigenous Huron people of Canada and was written in the early 1600s by Jean de Brébeuf, a French Jesuit missionary, pages 22-23IN THE BLEAK MIDWINTER, composed by Gustav Holst, this Carol captures the serene and frosty essence of winter, pages 24-25JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 26-28JOSEPH DEAREST JOSEPH MINE, depicts the birth of Jesus and the role of Joseph as his earthly father, pages 29-31MY DANCING DAY, is a Carol dating back to the Medieval era that tells the story of Jesus’s life, pages 32-33O COME ALL YE FAITHFUL, also known as the Latin “Adeste Fidelesâ€, calling for all faithful Christians to come together to celebrate the birth of Jesus, pages 34-35SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 36-37THE SNOW LAYS DEEP UPON THE GROUND, a Carol that serves as a reminder of the potential for new beginnings that the holiday season brings, pages 38-40STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 41-43SUSSEX CAROL, also known as “On Christmas Night True Christians Singâ€, reminds us of the true meaning of Christmas, pages 44-45TOYLAND, a nostalgic Christmas song composed by Victor Herbert as a whimsical ode to the joy and wonder of childhood, pages 46-48WE THREE KINGS OF ORIENT ARE, recounts the journey of the three wisemen from the east, bearing gifts to honor the birth of Jesus, pages 49-51.
$9.99
9.2 €
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Easy Piano
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Traditional Christmas Carols
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Carol of the Bells and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
A Billings Triptych - for 8-Part Brass Choir
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
32.22 €
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Brass quartet : 2 trumpets, trombone, tuba
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William Billings
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A Billings Triptych - for 8-Part Brass Choir
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Aaron Hettinga
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SheetMusicPlus
Softly and Tenderly Jesus is Calling
Piano solo
Piano Solo - Digital Download SKU: A0.818245 Arranged by Stephen R. Dalrymple (Dalr…
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Piano Solo - Digital Download SKU: A0.818245 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 9 pages. Stephen R Dalrymple #3457493. Published by Stephen R Dalrymple (A0.818245). Softly and Tenderly Jesus is Calling Hymn arrangement for left hand alone piano solo by Stephen R Dalrymple performed by the composer © 2017, ℗ 2020 Stephen R Dalrymple This hymn, often used by Dwight Moody as a hymn of invitation was composed by Will Lamartine Thompson 1880. On Moody’s deathbed, he told Thompson Will, I would rather have written Softly and Tenderly Jesus is Calling than anything I have been able to do in my life. Combined with Lord, I’m Coming Home (lyrics and melody by William J Kirkpatrick 1892) and Amazing Grace lyrics by John Newton 1779 and melody first published in Virginia Harmony 1831, arranged by Edwin O. Excell 1900 Updated November 2020. Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score, letter size 2) piano score, small page format for performing from 10.1 inch tablet (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.45
4.1 €
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Piano solo
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â„—
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Softly and Tenderly Jesus is Calling
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Stephen R Dalrymple
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SheetMusicPlus
Israel, Israel God Is Calling - SA
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1098390 Composed by Charles …
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1098390 Composed by Charles C. Converse 1832-1918. Arranged by Betsy Lee Bailey. Praise & Worship,Sacred. Octavo. 9 pages. Betsy Lee Bailey #702253. Published by Betsy Lee Bailey (A0.1098390). Israel, Israel God Is Calling - SA is a great Restoration hymn. The message is looking forward to the Second Coming of the Savior. The vocal parts use mostly melody with a few added harmony parts for the Sopranos. Optional divisi allows for a big chord at the end.
$1.99
1.83 €
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Choral 2-part
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Charles C
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Israel, Israel God Is Calling - SA
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Betsy Lee Bailey
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SheetMusicPlus
Israel, Israel God Is Calling - TB
Choral 2-part
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1098388 Composed by Charles …
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1098388 Composed by Charles C. Converse 1832-1918. Arranged by Betsy Lee Bailey. Praise & Worship,Religious,Sacred. Octavo. 9 pages. Betsy Lee Bailey #702251. Published by Betsy Lee Bailey (A0.1098388). Israel, Israel God Is Calling - TB is a great Restoration hymn. The message is looking forward to the Second Coming of the Savior. The vocal parts are mostly melody with a few added harmony parts. Optional divisi allows for a big chord at the end.
$1.99
1.83 €
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Choral 2-part
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Charles C
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Israel, Israel God Is Calling - TB
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Betsy Lee Bailey
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SheetMusicPlus
Calling for Harmony
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.924878 Composed by Stanley M. H…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.924878 Composed by Stanley M. Hoffman. Contemporary. Score and parts. 32 pages. Stanleymhoffman.com #6596649. Published by stanleymhoffman.com (A0.924878). Gebrauchsmusik.
$8.00
7.37 €
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Brass ensemble
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Stanley M
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Calling for Harmony
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stanleymhoffman.com
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SheetMusicPlus
Calling All Girls
Bass guitar
Bass Guitar - Level 1 - Digital Download SKU: A0.1269171 By Queen. By Roger Taylor.…
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Bass Guitar - Level 1 - Digital Download SKU: A0.1269171 By Queen. By Roger Taylor. Arranged by Igor Sardi Bass. Disco,Pop. Score. 5 pages. Igor Sardi Bass #861708. Published by Igor Sardi Bass (A0.1269171). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email:  igorsardi@gmail.comWebsite:  https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page:  https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36My didactic books:John Deacon: complete study - https://www.igorsardi.com/johndeacon-completestudy        Jaco Pastorius: complete study (volume 1 & 2) - https://www.igorsardi.com/jaco-pastoriusHarmony course - https://www.igorsardi.com/corso-armonia-applicata-per-bassisti  -Walking Bass: Progressive course - https://www.igorsardi.com/walking-bass-course 500 exercises for bass - https://www.igorsardi.com/500-exercises-for-bass Electric bass theory and practice - https://www.igorsardi.com/theory-and-practice-of-bass Setup: complete guide -  https://www.igorsardi.com/theelectricbassworkshop The Fretless Bass - https://www.igorsardi.com/fretless-bass-bookProfession Bass Player - https://www.igorsardi.com/profession-bassplayer Studying classical music on bass - https://www.igorsardi.com/studyingclassicalmusiconbass.
$7.99
7.36 €
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Bass guitar
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Queen
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2) - https://www
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Calling All Girls
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Igor Sardi Bass
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SheetMusicPlus
I HAVE RIDDEN THE WINGS OF THE DAWN - For Soprano/Tenor and Organ
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.724431 Composed by Renato Tagliabue. C…
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Piano,Vocal,Voice - Digital Download SKU: A0.724431 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Renato Tagliabue #3883345. Published by Renato Tagliabue (A0.724431). I have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
5.99 €
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Piano, Voice
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Renato Tagliabue
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I HAVE RIDDEN THE WINGS OF THE DAWN - For Soprano/Tenor and Organ
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Renato Tagliabue
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SheetMusicPlus
I HAVE RIDDEN THE WINGS OF THE DAWN - For SATB Choir and Organ
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.724428 Composed by Renato Tagliabue.…
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Choral Choir (SATB) - Digital Download SKU: A0.724428 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883341. Published by Renato Tagliabue (A0.724428). I have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
5.99 €
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Choral SATB
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Renato Tagliabue
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I HAVE RIDDEN THE WINGS OF THE DAWN - For SATB Choir and Organ
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Renato Tagliabue
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SheetMusicPlus
HO CAVALCATO LE ALI DELL'AURORA - For SATB Choir and Organ
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue.…
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Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883343. Published by Renato Tagliabue (A0.724429). I HAVE RIDDEN THE WINGS OF THE DAWNI have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
5.99 €
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Choral SATB
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Renato Tagliabue
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HO CAVALCATO LE ALI DELL'AURORA - For SATB Choir and Organ
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Renato Tagliabue
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SheetMusicPlus
DIVERTIMENTO Nbr. 3 for Clarinet and Piano, K. 439
Clarinet
Clarinet Solo - Level 4 - Digital Download SKU: A0.881455 Composed by Wolfgang Amad…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.881455 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Instructional,Standards. Individual part. 45 pages. John Grady #442789. Published by John Grady (A0.881455). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 25 minutes.
$25.00
23.02 €
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Clarinet
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Wolfgang Amadeus Mozart
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DIVERTIMENTO Nbr. 3 for Clarinet and Piano, K. 439
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John Grady
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SheetMusicPlus
DIVERTIMENTO Nbr. 5 for Clarinet and Piano, K. 439
Clarinet
Clarinet Solo - Level 4 - Digital Download SKU: A0.881457 Composed by Wolfgang Amad…
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Clarinet Solo - Level 4 - Digital Download SKU: A0.881457 Composed by Wolfgang Amadeus Mozart. Arranged by John Grady. Classical,Concert,Standards. Individual part. 24 pages. John Grady #482395. Published by John Grady (A0.881457). These clever, miniature masterpieces by the 27 year old Mozart are from a collection of 5 Divertimenti for 2 Clarinets and Bassoon. This arrangement for a high-intermediate to advanced clarinetist and pianist keeps the original first clarinet part intact, but the remaining 2 parts of the trio are re-scored when needed. This re-scoring of the lower parts utilizes added harmony notes, changes in octave, and some melodic modifications to accommodate piano technique and a balanced sound. The piano part is not a reduction, but a fully realized independent part. The clarinet and piano parts together constitute a significant addition to the clarinet literature. Use this as a recital or jury piece or just to entertain yourself and friends. This series of Divertimentos is an excellent introduction to Mozart and Classical Period performance practices on the way to the more challenging chamber and solo works. Enjoy these gems from Mozart's pen recalling the days of aristocratic Viennese musical entertainment. Total performance time is about 14 minutes.
$25.00
23.02 €
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Clarinet
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Wolfgang Amadeus Mozart
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DIVERTIMENTO Nbr. 5 for Clarinet and Piano, K. 439
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John Grady
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Chevalier De Sangreal
Organ
Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315329 Composed …
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Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315329 Composed by Hans Zimmer. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904075. Published by Anna Lapwood (A0.1315329). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! We all have those pieces of music that have a strong, almost formative, childhood memory associated with them, and Chevaliers De Sangreal is one of those pieces for me. I vividly remember watching the film for the first time with my family, hearing the music and feeling an incredible emotional response to it. I wanted to work out how the music worked, so I sat in bed with a torch and manuscript paper, writing out the harmony, and trying to understand how Hans Zimmer achieved such emotion through repetition and orchestration. Every time I play this I get reminded of the goosebumps I felt hearing it for the first time.  - Anna Lapwood.
$5.99
5.52 €
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Organ
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Hans Zimmer
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Chevalier De Sangreal
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Anna Lapwood
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SheetMusicPlus
Les Rappel des Oiseaux - As played by Víkingur Ólafsson
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1162098 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #762470. Published by Flavio Regis Cunha (A0.1162098). During his studies in New York, VÃkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
6.44 €
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Piano solo
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Jean-Philippe Rameau and Vikingur Olafsson
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Les Rappel des Oiseaux - As played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
Les Rappel des Oiseaux - As interpreted by Víkingur Ólafsson
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and…
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Piano Solo - Level 3 - Digital Download SKU: A0.1162180 By Jean-Philippe Rameau and Vikingur Olafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Contest,Early Music,Festival,Instructional. Score. 8 pages. FRC Music #762536. Published by FRC Music (A0.1162180). During his studies in New York, VÃkingur Ólafsson became aware of the works of Jean-Philippe Rameau, which immediately fascinated him. Here the Icelandic pianist Rameaus interprets Le Rappel des Oiseaux, which is part of his album Debussy - Rameau.As the dreamy prélude comes to a close, the curtains are raised to reveal the dusky forest home of Rameau’s birds. What ensues are lively scenes from his extraordinarily inventive Suite in E minor. The birds are calling (Le Rappel des oiseaux). As extraordinary innovators of both harmony and form, with a unique ear for colour and a keen sense of the theatrical, both Rameau and Debussy wrote music which engages more senses than just that of hearing. - VÃkingur Ólafsson.Intermediate.Format: Concert, 9 x 12 inches.8 pages.
$6.99
6.44 €
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Piano solo
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Jean-Philippe Rameau and Vikingur Olafsson
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Les Rappel des Oiseaux - As interpreted by Víkingur Ólafsson
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FRC Music
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SheetMusicPlus
Game Of Thrones
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1205628 By Various. By Ramin Dj…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205628 By Various. By Ramin Djawadi. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score and Parts. 67 pages. FRC Music #803804. Published by FRC Music (A0.1205628). Ramin Djawadi: Game of Thrones for Choir and Orchestra (FULL SCORE) GAME OF THRONES                Music by RAMIN DJAWADI              Arranged by Flávio Régis Cunha  🎶 Calling all music maestros and orchestral enthusiasts! 🎶 Unleash the power of your instruments with the mesmerizing melodies of Westeros. Introducing the ultimate masterpiece for student, university, and professional orchestras: the sheet music of 'Game of Thrones' composed by the legendary Ramin Djawadi!🌟 Immerse your ensemble in the epic realm of dragons, intrigue, and destiny with this iconic soundtrack. From the thundering rhythm of the main theme to the hauntingly beautiful 'Light of the Seven,' this collection will transport your musicians and audience alike to the Seven Kingdoms.🎻 Elevate your performances to new heights as you recreate the spine-tingling moments of the Iron Throne saga. Whether you're rehearsing in the hallowed halls of academia or showcasing your virtuosity on grand stages, the 'Game of Thrones' sheet music will be your key to musical triumph.🌌 Ignite the passion of your players as they breathe life into each note, each crescendo, and each heart-pounding climax. With meticulously transcribed scores, this sheet music ensures an authentic rendition that captures the essence of the original soundtrack.🎉 Unite your orchestra with the power of unity and harmony that only music can bring. Let the soaring melodies of 'Game of Thrones' be the catalyst for creating unforgettable memories and forging unbreakable bonds among your fellow musicians.📣 Seize this opportunity to make your ensemble a legend in its own right! Order the 'Game of Thrones' sheet music now and embark on a musical odyssey that will resonate through the ages. Winter is here, and it's time to conquer the world of orchestral brilliance. Don't miss your cue! 🚀🎵INSTRUMENTATIONFLUTE 1. 2OBOE 1. 2CLARINET 1. 2. 3. IN BbBASSON 1. 2HORN 1. 2 IN FTRUMPET 1. 2. 3 IN Bb TROMBONE 1. 2BASS TROMBONETUBATIMPANIPERCUSSION 1. 2. 3  (Tenor Drum, Tom-tons, Gran Cassa, Susp.Cymbal)SATB CHOIR  HARPSICHORD (OPTIONAL PIANO)VIOLIN 1VIOLIN 2VIOLAVIOLONCELLODOUBLE BASSAdvanced Intermediate.Format: Concert, 9 x 12 inches.65 pages.
$59.99
55.24 €
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Orchestra
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Various
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Game Of Thrones
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FRC Music
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SheetMusicPlus
Somebody Told Me
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1268999 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Claudio Mascaro. Pop,Rock. 19 pages. Claudio Mascaro #861533. Published by Claudio Mascaro (A0.1268999). Calling all music rebels and string quartets with a taste for rock 'n' roll! Prepare to set the stage ablaze with the electrifying String Quartet Score of Somebody Told Me by The Killers - a fiery rendition that'll have audiences banging their heads and cheering for an encore!Rock 'n' Roll Showstopper:Unleash the rebellious spirit of rock 'n' roll with Somebody Told Me. This explosive arrangement packs the punch, power, and raw energy that define this iconic rock anthem. Your quartet will transform the stage into a musical powerhouse, leaving jaws dropped and hearts pounding.Strings Infused with Rock Fury:This sheet music captures the essence of The Killers' rock masterpiece while showcasing the exquisite harmony of classical strings. From the fierce violins to the soulful viola, the thundering cello to the heart-pounding basslines, your quartet will breathe new life into this chart-topping hit.Empower Every Musician:Let each member of your quartet shine as they embrace the spirit of rock 'n' roll. The expertly crafted notation ensures that players of all skill levels can embrace the adrenaline rush, channeling their inner rockstar and captivating audiences with a jaw-dropping performance.Unforgettable Rock Fusion:Witness the magic as classical strings intertwine with rock 'n' roll fury. Somebody Told Me sets the stage for an unforgettable experience, blurring the lines between genres and creating a performance that will be etched in memory.From Chamber to Rock Arena:Â This edgy quartet score is a versatile powerhouse. Whether you're performing at an intimate chamber concert or rocking out on a grand stage, Somebody Told Me will elevate your quartet's reputation and leave a trail of mesmerized fans in its wake.Your Ticket to Rock 'n' Roll Fame:Take a leap into the rock 'n' roll limelight with Somebody Told Me. This electrifying quartet score is your ticket to musical stardom, setting the standard for jaw-dropping performances that'll leave your audience begging for more.Ready to Rock the Quartet World?Don't miss the chance to add this epic rock arrangement to your quartet's repertoire. Embrace the fusion of rock 'n' roll and classical strings, and let Somebody Told Me be the showstopper that takes your quartet to new heights!Grab your String Quartet Score now and let the rebellious spirit of rock 'n' roll roar through your quartet's strings! Get ready to rock the stage with The Killers' electrifying hit!
$12.99
11.96 €
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String Quartet: 2 violins, viola, cello
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The Killers
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Somebody Told Me
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Claudio Mascaro
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SheetMusicPlus
Song of Penitence (SSA)
Choral 3-part
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1348724 Composed by …
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1348724 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary,Lent,Religious. 3 pages. C8 Music #933507. Published by C8 Music (A0.1348724). A reflective piece bringing out the beauty of poet Euan Tait's words - I am calling out to you, afraid: but I know the journey is mercy. All three parts intermingle with melody and harmony intertwined. Song of Penitence was commissioned for liturgical use (Ash Wednesday, Lent, penitence), but is effective as a reflective moment in a concert programme. Scored for SSA Choir.1'30More at www.dominicmcgonigal.com.
$1.99
1.83 €
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Choral 3-part
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Dominic McGonigal
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Song of Penitence
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C8 Music
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SheetMusicPlus
Song of Penitence (ABarB)
Choral 3-part
Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.1348726 Composed …
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Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.1348726 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary,Lent,Religious. 3 pages. C8 Music #933509. Published by C8 Music (A0.1348726). A reflective piece bringing out the beauty of poet Euan Tait's words - I am calling out to you, afraid: but I know the journey is mercy. All three parts intermingle with melody and harmony intertwined. Song of Penitence was commissioned for liturgical use (Ash Wednesday, Lent, penitence), but is effective as a reflective moment in a concert programme. Scored for ABarB Choir.1'30More at www.dominicmcgonigal.com.
$1.99
1.83 €
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Choral 3-part
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Dominic McGonigal
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Song of Penitence
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C8 Music
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SheetMusicPlus
Song of Penitence (SAB)
Choral 3-part
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1298783 Composed by …
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1298783 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 3 pages. C8 Music #888651. Published by C8 Music (A0.1298783). A reflective piece bringing out the beauty of poet Euan Tait's words - I am calling out to you, afraid: but I know the journey is mercy. All three parts intermingle with melody and harmony intertwined. Song of Penitence was commissioned for liturgical use (Ash Wednesday, Lent, penitence), but is effective as a reflective moment in a concert programme. There is more beautiful new music at www.dominicmcgonigal.com.
$1.99
1.83 €
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Choral 3-part
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Dominic McGonigal
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Song of Penitence
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C8 Music
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SheetMusicPlus
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