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You've selected:
Can't You Hear Me Callin'
Sheetmusic to print
13 sheet music found
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1
Can't You Hear Me Callin'
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.556812 By Bill Monroe. By Bill Monroe. …
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Guitar - Level 2 - Digital Download SKU: A0.556812 By Bill Monroe. By Bill Monroe. Arranged by PianoSheetNow. 20th Century,Contemporary,Country. Guitar Tab. 3 pages. PianoSheetNow #5732317. Published by PianoSheetNow (A0.556812). Can't You Hear Me Callin by William Smith Monroe (September 13, 1911 – September 9, 1996) American mandolinist, singer, and songwriter, who created the style of music known as Bluegrass.For Guitar solo or Guitar and voice.With melody line and lyrics. With guitar chords.With standard notation and tablature.
$4.99
4.67 €
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Guitar notes and tablatures
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Bill Monroe
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Can't You Hear Me Callin'
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PianoSheetNow
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SheetMusicPlus
Can't You Hear Me Callin'
Melody line, (Lyrics) and Chords
C Instrument,Voice - Digital Download SKU: HX.1069400 This edition: scorch. Country…
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C Instrument,Voice - Digital Download SKU: HX.1069400 This edition: scorch. Country,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #117240. Published by Hal Leonard - Digital (HX.1069400).
$1.99
1.86 €
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Melody line, (Lyrics) and Chords
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Can't You Hear Me Callin'
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Hal Leonard - Digital
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SheetMusicPlus
Can't You Hear Me Callin' (arr. Fred Sokolow)
Banjo
Arranged by Fred Sokolow. This edition: scorch. Country. Score. 1 pages. Hal Leonard -…
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Arranged by Fred Sokolow. This edition: scorch. Country. Score. 1 pages. Hal Leonard - Digital #117240. Published by Hal Leonard - Digital
$2.99
2.8 €
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Banjo
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Can't You Hear Me Callin'
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Hal Leonard - Digital
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SheetMusicPlus
Can't You Hear Me Callin'
Guitar notes and tablatures
By Bill Monroe. Arranged by David Hamburger. Country. GTRSO. 2 pages. Published by Hal Leo…
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By Bill Monroe. Arranged by David Hamburger. Country. GTRSO. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.67 €
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Guitar notes and tablatures
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Bill Monroe
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Can't You Hear Me Callin'
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Bill Monroe: Can't You Hear Me Callin' (arr. Fred Sokolow) - banjo solo
Banjo
Instantly printable sheet music by Bill Monroe for banjo solo of MEDIUM skill level. / cou…
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Instantly printable sheet music by Bill Monroe for banjo solo of MEDIUM skill level. / country
$3.97
3.71 €
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Banjo
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Bill Monroe
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Virtualsheetmusic
Bill Monroe: Can't You Hear Me Callin' - voice & other instruments (real book with lyrics)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Bill Monroe for voice & other instruments (real boo…
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Instantly printable sheet music by Bill Monroe for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country,jazz
$2.97
2.78 €
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Melody line, (Lyrics) and Chords
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Bill Monroe
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Virtualsheetmusic
Bill Monroe: Can't You Hear Me Callin' for guitar solo
Guitar
Instantly printable sheet music by Bill Monroe for guitar solo of MEDIUM skill level. / co…
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Instantly printable sheet music by Bill Monroe for guitar solo of MEDIUM skill level. / country
$6.97
6.52 €
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Guitar
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Bill Monroe
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Virtualsheetmusic
Somebody Told Me
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1268999 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Claudio Mascaro. Pop,Rock. 19 pages. Claudio Mascaro #861533. Published by Claudio Mascaro (A0.1268999). Calling all music rebels and string quartets with a taste for rock 'n' roll! Prepare to set the stage ablaze with the electrifying String Quartet Score of Somebody Told Me by The Killers - a fiery rendition that'll have audiences banging their heads and cheering for an encore!Rock 'n' Roll Showstopper:Unleash the rebellious spirit of rock 'n' roll with Somebody Told Me. This explosive arrangement packs the punch, power, and raw energy that define this iconic rock anthem. Your quartet will transform the stage into a musical powerhouse, leaving jaws dropped and hearts pounding.Strings Infused with Rock Fury:This sheet music captures the essence of The Killers' rock masterpiece while showcasing the exquisite harmony of classical strings. From the fierce violins to the soulful viola, the thundering cello to the heart-pounding basslines, your quartet will breathe new life into this chart-topping hit.Empower Every Musician:Let each member of your quartet shine as they embrace the spirit of rock 'n' roll. The expertly crafted notation ensures that players of all skill levels can embrace the adrenaline rush, channeling their inner rockstar and captivating audiences with a jaw-dropping performance.Unforgettable Rock Fusion:Witness the magic as classical strings intertwine with rock 'n' roll fury. Somebody Told Me sets the stage for an unforgettable experience, blurring the lines between genres and creating a performance that will be etched in memory.From Chamber to Rock Arena:Â This edgy quartet score is a versatile powerhouse. Whether you're performing at an intimate chamber concert or rocking out on a grand stage, Somebody Told Me will elevate your quartet's reputation and leave a trail of mesmerized fans in its wake.Your Ticket to Rock 'n' Roll Fame:Take a leap into the rock 'n' roll limelight with Somebody Told Me. This electrifying quartet score is your ticket to musical stardom, setting the standard for jaw-dropping performances that'll leave your audience begging for more.Ready to Rock the Quartet World?Don't miss the chance to add this epic rock arrangement to your quartet's repertoire. Embrace the fusion of rock 'n' roll and classical strings, and let Somebody Told Me be the showstopper that takes your quartet to new heights!Grab your String Quartet Score now and let the rebellious spirit of rock 'n' roll roar through your quartet's strings! Get ready to rock the stage with The Killers' electrifying hit!
$12.99
12.15 €
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String Quartet: 2 violins, viola, cello
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The Killers
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Somebody Told Me
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Claudio Mascaro
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SheetMusicPlus
Footprints In The Garden
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
$4.99
4.67 €
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Piano, Voice
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Cheryl Prazak
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Footprints In The Garden
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Cheryl Prazak
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.73 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Sunflower (from "Spider-Man: Into the Spider-Verse")
Piano solo
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone &am…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Post Malone & Swae Lee. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
Here's how to play "Sunflower" by Post Malone & Swae Lee on piano (from "Spider-Man: Into the Spider-Verse")!<br> <br> With this piano sheet music, you can play the entire song on piano.<br> <br> It's not easy to create a "Sunflower" piano arrangement that actually sounds great - I worked hard on piano version, and must say I'm pretty happy with the result!<br> <br> The full melody is included in the piano part, and these sheets come with the song's full lyrics.<br> <br> "Sunflower" is a song from the soundtrack to the 2018 superhero film "Spider-Man: Into the Spider-Verse".<br> <br> The film received a Golden Globe ("Best Animated Feature Film") and an Academy Award nomination.<br> <br> Here are the full lyrics to the song:<br> <br> [Intro: Swae Lee]<br> Ayy, ayy, ayy, ayy (Ooh)<br> Ooh, ooh, ooh, ooh (Ooh)<br> Ayy, ayy<br> Ooh, ooh, ooh, ooh<br> <br> [Verse 1: Swae Lee]<br> Needless to say, I keep it in check<br> She was a bad-bad, nevertheless (Yeah)<br> Callin' it quits now, baby, I'm a wreck (Wreck)<br> Crash at my place, baby, you're a wreck (Wreck)<br> Needless to say, I'm keeping in check<br> She was a bad-bad, nevertheless<br> Callin' it quits now, baby, I'm a wreck<br> Crash at my place, baby, you're a wreck<br> Thinkin' in a bad way, losin' your grip<br> Screamin' at my face, baby, don't trip<br> Someone took a big L, don't know how that felt<br> Lookin' at you sideways, party on tilt<br> Ooh-ooh, some things you just can't refuse<br> She wanna ride me like a cruise and I'm not tryna lose<br> <br> [Chorus: Swae Lee]<br> Then you're left in the dust, unless I stuck by ya<br> You're a sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower<br> <br> [Verse 2: Post Malone]<br> Every time I'm leavin' on ya (Ooh)<br> You don't make it easy, no (No, no)<br> Wish I could be there for ya (Ooh)<br> Give me a reason to, oh (Oh)<br> Every time I'm walkin' out (Oh)<br> I can hear you tellin' me to turn around (Oh, oh)<br> Fightin' for my trust and you won't back down (No)<br> Even if we gotta risk it all right now, oh (Now)<br> I know you're scared of the unknown (-Known)<br> You don't wanna be alone (Alone)<br> I know I always come and go (And go)<br> But it's out of my control<br> <br> [Chorus: Post Malone]<br> And you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, I think your love would be too much<br> Or you'll be left in the dust, unless I stuck by ya<br> You're the sunflower, you're the sunflower (Yeah)
$4.99
4.67 €
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Piano solo
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Post Malone & Swae Lee
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Swae Lee
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Sunflower
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Mario Stallbaumer
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SheetMusicPlus
Shine A Light In The Darkness
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.942922 Composed by Rick Lee Jam…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.942922 Composed by Rick Lee James. Arranged by Rick Lee James. Gospel,Praise & Worship,Rock. Score. 4 pages. Voices In My Head Productions LLC #6443759. Published by Voices In My Head Productions LLC (A0.942922). Shine A Light In The DarknessVerse 1You’ve been ignoring the truth you knowBeen a pretender for way too longYou’ve gotta be what you claim to beAre you a son of hell or a child of the KingVerse 2After the lies you said were trueThe compromise you waved on throughI know you’re wishing for something newBut The ancient roads are calling youYeah same old love is crying out to you sayingChorusWhere there is hatred let us loveWhere there is doubt let us trustWhere there is cursing let us blessLet us bravely walk through the shadow of deathShine a light in the darknessVerse 3You’ve burned bridges and destroyed the roadsThere’s nowhere left for you to goYou’ve held grudges and their dragging you downIf you don’t let go then you’re sure to drownBut it’s not too late to turn it all aroundBridgeIt’s time to let all the fighting ceaseTake up your cross and follow meCome on and see what see what love can bringThe lame to walkThe blind to seeThe deaf to hearThe mute to speakThe mourners cheerThe lepers cleanThe prisoners set freeTagShine a light in the darknessEndingShine a lightCCLI Song # 7177171Rick Lee James© James, Rick Lee
$4.99
4.67 €
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Piano, Vocal and Guitar
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Rick Lee James
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Shine A Light In The Darkness
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Voices In My Head Productions LLC
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SheetMusicPlus
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